Gala Season! Shaggy and Jewel Hit the Whitney, Henry Taylor and Pharrell Toast Gordon Parks, and More Juicy Art-World Gossip

Artnet News' gossip column "Wet Paint" reports on the Whitney Museum's 2026 annual gala, a major fundraising event. The author describes the scene: donors and celebrities like Jewel, Neil Patrick Harris, and Nigel Barker mingled with artists Julie Mehretu (the honoree) and Glenn Ligon. Notably, the 56 artists in the current Whitney Biennial were not invited due to limited seating, a policy confirmed by the museum. The evening raised $6.3 million, with individual seats costing $7,500.

46 Museum Shows and Biennials to See This Summer

ARTnews has published a guide to 46 museum shows and biennials to see this summer, highlighting major exhibitions across the globe. Featured artists include Laure Prouvost at Paris's Grand Palais with a quantum physics-themed show, Carsten Höller at Beijing's UCCA Center for Contemporary Art, Tomás Saraceno at Munich's Haus der Kunst, and a retrospective of Ana Mendieta at Tate Modern. The article also covers biennials such as the Venice Biennale and Manifesta in Germany's Ruhr region, as well as new biennial-style launches in the Northeastern US. Specific exhibitions detailed include Akinsanya Kambon's survey at SculptureCenter and CARA in New York, Cao Fei's European survey at Kunstmuseum Basel, and the group show "Youth Palace" at Rockbund Art Museum in Shanghai.

Jumper Maybach Turns Abstraction Into Emotional Space

American artist Jumper Maybach, known for his abstract expressionist paintings, debuted a new suite of works titled "Radiant Spaces" at the inaugural Salt Lake Art Show in 2026. The series explores themes of emotional energy, human resilience, and healing, using layered textures and color fields to create immersive experiences. Maybach has also created site-specific installations in architecturally significant buildings, including the 1900K building in Washington, D.C., and continues to blur the lines between fine art, installation, and luxury design.

Celebrated in the 1970s, American artist Nancy Graves returns to the spotlight at Ceysson & Bénétière

Célébrée dans les années 1970, l’artiste américaine Nancy Graves retrouve la lumière chez Ceysson & Bénétière

Beaux Arts Magazine reports on a resurgence of interest in American artist Nancy Graves (1939–1995), highlighted by a new exhibition at Ceysson & Bénétière. Graves, who worked across painting, sculpture, film, and stage design, was a rising star in the 1970s—exhibiting at MoMA and the National Gallery of Art, and becoming the youngest artist to have a solo show at the Whitney Museum of American Art at age 29. The article traces her career from studying literature at Vassar and art at Yale, to her brief marriage to sculptor Richard Serra, and her pioneering use of NASA satellite imagery and natural history themes in works like her life-size camel sculptures.

10 Must-See Shows During Paris Gallery Weekend 2026

Paris Gallery Weekend 2026 returns for its 14th edition from May 29th to 31st, organized by the Comité Professionnel des Galeries d’Art. The event features 73 galleries across the Marais and other districts, offering three days of programming with must-see exhibitions during the city's vibrant late spring season.

When Beauty Appears: Lee Mingwei Interviewed by Rhana Devenport

Taiwanese American artist Lee Mingwei presents his largest non-museum exhibition to date, "Lorsque La Beauté Paraît (When Beauty Appears)," at Perrotin in Paris. The show brings together seven invitational projects, including works like *The Mending Project* (2009–) and *The Moving Garden* (2009–). In an interview with Australian curator Rhana Devenport, Lee discusses the political dimensions of beauty, the restorative power of gift-giving, and the courage required for small acts of kindness among strangers. The exhibition is curated by Thierry Raspail, co-founder of the Lyon Biennale and director of the Lyon Museum of Contemporary Art.

Damien Hirst, Jeff Koons, Matthew Barney, Gerhard Merz,

The article appears to be a headline or listing mentioning artists Damien Hirst, Jeff Koons, Matthew Barney, and Gerhard Merz, sourced from Artsy. No further details about events, sales, or exhibitions are provided in the text.

Whitney Museum workers rallied outside fundraising gala amid contract negotiations

On May 19, unionized workers at the Whitney Museum of American Art rallied outside the museum's annual fundraising gala, which honored artist Julie Mehretu, philanthropist Fern Kaye Tessler, and former director Adam D. Weinberg. Members of UAW Local 2110 distributed flyers, buttons, and signs to guests, advocating for a new labor contract as their current agreement, ratified in March 2023, is set to expire next month. The union, representing around 185 staff across curatorial, education, visitor services, conservation, and administrative departments, reported that police barricades were placed along the museum's front, which they described as antagonistic, though they still engaged with patrons and supporters.

$50,000 Driskell Prize Goes to Cheryl Finley of Spelman College

Cheryl Finley, the director of visual arts and culture at Spelman College and head of the Atlanta University Center Art History + Curatorial Studies Collective, has been awarded the 2025 David C. Driskell Prize by Atlanta’s High Museum of Art. The prize, established in 2005, includes $50,000 and honors figures who have made significant contributions to African American art and art history. Past recipients include Alison Saar, Naomi Beckwith, Amy Sherald, Mark Bradford, and Rashid Johnson. Finley has led the AUC Art Collective since 2019, co-organized the “Black Portraiture[s]” academic convening since 2013, and authored books such as Committed to Memory: The Art of the Slave Ship Icon.

Fee or free? How entry charges affect museums in the US

The article examines the financial impact of eliminating or reducing admission fees at US museums, using Baltimore's Walters Art Museum and Baltimore Museum of Art as case studies. While the Walters saw a 45% attendance increase and a tripling of minority participation after going free in 2006, the surge did not generate enough ancillary revenue from merchandise, food, or memberships to offset lost ticket income. Over time, attendance at both institutions declined—by 18.6% at the Walters and 12.7% at the BMA—according to a 2021 survey. Experts like former Met president Daniel Weiss and economist John Silvia argue that free admission often fails to meaningfully boost visitation and can strain museum finances.

How Is Arts Patronage Changing?

At TEFAF New York, Artnet News editor Andrew Russeth moderated a panel titled “Who Supports Art Now? Patronage in a Shifting Cultural Landscape” featuring two prominent figures in American arts philanthropy: Sarah Arison and Michi Jigarjian. Arison, who became the youngest president of the Museum of Modern Art’s board in 2024 at age 39, also leads the Arison Arts Foundation and chairs YoungArts. Jigarjian, CEO of Work of Art Holdings and a partner at 7G Group, has led Baxter St at CCNY for 15 years and serves on the boards of the Brooklyn Museum and MoMA PS1. The discussion took place during fair week in mid-May at the Park Avenue Armory.

Cheryl Finley Wins 2026 David C. Driskell Prize

Atlanta's High Museum of Art has named Spelman College professor Cheryl Finley the winner of its 2026 David C. Driskell Prize. Finley will receive an unrestricted $50,000 cash award and be honored at a gala on September 19 at the High Museum. The prize, named after the renowned African American artist and scholar David C. Driskell, has been awarded annually since 2005 to recognize outstanding contributions to African American art. Finley is the Walton Endowed professor in the department of art and visual culture at Spelman and has directed the Atlanta University Center Art History + Curatorial Studies Collective since 2019, building a pipeline for emerging Black arts professionals.

Brush to canvas: News from the art community

This article from the St. Pete Catalyst rounds up several visual art events in the St. Petersburg, Florida area. Highlights include the debut of Nate Jessup's first gallery exhibition, "Peonies in Winter," at Soft Water Gallery; the upcoming exhibition "Faces of Inequality: Depression Era Photography" at the Museum of the American Arts and Crafts Movement (MAACM), curated by museum owner Rudy Ciccarello; and a new photography show at the University of South Florida Contemporary Arts Museum featuring work by military veterans. It also notes a concert inspired by artist Ali Banisadr at the Museum of Fine Arts St. Petersburg, a piano recital at the Dali Museum, and two photography exhibitions by Benjamin Dimmitt at Wild Space Gallery, including "An Unflinching Look: Elegy for a Landscape."

Come, let's play human

Komm, wir spielen Mensch

The Kunsthaus Zürich is presenting a retrospective of Venezuelan-American artist Marisol (1930–2016), whose playful yet formally sophisticated sculptures blend abstraction, figuration, and everyday objects. The exhibition traces her career from early shows at Leo Castelli's gallery through her participation in the 1961 and 1963 Museum of Modern Art group exhibitions, her 1968 'European year' representing Venezuela at the Venice Biennale and featuring on the 4th documenta, to her subsequent decades-long disappearance from the European art scene.

Nancy Graves - En galerie

Nancy Graves (1939-1995), a major figure in American art who first gained recognition in 1969 at the Whitney Museum in New York, is the subject of a gallery exhibition presenting works from 1977 to 1990. Her multidisciplinary practice encompasses sculpture, painting, drawing, and film, drawing on scientific and cultural references. The featured works showcase an experimental approach based on layering, assemblage, and dynamic colors reminiscent of Abstract Expressionism, inspired by art history, archaeology, and her travels. Graves refused a fixed style, instead exploring the memory of forms and their reinterpretation in a free, layered visual language that is now being rediscovered.

Frida Kahlo and Diego Rivera at MoMA in New York in a Passionate Theatrical Dialogue

Frida Kahlo et Diego Rivera au MoMA de New York dans un dialogue théâtral plein d’ardeur

The Museum of Modern Art (MoMA) in New York has opened a theatrical exhibition titled "Frida and Diego: The Last Dream," curated by Beverly Adams, the museum's curator of Latin American art. The show features around twenty paintings and drawings by Frida Kahlo and Diego Rivera from MoMA's collection, alongside photographic portraits. The exhibition's dramatic staging, designed by British set designer Jon Bausor—who also worked on the Metropolitan Opera's concurrent production of "El Último Sueño de Frida y Diego"—creates a tense dialogue between the artists' contrasting styles: Rivera's political murals and Kahlo's intimate, colorful self-portraits. Highlights include Kahlo's "Self-Portrait with Cropped Hair" (1940) and Rivera's "Zapata, Agricultural Leader" (1931).

Raque Ford ”The only one willing to to the hard part” at Fridericianum, Kassel

The article reviews Raque Ford's exhibition "The only one willing to do the hard part" at Fridericianum in Kassel. Ford, born in 1986 in Columbia, Maryland, and based in New York, presents works that blend artistically formed shapes with bold color contrasts and slogan-like text. Using plastic and industrial materials, she creates an aesthetic that oscillates between abstraction and simple visual codes, with layered compositions that challenge conventional boundaries.

Muriel Hasbun, Artist Whose Work Poignantly Recounted the Salvadoran Diaspora and the Fraughtness of Memory, Dies at 64

Muriel Hasbun, a multidisciplinary artist known for exploring themes of memory, migration, and the Salvadoran diaspora through photography, video, and installation, died on May 13 from ovarian cancer in Silver Springs, Maryland, at age 64. Born in El Salvador in 1961, she left during the country's civil war in 1979 and settled in Washington, D.C. Her work, including series like "Santos y sombras / Saints and Shadows" (1990–97) and the 2023 survey "Tracing Terruño" at the International Center of Photography, poignantly combined archival family photos with new imagery to examine loss, exile, and the complexities of identity.

7 D.C. art exhibits to catch this summer before they close

The article highlights seven art exhibitions in Washington, D.C. that are closing at the end of summer 2025, urging visitors to see them before they end. Featured shows include a retrospective of African American artist Alma Thomas at the Smithsonian American Art Museum, a survey of contemporary Indigenous art at the National Museum of the American Indian, and a solo presentation of Yayoi Kusama's infinity rooms at the Hirshhorn Museum and Sculpture Garden. Other notable exhibits include a photography collection by Gordon Parks at the National Gallery of Art and a showcase of modern Latin American art at the Museum of the Americas.

Where to Go See Art This Summer

The article is a summer art guide for North Carolina, highlighting exhibitions across the state, with a focus on the Research Triangle region (Raleigh-Durham). Featured shows include Kerry Burch's nature-inspired works at 5 Points Gallery in Durham, the group exhibition 'Flight' at VAE Raleigh exploring the concept of flight, a historical survey of Black Mountain College artists at Gallery C, and 'Knowing the West' at the North Carolina Museum of Art, which challenges stereotypes of the American West. Additional exhibitions are noted in Charlotte, Asheville, and the Outer Banks.

150 photos depict 185 years of the US mining industry in world-first historical exhibition

The National Gallery of Art in Washington, D.C., will present "Beneath the Surface," a world-first photographic exhibition dedicated to 185 years of the U.S. mining and natural resource extraction industries. Featuring 150 images from 100 photographers, the show spans from California Gold Rush daguerreotypes to 20th-century industrial documentation, including works by Dorothea Lange and Lewis Wickes Hine. The exhibition will be on view at the National Gallery from May 23 to August 23, 2026, before traveling to the Milwaukee Art Museum and the Amon Carter Museum of American Art.

Montclair Art Museum Names Kate Kraczon Chief Curator

The Montclair Art Museum (MAM) has appointed Kate Kraczon as its new Chief Curator, effective June 15, 2026. Kraczon, a nationally respected curator with over two decades of experience, joins MAM from Brown University, where she served as Director of Exhibitions and Chief Curator of the David Winton Bell Gallery. At Brown, she oversaw a program of more than 7,000 works and developed partnerships with major institutions including the Andy Warhol Foundation and the Terra Foundation for American Art. Her previous roles include Laporte Associate Curator at the Institute of Contemporary Art at the University of Pennsylvania, where she organized over 30 exhibitions.

See exhibition by Erin Jane Nelson, ‘Living and Working,’ at UAB’s AEIVA through Sept. 26

The Abroms-Engel Institute for the Visual Arts (AEIVA) at the University of Alabama at Birmingham presents “Living and Working,” a survey exhibition of artist Erin Jane Nelson, running through September 26. This is Nelson’s largest solo exhibition to date and her first survey, spanning a decade of her practice across photography, textiles, and ceramics. The exhibition will travel to the Knoxville Museum of Art in August 2027, and AEIVA is co-publishing an exhibition catalog with Institute 193. The opening reception is May 21, and free community programming includes summer drop-in tours, a pinhole camera workshop, Science Nights in partnership with the Birmingham Zoo, and a chamber music event.

VARINIA BRODSKY ZIMMERMANN: “ENTIENDO AL MUSEO COMO UN CAMPO DE REVERBERACIÓN”

Varinia Brodsky Zimmermann, director of the Museo Nacional de Bellas Artes de Chile, is interviewed as part of a series on contemporary museums in Latin America. She describes the museum as a "field of reverberation" that amplifies social, cultural, and political questions without reacting mechanically to demands. The conversation covers structural challenges facing public museums in Chile, including budget precarity and suspended exhibition projects, and Brodsky advocates for more permeable, horizontal, and sustainable institutions that maintain critical depth while engaging diverse communities.

Jackson Pollock Transformed American Art—and Was Destroyed by His Own Success

The article traces Jackson Pollock's transformative yet destructive rise to fame, focusing on his move to East Hampton with Lee Krasner, his development of drip painting in a small unheated barn, and the influence of predecessors like Janet Sobel and Max Ernst. It details his 1948 debut at the Betty Parsons Gallery, the mocking 1949 Life Magazine feature that ironically catapulted him to celebrity, and photographer Hans Namuth's documentation of his process, which revealed the deliberate nature of his technique.

Weekly News Roundup: May 22, 2026

This weekly roundup from ArtAsiaPacific covers four major developments in the art and architecture world. Chinese architects Wang Shu and Lu Wenyu have announced the theme for the 2027 Venice Architecture Biennale, titled “Do Architecture – For the Possibility of Coexistence Facing a Real Reality,” emphasizing hands-on, context-driven design. The 2026 Sovereign Asian Art Prize winners were revealed, with Balinese artist Citra Sasmita winning the Grand Prize for her work "Poetry of the Fountain" (2025). Dubai announced plans for the Museum of Digital Art (MODA), a new institution dedicated to new media and immersive technologies, as part of a major district expansion. Finally, the Asian Cultural Council (ACC) named 70 grantees for its 2026 cycle, awarding over USD 1.6 million to support cultural exchange between the US and Asia.

Crystal Bridges to Host Events Celebrating Its Expansion

Crystal Bridges Museum of American Art in Bentonville, Arkansas, will host a series of events celebrating the completion of its multiyear expansion, which began in early 2022. The celebration kicks off on May 29 with a conversation featuring founder Alice Walton, chairperson Olivia Walton, and architect Moshe Safdie, moderated by Vanity Fair correspondent Nate Freeman. The 114,000-square-foot expansion brings the museum's total size to 314,000 square feet, adding a café, educational spaces, galleries, studios, and an outdoor plaza. The official public opening on June 6–7 will include dance performances, live music, hands-on art activities, and the debut of two temporary exhibitions: "Keith Haring in 3D" and "Do Ho Suh and Children: Artland."

Lionel Wendt: The Politics of the Male Nude

ArtReview publishes an essay by Qingyuan Deng analyzing the first US solo exhibition of Lionel Wendt's photographs at American Art Catalogues in Manhattan's West Village. The show presents Wendt's haunting gelatin silver prints of male nudes, still lifes, and solarized images, positioning him as a canonical figure of South Asian modernism. Deng argues that while the exhibition correctly identifies homoerotic desire in Wendt's work, it over-relies on queer theory's framework of opacity and fails to fully address the political radicality of Wendt's practice under British colonial rule in Ceylon, where homosexuality was criminalized under the 1883 Penal Code.

PAM CUT Announces 2026 Sustainability Labs Fellows

PAM CUT // Center for an Untold Tomorrow, the film and new media arm of the Portland Art Museum, has announced the 2026 Sustainability Labs Fellows. The program, now in its fifth year, supports five mid-career media artists—Kamari Bright, Peter Burr, and others—with bespoke mentorship in business planning, financial strategy, creative brand expansion, and mental health. The Labs culminate in a pitch session at Wieden + Kennedy and attendance at PAM CUT’s Cinema Unbound Awards on May 29, honoring polymath artists including Titus Kaphar, Emma McIlroy, and Maria Bamford.

One Fine Show: “Beyond Mysticism, The Modern Northwest” at the Seattle Art Museum

A new exhibition at the Seattle Art Museum, “Beyond Mysticism: The Modern Northwest,” reexamines the legacy of a 1953 LIFE magazine feature that anointed four Seattle artists—Mark Tobey, Morris Graves, Kenneth Callahan, and Guy Anderson—as the faces of a distinct regional Modernism. The show expands the original narrative by including Asian artists like Kamekichi Tokita, whose work challenges the magazine's oversimplified framing, and features 150 works across painting, drawing, photography, and sculpture. It also connects the movement to Abstract Expressionism and contemporary environmental concerns, pairing pieces by artists such as Malcolm Roberts with works by Salvador Dalí and Georgia O'Keeffe.