Barbican announces In Other Worlds, the first UK solo exhibition by Liam Young

The Barbican has announced In Other Worlds, the first UK solo exhibition by artist, director and BAFTA-nominated producer Liam Young, set to open from 21 May to 6 September 2026. The immersive exhibition will feature films, costumes, miniature models, comics and sound-led environments exploring speculative futures shaped by climate change and emerging technologies. A new commission, World Machine (2026), will serve as the centrepiece, imagining a planetary-scale AI system where nature and computation coexist. Other works include Planet City (2021), The Great Endeavour (2023), and After the End (2024), co-authored with Aboriginal actor Natasha Wanganeen.

Barbican Immersive announces 2026 exhibition from Liam Young

Barbican Immersive, the touring exhibition arm of London's Barbican Centre, has announced its 2026 exhibition "In Other Worlds," the first UK solo show by artist, director and BAFTA-nominated producer Liam Young. The exhibition will debut at the Barbican Centre from 21 May to 6 September 2026 as part of the Barbican's Summer season, before touring internationally. It features films, costumes, props, miniature models, comics, tapestries, and soundscapes that imagine hopeful futures amid environmental and technological challenges. Highlights include the world premiere of Young's film "World Machine" (2026), which envisions an AI-powered planetary supercomputer, alongside earlier works such as "Planet City" (2021), "The Great Endeavour" (2023), and "After the End" (2024).

FSU MoFA exhibition examines Indigenous relationships with water

Florida State University Museum of Fine Arts (MoFA) has opened "Water Ways: Indigenous Ecologies and Florida Heritage," an exhibition examining Indigenous relationships with water through historical artifacts and contemporary art. Curated by Elizabeth A. Cecil, the show features works by Harold García V (El Quinto), Samboleap Tol, and Wilson Bowers, alongside ancient cypress dugout canoes, ceramics, tools, and a mask from the New Orleans Museum of Art. The exhibition runs from September 18, 2025, to March 14, 2026, with accompanying events including artist talks, a symposium, and a book club.

Art freedom under fire

The Bangkok Art and Culture Centre (BACC) censored an exhibition titled 'Constellation of Complicity: Visualising the Global Machinery of Authoritarian Solidarity' after pressure from the Chinese embassy. The exhibition, which opened on July 24, featured works by exiled artists from Myanmar, Iran, Russia, and Syria exploring authoritarian alliances. Following a visit by Chinese embassy staff, several works were removed, including a multimedia installation by a Tibetan artist, and texts mentioning 'Hong Kong', 'Tibet', and 'Uyghur' were redacted. The curator, Sai, a Myanmar artist in exile, said the interference was not unexpected.

16 artists for Emerging Vision exhibit

Arnim's Art Galleria in Port of Spain is hosting its fourth annual group exhibition, Emerging Vision, featuring 40 works by 16 emerging artists from August 8-23, 2025. Curator Gabriella Bedeau selected a diverse range of styles and media, including abstract, portraits, caricature, photography, digital art, and mixed media, without imposing a theme to preserve each artist's creativity. The exhibition also includes a conservation and preservation art talk on August 23 by restoration expert Surrendra Maraj, covering climate effects on artwork and forgery recognition. Featured artists include Jace-Michael Joseph, Jhad Moses, Kirsten Skinner, and Katelyn Skinner, who shared insights into their work and inspirations.

Teen artists portrayed their lives — some adults didn't want to see the full picture

Teen artists in Washington, D.C., created two exhibitions—'The Teen Experience' at the American University Museum and a mural at the Smithsonian Folklife Festival—depicting honest portrayals of their lives, including school lockdowns, protests, self-doubt, and the pandemic. The Museum of Contemporary American Teenagers (MoCAT), founded by teacher David Lopilato, organized both shows, but some adults objected to the full range of topics addressed, such as the 'Free Palestine' protest sign in the mural.

A new art show brings L.A. climate inequities to life at Descanso Gardens

Descanso Gardens in Los Angeles opens a new exhibition titled “Roots of Cool: A Celebration of Trees and Shade in a Warming World,” co-curated by climate researcher Edith de Guzman and artist Jolly de Guzman. The all-women show features outdoor installations and gallery works that address shade equity—the unequal access to cooling shade across urban neighborhoods. Highlights include Leslie K. Gray’s three-part “Bus Stop” series depicting the climate challenges of female bus riders, Chantée Benefield’s “Cool Canopy” of suspended umbrellas (a recreation after her original was lost in the Eaton fire), and works by Kim Abeles and Diana Kohne inside the Sturt Haaga Gallery and Boddy House.

Nomad Artist Explores the Meaning of Home Through a London Exhibition

Illustrator Molly Maine, who has been traveling the world since 2016 while running her remote design studio, is opening her first solo exhibition in London. Titled "Nomad: Perspectives on Home in a Changing Japan," the show grew out of her experiences at the Colive Fukuoka conference and an artist residency in Kanazawa. During her time in Japan, Maine interviewed both earthquake evacuees from the Noto Peninsula and digital nomads who had relocated there, exploring contrasting experiences of displacement and belonging. The exhibition weaves together these voices through illustration commissions that examine what defines home.

Detroit Art Institutions Resist Political Challenges to Diversity

Detroit art institutions, including the Detroit Institute of Arts and the Museum of Contemporary Art Detroit, are actively resisting political pressures and legislative challenges aimed at rolling back diversity, equity, and inclusion initiatives. The article details how these organizations are reaffirming their commitments to diverse programming, hiring practices, and community engagement despite a broader political climate that has targeted DEI efforts in the arts and education sectors.

'The Bean' Sculptor Kapoor Blasts America's 'Politics Of Hate' And 'Warmongering'

British-Indian sculptor Anish Kapoor, best known for Chicago's 'Cloud Gate' sculpture (commonly called 'The Bean'), publicly criticized American politics in a recent interview, denouncing what he described as a 'politics of hate' and 'warmongering.' Kapoor, whose monumental public artworks have become global icons, did not specify particular events but spoke broadly about the current political climate in the United States.

New Light Art Charity to Auction Prestigious Northern Collection in Newcastle

The Northern England-based charity New Light Art has announced the forced sale of its prestigious permanent collection due to a critical lack of funding. Comprising over 80 works by prominent Northern artists such as Norman Ackroyd and Anne Desmet, the collection will be auctioned at Anderson & Garland in Newcastle on April 2, 2025. The decision follows the departure of a long-term patron and rising logistical costs, with proceeds intended to keep the charity’s exhibition and education programs operational.

Monumental Rubens ceiling painting revealed once more after two-year renovation

The monumental Whitehall Ceiling at London’s Banqueting House, painted by Peter Paul Rubens, is set to reopen to the public following a comprehensive two-year renovation and conservation project. Managed by Historic Royal Palaces, the initiative included the installation of advanced climate control systems to preserve the 17th-century canvases, structural stabilization of historic plaster, and the addition of a lift to provide the first-ever step-free access to the Main Hall.

Catalyst: Art as Activism

Summerhall Arts in Edinburgh has launched "Catalyst: Art as Activism," a major exhibition featuring four solo shows by artists Eilidh Appletree, Taraneh Dana, Kasia Oleskiewicz, and Molly Wickett. The project utilizes sculpture and installation to confront urgent global issues including the climate crisis, capitalist extraction, disability rights, and the realities of migration. A central component, Eilidh Appletree’s "Net Worthy," uses materials like mycelium, soya wax, and sand to create a submerged seascape that warns of biodiversity loss and the ecological consequences of industrial food production.

University of North Texas Shutters Exhibition of Artworks Critical of ICE

The University of North Texas abruptly closed the exhibition 'Ni de Aquí, Ni de Allá' by artist Victor "Marka27" Quiñonez, which was on view at its College of Visual Arts and Design Galleries. The university terminated its loan agreement with Boston University Art Galleries, removed all online mentions of the show, and covered the gallery windows with paper, offering no public explanation. The artist learned of the closure through students and received only a brief email notification.

Exhibition of Black artists reinterpreting the US flag opens without key Dread Scott work

An exhibition titled 'America Will Be!' opened at the University of Maryland's David C. Driskell Center, exploring how Black artists have reinterpreted the US flag. However, the show opened without a key work by artist Dread Scott, 'What is the Proper Way to Display a US Flag? (1988)', after the loan request was rescinded by the curators citing logistical and safety concerns.

Comment | Art and science rely on freedom of thought—and on each other

The article argues that art and science are deeply interconnected, both relying on freedom of thought and cross-disciplinary collaboration. It cites examples like birds' colorful feathers being explained by a study supported by Schmidt Sciences, which found that birds use a layer of white and black feathers to accentuate color—a technique painters have used for centuries. The piece highlights the Artist-at-Sea programme aboard the Schmidt Ocean Institute's research vessel Falkor (too), where artists like Constance Sartor and Jill Pelto collaborate with scientists to communicate marine science to broader audiences. The author, who works with scientists and is married to one, emphasizes that both disciplines pursue truth through different but complementary methods, from Leonardo da Vinci's anatomical studies to medieval Islamic tilework and Alexander von Humboldt's naturalist drawings.

New City of West Hollywood ‘Moving Image Media Art’ Exhibition Series Artworks Debut October 1

The City of West Hollywood has announced the debut of the next exhibitions in its Moving Image Media Art (MIMA) program, featuring artworks by Isabel Beavers, Diana Thater, Maya Kell-Abrams and Adam Agostino, Sara Silkin, Nina McNeely, and Noper. Starting October 1, 2025, through January 31, 2026, these works will be displayed at the top of every hour on various digital billboards along Sunset Boulevard, with specific locations and schedules for each piece.

Smithsonian under fire from Trump, Frieze Seoul, Dara Birnbaum and Quantum—podcast

The Art Newspaper's podcast 'The Week in Art' returns with three major stories. Ben Luke hosts a discussion with Ben Sutton, the publication's editor-in-chief in the Americas, about the Trump administration's announced comprehensive internal review of eight Smithsonian museums and artist Amy Sherald's cancellation of a long-scheduled exhibition at the National Portrait Gallery, citing censorship and institutional fear. The episode also covers Frieze Seoul 2024, the season's first major art fair, with correspondent Lisa Movius reporting from the South Korean capital amid political turmoil. The Work of the Week segment features Dara Birnbaum's landmark video artwork 'Technology/Transformation: Wonder Woman (1978-79)', part of a new exhibition 'The Quantum Effect' at the San Marco Art Centre in Venice, curated by Daniel Birnbaum and Jacqui Davies with physicist Ulf Danielsson.

Prospect, New Orleans’ international art exhibition, cancels its next big show in 2027

Prospect, New Orleans' international art exhibition, has canceled its next planned show in 2027. The decision was announced by the organization's most recent director, Nick Stillman, who cited the current political climate and cuts to government arts funding as making the financial outlook for the multi-million-dollar event "ominous." Stillman has since left the organization. Instead of mounting another exhibition, Prospect will publish a book titled "20 Years of Prospect" and shift focus to exploring sustainable models for presenting global art discourse while archiving its past work.

Capitalism, cityscapes and the climate crisis take centre stage at Luma Arles

Peter Fischli's exhibition "People Planet Profit" at Luma Arles presents hundreds of cheap, poorly designed business books he photographed over seven years, exploring the tension between capitalism, climate crisis, and social wellbeing. The show includes sculptures and screen prints that critique late-stage capitalism and mass tourism. Alongside it, landscape architect Bas Smets presents "Climates of Landscape," a practical exhibition proposing urban ecological solutions to rising temperatures and tides, featuring a microclimate installation within the former industrial building.

Saodat Ismailova “When the Water Turns to Wind” at Portikus, Frankfurt

Saodat Ismailova “When the Water Turns to Wind” at Portikus, Frankfurt

Uzbek artist Saodat Ismailova has opened a major solo exhibition, "When the Water Turns to Wind," at Portikus in Frankfurt. The presentation features a new, immersive film installation that weaves together ancestral myths, sonic landscapes, and the ecological history of Central Asia, focusing on the region's disappearing rivers and steppes. The work continues her long-term exploration of memory and cultural preservation.

THE WIND AS PROTAGONIST AT THE FINLAND PAVILION

Artist Jenna Sutela has been selected to represent Finland at the 61st Venice Biennale in 2026 with a multisensory installation titled Aeolian Suite. Curated by Stefanie Hessler and commissioned by Frame Contemporary Art Finland, the project transforms the Alvar Aalto-designed pavilion into a dynamic windscape using meteorological data, wind machines, and a children’s woodwinds orchestra. The work personifies five specific Venetian winds as protagonists in an elemental drama that blends scientific data with the theatrical traditions of Commedia dell’arte.

An exhibition at a historic villa in Prato brings together the artificial and the natural

In una villa storica a Prato una mostra che fa incontrare artificiale e naturale

Artist Andrea Marini presents "Anomale Intrusioni" (Anomalous Intrusions) at the historic Villa Rospigliosi in Prato, an exhibition organized by Associazione Chorasis. Curated by Riccardo Farinelli, the show features sculptural interventions that blend conceptual minimalism with the villa's centuries-old architecture and natural landscape. Marini’s works function as "programmed interferences," creating a dialogue between the organic and the artificial through metallic structures and zoomorphic forms that react to the surrounding environment and climate.

south dakota art professor reinstated charlie kirk comments 1234755756

Tenured University of South Dakota art professor Michael Hook, who faced termination for social media comments about the killing of conservative activist Charlie Kirk, has been reinstated after dropping his lawsuit. Hook posted remarks on September 10 calling Kirk a "hate-spreading Nazi" after the activist was shot dead, then apologized and deleted the post. South Dakota political leaders including Governor Larry Rhoden called for his firing, and USD placed Hook on administrative leave on September 12. Hook sued the university and the South Dakota Board of Regents on September 23, arguing his comments were protected by the First Amendment. Students organized a petition with nearly 22,000 signatures supporting his reinstatement. On October 3, USD president Sheila Gestring withdrew the termination notice, citing Hook's apology and employment record. Hook then dismissed the lawsuit as moot.

Peep the Wildest Costumes of This Year’s Easter Bonnet Parade

New York City’s Fifth Avenue was transformed into a vibrant public gallery on April 5, 2026, for the annual Easter Parade and Bonnet Festival. Participants gathered outside St. Patrick’s Cathedral to showcase elaborate, hand-crafted headpieces ranging from Eduardo Escobar’s rotating 'Trip to the Moon' hat to Shayna Strype’s hot-air balloon ensemble. The event featured a diverse array of creators, including climate-conscious artist Cristian Pietrapiana and mixed-media sculptor Gail Trunick, who utilized the street as a stage for avant-garde millinery and performance art.

This art exhibit takes climate change seriously

Ceramicists Savannah Jacob and Abby Jo Elle are co-curating "Respect Your Mother," a group exhibition at Patina Gallery dedicated to climate change and environmental activism. Opening in honor of Earth Day, the show features works from over 50 artists across various mediums, including sculptures, collages, and paintings, with a strict prohibition on artificial intelligence to emphasize human-centric craft.

Climate Activists Smear Palazzo Vecchio

Klimaaktivisten beschmieren Palazzo Vecchio

Members of the climate activist group Ultima Generazione targeted the historic Palazzo Vecchio in Florence, spraying its facade with orange washable paint using fire extinguishers. The protest was swiftly interrupted by security forces and Florence's Mayor Dario Nardella, who happened to be on-site and personally tackled one of the activists. Following the incident, the mayor joined cleaning crews on scaffolding to help scrub the medieval stonework with brushes and high-pressure hoses.

NEVERCREW Explores Our Tenuous Relationship with Nature in Huge Murals

The artist duo NEVERCREW, composed of Christian Rebecchi and Pablo Togni, has unveiled a series of large-scale murals across Europe that confront the deteriorating relationship between humanity and the natural world. Their recent works, including the mural "Souvenir" in Vienna and "Switch" in Wuppertal, utilize surrealist imagery—such as polar bears merged with plastic toy components or whales encased in architectural structures—to illustrate how nature is increasingly viewed as an artificial, distant object rather than an integrated system.

‘Materials are so easily imported, but the people are not welcome’: Diana Eusebio’s show at the Museum of Contemporary Art North Miami tackles the realities of immigration

Diana Eusebio’s first solo museum exhibition, *Field of Dreams*, has opened at the Museum of Contemporary Art North Miami, featuring over 30 works that combine hand-dyed textiles with digital prints. The artist, who grew up in Miami, uses natural dyes from materials like avocado, cochineal, and indigo to overlay portraits, family photos, and landscapes, exploring themes of identity, migration, and home. The exhibition includes a Q&A where Eusebio discusses her Peruvian Dominican heritage, the influence of baseball as a symbol of the American dream, and the current climate of fear for immigrants in the US.

‘Fall of Freedom’ art exhibition coming to Bloomington this weekend

The 'Fall of Freedom: Fighting Fascism Through Art' exhibition opens this weekend in Bloomington, featuring over 40 works by eight local artists. The event runs Friday evening and Saturday at 714 W. Kirkwood Ave, with sculptures, paintings, ceramics, live music by Travers Marks, protest poster-making, and a 'Wall of Dissent.' Admission is free, with donations and art sales benefiting the Community Kitchen of Monroe County. Artists include main coordinator Paul Pruitt, Bert Gilbert, and Lance Pruitt, whose works respond to political themes including Donald Trump, fear as a political tool, and the struggles of farmers and immigrants.