A tale of two Annas: Van Gogh’s favourite Whistler painting stars in Tate Britain show

Tate Britain will open a major exhibition titled *James McNeill Whistler* on 21 May, running through 27 September, before traveling to the Van Gogh Museum in Amsterdam (16 October–10 January 2027) under the subtitle *Dandy and Disrupter*. The show’s centerpiece is Whistler’s iconic *Arrangement in Grey and Black no. 1* (commonly known as *Portrait of the Painter's Mother*), on loan from the Musée d’Orsay in Paris and displayed in its original frame designed by the artist. The article explores Vincent van Gogh’s admiration for the painting—he wrote to his sister Wil in 1889 that it reminded him of their own mother—and traces the work’s connections to the Goupil gallery (later Boussod & Valadon), where both Vincent and his brother Theo worked.

One of Van Gogh’s greatest watercolours could achieve a record price

Sotheby's New York will auction Vincent van Gogh's watercolor *The Harvest in Provence* (June 1888) on May 19, with an estimate of $25–35 million. The work, larger and more elaborate than a related watercolor at Harvard, was created just days before van Gogh's celebrated oil painting of the same scene. It is signed and titled, suggesting the artist considered it a finished piece rather than a mere study, and he sent it to his brother Theo before completing the oil version.

Rare early photographs reveal lost sites featured in Van Gogh’s paintings

Two rare photographic albums taken by art critic Gustave Coquiot in 1922 have been acquired by the newly established Van Gogh Academy in Auvers-sur-Oise, France, and are now on display. The images capture many of the sites in Arles that Vincent van Gogh painted in the late 1880s, including the Yellow House, the Langlois Bridge, and the Rhône riverbank. Several of these locations were later destroyed during World War II or by modernization, making Coquiot's photographs valuable historical records of Van Gogh's original subjects.

The village where Van Gogh spent his final days celebrates its most distinguished visitor

An exhibition titled "Van Gogh, Influencer: Legacies in Motion" has opened at the Château of Auvers-sur-Oise, the village near Paris where Vincent van Gogh spent his final 70 days and died by suicide in July 1890. The show, running until 3 January 2027, features nearly a hundred works by artists influenced by Van Gogh, including Léonide Bourges, Charles-François Daubigny, and Léo Gausson, though no original Van Gogh paintings are included. Curated by Wouter van der Veen, the exhibition explores visual parallels and stylistic contrasts between Van Gogh’s iconic works—such as *Church at Auvers* and *Wheatfield with Crows*—and those of his contemporaries and followers.

Slags, bings and pipelines: Edinburgh landscape offers fitting backdrop for exhibition on fossil fuel extraction

Jupiter Artland, a sculpture park and gallery near Edinburgh, Scotland, is hosting the exhibition "Extraction" (through July 26), which examines the impact of fossil fuel extraction on landscapes and culture. Set against a backdrop of historic shale oil bings, North Sea oil pipelines, and modern wind farms, the show features five artists who explore energy histories through nuanced, non-polemical lenses. Glasgow-born painter Siobhan McLaughlin uses earth pigments gathered from the nearby Five Sisters Bing to create works like "Date of Exhaustion" (2025) and "Pioneer Species" (2025), turning mining waste into art that reflects on memory, ecology, and regeneration.

A Dutch museum has just put its fake Van Gogh on show

The Kröller-Müller Museum in Otterlo has broken traditional museum protocol by placing a known forgery, "Seascape at Saintes-Maries-de-la-Mer," on public display. Acquired in 1928 by museum founder Helene Kröller-Müller from the notorious Berlin dealer Otto Wacker, the painting was eventually exposed as a fake created by Wacker’s brother, Leonhard. The exhibition, which runs until June 21, coincides with a new podcast detailing the history of the acquisition and the subsequent fraud trial that rocked the art world in the 1930s.

The story behind Iran’s only Van Gogh: ‘At Eternity’s Gate'

A rare, inscribed lithograph by Vincent van Gogh, 'At Eternity's Gate,' resides in the collection of the Tehran Museum of Contemporary Art. The work, one of only seven surviving examples, was acquired in 1975 by Farah Pahlavi, the wife of the Shah of Iran, for the museum. It passed through notable hands, including those of US Vice President Nelson Rockefeller, before arriving in Tehran just before the 1979 Iranian Revolution.

omai portrait joshua reynolds national portrait gallery fundraising campaign

The National Portrait Gallery (NPG) in London is in a last-minute push to raise £50 million ($60 million) to acquire Joshua Reynolds's 1776 portrait of Omai, a Polynesian visitor to Britain, before a temporary export ban expires on March 10. Despite raising roughly £25 million through a grassroots campaign involving public donations, a £2.5 million grant from the Art Fund, and £10 million from the National Heritage Memorial Fund, the NPG remains short of its goal and is reportedly in secret talks with the Getty Museum to jointly purchase the painting.

Comment | Beryl Cook UK retrospective shows there is much more to the artist than amazing bums

A major retrospective of Beryl Cook's work, titled "Pride and Joy," is on view at The Box in Plymouth, UK. The exhibition showcases the self-taught artist's vibrant paintings of plus-sized, joyful women in social settings, challenging the long-held art-world snobbery that previously excluded her work from major institutions like the Tate.

30 portraits of queen elizabeth ii

On September 9, 2015, Queen Elizabeth II became the longest-reigning monarch in British history, surpassing Queen Victoria. To mark the occasion, the Royal Collection opened a photography exhibition titled “Long to Reign over Us,” featuring posed portraits and casual family shots of the Queen. Artnet News compiled 30 favorite photos and paintings of the monarch, including works by Cecil Beaton, Andy Warhol, and royal photographer Mark Stewart, highlighting her decades-long reign and her ease in front of the camera.

What’s Gone Wrong in the Glasgow Art Scene?

Rachel Ashenden surveys the precarious state of Glasgow's visual arts scene in March 2026, following the liquidation and closure of the Centre for Contemporary Arts (CCA) after years of mismanagement, a winter shutdown in 2024, and a protest by Arts Workers for Palestine Scotland that led to arrests. She visits artists and organizers across the city, including Rae-Yen Song's exhibition at Tramway, which evolved from a research show at the now-closed CCA, and speaks with Transmission co-founder Alastair Strachan about the city's artist-led legacy.

Eyecatchers and Discoveries

Eyecatcher und Entdeckungen

The 42nd edition of Art Brussels has scaled down to 138 exhibitors from 165 in 2025, responding to a sluggish contemporary art market and economic uncertainty. The fair introduces a new section called 'Horizonte,' curated by Devrim Bayar of Kanal Centre Pompidou, featuring six large-scale installations including Pao Hui Kao's delicate paper-and-lacquer refuge and Oswald Oberhuber's €380,000 panoramic painting 'Paradiesgarten.' Galleries are now consolidated into one hall, with fewer blue-chip participants but a continued focus on living artists (95% of the 500 shown). Notable presentations include Xavier Hufkens' solo show of Cassi Namoda, Krinziger's works by Marina Abramović and Monica Bonvicini, and Richard Saltoun's historical mix of Fernand Khnopff, Everlyn Nicodemus, and Suzanne Van Damme.

London Art Exhibitions 2026 An Artlyst Month by Month Guide

Artlyst has published a comprehensive month-by-month guide to art exhibitions opening in London throughout 2026. Highlights include solo shows by Lucian Freud, David Hockney, and Anish Kapoor; surveys of women artists such as Tracey Emin, Frida Kahlo, Rose Wylie, Cecily Brown, and Chiharu Shiota; and historical exhibitions featuring Stubbs, Whistler, and Renoir. The guide also covers the opening of the new V&A East, a major samurai exhibition at the British Museum, a Freud drawing show at the National Portrait Gallery, an Aardman animation exhibition at Young V&A, a Lynda Benglis and Giacometti encounter at the Barbican Centre, and a Seurat seascape exhibition at the Courtauld Gallery.

Must-see Van Gogh exhibitions in 2026

Several major Van Gogh exhibitions are scheduled for 2026 across Japan and the Netherlands. In Nagoya, the Aichi Prefectural Museum of Art hosts "Van Gogh's Home: The Van Gogh Museum" (January–March), featuring 24 paintings and five drawings from the Amsterdam museum. Amsterdam's Van Gogh Museum presents "Yellow: More than Van Gogh's Favourite Colour" (February–May), exploring the color yellow through Van Gogh's Sunflowers and works by other artists. A touring exhibition from the Kröller-Müller Museum, "The Grand Van Gogh Exhibition," travels from Kobe to Fukushima and Tokyo with 37 paintings and 20 drawings. The Kröller-Müller Museum itself plans "All Van Goghs" (September 2026–January 2027), reuniting its entire collection for the first time since 1984. Den Bosch's Noordbrabants Museum examines Van Gogh's influence on Jan Sluijters in "Jan and Vincent: About Light" (October 2026–February 2027). Several ongoing exhibitions continue into early 2026, including "Van Gogh and the Roulins" and "Captivated by Vincent" at the Van Gogh Museum, and "Van Gogh and the Potato" in Den Bosch.

Huge Paris exhibition reveals David Hockney’s love of Van Gogh

A major exhibition at the Fondation Louis Vuitton in Paris, titled "David Hockney 25," showcases 400 works by the British artist, with a focus on the past 25 years of his career. The show highlights Hockney’s deep admiration for Vincent van Gogh, featuring a section called "The Great Wall" that includes 29 Van Gogh reproductions alongside works by other artists. Key pieces on display include Hockney’s portrait of his partner Jean-Pierre Gonçalves de Lima, inspired by Van Gogh’s "Sorrowing Old Man," and iPad drawings echoing Van Gogh’s sunflower still lifes. The exhibition runs until 31 August.

Why Helen Chadwick’s earthy, provocative art remains as vital as ever

Nearly 30 years after her death in 1996 at age 42, artist Helen Chadwick is receiving renewed attention with a major retrospective, "Helen Chadwick: Life Pleasures," at the Hepworth Wakefield. The exhibition spans two decades of her provocative work, including iconic pieces like "The Oval Court" (1984-86) and the chocolate fountain "Cacao" (1994). Chadwick was known for using unconventional materials—rotting organic waste, meat, hair, cleaning fluids—to explore identity, gender, and the sensuous body, often with irreverent humor. She was also a influential teacher at the Royal College of Art, Goldsmiths, Chelsea, and Central St Martins, mentoring artists such as Tracey Emin, Anya Gallaccio, Sarah Lucas, and Damien Hirst.

Louisa Buck

Louisa Buck, a prominent art critic and journalist, has been featured in a profile by The Art Newspaper, highlighting her career and contributions to art journalism. The article discusses her role as a columnist and critic, her insights into the contemporary art world, and her longstanding association with the publication.

Pioneering British photographer Julia Margaret Cameron honoured with a blue plaque in London

A blue plaque has been unveiled on the London home of pioneering British photographer Julia Margaret Cameron at 10 Chesham Place in Belgravia, celebrating her legacy. Cameron took up photography at age 48 and created iconic portraits of figures like Alfred Tennyson, Charles Darwin, and Thomas Carlyle, as well as images of her family and neighbors. The plaque was installed by English Heritage, with family members including musician Jules Cameron, singer Jasmine van den Bogaerde (Birdy), and artist Julian Bell attending the ceremony. Cameron's great-great-great-granddaughter Jules Cameron noted that the honor feels like a continuation of her work to fix presence in light and memory.

From ‘Game of Thrones’ to ‘Downton Abbey’—Iconic Costumes Go on View in Scotland

An exhibition titled "Costume Couture: Sixty Years of Cosprop" is opening at Dovecot Studios in Edinburgh, featuring over 80 iconic costumes from major film and television productions such as 'Game of Thrones,' 'Downton Abbey,' and 'Pirates of the Caribbean.' The show, which premiered last year in London, celebrates the six-decade legacy of the renowned costume house Cosprop, founded by Oscar-winning designer John Bright.

our favourite viral gen z marketing scripts

Museums and cultural institutions are participating in a viral social media trend where staff, often older guides or curators, deliver marketing scripts written entirely in Gen Z slang. The trend, which began with a video from England's Hever Castle in early September, has spread across TikTok and Instagram, with hundreds of organizations creating their own versions. Typical phrases include "no cap," "ate and left no crumbs," and "menty b," often accompanied by the "Millennial Pause" for comedic effect. The article highlights several examples, including the Poe Museum in Virginia and the New York Historical Society, and notes that the trend has expanded beyond the art world to include accountancy firms, donkey sanctuaries, and even the NYC Ferry.

Russia's 2026 Venice Biennale Will Not Open to the Public, and Other News.

Russia's pavilion at the 2026 Venice Biennale will be closed to the public for nearly the entire run of the exhibition (May 9–November 22), with access limited to a brief preview period for press and invited guests. Instead of physical access, visitors will experience the pavilion's project—titled 'The Tree Is Rooted in the Sky'—via video documentation displayed on exterior screens. The arrangement is widely seen as a compromise shaped by international sanctions and political backlash over Russia's return following its absence after the 2022 invasion of Ukraine. In other news, Matthieu Blazy unveiled his first Chanel cruise collection in Biarritz; San Francisco appointed Matthew Goudeau as its first-ever executive director of arts and culture; the Saudi Arabia Museum of Contemporary Art received a $490 million construction grant from Diriyah Company; and online auction sales grew 8 percent in 2025, generating $423.9 million.

Epstein files reveal Leon Black as a key collector of Van Gogh works

Newly released documents from the Jeffrey Epstein case reveal that billionaire investor and former Museum of Modern Art chairman Leon Black was a major private collector of works by Vincent van Gogh. The files detail his ownership of at least five significant Van Gogh pieces, including the painting 'Quarry near Saint-Rémy' and the drawing 'Garden with Flowers,' with a combined value exceeding $95 million by 2016.

Van Gogh’s ‘triple painting’ revealed by discoveries beneath the surface

Conservators at Rotterdam's Boijmans Van Beuningen Museum have discovered that Vincent van Gogh's painting *Poplars near Nuenen* (1885) conceals two earlier compositions: a moonlit view of a church tower and graveyard from July 1884, and a subsequent reworking in Paris in late 1886 that brightened the autumnal landscape. X-ray imaging revealed the original church scene, which Van Gogh painted over after his father's death. The final version, now restored after four years of conservation, goes on display on 7 February.

Van Gogh and café culture: 'The absinthes and brandies would follow each other in quick succession'

An exhibition titled 'Café Society: Art and Sociability in Belle Epoque Paris' is opening, featuring over 50 paintings that explore the role of cafés in late 19th-century Parisian social and artistic life. The show will travel from the Ordrupgaard museum in Copenhagen to two venues in the United States: the Dixon Gallery and Gardens in Memphis and the Joslyn Art Museum in Omaha.

Van Gogh shows in 2026: America, Japan and the Netherlands

A wave of Van Gogh exhibitions is scheduled for 2026 across the United States, Japan, and the Netherlands. Highlights include "Van Gogh’s Sunflowers: A Symphony in Blue and Yellow" at the Philadelphia Museum of Art (June–October 2026), featuring a rare loan of London's National Gallery version alongside Philadelphia's own. Amsterdam's Van Gogh Museum will present "Yellow: Beyond Van Gogh’s Colour" (February–May 2026), while the Kröller-Müller Museum in Otterlo will display all 88 Van Gogh paintings for the first time since 1984 in "Van Gogh, All Our Paintings" (September 2026–January 2027). In Japan, the Kröller-Müller's "The Grand Van Gogh Exhibition" tours Kobe, Fukushima, and Tokyo, and the Van Gogh Museum's "Van Gogh’s Home" is at Nagoya's Aichi Prefectural Museum of Art. Smaller shows take place at the Van Gogh House in Zundert, the Maison du Dr Gachet in Auvers-sur-Oise, and the Foundation Vincent van Gogh Arles.

Van Gogh in 2025: Record prices, memorable shows and the first Korean acquisition

The article reviews the Van Gogh year in 2025, highlighting several key developments. The Van Gogh Museum in Amsterdam faces potential closure unless the Dutch government increases its annual building subsidy from €8.5m to €11m, leading the museum to file a legal complaint. At auction, two Van Gogh paintings sold, with "Parisian Novels" (1887) fetching $62.7m at Sotheby's, a record for his Paris period, and eight drawings were sold, including "Sower in a Wheatfield with setting Sun" (1888) for $11.2m. Acquisitions included "Tarascon Stagecoach" (1888) given to LACMA via the Henry and Rose Pearlman Foundation, and "Head of a Peasant" (1885) bought by Korean-born gallery owner Hong Gyu Shin, marking the first known Van Gogh acquisition by a Korean.

‘Lust for Life’: The Van Gogh book designed to fit in pockets of US soldiers during the Second World War

Irving Stone's 1934 novel *Lust for Life*, a fictionalized biography of Vincent van Gogh, was published as an Armed Services Edition during World War II for U.S. soldiers. These pocket-sized books, measuring 11cm by 17cm, were designed to fit in uniform pockets and withstand harsh conditions. Over 123 million copies of various titles were printed from 1943 to 1947, with distribution including parachute drops to troops on Pacific islands and handouts to soldiers before the Normandy Landings. The surviving copies are scarce and often damaged, with browned pages and covers marked as U.S. government property, not to be resold.

Van Gogh’s family used an erotic Gauguin ceramic as a flower vase

A researcher at the Van Gogh Museum, Joost van der Hoeven, has revealed that Paul Gauguin's erotic ceramic, the Cleopatra Pot (winter 1887-88), was used as a flower vase by Vincent van Gogh's family. Gauguin brought the pot to Arles when he stayed with Van Gogh in 1888, and after Van Gogh's ear incident, Gauguin gave the pot to Vincent's brother Theo as a gift. The pot later remained with Theo's widow, Jo Bonger, and a photograph from 1925-26 shows it on her piano holding flowers, surrounded by still-life paintings.

Exclusive: Philadelphia Art Museum to host sensational Van Gogh exhibition featuring two ‘Sunflowers’

The Philadelphia Museum of Art will host a major exhibition titled *Van Gogh’s Sunflowers: A Symphony in Blue and Yellow* from June 6 to October 11, 2026, bringing together two iconic Sunflower paintings: the museum’s own turquoise-background version (January 1889) and the original yellow-background version (August 1888) from London’s National Gallery. This marks a rare international loan for the London painting, which has only traveled abroad four times since 1924. The exhibition will explore Van Gogh’s use of color and brushwork, and will reunite the two canvases in a triptych arrangement with *La Berceuse* (January 1889, Museum of Fine Arts, Boston), as originally envisioned by the artist in a letter to his brother Theo.

Van Gogh’s exuberant ‘Tarascon Stagecoach’ will be donated to a Los Angeles museum

The Henry and Rose Pearlman Foundation is donating 63 works to three major U.S. museums, led by Vincent van Gogh's *Tarascon Stagecoach* (October 1888). The painting will debut at the Los Angeles County Museum of Art (LACMA) from February 22 to July 5, 2026, then travel to the Brooklyn Museum of Art in autumn 2026 and New York's Museum of Modern Art in 2027. The work depicts a horse-drawn coach in Arles, was sketched in a letter to Van Gogh's brother Theo, and has a rich provenance including early ownership by sculptor Medardo Rosso and a journey to Uruguay as the first Van Gogh in the Americas.