Christie's nets $1.1bn from back-to-back S.I. Newhouse and 20th century evening sales in New York

Christie's held back-to-back evening auctions in New York, featuring the esteemed S.I. Newhouse collection and a 20th-century evening sale, achieving a combined total of $950 million (or $1.1 billion with fees). The Newhouse sale was a white-glove affair, 100% sold, though entirely backed by third-party guarantees. Highlights included Constantin Brancusi's bronze 'Danaïde' (1913) selling for $107.5 million with fees, a record for the artist, and Pablo Picasso's 'Tête de femme (Fernande)' fetching $48.3 million. Other top lots included works by Piet Mondrian, Joan Miró, Henri Matisse, Francis Bacon, Jasper Johns, Andy Warhol, and Jackson Pollock, with many going to anonymous telephone bidders.

Christie’s Double-Header Totals $1.1 B., With Several Trophy Works Notching New Records

Christie’s held two evening sales on Monday—the S.I. Newhouse collection and a 20th-century art sale—that together generated $1.1 billion across 64 lots. The Newhouse tranche alone made $630.8 million, bringing the cumulative total of the collection to over $1 billion, making it likely the most expensive collection ever sold at auction after Paul Allen’s $1.7 billion blockbuster. Top lots included Jackson Pollock’s *Number 7A, 1948* at $181.2 million (the fourth most expensive painting ever sold at auction), Constantin Brâncuși’s *Danaïde* at $107.6 million, and a Mark Rothko work at $98.4 million.

Why did Van Gogh sign his paintings as ‘Vincent’?

Art historian Julia Engelmayer has published a study titled 'Simply ‘Vincent’: An Overview of Van Gogh’s Signed Paintings' on the Van Gogh Museum's website, analyzing why and how Vincent van Gogh signed his works. The research reveals that only 133 of his 840 surviving paintings bear a signature (16%), an unusually low proportion for a 19th-century artist. Van Gogh signed with only his first name due to strained family relations and the difficulty non-Dutch speakers had pronouncing his surname. The study also highlights his predominant use of red signatures (on 75 works), angled signatures on over half of his signed pieces, and a distinctive horseshoe-shaped 'V' used during his Arles period.

The 16 Most Expensive Artworks Ever Sold at Auction

ARTnews published an updated list of the 16 most expensive artworks ever sold at auction, highlighting recent record-breaking sales such as Gustav Klimt's *Portrait of Elisabeth Lederer* (1914–16), which fetched over $236.4 million at Sotheby's, and Jackson Pollock's *Number 7A, 1948*, which sold for well above its $100 million estimate at Christie's in May 2026 from the S. I. Newhouse collection. The article traces the history of top auction prices, including Vincent van Gogh's *Orchard with Cypresses* (1888), which sold for $117 million during the Paul Allen sale at Christie's in November 2022, part of a record $1.5 billion single-evening auction.

Pace Gallery Takes Representation of Brâncuși Estate Ahead of $100 M. Sculpture Coming to Auction

Pace Gallery has taken global representation of Constantin Brâncuși's estate, announced hours before a $100 million Brâncuși sculpture, Danaïde (1913), goes to auction at Christie's. The sculpture comes from the collection of S. I. Newhouse and is among the most expensive works in New York's marquee sales. The announcement coincides with a major retrospective of the artist, organized by the Centre Pompidou, currently at the Neue Nationalgalerie in Berlin and heading to the Museum of Modern Art in New York later this year.

‘The story can be almost as important as the piece itself’: philanthropist Christian Levett on his approach to collecting

Philanthropist and collector Christian Levett, who opened the Mougins Museum of Classical Art in 2011 in southern France, closed that institution in 2023 and replaced it with Female Artists of the Mougins Museum, reflecting his growing focus on abstraction by women artists. Levett, a former investment manager, now owns around 1,700 works spanning antiquity to contemporary art, with significant holdings in post-war American art, African cutting-edge works, and the Zero movement. He recently bought Françoise Gilot's 1942 painting 'Geneviève Pensive' privately through Christie's and will speak at Tefaf Talks in New York on a panel titled 'Collecting with a Mission for Public Access.'

Behind Christie’s $1 B. Blockbuster Result, the Market Still Looks Uneven

Christie’s New York achieved over $1 billion in sales during a two-part evening auction, led by Jackson Pollock’s *Number 7A, 1948* which sold for $181.2 million. The sale, the first billion-dollar night since the Paul G. Allen collection in 2022, also saw records for other works and active bidding from a small group of buyers, including dealer Jeffrey Deitch. However, the blockbuster results mask a more cautious middle market, where works priced between $100,000 and $1 million remain slow to sell.

Art Dubai’s 20th edition rallies its local art community amid regional tensions.

Art Dubai, the UAE's premier art fair, opened its 20th edition as a scaled-down "Special Edition" from May 14–17 at Madinat Jumeirah, after being postponed due to the Iran–Israel war. For the first time, entry was free, and the lineup was pared to 50 galleries, most from the region, including Abu Dhabi, Beirut, Jeddah, Ramallah, and Dubai.

We are in danger of losing our sense of community

"Wir drohen das Gespür für die Gemeinschaft zu verlieren"

Christophe Cherix, the new director of the Museum of Modern Art in New York, discusses his first months in the role, emphasizing museums as "safe social places" in an era of anxiety and screen-induced isolation. He advocates for collective vision-building with staff and defends the MoMA's independence against political pressure in Trump-era America. Separately, critic Paco Barragán argues in The Observer that biennials are in a structural crisis of repetition, tracing their history from instruments of national soft power to a "Global Neo-Liberal Biennial" system that co-opts diversity without changing its core logic. He introduces the concept of the "vibe-ennial," where discourse is replaced by atmosphere and critique by affect. Meanwhile, longtime Bonn museum director Stephan Berg critiques the boom in immersive art experiences like "Van Gogh – The Immersive Experience," calling them a "surrogate reality" tailored to the Instagram age that destroys the integrity of original works. Artforum reconstructs late-1960s debates on art criticism, focusing on Barbara Rose's challenge to formalists like Clement Greenberg and Rosalind Krauss, arguing that art must engage with societal conflicts such as Black Power and war resistance.

The Night of Records at Christie’s in New York. Here’s How the Mega Art Auction of More Than a Billion Dollars Went

La notte dei record di Christie’s a New York. Ecco com’è andata la mega asta d’arte da più di un miliardo di dollari

On May 18, 2026, Christie’s in New York held a landmark evening auction that surpassed $1.1 billion in total sales, driven by two sessions: Masterpieces: The Private Collection of S.I. Newhouse and a sale of 20th-century art. The Newhouse collection alone brought in $631 million, making it the second most valuable collection ever sold at auction, behind Paul Allen’s $1.7 billion sale in 2022. Record prices were set for Jackson Pollock’s Number 7A, 1948, which sold for $181.2 million, and Constantin Brancusi’s Danaïde (1913), which fetched $107.6 million, a record for a sculpture at auction. Other artists achieving strong results included Mark Rothko, Joan Miró, and Alice Neel.

Shared Crafting, Touching, and Lying Down

"Gemeinsames Basteln, Anfassen und Hinlegen"

Christie's in New York achieved record auction results, with Jackson Pollock's "Number 7A, 1948" selling for $181.2 million and Constantin Brâncuși's bronze sculpture "Danaïde" reaching $107.6 million, both from the S. I. Newhouse collection. Meanwhile, critic Gesine Borcherdt published a scathing review of the Marina Abramović exhibition "Balkan Erotic Epic" at Gropius Bau Berlin, arguing that museums increasingly demand audience participation—crafting, touching, lying down—under the guise of democracy, which she likens to group therapy and warns carries authoritarian tendencies. In London, makeup artist and designer Isamaya Ffrench opened a hybrid gallery and concept store called Studio Iron, featuring works by Abramović, Paul McCarthy, Kelly Wearstler, and Anne Imhof, aiming to blur boundaries between art, design, and function.

5 lieux d’art à visiter absolument à Rennes

Beaux Arts Magazine highlights five must-visit art venues in Rennes, France, a city known for its youthful energy and cultural heritage. The featured locations include the Musée des Beaux-Arts de Rennes, which houses masterpieces like Georges de La Tour's *Le Nouveau-né* (c. 1645) and recently opened a free satellite space in the Maurepas neighborhood in 2025; Les Champs Libres, a multi-purpose cultural center with a library, museum of Brittany, and science space; and La Criée, a contemporary art center located in a covered market. Other notable spots include the Oniris gallery and the Couvent des Jacobins, which hosts exhibitions from the Pinault Collection.

Sotheby’s $304M Modern Evening Auction Confirms the Market Has Found Its Footing

Sotheby's Modern Evening Auction on May 19 achieved $304 million with a 98% sell-through rate across 45 lots, more than doubling the total from the equivalent sale in November. The auction was anchored by fresh-to-market masterpieces, including Henri Matisse's "La Chaise Lorraine" from the Barbier-Müller collection, which sold for $48.4 million—the second-highest price for a Matisse painting at auction. Other highlights included works from the Enrico Donati collection, which generated a combined $58.9 million, and Pablo Picasso's "Arlequin (Buste)" (1909) selling for $42.6 million. The sale contributed to a running combined total of $839.6 million for Sotheby's marquee sales, following strong results from the Mnuchin collection and Contemporary Day Auction.

Two of Modernism’s Lesbian Icons Get the Novel Treatment

Deborah Levy's novel "My Year in Paris with Gertrude Stein" follows an unnamed narrator who travels to Paris to write an essay about Gertrude Stein, struggling with the weight of Stein's legacy while visiting her grave at Père Lachaise cemetery. The book explores Stein's life as a modernist icon, her relationship with Alice B. Toklas, and her role as a host to figures like Pablo Picasso and Ernest Hemingway, while the narrator grapples with Stein's defiant personality and literary style.

Spain Threatens to Oust Reina Sofía Director Over Missing Artworks and Finances

Spain’s government has escalated pressure on the Museo Nacional Centro de Arte Reina Sofía, demanding a complete inventory of its 25,000-plus artworks by December 31, 2026. A parliamentary oversight committee passed a resolution backed by the conservative Popular Party and far-right, warning that failure to comply could lead to the removal of museum director Manuel Segade. The resolution calls for a full audit of holdings, including loans and missing pieces, and updated financial valuations. The museum faces years of criticism from Spain’s Court of Auditors over weak internal controls and tracking issues, including a 2021 donation that can no longer be fully accounted for.

‘Woman Impressionist’ No More: A New Catalogue Raisonné Restores Eva Gonzalès’s Legacy

The Wildenstein Plattner Institute (WPI) has released a new digital catalogue raisonné for French painter Eva Gonzalès, correcting long-standing misattributions and omissions from the 1990 printed edition. The project reattributes works like *Apples in Basket* (previously assigned to Belgian painter Isidore Verheyden) and adds newly discovered pieces, including a portrait of Madame Georges Haquette and Gonzalès’s sketchbooks now held by the National Gallery of Art in Washington, D.C. WPI executive director Elizabeth Gorayeb emphasizes that the digital format allows for iterative updates and brings overlooked figures in Gonzalès’s orbit to light.

Harald Metzkes, Postwar German Painter of ‘World Theater,’ Dies at 97

Harald Metzkes, the German painter known for his classically indebted and symbolically rich works created after World War II, died at age 97 in Brandenburg. His death was confirmed by his son, sculptor Robert Metzkes. Metzkes gained prominence in East Germany for rejecting socialist realism, instead developing a distinctive style that combined poetic imagery, references to classical modernism, and deeply symbolic visual worlds. The Neue Nationalgalerie is currently showing his painting "Removal of the Six-Armed Goddess" (1956) in an exhibition titled "Extreme Tension. Art between Politics and Society Collection of the Nationalgalerie 1945–2000."

Sotheby’s Pulls In $303.9 M. in a Solid but Subdued Modern Evening Sale Led by $48 M. Matisse

Sotheby’s Modern Evening Auction on Tuesday night achieved $303.9 million in total sales, with 98% of lots sold, led by Henri Matisse’s *La Chaise lorraine* at $48.4 million—the second-highest price ever for a Matisse painting at auction. Other top lots included Pablo Picasso’s *Arlequin (Buste)* (1909), which sold for $42.6 million, and works by Alberto Giacometti and Vincent van Gogh. However, bidding was often cautious, with few prolonged contests, and the total fell below the presale high estimate of $320.2 million, reflecting a tempered market atmosphere.

Sotheby’s Hauls In $304 Million at Modern Art Auction, as Market Momentum Continues

Sotheby’s achieved $303.9 million in its modern art auction in New York, led by Henri Matisse’s *La Chaise Lorraine* (circa 1919) at $48.4 million and Pablo Picasso’s *Arlequin (Buste)* at $42.6 million. The sale included an auction record for a painted bottle, René Magritte’s *Femme-bouteille* (1955), which sold for $974,000. The auction featured conservatively priced material from smaller estates, with a 97.6% sell-through rate and a 63% increase over a similar sale last year.

Christie’s S. I. Newhouse Sale Totals $630.8 M., Bringing Cumulative Total to $1 B.

Christie’s evening auction of 16 works from media magnate S.I. Newhouse’s collection totaled $630.8 million with fees, setting multiple records. The top lot was Jackson Pollock’s *Number 7A, 1948*, which sold for $181.2 million after a 10-minute bidding war, more than doubling Pollock’s previous auction record. Other highlights included Constantin Brâncuși’s *Danaïde* (ca. 1913), which set a new record for the artist at an undisclosed price above $82 million, and strong results for works by Joan Miró, Jasper Johns, and Pablo Picasso.

Printmaking skills of Manet, Van Gogh and more celebrated in Bath show

An exhibition titled *Beyond Impressionism* at the Holburne Museum in Bath showcases over 50 prints by artists such as Édouard Manet, Vincent van Gogh, Paul Gauguin, James McNeill Whistler, Henri de Toulouse-Lautrec, and Pablo Picasso. The show, running from 23 May to 13 September, highlights how impressionist, post-impressionist, and cubist painters revived printmaking in the late 19th and early 20th centuries, elevating it from commercial reproduction to a respected artistic medium. Works are drawn from public collections including the Courtauld Gallery and Ashmolean, as well as private collections.

Spanish Government Threatens to Fire Director of Museo Reina Sofía

Manuel Segade, director of the Museo Nacional Centro de Arte Reina Sofía in Spain, has been threatened with removal by lawmakers if he does not complete a full inventory of the museum’s over 25,000 artworks by December 31, 2025. The pressure comes from Spain’s Court of Auditors, which has criticized the museum’s cataloguing methods for years, and is backed by the far-right and the conservative Popular Party. Segade, appointed in 2023, has been overseeing a multi-year renovation and has increased the representation of women artists to 35%, though only 15% of the collection’s 26,000 pieces are by women. The museum recently refused to lend Picasso’s *Guernica* to the Guggenheim Bilbao, and a pro-Israel group filed a complaint over a Palestinian flag display and a seminar series.

12 exciting fashion and jewelry exhibitions that will make you travel this summer

12 expos de mode et de bijoux passionnantes qui vous feront voyager cet été

Beaux Arts Magazine presents a curated selection of twelve fashion and jewelry exhibitions across France, Paris, and Vienna, running through summer 2026. Highlights include a retrospective of Mossi Traoré at the Mucem in Marseille, a showcase of Thai haute couture at the Musée des Arts Décoratifs in Paris, and "Africa Fashion" at the Musée du quai Branly, celebrating African design from the independence era. Other featured exhibitions cover Christian Dior, Gianni Versace, Daniel Brush, Provençal costumes, and anniversaries of glittering fashion houses.

At TEFAF New York, the Masterpiece Market Had Plenty to Celebrate

TEFAF New York returned to the Park Avenue Armory with record attendance on its Collector Preview day, May 14, featuring 90 exhibitors showcasing modern and contemporary masterpieces, antiques, decorative arts, and jewelry. Dealers reported strong sales across price tiers, including an Andy Warhol Mao sold by ML Fine Art within the first hour, a Lucio Fontana *Concetto Spaziale* for $2.3 million at Mennour, and works by Giorgio Morandi, Giosetta Fioroni, and Meret Oppenheim sold by Galleria d’Arte Maggiore g.a.m. A new secondary-market partnership, Pace Di Donna Schrader Galleries, debuted with a booth anchored by a 1956 Rothko, signaling renewed confidence in the market.

You Can’t Drive It; You Can Only Look At It: A Conversation with Heidi Vaughan

Houston gallerist, secondary market art broker, and fine art appraiser Heidi Vaughan discusses her gallery Heidi Vaughan Fine Art (HVFA), the recent opening of McKay Otto's show 'GOLD,' and her multifaceted role in the art world. Vaughan represents established Houston artists like McKay Otto and Thedra Cullar-Ledford, as well as emerging painter Afi Lane, and offers services ranging from valuation and authentication to collection management and liquidation. She also hosts a radio show, 'The Houston Hour,' on 90.1 KPFT HD2, and is a prominent advocate for the arts in Houston.

Nalini Malani’s Venice Biennale 2026 exhibition confronts violence, myth, and motherhood

Artist Nalini Malani will present a solo exhibition titled "Of Woman Born" at the 61st Venice Biennale in 2026. The show features a site-specific installation commissioned by the Kiran Nadar Museum of Art, comprising 67 animations with over 30,000 iPad drawings and a haunting soundscape. The work centers on the Greek myth of Orestes, who kills his mother Clytemnestra, and explores themes of violence against women, motherhood, and justice. Malani, now 80, has been a key figure in bringing Indian contemporary art to global prominence, with her work held by major institutions including Tate, MoMA, and Centre Pompidou.

UAE art guide: 11 museum and gallery exhibitions to see, from Picasso to the Baghdad Modern Art Group

The article presents a guide to 11 current museum and gallery exhibitions across the UAE, following the conclusion of Art Dubai 2026. Highlights include "Picasso, The Figure" at Louvre Abu Dhabi, which examines Pablo Picasso's reinvention of the human body through works from the Musée National Picasso–Paris; "From the Perspective of Language" at The Third Line, featuring Sara Naim's paintings and video work; and "Move, pause, return" at Gallery Isabelle, marking its 20th anniversary with daily unveilings by artists including Hassan Sharif and Mohammed Kazem. Other notable shows include "Reflections: Modern and Contemporary Art from the Villain Collection" at Bassam Freiha Art Foundation.

Emirati abstraction meets floral forms

This article is a roundup of cultural events and openings in Dubai's Alserkal Avenue, including the launch of WINDOW, a chef-driven restaurant by the team behind Kokoro, led by chef Gonzalo Platero. It also covers the opening of Gradient, a gallery by Syrian-American designer Nader Gammas showcasing lighting, collectible design, and antiques; an exhibition of Syrian artist Safwan Dahoul's melancholic 'Dream' series; a group show titled 'All the Lands from Sunrise to Sunset' at Green Art Gallery exploring imperialism; and a book recommendation for Thani Al-Suwaidi's 'The Diesel'. Additionally, it notes the 20th 'Special Edition' of Art Dubai, which attracted 25,000 visitors.

Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen

The Museum of Fine Arts, Houston will host the U.S. debut of "Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen" from May 20 to September 13, 2026. The exhibition features over 95 works by Pablo Picasso, Paul Klee, Henri Matisse, Alberto Giacometti, and other postwar European avant-garde artists, drawn from the collection assembled by famed gallerist and collector Heinz Berggruen. It explores Berggruen's relationships with artists and his Paris gallery, Berggruen & Cie, and includes thematic galleries on still life, portraits, and the human figure, as well as a dedicated space on Berggruen's life story.

Opinion: In galleries across Canada, too much art is being hidden away

Don LePan, a novelist, book publisher, and painter, argues that public art galleries across Canada are failing to display their permanent collections, using the MacKenzie Art Gallery in Regina as a prime example. During a visit in early March, LePan found that none of the gallery's extensive permanent collection—which includes works by Group of Seven artists, European masters like Picasso and Gauguin, and modernists such as Agnes Martin—was on view. Instead, the entire exhibition space was devoted to three special shows: a photographic and conceptual art exhibition by Plains Cree artist Joi T. Arcand, a selection of works by 2025 Governor General’s Awards in Visual and Media Arts recipients, and an Indigenous art exhibition. LePan praises these exhibits but criticizes the gallery's decision to completely exclude its permanent collection.