The Palais des Papes in Avignon cancels Macha Makeïeff's exhibition

Le Palais des Papes d’Avignon renonce à l’exposition de Macha Makeïeff

The Palais des Papes in Avignon has cancelled its planned summer exhibition, 'Les Choses divines – Inventaire fantaisiste,' conceived by French director, scenographer, and visual artist Macha Makeïeff. The cancellation, officially attributed to a combination of administrative, technical, and budgetary constraints, may also be linked to the recent municipal election that saw Olivier Galzi succeed Cécile Helle as mayor.

« Le monde entier semble s’être mis en mouvement, animé par une soif d’expériences culturelles »

The article explores the transformation of cultural travel for artists and art lovers, contrasting the arduous, unknown journeys of historical figures like Eugène Delacroix, Paul Gauguin, and Ella Maillart with today's accessible, curated experiences. It describes how contemporary artists such as Ólafur Elíasson, JR, and Marina Abramović now use travel itself as a medium, creating works that engage with climate change, social issues, and presence. Destinations like the Venice Biennale, AlUla in Saudi Arabia, Naoshima in Japan, and Le Voyage à Nantes are highlighted as hubs where art and travel merge into immersive, sensory experiences.

qatar museums gabrielle goliath venice biennale pavilion 1234770055

Gabrielle Goliath's planned South African pavilion at the Venice Biennale was abruptly canceled by South African culture minister Gayton McKenzie. McKenzie claimed the cancellation was not due to the pavilion's focus on Israel's war in Gaza, but because a foreign nation attempted to purchase the work after the show. The Daily Maverick reported that the foreign entity was actually Qatar Museums, which had expressed interest in acquiring a video recording of Goliath's performance piece 'Elegy,' which addressed violence against women and queer people in South Africa and a genocide in Namibia. McKenzie's statement contradicted earlier reports that he had privately called the pavilion 'polarizing.'

hurricane melissa hits jamaica cultural institutions 1234759380

Hurricane Melissa has devastated Jamaica and Haiti, causing deadly floods and landslides before moving on to Cuba. The storm forced the closure of major cultural institutions in Kingston, including the National Gallery of Jamaica (closed since October 24) and the Bob Marley Museum, which announced it would remain shut until further notice. The National Gallery offered artists advice on protecting their work, such as removing art from walls, storing it above ground, and anchoring outdoor sculptures. At least 30 deaths have been reported across the region, with Jamaica declared a disaster area.

How the adoption of canvas in Venice changed the way artists painted

Art historian Cleo Nisse has published a new book, *Venetian Canvas and the Transformation of Painting*, examining how 16th-century Venetian painters such as Titian, Veronese, and Tintoretto pioneered the use of canvas as a painting support. Nisse reveals that canvas was not a uniform material—artists experimented with different weaves, including tabby and herringbone patterns, and even repurposed sailcloth and tablecloth-quality fabrics to achieve specific visual effects. The book argues that canvas was already familiar in the late Middle Ages for banners and alternatives to tapestry, and that Vittore Carpaccio was the first master of the medium, varying canvas types for expressive purposes in his *Legend of St Ursula* series.

Comment | Degenerate art all over again? Nazi attack on Modern art is not far away from trends in today’s world

The article draws a provocative parallel between the Nazi regime's attack on modern art—epitomized by the 1937 "Degenerate Art" (Entartete Kunst) exhibition—and contemporary political aesthetics, particularly around President Donald Trump. It traces the Nazi party's early use of visual spectacle, mass rallies, and monumental art to forge a national identity, contrasting this with Trump's proposed National Garden for American Heroes and stalled White House Ballroom, which the author dismisses as kitsch but lacking the cohesive fascist aesthetic of Albert Speer's masterplans.

reindeer hunting facility found in melted ice norway 2713876

Melting ice in Norway has revealed a 1,500-year-old reindeer hunting facility, preserved beneath centuries of snow and ice. Archaeologists from the University Museum of Bergen and Vestland County uncovered wooden mass-capture fences, marked antlers, iron spearheads, arrow shafts, wooden spears, a crafted antler brooch, and a mysterious decorated pine oar at the site on the mountain plateau of Aurlandsfjellet. The trap, composed of hundreds of tree branches stacked into two fences, was likely used around the middle of the 6th century at the start of a cold period, when year-round snow and ice made it unusable yet ideal for preservation.

Professors share art, science, culture via Smithsonian exhibits

Two East Carolina University professors have contributed to Smithsonian museum exhibits this summer. Photography professor Daniel Kariko from the School of Art and Design has a photograph titled "Last Camp on Isle Dernieres" (2017) on display in the Art x Climate exhibition at the Smithsonian National Museum of Natural History. The image documents a recreational fishing camp in South Louisiana that was completely gone by 2019, part of Kariko's ongoing 25-year project "Impermanence" capturing landscape changes in the Barataria-Terrebonne region. Additionally, Dr. Aleia Brown from the Thomas Harriot College of Arts and Sciences curated a collection of quilts by Black artists at the Smithsonian American Art Museum.

World Press Photo 2026 winners – in pictures

The World Press Photo 2026 winners have been announced, with Carol Guzy awarded the top honor for her image of distraught girls clinging to their father as ICE agents detain him after an immigration hearing in New York City. Finalists include Saber Nuraldin’s photograph of Palestinians scrambling for aid in Gaza, Victor J Blue’s image of Achi women outside a Guatemala City court, and other powerful works documenting climate displacement in Mexico, a wedding during a typhoon in the Philippines, police detaining a priest at a pensioners’ protest in Argentina, and a social robot in Europe.

Sony world photography awards 2026 – in pictures

The 2026 Sony World Photography Awards have announced their top honors across professional, open, student, and youth categories. Notable winners include Citlali Fabián for her series on Indigenous activists in Mexico, Seungho Kim for a project exploring the intersection of parenting and pet ownership in South Korea, and Dafna Talmor for her abstracted, collaged landscapes. The winning works span a diverse range of subjects, from the documentation of a fire at the Royal Academy of Fine Arts in Stockholm to intimate portraits of faith at the Vatican.

Director’s Notes with Adam Golfer | “Camille Henrot: In Movement”

Adam Golfer, the director of the short film "Camille Henrot: In Movement," reflects on the process of creating the documentary. He describes following the artist Camille Henrot over a full year in New York and Paris, capturing her wide-ranging creative process from sketches to paintings, model-making to large-scale sculptures, and the evolution of her film work.

Tiffany Chung’s exhibition at the AD&A Museum maps history within deep geological time

The Art, Design & Architecture (AD&A) Museum at UC Santa Barbara has launched "Tiffany Chung: indelible traces," a mid-career survey of the Vietnamese American artist and UCSB alumna. The exhibition features over 70 works spanning 25 years, including her signature hand-drawn and embroidered maps, video, and sculptural installations. Curated by Orianna Cacchione, the show highlights Chung’s use of cartography to challenge colonial narratives and document the complexities of forced migration, climate crises, and the movement of botanical organisms across continents.

Miami Advice: Mikhaile Solomon on the immersive Artists in Residence in Everglades programme

Mikhaile Solomon, founder of Prizm art fair, discusses the Artists in Residence in Everglades (Airie) program, which has hosted around 200 artists over 25 years. Founded in 2001 by artist Donna Marxer and park ranger Alan Scott, Airie invites about 14 artists per year to live and work for one month in Everglades National Park, producing work that responds to the subtropical wilderness. The program's exhibitions have traveled to venues like the Cooper Hewitt, Smithsonian Design Museum and the Venice Biennale, with recent projects including Miami-based artist Germane Barnes' sound installations.

Six environmental artists win this year’s Rewilding Art Prize

Six Canadian artists have been awarded the 2026 Rewilding Arts Prize, established in 2023 by the David Suzuki Foundation and Rewilding Magazine. The winners include Nicole McDonald-Fournier, whose project EmballeToi! repurposes old winter coats as plant-growing pots, and the Montreal/Toronto duo Masumi Rodriguez and Elena Kirby, who run community papermaking workshops using invasive plant species. The prize awards $2,000 to each artist and plans to feature their work in a future exhibition, following the inaugural winners' show at the Canadian Museum of Nature in Ottawa.

Farm Projects to host 'Little Happiness' and 'Considering Change'

Farm Projects in Hudson, New York, will host two concurrent exhibitions from May 2 through 18, 2026: "Susan Carr: Little Happiness" and "Nancy Berlin: Considering Change." Carr's exhibition features colorful wooden sculptures that treat color as structure, while Berlin's show explores climate change and shifting knowledge through layered paintings and works from her series "Flight Patterns" and "Constant Revisions." An opening reception is scheduled for May 9.

‘The art gallery became a form of protest’: Students in Curatorial Practices prepare for the art world beyond Emerson

Students at Emerson College recently completed a comprehensive curatorial project titled "Gather," an exhibition that served as the capstone for their Curatorial Practices course. Tasked with managing every facet of the show—from registrarial duties and marketing to the physical installation of artworks—the students juried a regional open call that resulted in a final selection of 14 artists. The project was designed to provide a holistic understanding of the industry, moving beyond the siloed experience of traditional museum internships to prepare students for a volatile professional landscape.

UK Museum hosts first solo exhibition by Bangladeshi artist Soma Surovi Janat, supported by the British Council

The Ashmolean Museum in Oxford has launched "Climate Culture Care," the first solo exhibition by a Bangladesh-based artist in a UK museum, featuring the work of Soma Surovi Jannat. Developed during her residency at the institution, the show includes approximately 40 works, ranging from intricate drawings on paper to a 30-foot-long scroll and an ephemeral site-specific wall drawing. The exhibition is part of the Ashmolean NOW series, which tasks contemporary artists with creating new interventions inspired by the museum’s historical and archaeological collections.

Santa Monicas 1st Municipal Art Gallery To Open Soon

The City of Santa Monica is launching its first municipal art gallery, the Santa Monica City Gallery, located within the Bergamot Station Arts Center. The space will debut on April 10 with an inaugural exhibition titled “Case Study: Adapt,” which features architectural models developed by USC Architecture students in collaboration with professional firms. The opening event will include remarks from California for the Arts Executive Director Julie Baker and a commendation for State Senator Ben Allen.

UNT Gives No Reason for Sudden Closure of Victor Quiñonez Show

The University of North Texas abruptly cancelled the solo exhibition "Ni de Aqui, Ni de Allá" by artist Victor Quiñonez in its College of Visual Art & Design Gallery just nine days after its opening. The university covered the gallery windows with brown paper, removed all promotional material from its website and social media, and informed the artist via a misspelled email that it had terminated its loan agreement with Boston University Art Galleries, which originated the show. The artist was not notified in advance and learned of the closure from students.

Flowers laid after Bondi terror attack will form new work of art at Sydney Jewish Museum

Floral tributes left at Bondi Beach after a deadly terrorist attack on a Hanukkah celebration in December 2024 have been collected and will be transformed into an art installation at the Sydney Jewish Museum. Jewish Australian artist Nina Sanadze, born in Georgia and based in Melbourne, is working with volunteers to dry and process the flowers in a Sydney warehouse, experimenting with resin, bronze casting, and composted materials to create a work that may depict beachgoers fleeing the attack. The museum, currently closed for redevelopment, plans to feature the installation in a special exhibition when it reopens in 2027.

How ‘archaeological ceramicist’ Yasmin Smith has forever changed the way I look at flint

Yasmin Smith, an Australian artist described as an 'archaeological ceramicist,' presents her solo exhibition *Elemental Life* at the Museum of Contemporary Art Australia (MCA) in Sydney, running until June 8. The show features sculptural installations that use ceramics and glaze technologies to decode environmental and human histories. Key works include *Seine River Basin (2019)*, commissioned by the Centre Pompidou, which uses ash-glazed stoneware replicas of tree branches to reflect the chemical history of the River Seine, and *Chicxulub (2025)*, which draws on samples from the asteroid impact crater in Mexico to explore mass extinction. Smith’s practice involves extensive field research and collaboration with ecologists, archaeologists, and local communities, creating site-specific glazes that act as chemical records of place and time.

In Penang, the Lin Xiang Xiong Art Gallery is set to be a new cultural beacon

The Lin Xiang Xiong (LXX) Art Gallery at The Light Waterfront in Gelugor, George Town, Penang, is set to open on December 14. The eight-storey, RM100 million gallery will feature over 300 original artworks by founder Prof Lin Xiang Xiong, an 80-year-old artist and entrepreneur, alongside a rotating collection of more than 1,000 pieces he amassed over six decades across Asia and Europe. The gallery's design is inspired by a turtle, symbolizing longevity and peace, and will host international symposiums, artist exchange programmes, and cross-cultural dialogues.

Climate report from Getty’s PST Art programme urges cultural organisations to confront exhibitions’ impacts

The Getty has released a comprehensive climate impact assessment of its PST Art initiative, titled Art & Science Collide (2024-25), based on its inaugural Climate Impact Program (CIP). Developed with climate adviser Laura Lupton and artist Debra Scacco, the program provided webinars, guidance, and networking to participating institutions, with over two-thirds completing a climate impact report. Key findings show that air travel and air freight of art are the most carbon-intensive activities, and shifting to sea freight could reduce total emissions by 18%. Many institutions reduced waste through simple, low-cost changes, with some committing to permanent sustainability practices.

These artists want your help distracting fossil fuel executives

The Brooklyn non-profit space Pioneer Works is hosting an exhibition titled "How to Get to Zero" by artists Tega Brain and Sam Lavigne, featuring climate-focused interactive installations. The centerpiece, "Cold Call" (2023), invites visitors to don headsets and call fossil fuel executives, following a script designed to keep them on the line as long as possible to disrupt their productivity. Another work, "Offset" (2023-25), parodies carbon offset markets by allowing visitors to purchase credits for dissident acts like deflating SUV tires, with proceeds going to activists. The exhibition also includes "Perfect Sleep" (2021), an anti-productivity phone app that encourages rest to reduce carbon footprints, and "Synthetic Messenger" (2021), where cell phones click on climate news ads to boost journalism engagement.

Guest Artist Exhibition Opens at Center for the Visual Arts

The University of Toledo Department of Art will host a free public exhibition of photographs and installation works by guest artist Margaret LeJeune, opening August 25 at the Center for the Visual Arts. Titled "Drawn from Memory: Mapping Salt and Time," the exhibition examines ecological shifts in Dare County, North Carolina, including the transformation of coastal forests into ghost forests due to saltwater intrusion and rising sea levels, while also addressing histories of colonialism, enslaved Africans and their descendants, and Indigenous displacement. LeJeune will give an artist talk on September 24, and the show runs through October 10.

SVAC to break ground on Orton collection wing in June

The Southern Vermont Arts Center (SVAC) will break ground in June on a $14.5-million, 12,000-square-foot addition to its historic Yester Building in Manchester, Vermont, with completion expected in June 2026. The new wing will house the Lyman Orton Collection, "For the Love of Vermont," featuring over 250 pieces of art from the 1920s to the 1960s, alongside contemporary exhibitions and traveling shows. The project also includes an ADA elevator, climate-controlled storage, an outdoor space, a roof terrace, and expanded dining at the curATE Cafe.

Lawsuit Alleges DOGE Cancelled $349,000 HVAC Grant to Museum after ChatGPT Flagged It As DEI

Lawsuit Alleges DOGE Cancelled $349,000 HVAC Grant to Museum after ChatGPT Flagged It As DEI

The High Point Museum in North Carolina had a $349,000 federal grant to replace its HVAC system canceled after staff at the Department of Government Efficiency (DOGE) used ChatGPT to evaluate the proposal. According to a federal lawsuit, the AI chatbot flagged the climate-control project as related to diversity, equity, and inclusion (DEI) initiatives, leading to its termination, despite the grant's stated purpose of preserving the museum's collection.

Toronto art gallery hosting free party ahead of new exhibit

The Power Plant Contemporary Art Gallery in Toronto is hosting a free opening party on April 24 for its new exhibition, 'Colourful Parachutes: Imagining Alternative Futures Through the Power of Play.' The exhibition features interactive installations by ten international artists, including Temitayo Ogunbiyi, Leisure, Robin Rhode, and Claire Greenshaw, designed to be touched, climbed on, and altered by visitors.

Counterpublic plans sprawling, socially conscious show of public art for St. Louis in September

The St. Louis-based triennial Counterpublic has announced its artist lineup and thematic framework for its 2026 edition, set to open on September 12. Featuring more than 50 artists across five primary locations, the free public art festival will showcase newly commissioned works by major figures such as Glenn Ligon, Rebecca Belmore, and Rirkrit Tiravanija. The exhibition, titled "Coyote Time," explores themes of rapid societal change, community resilience, and the "near future," with specific installations addressing the aftermath of a 2025 tornado and the history of local landmarks like Sumner High School.

Inside Kashi Hallegua House, The Historic Kochi Mansion Hosting One of the Biennale’s Most Provocative Art Exhibition

The historic 200-year-old Kashi Hallegua House in Kochi's Jewish quarter has been transformed into Ishara House, hosting the exhibition "Amphibian Aesthetics" during the Kochi-Muziris Biennale season. Running from December 13, 2025, to March 31, 2026, the show features 12 international artists including Shilpa Gupta, Michelangelo Pistoletto, and Dima Srouji, with works responding directly to the building's architecture and maritime histories. The exhibition is organized by Ishara Art Foundation and curated with an "amphibian" lens, exploring themes of transition, climate crisis, and cultural displacement.