‘Money! Glamour! Yachts! But not for me!’ Adrian Searle relives 30 glorious years as our chief art critic

Adrian Searle, the outgoing chief art critic for The Guardian, reflects on his 30-year career by recounting a vivid, personal montage of the art he has witnessed. He describes unforgettable encounters with works ranging from Vermeer's intimate paintings to Fiona Banner's suspended jet fighter, Roger Hiorns's crystal-filled flat, and Emily Jacir's poignant project on Palestinian displacement, highlighting how these experiences blend memory, story, and direct observation into a critic's life.

10 Art Shows to See in Los Angeles This April

April in Los Angeles features a diverse array of art exhibitions, from major institutional retrospectives to politically charged group shows. Highlights include a 60-year retrospective of the influential printmaking studio Gemini G.E.L. at its own space, a survey of the Grunwald Center at the Hammer Museum, and shows celebrating LA performance art icons Bob & Bob and Rachel Rosenthal. The month also sees a newly discovered collection of matchbook miniatures by Joe Brainard and Dave Muller's work on social connection at ArtCenter.

The Artists Who Ruled the Biennial Circuit Over the Last Four Years

Artnet News critic Ben Davis analyzed 130 recurring global art events—including biennials and triennials—that opened between the 2022 and 2026 Venice Biennales, tallying over 15,000 participating artists. He identified the most frequently featured artists, with Nolan Oswald Dennis topping the list at 14 biennial appearances. Dennis, a South Africa-based artist born in Lusaka, is known for works like "Black Liberation Zodiac" (2017-ongoing) and was included in the 2026 Venice Biennale curated by the late Koyo Kouoh.

Art Market Minute February 2026

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The art market is witnessing a significant shift in the commercial viability and valuation of performance art. While the medium has been sold in various forms for years, its increasing presence at major art fairs and galleries suggests a new era where collectors are beginning to prioritize the documentation and rights to live works as legitimate assets.

The Defining Themes of Today’s Biennial Art

The article analyzes the defining themes and styles of the past four years in the international biennial circuit, based on a survey of 130 biennials. It identifies a core group of artists who appeared most frequently, including Ali Eyal, Apichatpong Weerasethakul, Carolina Caycedo, Kapwani Kiwanga, and Tuan Andrew Nguyen, among others. Many of these artists are also featured in the upcoming 61st Venice Biennale curated by the late Koyo Kouoh. The piece categorizes their work under two broad themes: "Post-Colonial Post-Conceptualism," which involves poetic engagement with colonial history and artifacts, and "Families and Networks," where artists explore personal and political family histories.

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Palestinian American artist Samia Halaby has experienced a dramatic surge in market value and institutional recognition over the past decade, with eight of her top 10 auction results occurring in the last three years. A Christie's sale in May 2025 saw her 2013 painting *Water Lilies* sell for $138,600, more than triple its 2020 result, while her 1974 work *Mediterranean #279* set her current auction record at £400,000 ($534,000) in 2020. Her first US museum survey opened in 2024 at Michigan State University's Eli and Edyth Broad Art Museum, and her work has been shown at MoMA, Tate Modern, and the Centre Pompidou, which acquired a piece last year.

‘They accomplished so much, even as they were dying’: the groundbreaking gay art of Peter Hujar and Paul Thek

Author and Frieze Magazine editor-in-chief Andrew Durbin has released a dual biography titled 'The Wonderful World That Almost Was,' chronicling the lives and creative partnership of Peter Hujar and Paul Thek. The book focuses on their relationship from the mid-1950s through the 1970s, detailing their collaborative influence and the development of their respective practices in photography and sculpture before both died of AIDS-related complications in the late 1980s.

Georg Baselitz, artist who turned painting upside down, 1938–2026

Georg Baselitz, the German painter, sculptor, and printmaker known for turning his canvases upside down, has died at age 88. Born Hans-Georg Kern in Saxony in 1938, he witnessed the bombing of Dresden as a child, an experience that shaped his artistic vision. Expelled from art school in East Berlin, he moved to West Berlin and adopted the name Baselitz. His first solo exhibition in 1963 was deemed obscene and confiscated. In 1969, he created his first upside-down painting, which became his signature. He rose to international prominence as a neo-expressionist in the late 1970s and 80s, represented Germany at the Venice Biennale in 1980, and continued working until his death. A recent series of his paintings will be shown at the Fondazione Giorgio Cini in Venice from May to September 2026.

The Big Review | Venice Biennale 2026: In Minor Keys ★★★½

The Venice Biennale 2026, titled "In Minor Keys," was curated posthumously following the death of artistic director Koyo Kouoh in May 2025. A team of five curators and advisors—Gabe Beckhurst Feijoo, Marie Hélène Pereira, Rasha Salti, Siddhartha Mitter, and Rory Tsapayi—executed her vision across the Giardini and Arsenale venues. The exhibition features 110 artists, with a strong emphasis on new commissions, and is structured around themes of procession, resistance, and joy. Key works include Big Chief Demond Melancon's "Amistad Takeover" (2026), Nick Cave's "Amalgam (Origin)" (2025), and Otobong Nkanga's rewilded columns at the Central Pavilion.

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The New York art scene is witnessing a shift in the Tribeca gallery landscape as 1969 Gallery, a fixture known for championing emerging painters, has shuttered its physical space at 39 White Street. Founder Quang Bao confirmed the closure following the building owner's decision to sell the property, noting that he is currently operating from Barcelona with plans to pivot toward collaborations and residencies rather than the traditional gallery model. Meanwhile, the itinerant Ward Gallery continues to gain traction by hosting pop-up symposia at institutions like the International Center for Photography, signaling a broader trend toward real-estate-free dealership.

11 Must-See Shows During New York Art Week 2026

New York Art Week 2026 is set to be a packed event, with major art fairs including Frieze, TEFAF, and Independent all scheduled within a single week this May. The art world will arrive directly from the Venice Biennale, and New York galleries are opening their major spring exhibitions to coincide with the influx of curators and collectors.

How an Artist and Museum Conspired to Give a Delivery Worker What the Apps Won’t: PTO

Artist Fields Harrington, after witnessing a delivery worker get hit by a car in Brooklyn, began photographing the customized bikes of New York City's delivery workers, capturing their gloves, reflective tape, and cultural markers. His series is now featured in MoMA PS1's "Greater New York" exhibition. In a direct act of reciprocity, Harrington convinced the museum to rent a delivery worker's bike and pay its owner, Gustavo Ajche, his usual wage of $21.44 per hour during museum hours. For one week each month, the bike is displayed, and every 21 minutes and 44 seconds, a notification ding sounds, referencing the wage Ajche and his group Los Deliveristas Unidos fought for.

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The Musée d'Orsay in Paris is undertaking a full public restoration of Gustave Courbet's monumental painting "A Burial at Ornans" (1849–50), 175 years after its scandalous debut at the Paris Salon. The 20-foot canvas will be cleaned, its poorly applied varnish layers thinned, and structural issues addressed—including cracks, tears, and deformations caused by the coarse fabric and heavy impasto. The restoration will also reveal previously hidden border portions of the canvas folded in the late 1800s, potentially adding new details to the composition.

Holly Stevenson – interview

London-based ceramic artist Holly Stevenson discusses her recent and upcoming projects in an interview with Studio International. She had a joint exhibition, "A Hyena Wore My Face Last Night," at C+N Gallery Canepaneri in Milan, with works titled after Leonora Carrington's short story "The Debutante," and a solo exhibition, "Tracing the Irretraceable," at the Freud Museum in London in collaboration with the Jane McAdam Freud Estate. Stevenson reflects on the resurgence of surrealism, particularly feminist perspectives, and the influence of psychoanalysis on her work, noting coincidental timing with a major Carrington exhibition at Palazzo Reali in Milan.

‘It’s really important that the public is not just a silent witness’: Marina Abramović on her Venice Biennale exhibition

Marina Abramović is the first living female artist to have a solo exhibition at the Gallerie dell'Accademia in Venice, where her work will be installed alongside the museum's permanent collection. The show, titled *Transforming Energy*, features interactive 'transitory objects' such as stone beds and crystal-embedded structures that visitors are invited to use, as well as a juxtaposition of her 1983 photograph *Pietá (with Ulay)* with Titian's final masterpiece *Pietá* (1575-76). Abramović, who won the Golden Lion for Best Artist at the 1997 Venice Biennale, emphasizes audience participation over passive viewing, banning telephones and encouraging visitors to spend at least three hours engaging with the works.

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Hong Kong's M+ museum has selected Pakistani American artist Shahzia Sikander's hand-painted animated film *3 to 12 Nautical Miles* (2026) for its latest M+ Facade commission, a massive LED media screen. Co-commissioned by M+ and Art Basel, the work will screen from March 23 through June 21. The animation explores entangled histories of empire and commerce, linking Imperial Britain, the Indian subcontinent, and Qing China, and chronicles the Mughal Empire's decline, the East India Company's rise, and the First Opium War.

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Kelly Reichardt's new film *The Mastermind*, starring Josh O'Connor, depicts a low-stakes art heist at the fictional Framingham Museum of Art, inspired by a real 1972 theft at the Worcester Art Museum in Massachusetts. In the actual heist, two robbers stole four paintings by Rembrandt, Picasso, and Gauguin, worth about $7.72 million today, and shot an unarmed guard. The film, set in the early '70s, draws on details like two schoolgirls who witnessed the crime, but Reichardt deliberately makes the cinematic version less thrilling than the real event.

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Donald Trump has ordered a national park to remove a famous 1863 photograph of an enslaved man known as 'The Scourged Back,' which shows his scarred back from brutal whippings. The Washington Post reported the order on September 15, citing anonymous sources, and noted that multiple national parks are affected by directives targeting signs and exhibits related to slavery. The specific park impacted was later identified as Harpers Ferry National Historic Park in West Virginia, with the President's House Site in Philadelphia also potentially affected. The order follows a broader crackdown on what the Trump administration calls 'corrosive ideology' in American museums, including a March executive order targeting Smithsonian-run institutions.

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Jack Whitten's monumental mosaic-painting "9.11.01" (2006) is the focus of this article, which examines the work on view at the Museum of Modern Art. The painting, created in response to the September 11 attacks, uses abstract forms—a cracked black pyramid with dagger-like spines and bootprints—to evoke the trauma of that day. Whitten, who witnessed the first plane strike from his studio in Manhattan, embedded ash and wreckage fragments into the surface, blending abstraction with historical memory.

Joachim Trier on the Art of Calculated Chaos

A major retrospective of Tracey Emin's work has opened at Tate Modern in London. The exhibition presents a comprehensive overview of the artist's career, featuring her confessional and often provocative works that have defined her public persona.

Tracey Emin’s Retrospective Bears Witness to an Era

Tracey Emin's major retrospective, 'Tracey Emin / Edvard Munch: The Loneliness of the Soul,' has opened at the Royal Academy of Arts in London. The exhibition pairs Emin's deeply personal works, including her iconic 'My Bed,' with paintings by Norwegian expressionist Edvard Munch, exploring shared themes of love, loss, and existential anguish.

Marie Zolamian’s Paintings Remain Little Mysteries

A retrospective of Tracey Emin's work at Tate Modern reveals how her art, frequently interpreted as raw personal confession, is deeply intertwined with the broader cultural and social forces of her time. The review argues that her oeuvre serves as a witness to a specific era, moving beyond purely autobiographical readings to reflect wider societal currents.

The Angel of History Is Stuck in Jerusalem

The Jewish Museum in New York's exhibition 'Paul Klee: Other Possible Worlds' is missing its central artwork, Paul Klee's 'Angelus Novus' (1920). The original, owned by Walter Benjamin and normally housed at the Israel Museum in Jerusalem, is absent due to "current conditions affecting international transport," a likely reference to the Israel-Hamas war. A reproduction stands in its place, alongside Benjamin's famous 'Angel of History' text, which interprets the angel as a figure witnessing the catastrophic pile-up of history.

Archie Rand On the Irreducibility of Painting in a Post-Digital Age

Archie Rand, now in his late 70s, recently held his first extensive solo show in years at Jarvis Art in New York, featuring his new body of work titled "Heads." The exhibition reclaims painting's primordial function, emphasizing the connection between brain and hands, imagination and reality. Rand, who emerged from the downtown New York scene in the late 1970s and early '80s, has witnessed the full postwar evolution of American art. His career includes a pivotal synagogue mural commission that led to backlash from the Orthodox community and a break with critic Clement Greenberg, pushing him toward representational forms. He found allies in figures like Philip Guston and John Ashbery, and after his wife's death ten years ago, began reflecting on mortality and childhood influences.

Digital art is going mainstream

Digital art has achieved mainstream acceptance in the art world, ranking third in total spending among high-net-worth collectors after painting and sculpture, according to The Art Basel and UBS Survey of Global Collecting 2025. Over half of the 3,100 respondents purchased a digital artwork in 2024 or 2025, and the average share of digital art in collections rose from 3% in 2024 to 13% in 2025, signaling a maturation beyond the NFT boom of 2022. Art Basel is launching a new section called Zero 10 at Miami Beach 2025, featuring 12 exhibitors including AOTM, bitforms gallery, and Pace Gallery, with an interactive installation by Beeple. Major museums like MoMA, Tate Modern, and Centre Pompidou have hosted significant digital art exhibitions, further boosting collector confidence.

Amy Sherald Exhibition Headed to High Museum in Atlanta in Spring 2026, News Follows Artist Withdrawing Show From Smithsonian Due to Censorship Concerns

The High Museum of Art in Atlanta will host a solo exhibition of works by Amy Sherald in spring 2026. The announcement comes shortly after the artist withdrew a planned show from the Smithsonian Institution, citing censorship concerns.

Amy Sherald Exhibition Lands at Baltimore Museum of Art After Artist Canceled Presentation at Smithsonian's National Portrait Gallery Over Censorship Concerns

Amy Sherald's mid-career retrospective, "American Sublime," will open at the Baltimore Museum of Art (BMA) in November after the artist canceled its presentation at the Smithsonian's National Portrait Gallery in Washington, D.C. Sherald withdrew the exhibition in July, citing censorship concerns over the museum's internal discussions about removing her painting "Trans Forming Liberty" (2024), which depicts a Black trans woman posed like the Statue of Liberty. The show, featuring about 40 works from 2007 to 2024, previously traveled to the San Francisco Museum of Modern Art and the Whitney Museum of American Art, where the contested portrait was included. The BMA version will also feature the painting.

On View: 'Amy Sherald: American Sublime' at Whitney Museum of American Art in New York Charts Artist's Two-Decade Career

The Whitney Museum of American Art in New York has opened "Amy Sherald: American Sublime," the largest exhibition of the artist's work and her first solo museum show in the city. Featuring over 40 paintings created between 2007 and 2024, the exhibition includes iconic portraits of Michelle Obama and Breonna Taylor, as well as works inspired by Alfred Eisenstaedt's famous photograph and filmmaker Wes Anderson. The show is organized chronologically, beginning with the rarely seen "Hangman" (2007), and includes "If You Surrendered to the Air, You Could Ride It" (2020), shown for the first time since its acquisition by the Whitney five years ago.

What’s on now at San Francisco museums, July 2025

The article provides a roundup of current and upcoming exhibitions at San Francisco museums and galleries in July 2025. Highlights include 'People Make This Place: SFAI Stories' opening July 26 at SFMOMA, 'Jess Young: Return' at 500 Capp Street, and 'Ferlinghetti for San Francisco' at the Legion of Honor. Shows closing soon include 'Yuan Goang-Ming: Everyday War' at the Asian Art Museum and 'Wayne Thiebaud: Art Comes from Art' at the Legion of Honor. The gallery scene is covered with mentions of Voss Gallery, Incline Gallery, and Hosfelt Gallery, along with ongoing exhibitions like 'Kunié Sugiura: Photopainting' and 'Ruth Asawa: Retrospective' at SFMOMA.

15 Art Shows to See in Los Angeles This Fall

This fall, Los Angeles museums are presenting a diverse array of exhibitions that explore community, justice, and historical reclamation. Highlights include a historical survey of Mail Art in Latin America, a traveling exhibition of radical Chicano prints from the Smithsonian at the Huntington, a show at the Getty drawn from the Guerrilla Girls' archive, and a two-person exhibition at Skirball pairing Philip Guston with Trenton Doyle Hancock. Other notable shows include 'Monuments' co-organized by the Brick and the Museum of Contemporary Art, solo exhibitions by Guadalupe Maravilla at REDCAT and by American Artist on Octavia E. Butler, and the California Biennial at the Orange County Museum of Art. The article also lists shows at Oxy Arts, the Museum of Contemporary Art, and other venues, featuring artists such as Ken Gonzales-Day, Tavares Strachan, and Stanya Kahn.