forget blue chip art its a red chip art world now 2607301

The article introduces and defines the concept of "red-chip art," a new category of art collecting that rejects traditional art-historical reverence in favor of aesthetics rooted in street art, graffiti, super-flat cartoons, multi-colored chrome, and crypto culture. It describes red-chip collectors as mysteriously affluent millennials, techies, hip-hop visionaries, and crypto aspirants who gravitate toward artworks that resemble toys, limited-edition dolls, NFTs, and memecoins, often consumed at venues like the Eden Fine Art gallery at the Wynn in Las Vegas or parties during Art Basel Miami Beach. Key artists associated with this movement include KAWS, George Condo, Virgil Abloh, Tom Sachs, Alex Israel, Damien Hirst, Harmony Korine, Yoshitomo Nara, and Banksy, with Jeff Koons and Takashi Murakami seen as transitional "purple chip" figures.

Melding Chinese lacquer with European abstraction

A collateral exhibition titled "Alchemical Universe" at the Palazzo Soranzo Van Axel in Venice features 35 lacquer paintings by Chinese-German artist Su Xiaobai. Curated by Stephen Little of the Los Angeles County Museum of Art (Lacma) and designed by architect Kulapat Yantrasast, the show spans Su's early experiments to recent works created for Venice, including suspended temple tiles and floor pieces on mirrored Murano glass. Su, who was advised by Gerhard Richter in 2003 to focus on lacquer, now works exclusively in the medium, layering and scoring tree sap to create contemplative abstract works.

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White Cube has announced the representation of Navajo artist Emmi Whitehorse, who will be represented alongside her New York gallery, Garth Greenan. The partnership follows Whitehorse’s successful solo exhibition at White Cube’s Paris space and her inclusion in the 2024 Venice Biennale. The gallery plans to debut new work, including the painting "Father Sky meets Mother Earth," at its Art Basel Hong Kong booth later this month.

Éliane Radigue, Electronic Music Pioneer, Dies at 94

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Éliane Radigue, a pioneering French composer and electronic music visionary, has died at the age of 94 in Paris. A student of musique concrète founders Pierre Schaeffer and Pierre Henry, Radigue became renowned for her meditative, long-form compositions created primarily on the ARP 2500 modular synthesizer. Her work, deeply influenced by Tibetan Buddhism, focused on the subtle, sculptural qualities of sound and "barely perceptible" sonic shifts.

Ten years on, Tefaf New York still stands out from the crowd

Tefaf New York returns to the Park Avenue Armory from 15 to 19 May, bringing together 88 exhibitors from 14 countries. The fair, which launched in 2016 as a two-part event and consolidated into a single annual edition in 2022, spans Greco-Roman antiquities, jewellery, 20th-century design, and contemporary art. This year’s edition includes nine new exhibitors such as David Lévy, Larkin Erdmann, Piano Nobile, Macklowe Gallery, and ML Fine Art, and sees the return of John Berggruen after a three-year absence. Fair leadership, including director Leanne Jagtiani and head of fairs Will Korner, emphasize the fair’s distinctive focus on Modern art, which they say differentiates it from other spring fairs in New York that are more heavily weighted toward contemporary work.

Expo Chicago’s local focus pays off as Midwestern collectors, institutions buoy sales

The latest edition of Expo Chicago has reinforced its reputation as a curator-centric fair, with more than half of its booths dedicated to curated or thematic sections. Under the leadership of new director Kate Sierzputowski, the fair integrated institutional voices directly into the floor plan through sections like 'Embodiment,' curated by Louise Bernard of the Obama Presidential Center. This strategic focus on curation and local institutional ties resulted in strong early sales, including works by María Magdalena Campos-Pons, Torkwase Dyson, and Ambreen Butt, with several pieces acquired by American institutions.

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Gordon Robichaux, a gallery located on the ninth floor of a high-rise in New York's Union Square, has opened two exhibitions dedicated to the late artist and curator Jenni Crain, who died suddenly from Covid-19 in 2021 at age 30. The shows feature an unrealized floor sculpture by Crain, completed by her foundation and collaborators, and an untitled exhibition including works by artists who influenced her, such as Tee Corinne, March Avery, and Kate Millett. The gallery is also dedicating its booth at Frieze New York to Crain, highlighting her role as a friend, curator, and salesperson during the gallery's early years.

magdalene odundo interview 2718381

Magdalene Odundo, the 75-year-old Kenyan-born British ceramic artist, discusses her lifelong practice and the cultural and spiritual significance of the ceramic vessel in a recent interview at her studio in Farnham, England. Her career has reached new heights following a record auction result this past summer, when an untitled 1990 piece sold for £723,900 ($995,462) at Sotheby's London, nearly tripling its estimate. This milestone coincides with her debut solo exhibition at Xavier Hufkens in Brussels, running until January 24, featuring works including the large-scale installation Transition II (2014) with 1,001 miniature glass vessels.

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A deadly fire in Hong Kong's Tai Po district, which killed at least 159 people and left 31 missing, has sparked an online battle over the role of bamboo scaffolding in the blaze. Photographer Elaine Li and other artists, architects, and cultural historians are defending the centuries-old craft against early news reports that implicated it, fearing it may be unfairly blamed and regulated out of existence. Officials have ordered all scaffolding mesh removed and arrested 21 people on suspicion of manslaughter, but the conversation has grown into a broader fight to protect a cultural symbol of Hong Kong's identity.

Appropriation Culture: Richard Prince and Arthur Jafa

An upcoming exhibition at ArtReview pairs artists Richard Prince and Arthur Jafa to explore the ethics and aesthetics of image appropriation. Jafa's work, such as the video "Love is the Message, The Message is Death" (2016), uses found footage of police violence and Black cultural icons, while Prince's "Girlfriends" series rephotographs amateur snapshots from biker magazines. Jafa has cited Prince as a key influence on his own practice of transposing images across contexts.

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Frieze Seoul returns for its fourth edition at Coex from September 3 to 6 with 120 galleries, maintaining last year's scale. Asian galleries now represent 64 percent of exhibitors, up from 48 percent, signaling a stronger regional identity. Notable non-returning galleries include Blum, Karma, and Neugerriemschneider. Meanwhile, Kiaf Seoul will run concurrently with 176 exhibitors, and Art021 Group suspended its 2025 Hong Kong show after a single edition. Gallery Weekend Beijing concluded its ninth edition with a new invitation-only model, and several Asian-rooted artists are featured in London Gallery Weekend. New institutions opened, including the Photography Seoul Museum of Art and the Naoshima New Museum of Art, while the inaugural Bukhara Biennial program was announced.

The 9 Exhibitions to See in April 2026

ArtReview's editors have selected nine notable exhibitions opening globally in April 2026, highlighting shows that explore materiality, memory, and political history. Featured exhibitions include "Several Eternities in a Day: Form in the Age of Living Materials" at the Hammer Museum in Los Angeles, showcasing artists using organic materials rooted in Brown and Indigenous thinking; a major Veronica Ryan retrospective at London's Whitechapel Gallery; and a historical exhibition in Prague revisiting Jiří Kolář's contested participation in the 1969 São Paulo Bienal under Brazil's military dictatorship.

In Venice, Arthur Jafa and Richard Prince Ask: What Is Appropriate to Appropriate?

Arthur Jafa and Richard Prince are showing their work together in a joint exhibition titled "Helter Skelter" at the Fondazione Prada in Venice. Curated by Nancy Spector, the show explores the artists' shared practice of appropriation, a connection that began when Prince attended the debut of Jafa's video work AGHDRA (2021) and later deepened through conversations about race, property, and self-authorization. Jafa has long admired Prince's approach, calling him "the blackest white artist I know," and the exhibition pairs their works to examine how appropriation functions differently for a Black artist versus a white artist.

Au musée Picasso, l’artiste africain-américain Henry Taylor dévoile sa peinture d’un quotidien troublé par la violence

The Musée Picasso in Paris is hosting a retrospective of African American artist Henry Taylor, running until September 6. The exhibition centers on Taylor's 2007 painting *From Congo to the Capital, and Black Again*, a bold reimagining of Picasso's *Les Demoiselles d'Avignon* that replaces the original figures with darker-skinned women and introduces Josephine Baker and a white man's arm. The show follows the museum's series on African American painting, after Faith Ringgold in 2023 and ahead of a Harlem Renaissance exhibition in 2027.

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The Aldrich Contemporary Art Museum in Ridgefield, Connecticut, has announced a new recurring exhibition series called the Aldrich Decennial, which will take place every ten years. The inaugural edition, titled “I am what is around me,” runs from June 7, 2026, to January 10, 2027, and features 40 artists living and working in Connecticut who have not previously exhibited in the state. Organized by chief curator Amy Smith-Stewart and curatorial and publications manager Caitlin Monachino, the survey spans the museum’s entire campus and includes high-profile names such as Dominic Chambers, Tammy Nguyen, Em Rooney, Aki Sasamoto, and Julia Wachtel, with artists ranging in age from Lucy Sallick (born 1937) to Remy Sosa (born 1995).

Are We Too Reverent of Marcel Duchamp?

The Museum of Modern Art has launched a major retrospective of Marcel Duchamp, co-organized with the Philadelphia Museum of Art. The exhibition tracks the artist's evolution from his early Cubist experiments and the scandal of 'Nude Descending a Staircase' to his radical invention of the readymade, exemplified by the infamous urinal, 'Fountain'. The show presents a comprehensive look at 'The Duch' through a reverential, church-like atmosphere, concluding with his later years as a dapper, enigmatic figure of the avant-garde.

Why I Wanted to Meet Thaddeus Mosley

The author recounts their personal journey to meet the self-taught sculptor Thaddeus Mosley, driven by a profound impression left by his 2004 New York debut exhibition. After a late-night phone call revealed Mosley's vibrant spirit, the author reflects on the artist's decades-long practice of carving salvaged wood into towering, abstract sculptures in Pittsburgh, inspired by jazz, African visual culture, and modernist art, yet operating largely outside the mainstream art world.

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Southern Guild, the prominent Cape Town gallery co-founded by Trevyn and Julian McGowan, is opening a new outpost in a restored 19th-century Tribeca townhouse on Leonard Street in New York. The expansion comes as the gallery closes its Los Angeles space, a move the McGowans describe as instinctive rather than strategic. The new space, with its sixteen-foot ceilings and exposed brick, represents a leap of faith amid a challenging 2025 art market marked by gallery closures and industry retrenchment.

work of the week pablo picasso tete dhomme a la pipe 2645263

Loïc Gouzer, founder of the auction app Fair Warning, partnered with Christie's to sell Pablo Picasso's drawing *Tête d'homme à la pipe* (1971) in a hybrid in-person and digital auction on May 15. The work, estimated at $6–8 million, hammered for $6.6 million ($7.79 million with fees) to a phone bidder at Coco's at Colette in New York's GM Building, with Jussi Pylkkänen officiating. Notable attendees included collectors Alberto Mugrabi and David Mugrabi, and dealer Joseph Nahmad. The drawing, executed two years before Picasso's death, depicts a musketeer inspired by *The Three Musketeers* and had never been auctioned before.

nea funding cuts 2640963

President Donald Trump has proposed eliminating the National Endowment for the Arts (NEA), and arts organizations across the U.S. are already feeling the impact. After a White House budget request in May that excluded the NEA, dozens of institutions received abrupt termination notices for their grant applications, with the NEA citing a shift in policy priorities to focus on projects reflecting the nation's artistic heritage as prioritized by the President. In protest, many senior NEA staff resigned or were asked to retire, leaving the agency in disarray. The cuts are part of broader federal efforts to defund cultural agencies, including the Kennedy Center, the Smithsonian, and the National Endowment for the Humanities, which has seen a 70-80 percent staff reduction and canceled over a thousand grants. Private foundations like the Mellon Foundation and the Helen Frankenthaler and Andy Warhol Foundations have launched emergency funding programs, but the consequences for artists, educators, and community organizations are immediate and destabilizing.

tehran galleries close israel air strike iran 1234745136

Galleries across Tehran have begun closing their doors indefinitely following Israel's Friday air strike on the Iranian capital's nuclear and military facilities. Iran retaliated with dozens of missiles toward Israeli territory, calling the strikes a 'declaration of war.' Shirin Gallery postponed two exhibitions, including 'Uncollective Memories' by Leila Yaghoubi and 'Endless Joy' by Mazyar Tahouri. Laleh Gallery postponed its group show 'New Saghakhaneh,' while Moshen Gallery, Hoor Gallery, and Bavan Gallery announced closures until further notice. Ab-Anbar, a Tehran-rooted gallery now based in London, instead opened its doors for a community lunch. The Israel Museum in Jerusalem and the Tel Aviv Museum of Art also closed indefinitely citing national security guidelines.

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Artist and activist Michele Pred has opened a solo exhibition at Nancy Hoffman Gallery in New York, showcasing a body of work that addresses the erosion of civil and reproductive rights. The exhibition features her signature electroluminescent wire-stitched vintage handbags, sculptures made from found objects like wooden gavels and disarmed bullets, and large-scale inflatable abortion pill sculptures. Pred’s practice, rooted in her upbringing between California and Sweden, utilizes approachable domestic objects to deliver urgent political messages regarding bodily autonomy and social justice.

These Are the Exhibitions to See During Frieze Los Angeles 2026

Frieze Los Angeles 2026 has sparked a city-wide surge of artistic activity, characterized by large-scale artist-led group shows and the creative reclamation of non-traditional spaces. Key highlights include the transformation of a massive abandoned 99 Cents Only store into a chaotic exhibition featuring over 120 artists, a sprawling video art installation across six floors of a historic vaudeville theater, and major collection surveys focusing on influential women and artists of color.

Several Eternities in a Day: Form in the Age of Living Materials

The Hammer Museum in Los Angeles presents "Several Eternities in a Day: Form in the Age of Living Materials," a spring 2026 exhibition running from April 5 to August 23. Curated by Jill Spalding, the show features works by artists including Edgar Calel, Guadalupe Maravilla, Carmen Argote, and others, exploring the concept of "Brownness"—a fluid identity rooted in ancestral memory, animal kinship, and a profound connection to living materials. The exhibition is organized into three acts: large-scale installations, paintings and works on paper, and ceramics, offering a visceral and immersive experience that draws on precolonial traditions across the Americas.

Hydrojustice: A Review

A Non-Aspirational Justice: Review of Hydrojustice

The article is a critical review of Andreas Philippopoulos-Mihalopoulos's book 'Hydrojustice,' which uses the concept of water as a lens to critique traditional, top-down legal justice and propose a more fluid, collective, and embodied alternative. The review frames this analysis through the recent erasure of a Banksy graffiti piece on the London Courts of Justice, which depicted a judge violently silencing a protester.

Adelaide Biennial of Australian Art 2026 Review: Up Close and Personal

The 2026 Adelaide Biennial of Australian Art, titled 'Yield Strength,' features 24 artists across three venues, curated by Ellie Buttrose. The exhibition explores resilience under political and social pressures, with works like Erika Scott's fused assemblages from discarded domestic items, Jennifer Matthew's steel construction that manipulates visitor movement, and Nathan Beard's silicone arms critiquing exoticization of Thai culture. The title borrows an engineering term for the point at which materials transform under stress, reflecting the show's focus on art that strains formal boundaries without breaking.

get up stand up artists jamaica los angeles auction 1234774218

CORE and TBA21 Thyssen-Bornemisza Art Contemporary are launching "Get Up Stand Up: Artists for Jamaica and Los Angeles," a high-profile benefit auction scheduled for February 26 during L.A. Art Week. The event features over 20 works by major contemporary artists including Henry Taylor, Hank Willis Thomas, and Nari Ward, with a live sale led by auctioneer Simon de Pury. Proceeds will fund long-term recovery efforts following Hurricane Melissa in Jamaica and recent wildfires in Los Angeles, as well as CORE’s ongoing emergency response work.

hammer museum leadership michael wellen regan pro 1234771915

The Hammer Museum in Los Angeles has appointed Michael Wellen as its new chief curator and Regan Pro as chief of learning, engagement, and research. Wellen joins from Tate Modern, while Pro was previously at the Lucas Museum of Narrative Art. The appointments fill key leadership roles that had been vacant, with the chief curator position open since 2023.

super bowl lx jeffrey gibson public art commission 1234770518

The Institute of Contemporary Art San Francisco announced a major public art commission by Jeffrey Gibson for Super Bowl LX festivities. The work, an adaptation of Gibson's 2022 video installation "THIS BURNING WORLD," will be installed as a 433-foot-long vinyl mural on the former Bloomingdale's building at San Francisco Centre, wrapping an entire city block. It will be fully unveiled on February 2, 2026, coinciding with the FOG Design+Art Fair. The project is funded by the San Francisco Downtown Development Corporation and the Yerba Buena Partnership, which have previously supported public art by Sarah Sze and Hank Willis Thomas.

beverly buchanan athens disabled economy exchange mo costello katz tepper 1234770440

Beverly Buchanan, who lived in Athens, Georgia for over 20 years, often paid for everyday needs with her artworks, trading them with her doctor and local community members. A new exhibition titled "Beverly's Athens" at the University of Georgia's Athenaeum showcases works borrowed from local collections, including pieces from her doctor's personal collection and sculptures from her own backyard. The show features her flower drawings, which her dealer Betty Parsons once rejected, as well as her "ruins" sculptures and archival footage of her garden. Curators Mo Costello and Katz Tepper, both artists who are chronically ill, organized the exhibition to highlight Buchanan's ecosystem of exchange and survival.