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Venice Biennale opening marked by protests

The 2026 Venice Biennale opened for professionals on Tuesday amid a series of protests, with more planned throughout the week. Around 60 artists from the exhibition "In Minor Keys" gathered at the Giardini for a collective action called "Solidarity Drone Chorus," inspired by Gazan composer Ahmed Muin's "Drone Song," to draw attention to genocide and war in Palestine. The Art Not Genocide Alliance (ANGA) organized a 24-hour strike for Friday 8 May, protesting Israel's participation. Pussy Riot staged a protest outside the Russian pavilion, and the Latvian pavilion launched a campaign against Russia's involvement. The protests follow a highly politicized lead-up, including calls for boycotts of the Russian, Israeli, and US pavilions, EU funding cuts over Russia's participation, and the resignation of the Biennale jury.

Jenna Sutela on Representing Finland at the 61st Venice Biennale

Jenna Sutela, representing Finland at the 61st Venice Biennale, will present an exhibition titled *Aeolian Suite* in the Giardini pavilion. The work features sound sculptures that engage with wind as both a physical and political force, using meteorological data, wind machines, recorders, a children's woodwind orchestra, and recordings of winds from Venice, Helsinki, and beyond. Sutela explores noise as a creative medium, drawing on the concept of deep listening inspired by artist Pauline Oliveros, and connects her project to the Biennale's theme, *In Minor Keys*, curated by Koyo Kouoh.

Dialing Up the Dollars: Giorno Poetry Systems Names Inaugural Recipients of New Need-Based Grant

Giorno Poetry Systems (GPS), the New York-based nonprofit founded in 1965 by artist John Giorno, has announced the twelve inaugural recipients of its new need-based grant, the Treat a Stranger grants. Each recipient receives an unrestricted grant of $4,545 to cover daily expenses like food, housing, health care, and emergencies. The grants are a relaunch of GPS's AIDS Treatment Project grants from 1984–1994, and are named after Giorno's mantra, “Treat a complete stranger with the same compassion you would treat a lover or a good friend.” Winners are selected by a rotating anonymous jury of LGBTQIA+ artists, poets, and musicians through a multi-meeting nomination and voting process.

Venice Biennale Swamped in Protests Ahead of Planned Strike

The Art Not Genocide Alliance (ANGA) has announced a 24-hour strike for Friday, May 8, coinciding with previews of the 2026 Venice Biennale, alongside a protest rally organized by local group Biennalocene and Italian trade unions. Earlier this week, sixty artists staged a sonic protest at the Giardini entrance to draw attention to the plight of those affected by genocide and war in Palestine and elsewhere. The Latvian pavilion has also encouraged attendees to wear a design by artist Krišs Salmanis reading “Death in Venice – Russia go home!” Meanwhile, dissident artists Pussy Riot stormed the Russian pavilion waving Ukrainian flags, and the entire 2026 Biennale jury resigned after the decision to exclude countries whose leaders are charged with crimes against humanity by the International Criminal Court from competing for top prizes.

Hampshire College, Alma Mater to Many in the Arts, Closing

Hampshire College, the experimental liberal arts institution in Massachusetts, has announced it will permanently close after nearly sixty years of operation. The college's board cited insurmountable financial pressures and a failure to meet regulatory requirements as the primary drivers behind the decision, noting that progress toward a stable financial foundation fell short of expectations.

Nine Must-See Art Exhibitions to Catch in Philadelphia This Spring

Philadelphia's spring exhibition season features nine must-see shows across the city, including Kelly Kozma's solo exhibition 'Watch Me Backflip' at Paradigm Gallery + Studio, which presents a massive 22-foot installation of 35,000 hand-stitched circles made from repurposed materials. Other highlights include 'Soft/Cover' at The Fabric Workshop and Museum, exploring fabric and screenprinting in relation to the human body; 'Preserving Assyria' at the Penn Museum, focusing on Iraqi archaeologists reclaiming cultural heritage after ISIS destruction; and 'The Battle of the Bathers' at the Barnes Foundation, examining a media kerfuffle involving two Paul Cézanne paintings.

french art galleries struggle amid wavering art market survey reveals

A survey by market researcher Iddem, conducted among the Professional Committee of Art Galleries (CPGA), reveals that 85% of French gallery owners are pessimistic about the art sector's economic outlook in 2025. Turnover among French galleries dropped 6% in 2024, while the global art market fell 12% per the UBS Art Basel 2025 report. Philippe Charpentier, new CPGA president, told Le Monde the market has regressed to 2010 levels, with one-fifth of dealers reporting sales declines of over 20%. France also struggles to attract young collectors, unlike Asian markets where buyers average in their thirties, according to CPGA vice president Magda Danysz.

BLANCA DE LA TORRE Y EL “MUSEO ANFIBIO”: “A MÍ ME INTERESA EL PÚBLICO, NO NECESARIAMENTE LAS MASAS”

Blanca de la Torre, director of the Institut Valencià d’Art Modern (IVAM), discusses her concept of the "Museo Anfibio" (Amphibious Museum) in an interview for Artishock Revista's series on Ibero-American museum leaders. She proposes reimagining the museum as a relational institution that mediates between physical and symbolic territories, communities, and ecosystems, structured around two axes: Territories-Earth and Aquatic Environments. The interview is part of a series leading up to International Museum Day, with previous entries including Nicolás Gómez Echeverri of the Banco de la República de Colombia.

artists market

Artnet News reports on how the recent art market downturn has severely impacted working artists, particularly those reliant on mid-tier galleries. Following a three-year contraction driven by higher interest rates and reduced spending, many galleries have closed or cut costs, leading to fewer exhibitions, delayed payments, and precarious incomes for artists. Some have been dropped by their galleries, while others have taken on second jobs or shifted toward corporate-sponsored public commissions. The article includes data showing low median earnings for artists in the U.S., Germany, and the U.K., and quotes gallerist Facundo Argañaraz on the stigma artists face when pivoting careers.

More US artists forced to pay for their own shows as museum and culture budgets shrink

The article reports that U.S. artists like Lucia Hierro are increasingly forced to pay for their own museum exhibitions and public commissions as institutional budgets shrink. Hierro’s ambitious installation centered on a 7.5-foot monobloc chair required $35,000–$40,000 for fabrication alone, far exceeding what the commissioning institution could provide. The project moved forward only after support from her gallerist and a new fund from Miami-based nonprofit Fountainhead Arts, which received 96 applications requesting $1.8 million—14 times its available $125,000 in grants. The article highlights that even artists selected for the Venice Biennale face such funding gaps.

Art Toronto gives Latin American artists pride of place with new curated section

Art Toronto, Canada’s largest art fair, returns for its 26th edition (23–26 October) at the Metro Toronto Convention Centre with over 100 galleries. It debuts Arte Sur, a new curated section focused on Latin American art, organized by Mexico City-based curator and gallerist Karen Huber. The section features 11 galleries from across the Americas, including first-time participants from New York, Mexico City, Argentina, and Chile, showcasing more than 30 artists primarily from Mexico, Costa Rica, Argentina, Chile, and Peru.

Venice Biennale’s jury resigns

The entire jury of the 61st Venice Biennale, presided by Brazilian curator Solange Farkas and comprising four other curators, resigned just nine days before the exhibition's scheduled opening on 9 May 2026. The jury had announced it would not award prizes to countries whose leaders are charged with crimes against humanity by the International Criminal Court, a move widely understood to target Israel and Russia. In response, the Biennale's organisers cancelled the prize-giving ceremony and will instead award Golden Lions via a popular vote among ticketholders. The row escalated further when the Israeli representative, sculptor Belu-Simion Fainaru, accused the jury of discrimination and threatened legal action, prompting intervention from Italy's culture ministry.

Ten Political Statements By Artists At The 2026 Venice Biennale

The 61st Venice Biennale opened with unprecedented political tension, set against the backdrop of the international jury's mass resignation, the death of curator Koyo Kouoh, Russia's closed pavilion, threats from the European Commission to withdraw funding, and Italy's culture minister boycotting the opening. The article highlights ten works and moments where art and power intersected most explicitly, including Alfredo Jaar's 'Red Room' installation in the Chilean pavilion confronting humanitarian crisis, and Ukraine's collateral event 'Still Joy' at Palazzo Contarini Polignac, which frames joy as an act of resistance amid war.

The Parrish Art Museum Held Annual Spring Fling Benefit Honoring Bobbie Braun

The Parrish Art Museum in Water Mill held its annual Spring Fling benefit on April 25, celebrating the 10th anniversary of Access Parrish, an initiative that makes art accessible to visitors of all needs and abilities. The event featured art, dance, music, and food, and honored Bobbie Braun of The Neuwirth Foundation as the museum's inaugural Civic and Community Leader Honoree for her unwavering commitment to the program since its inception in 2016.

Vancouver exhibition explores global climate futures through art

The Vancouver Art Gallery, in partnership with Canada's National Observer, will open "Future Geographies: Art in the Century of Climate Change" on May 10, 2026. The exhibition, co-created by publisher Linda Solomon Wood and curator Eva Respini, features over 35 international artists including Ed Burtynsky, Huma Bhabha, Jean Shin, Clarissa Tossin, and Josh Kline. Works explore climate change through photography, sculpture, installation, and film, avoiding a doom-and-gloom tone in favor of poetic and thought-provoking approaches.

Tel Aviv Museum turns shelters into art spaces during war

During weeks of war in Israel, the Tel Aviv Museum of Art closed its galleries and moved a rare exhibition, "The Day Is Gone: 100 Years of the New Objectivity," into reinforced protected spaces. Director Tania Coen-Uzzielli then created guided tours inside the shelter, complete with live piano music and interpretation, allowing visitors to experience the artworks in a space designed for safety rather than display. The tour, titled "The Event Has Not Ended," plays on the automated safety notification that signals the end of a siren threat, suggesting that the event of war never truly ends.

‘The pictures are evil!’ The great art-quake of 1910

The article reviews David Boyd Haycock's slim new book 'Art-Quake, 1910,' which examines the explosive 1910 exhibition 'Manet and the Post-Impressionists' at London's Grafton Galleries. The show introduced British audiences to revolutionary artists like Cézanne, van Gogh, Gauguin, Matisse, and Picasso, provoking outrage from critics and the public, who called the works 'evil,' 'hysterical,' and a threat to civilization. The book is part of a series from Old Street publishing that also includes titles on the Degenerate Art exhibition and the Cultural Revolution.

In conversation with Mia curator Tom Rassieur: 1940s Germany, modern art and its mirrors today

The Minneapolis Institute of Art has opened a major exhibition, 'Modern Art and Politics in Germany 1910-1945: Masterworks from the Neue Nationalgalerie, Berlin.' The show, curated by Tom Rassieur, presents a chronological journey through German art from the Expressionist era through the World Wars, featuring key works by artists like Ernst Ludwig Kirchner, Vassily Kandinsky, and Franz Marc. It highlights groups like Der Blaue Reiter and uses deliberate pairings, such as portraits of Jewish art dealers by Otto Dix and Lovis Corinth, to explore themes of societal tension, propaganda, and identity.

The Story of Art + Water

Author Dave Eggers and artist JD Beltran have launched Art + Water, a new initiative located at Pier 29 in San Francisco designed to bypass the traditional art school model. The program seeks to resurrect the historical artist-apprentice and atelier systems, providing students with practical skills and studio space without the prohibitive costs of modern higher education. By partnering with the Port of San Francisco and the Community Arts Stabilization Trust, the founders aim to revitalize the city's waterfront while offering a sustainable alternative to the current debt-heavy academic landscape.

Comment | What is the role of art museums in times of civic stress?

The Walker Art Center in Minneapolis is navigating the civic distress caused by 'Operation Metro Surge,' a federal immigration enforcement initiative that has disrupted the lives of local artists, staff, and residents. In response to the atmosphere of fear and the shift to virtual schooling, the museum has positioned itself as a sanctuary, offering art-making kits, indigenous-led workshops, and public screenings to foster community resilience.

Towering cost: Tracey Emin hit with £160,000 bill to fix Margate flats

Tracey Emin is facing a £160,000 bill to address structural defects at Arlington House, a landmark Brutalist tower block in Margate. The artist, who owns four properties in the building, is among 142 leaseholders required to pay £40,000 per flat to replace cladding following an assessment by the UK government’s building safety regulator. Emin has publicly criticized the charges, questioning why recent buyers are being held financially responsible for decades of alleged maintenance neglect by the building's owner, Freshwater.

London’s National Gallery to cut staff as it faces £8.2m deficit

London's National Gallery is implementing significant staff cuts and restructuring its operations to address a projected £8.2 million deficit for the 2026-27 financial year. The institution will first offer a voluntary exit scheme to its nearly 500 staff, with compulsory redundancies possible if savings are insufficient. The financial crisis stems from rising operational costs, stagnant income, and visitor numbers that have not fully recovered to pre-pandemic levels, despite a recent boost from a popular Van Gogh exhibition.

10 Art Shows to See in the Bay Area This Spring

The San Francisco Bay Area's spring art season features a robust lineup of exhibitions highlighting local artists, history, and community resilience amid a challenging cultural climate. Shows include Cece Carpio's first solo exhibition at SOMArts blending street art and folklore, a major Theresa Hak Kyung Cha retrospective at BAMPFA, and Trina Michelle Robinson's two-venue exploration of Black migration at 500 Capp Street and Root Division.

Practice what you preach: artists reflect on ocean crisis at England's Baltic as centre wins sustainability award

Baltic Centre for Contemporary Art in Gateshead, England, has opened a major group exhibition titled "For All at Last Return," featuring 13 international artists whose work addresses the ocean crisis. Inspired by Rachel Carson's 1950 book, the show explores marine habitats from the surface to the deep seabed, with works by Bianca Bondi, Kristina Ollek, Joan Jonas, Taloi Havini, Michael Toisuta, Shezad Dawood, Otobong Nkanga, and Michele Allen. The exhibition includes installations, videos, tapestries, and a public program that engages local communities and examines the fragile balance between industry and ecology on Britain's North East coast.

Artist Jan Tichy plans to plunge MSU's Broad Art Museum into darkness

Artist Jan Tichy has created a major exhibition titled "Darkness" at the Broad Art Museum at Michigan State University, opening January 30, 2026, and running through late July. The exhibition transforms the museum's main floor galleries by blacking out Zaha Hadid's iconic angular windows and entrances, using projections and modulated lights to simulate a 24-hour day-night cycle. Tichy, who previously worked with the museum on a Flint water crisis project in 2017, collaborated with MSU researchers—including the Department of Entomology—to create works inspired by academic studies, such as photographic prints made from insects collected on the museum grounds over a year.

Comment | In worrying times for politics and the environment, art can still provide hope

In a reflective essay for 2026, the author draws on conversations with artists Luc Tuymans and Olafur Eliasson from the "A brush with…" podcast to explore art's capacity to offer hope amid political and environmental crises. Eliasson discusses his climate-focused works like the glacier melt series "1999/2019" and his despair after COP30, emphasizing action over hope, while Tuymans addresses political trauma through his exhibition at David Zwirner, including a riff on Géricault's "The Raft of the Medusa" that compares the United States to a fruit basket.

Noah Davis's exhibition

The Philadelphia Museum of Art announces a landmark survey of the late American artist Noah Davis (1983–2015), bringing together over 60 works across painting, sculpture, works on paper, and curating. The exhibition marks the final stop of an international tour organized with DAS MINSK in Potsdam, the Barbican in London, and the Hammer Museum in Los Angeles. Highlights include "40 acres and a unicorn" (2007), "Isis" (2009), "Savage wilds" (2012), and the "Pueblo del rio" series (2014). Curated by Eleanor Nairne and Wells Fray-Smith, the show is accompanied by a catalog co-published by Prestel with contributions from Tina M. Campt, Claudia Rankine, and others.

Seattle Art Museum exhibit explores France's food identity

The Seattle Art Museum has opened a new exhibition titled "Farm to Table: Food and Identity in the Age of Impressionism," featuring over 50 works by Impressionist artists such as Claude Monet and Paul Gauguin. The show explores how late 19th-century France, emerging from the Franco-Prussian War and social upheaval, turned to food imagery in art as a symbol of national pride and resilience. Curator Theresa Papanikolas highlights scenes of farmers, food workers, and markets like Les Halles, which also depict class interactions. The exhibition includes a dining table installation with prompt cards to encourage conversation, and Seattle is the final stop on its national tour, running through Jan. 18, 2026.

Comment | A spate of dealer anniversaries offers hope amid art market doomerism

A spate of New York galleries are celebrating significant anniversaries—Pace Gallery (65 years), Sperone Westwater (50), Hal Bromm (50), Albertz Benda (10), Jane Lombard (30), Yancey Richardson (30), and James Cohan (25)—mounting special exhibitions that mark their longevity. These milestones come amid widespread anxiety about the traditional dealer model, with headlines suggesting the sector is in crisis.

A brush with… Suzanne Jackson—podcast

This podcast episode features an in-depth conversation with artist Suzanne Jackson, who discusses her multifaceted career spanning drawing, painting, poetry, dance, and theatre. Born in 1944 in St. Louis and raised in San Francisco and Fairbanks, Alaska, Jackson draws on Native American and African American traditions to explore the spiritual connection between people and nature. She reflects on influences including Barbara Chase Riboud, Elizabeth Catlett, and Torkwase Dyson, and shares insights into her studio practice and her view on art's purpose. The episode also highlights her current survey exhibition "What is Love," which travels to SFMOMA, the Walker Art Center, and the Museum of Fine Arts, Boston through 2027.