Twisting tale of ‘Henry VIII’s lost dagger’ to be told in London exhibition

An exhibition opening at Strawberry Hill House in London on November 1 will explore the history of a jewel-encrusted Ottoman dagger long believed to have belonged to Henry VIII. Curator Silvia Davoli has uncovered that the dagger was actually made in late 16th-century Istanbul, decades after Henry's death, and was mistakenly attributed to the king by 18th-century engraver George Vertue. The dagger was owned by Horace Walpole, then passed through several hands before being stolen in a 1946 heist at Hever Castle, where it was kept by the Astor family. Though the original dagger remains missing, the exhibition will display two similar Ottoman daggers from Welbeck Abbey and Vienna's Kunsthistorisches Museum.

Local artist's latest exhibit is totally wicked

Local artist Carmen McCullough, who also works under the name 'Strange Farm Girl,' is opening a new mixed media exhibition titled 'Wicked Plant Art' across three venues in Detroit Lakes, Minnesota: the Becker County Museum, Bluebird Books, and Ortenstone Gardens and Sculpture Park. The exhibition, which includes 22 original pieces, was previously shown at the Lauritzen Botanical Gardens in Omaha, Nebraska, and features nature-themed works inspired by 'wicked plants.' An opening reception will be held at the Becker County Museum on October 9, and the show runs through January 15, 2026.

Review | A sprawling survey highlights the women making art around D.C.

A survey exhibition titled "Women Artists of the DMV: A Survey Exhibition" at the American University Museum in Washington, D.C., showcases 63 works by women artists from the region. The show, reviewed by Mark Jenkins, features depictions of women as everyday people, archetypes, allegorical figures, and goddesses, alongside some abstract pieces, with a preference for representational art.

Documenta unveils first all-woman curatorial team for 2027

Documenta has announced the first all-woman curatorial team for its 16th edition, set to take place in Kassel, Germany, from June 12 to September 19, 2027. Artistic director Naomi Beckwith, deputy director and chief curator of the Solomon R. Guggenheim Museum, selected four curators—Carla Acevedo-Yates, Romi Crawford, Mayra A. Rodríguez Castro, and Xiaoyu Weng—to develop the exhibition, publications, and programming. Each curator brings distinct expertise: Acevedo-Yates focuses on diaspora and cultural production; Crawford on race and American visual culture; Rodríguez Castro on writing and editing; and Weng on globalization, feminism, and decolonization.

‘Our pattern, our document’: this Indigenous Australian community is using design to assert its rights

A new exhibition at the Art Gallery of New South Wales (AGNSW) in Sydney, titled 'Yolŋu power: the art of Yirrkala', showcases the work of 90 Yolŋu artists from the remote community of Yirrkala in Australia's Northern Territory. The exhibition highlights how the community's art centre, Buku-Larrŋgay Mulka, has produced sacred clan designs known as miny'tji for eight decades, and how these patterns were used as legal and political documents to assert land and sea rights. Key moments include the 1963 Yirrkala Bark Petition, the Saltwater Project (1996) initiated by artist Djambawa Marawili, and the subsequent 2008 High Court ruling recognizing Indigenous ownership of the intertidal zone under the Land Rights Act.

New ‘Of the Earth’ art exhibition opens at Detroit Lakes’ Ortenstone Gardens

A new public art exhibition titled 'Of the Earth' has opened at Ortenstone Gardens and Sculpture Park in Detroit Lakes, Minnesota. The exhibition features three sculptures by Polish-American artist Olga Ziemska, who is also the park's first artist-in-residence, supported by local nonprofit Project 412. The works incorporate natural materials like river rocks, sticks, and grass, and join Thomas Dambo's troll sculpture 'Barefoot Frida' as permanent attractions at the 50-acre park, which was donated to the city by the Mark and Cindy Fritz Foundation.

Early summer shows at the Utah Museum of Contemporary Art: Out Loud 2025, 2025 Gala Art Exhibition: The Factory

The Utah Museum of Contemporary Art (UMOCA) is presenting two early summer exhibitions: "Out Loud 2025" and the "2025 Gala Art Auction: The Factory." Out Loud 2025 features work by 17 young artists from Utah high schools who completed a 12-week workshop series, exploring themes of queer identity, childhood nostalgia, and coming-of-age through diverse media including painting, ceramics, collage, and video. The 2025 Gala Art Auction showcases works by 57 Utah artists available for purchase.

The Big Review | Caravaggio 2025 at Palazzo Barberini, Rome ★★★

The article reviews the "Caravaggio 2025" exhibition at Palazzo Barberini in Rome, which brings together 24 paintings by the Baroque master Michelangelo Merisi da Caravaggio. Curated by Francesca Cappelletti, Maria Cristina Terzaghi, and Thomas Clement Salomon, the show is accompanied by a heavy marketing campaign tied to the Catholic Church's Jubilee year. The review notes that while any gathering of Caravaggio's works guarantees a beautiful experience, the exhibition's title and scope remain unclear, and the curatorial approach—divided into four thematic sections—feels disjointed. Highlights include the reunion of three paintings from Cardinal Francesco Maria del Monte's collection and the public display of the recently identified portrait of Maffeo Barberini.

Daniel Johnston: I Think, I Draw, I Am

Daniel Johnston: I Think, I Draw, I Am is the largest New York solo exhibition of work by musician and artist Daniel Johnston (1961-2019). Curated by Lee Foster, co-owner of Electric Lady Studios and Curatorial Advisor for the Daniel Johnston Trust, the show features over 300 drawings that reveal the psychological depth and formal inventiveness of Johnston's comic-inspired art. Johnston first gained fame as a lo-fi musician in Austin, Texas, in the 1980s, and his graphic art reached a national audience when Kurt Cobain wore his Hi, How Are You? T-shirt at the 1992 MTV Music Awards.

The Flaten Art Museum presents Gateway to Himalayan Art, a traveling exhibition from the Rubin Museum of Himalayan Art

The Flaten Art Museum at St. Olaf College is presenting "Gateway to Himalayan Art," a traveling exhibition from the Rubin Museum of Himalayan Art that introduces the forms, concepts, and traditions of Himalayan art and cultures. The exhibition features objects from the Rubin Museum's collection along with multimedia elements from its educational initiative, Project Himalayan Art, and will be on view from September 12 to December 7, 2025. A companion exhibition, "Tashi Delek, Minnesota! (Auspicious Blessings, Minnesota!)," curated by Thor Anderson and Karil Kucera with the Tibetan American Foundation of Minnesota, will run concurrently, highlighting the public life of Tibetan Minnesotans through photographs and videos.

What is the international exhibition of the Venice Biennale like? Review of "In minor keys" by Koyo Kouoh

Com’è la mostra internazionale della Biennale di Venezia? Recensione di “In minor keys” di Koyo Kouoh

The 2026 Venice Biennale, titled "In minor keys" and curated by the late Koyo Kouoh, opens to the public on May 9 amid controversies including the absence of the president's name in the colophon at the Arsenale entrance. The exhibition, organized by Kouoh's team (Rory Tsapayi, Siddharta Mitter, Marie Helene Pereira, Gabe Beckhurst Feijoo, and Rasha Salty), unfolds across the Giardini and the Arsenale's Corderie, featuring works that balance strength and beauty with a harmonious mix of voices and themes. The Giardini section is particularly compelling, with a non-linear, polycentric layout that feels like a living organism, while the Arsenale offers further depth.

trump freedom truck exhibition

President Donald Trump has launched the 'Freedom Truck' fleet, a series of six mobile exhibitions traveling across the United States ahead of the nation’s 250th anniversary. Funded by a $14.1 million grant from the Institute of Museum and Library Services (IMLS), the project features interactive displays, AI-powered historical figures, and artifacts provided by Glenn Beck’s American Journey Experience. The tour, organized by conservative groups like PragerU and Hillsdale College, focuses on a patriotic narrative of American independence and sovereignty.

venice biennale koyo kouoh 2026 in minor keys

The Venice Biennale will proceed with its 2026 edition despite the unexpected death of its curator, Koyo Kouoh, earlier this month. The Biennale announced on Tuesday that it will realize Kouoh's exhibition, titled "In Minor Keys," which she had already begun planning before her passing. Kouoh had selected artists, developed commissions, and established the central concept. The show will be carried forward by a team of five advisers she personally chose: curators Gabe Beckhurst Feijoo, Marie Helene Pereira, and Rasha Salti; critic Siddartha Mitter as editor; and Rory Tsapayi as assistant. The exhibition remains scheduled to open on May 9, 2026, with the full support of Kouoh's family.

Step Aboard the Superyacht Circling This Year’s Cannes Film Festival

Over the weekend of the Cannes Film Festival, director Ron Howard premiered his documentary *Avedon*, which traces photographer Richard Avedon's rise from a working-class Jewish immigrant background to a defining chronicler of American culture. The film received a second life aboard the Renaissance superyacht with a party hosted by editor Graydon Carter, Ancient chairman and CEO Alexander Klabin, and Burgess chief executive John Beckett. Guests included actors Natasha Lyonne and Rosemarie Dewitt, photographer Jean Pigozzi, model Eddie Mitsou, Avedon's grandchildren Michael, Matthew, and Caroline Avedon, and producers Courtney Kivowitz, Sara Bernstein, Darcie Reisler, Dallas Rexer, Chris St. John, and Justin Wilkes. The after-hours cocktail allowed attendees to relive the film's most impactful scenes while mingling with the producers and the photographer's family.

The LA Art World’s New Obsession Is a Theater Where Artists Run the Show

Calla Henkel and Max Pitegoff, former artistic directors of Berlin's Grüner Salon, launched New Theater Hollywood in 2024 as a nonprofit venue on Santa Monica Boulevard. The 49-seat theater specializes in genre-defying, multidisciplinary collaborations, staging works like Sophie Becker's ventriloquist act *Ronnie's Big Idea* and Diamond Stingily's *The Driver*. Every performance sells out, attracting a cult following of literary, art world, and pop culture figures who often linger to discuss shows.

parties nyfw fashion bethann hardison

CULTURED magazine hosted a September issue launch party at FOOD, a revived 1970s art-world restaurant now run by artist Lucien Smith and the estate of Gordon Matta-Clark. The event, co-hosted by legendary model and activist Bethann Hardison and CULTURED Editor-in-Chief Sarah Harrelson, drew a crowd of fashion and art insiders including designers, stylists, artists, and editors. Guests enjoyed family-style dishes, Lagavulin cocktails, and left with copies of the magazine's latest covers featuring Julia Fox, Anthony Edwards, Vicky Krieps, Sophie Calle, and Lucien Smith.

Art at Bartlett Presents BARTLETT ART TALK: Janice Kasper

Maine-based environmental painter Janice Kasper will headline the first Bartlett Art Talk of the 2026 season at Bartlett Woods Retirement Community on April 22. The event coincides with the exhibition "Chickadees, Alligators and Stonehenge," which features Kasper’s work alongside pieces by Cicely Aikman and Dirk McDonnell, all on loan from the Caldbeck Gallery. Kasper, whose work is held in major collections like the Portland Museum of Art, is known for dramatic oils that explore the tension between wildlife and human technology.

Environmental painter Janice Kasper to speak at 'Bartlett Art Talk' series

Maine-based environmental painter Janice Kasper will headline the first 'Bartlett Art Talk' of the 2026 season on April 22 at the Bartlett Woods Retirement Community. The event coincides with the exhibition "Chickadees, Alligators, and Stonehenge," which showcases Kasper’s dramatic oil paintings alongside works by Cicely Aikman and Dirk McDonnell. Kasper’s practice focuses on the tension between human technology and the preservation of wildlife and natural landscapes.

Monuments in Motion

Denkmäler in Bewegung

Berlin-based artist Sarah Ama Duah, who transitioned from fashion to sculpture, creates works that explore Afro-German memory culture. Her practice includes beeswax portraits, found objects like Delft porcelain and baroque vases, and performances at venues such as the Humboldt Forum. In 2025, she received the Wolfram Beck Prize for Sculpture. Duah's early fashion work, including silicone garments shown at the Fashionclash Festival in Maastricht, evolved into sculptural investigations of clothing, body, and space, leading her to study performance and sculpture at the Berlin University of the Arts under Jimmy Robert.

'Sachlichkeit' at Galerie Albrecht, Berlin, Germany on 2 May–27 Jun 2026

Galerie Albrecht in Berlin presents 'Sachlichkeit', an exhibition running from 2 May to 27 June 2026, that explores the concept of objectivity in art. The show features works by Kate Diehn-Bitt, a forgotten representative of the New Objectivity movement, alongside Michael Langner, associated with 'German Pop', as well as Rafael Cidoncha, Emese Kazár, and Sabine Herrmann. The exhibition examines how these artists portray people and objects with empathy, realism, and sometimes surreal distortion, ranging from Diehn-Bitt's empathetic portraits to Langner's automobile studies and Kazár's commentary on women's lives.

Statement of Intention by the International Jury of the 61st International Art Exhibition In Minor Keys of La Biennale di Venezia

The international jury for the 61st International Art Exhibition of La Biennale di Venezia, titled "In Minor Keys," has issued a statement declaring their intention to exclude from consideration any countries whose leaders are currently charged with crimes against humanity by the International Criminal Court. The jury, chaired by Solange Farkas and including members Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, was selected by artistic director Koyo Kouoh to award the Golden and Silver Lions among the 110 artists in the exhibition.

How Much Did It Cost to Paint a Pompeii Room Egyptian Blue?

How Much Did It Cost to Paint a Pompeii Room Egyptian Blue?

A new study has calculated the staggering cost of painting a room in Pompeii with Egyptian blue pigment. Researchers determined that covering the walls of a recently discovered "Blue Room," a sacred shrine, would have required between 2.7 and 4.9 kilograms of the prized synthetic pigment. Based on prices recorded by Pliny the Elder, this quantity of high-grade pigment would have cost between 50% and 90% of a Roman legionary's annual salary, highlighting it as an extreme luxury.

Brush to canvas: News from the art community

The Dalí Museum in St. Petersburg, Florida, will open two exhibitions in May 2025: "Architecture of the Dalí" on May 2, tracing the museum's history from its 1980s origins to its current bayfront structure, and "Dalí in America" on May 9, featuring over 70 works exploring Salvador Dalí's vision of the United States. Other notable openings include "Wolves: Photography by Ronan Donovan" at the James Museum of Western & Wildlife Art (May 9), multidisciplinary artist Babs Reingold's solo show "After Venus" at the Museum of Fine Arts St. Petersburg (May 15), and "Cigars! Photography, Industry, and Identity" at the Florida Museum of Photographic Arts, commemorating Ybor City's cigar-rolling history. Additional events include Florida NOW at Florida CraftArt, Charles Morrison's "Head in the Sky, Feet on the Ground" at the Morean Center for Clay, and a photography contest sponsored by FloridaRAMA and St. Petersburg Month of Photography.

‘Fully Immersive’ Beeple Survey Lands in Silicon Valley

Digital artist Mike Winkelmann, known as Beeple, is launching a major mid-career survey titled "BEEPLE: / INFINITE_LOOP" at Node, a new non-profit art space in Silicon Valley. The exhibition features immersive installations including the kinetic sculpture "Human One," the multi-screen tower "Diffuse Control," and a comprehensive presentation of his long-running "Everydays" project. This survey marks a significant moment for the artist as he transitions from the viral NFT boom into large-scale physical and generative museum-style installations.

MFA candidate brings ecological art to the Broad Art Museum

Hailey Becker, a Master of Fine Arts candidate at Michigan State University, has debuted a large-scale ecological sound sculpture at the Eli and Edythe Broad Art Museum. The installation features over 10,000 hand-cracked walnut shells suspended in a human-sized chime, which are struck by a mechanical arm to mimic the sound of water hitting a coastline. The project is the culmination of Becker’s interdisciplinary research, blending her background in engineering and material science with her current studies in forestry and fine arts.

GALLERY: Art gallery opens Master's of Fine Arts Exhibition 'The Rooms We Build'

The UCF Art Gallery has officially launched its 2026 Master of Fine Arts thesis exhibition, titled "The Rooms We Build." The show features a diverse array of mediums including soft sculpture, welded figures, and traditional painting, representing the culmination of work by six graduating studio art and design students.

Western Exhibitions’ New Show Maps Cities, Bodies and the Spaces Between

Western Exhibitions in Chicago presents “Spaces for People, Systems for Spaces,” a group exhibition featuring fifteen artists who explore the intersection of architecture, urban infrastructure, and the human body. The show includes diverse approaches to mapping and structural representation, ranging from Kim Beck’s hand-woven asphalt photographs and Courttney Cooper’s massive ink-on-receipt Cincinnati maps to Brian Petrone’s basswood and limestone tectonic sculptures.

Black Excellence fills Columbus Arts Council with warmth, artistry and community

The Columbus Arts Council in Mississippi hosted the opening reception of its second Black Excellence Art Exhibition, featuring fiber artist Stephany Brown reading from 'Of Salt and Spirit: Black Quilters in the American South' and a poem by Alabama Poet Laureate Ashley M. Jones. The exhibition showcased a diverse range of works including Brittany Horne's luminous portrait of her daughter, Brown's hand-sewn quilts, Kenneth Smith's stained glass mosaics, and live music by vocalist-pianist Kyia King. Culinary arts students from East Mississippi Community College contributed food honoring Black chefs and agricultural scientists, creating a multisensory celebration of Black artistry and heritage.

Louvre staff vote to strike, citing failures of management and building maintenance

Staff at the Louvre Museum in Paris voted unanimously to strike, with rolling walkouts set to begin on December 15. The unions, representing around 200 employees, filed a strike notice with the French culture ministry, citing insufficient staff, technical failures, and the building's aging condition. They also criticized the museum's director, Laurence des Cars, for a top-down management system that ignores staff alerts. The strike follows a series of incidents, including the theft of the French crown jewels in October, a forced closure of the Campana Gallery due to structural issues, and a water leak that damaged hundreds of books in the Egyptian antiquities library.

Art Basel Miami Beach, Louvre crisis deepens, Helene Schjerfbeck—podcast

This episode of The Art Newspaper's 'The Week in Art' podcast covers three major stories. Ben Sutton and Kabir Jhala report from Art Basel Miami Beach, discussing top sales and the overall mood at the fair. Ben Luke speaks with Paris correspondent Vincent Noce about the deepening crisis at the Musée du Louvre following a staff strike and a recent robbery, as the museum plans to raise ticket prices for non-EU visitors by 45%. The episode also features a 'Work of the Week' segment on Helene Schjerfbeck's painting 'The Tapestry' (1914-16), with curator Dita Amory discussing the work ahead of a new exhibition at the Metropolitan Museum of Art.