What We Miss When We Talk About Giacometti

This article explores a critical reevaluation of Alberto Giacometti’s career, specifically focusing on the decade between 1935 and 1945. While Giacometti is globally recognized for his spindly, post-war 'Existentialist' figures, art historian Joanna Fiduccia’s new book, *Figures of Crisis*, argues that his mid-career departure from Surrealism to study human likeness was not a mere transition but a profound response to the political crises and nationalism of interwar France.

Comment | Catherine Opie shows us that in dark times, looking for joy can be radical

The artist Catherine Opie is currently the subject of a major three-decade portrait survey, 'To Be Seen', at the National Portrait Gallery in London. The exhibition highlights Opie’s career-long commitment to representing the LGBTQ+ community, specifically the leather dyke scene in Los Angeles, through a lens that balances defiance with playfulness. Even her most provocative works, such as the 1993 self-portrait featuring a domestic scene carved into her back, are revealed to contain elements of humor and historical allusion that counter the despair of the AIDS crisis and personal heartbreak.

The Untold Story of Peter Hujar and Paul Thek’s Intimate—and Complex—Bond

Andrew Durbin’s new dual biography, *The Wonderful World That Almost Was*, explores the profound and volatile relationship between photographer Peter Hujar and artist Paul Thek. Spanning from their meeting in the late 1950s to their deaths from AIDS-related complications in the 1980s, the book details how their shared experiences—most notably a 1963 visit to the Capuchin Catacombs in Palermo—fundamentally shaped their artistic trajectories. While Hujar captured the mummified remains in haunting photographs, Thek translated the encounter into his visceral "meat pieces" and wax effigies.

‘They accomplished so much, even as they were dying’: the groundbreaking gay art of Peter Hujar and Paul Thek

Author and Frieze Magazine editor-in-chief Andrew Durbin has released a dual biography titled 'The Wonderful World That Almost Was,' chronicling the lives and creative partnership of Peter Hujar and Paul Thek. The book focuses on their relationship from the mid-1950s through the 1970s, detailing their collaborative influence and the development of their respective practices in photography and sculpture before both died of AIDS-related complications in the late 1980s.

Our Critics Disagree on MoMA PS1’s Greater New York, a Wide-Ranging Survey Defined by a Fascination with Fragility

MoMA PS1 has launched the sixth edition of Greater New York, its signature quinquennial survey featuring 53 artists living and working across the city's five boroughs. Marking the institution’s 50th anniversary, this iteration was organized entirely by the museum’s internal curatorial staff rather than outside contributors. The exhibition moves away from the introspective, surrealist themes of the pandemic-era 2021 edition, focusing instead on the social fabric of the city and the systemic challenges facing its residents.

As Cuban crisis deepens, diaspora artists have a message of compassion

Artists Antonia Wright and Ruben Millares are showcasing a salvaged, bullet-ridden Cuban migrant vessel at Miami’s Piero Atchugarry Gallery. The exhibition, titled 'Exile', serves as a visceral focal point for the escalating humanitarian crisis in Cuba, where citizens face systemic collapse, starvation, and political imprisonment. Through the concept of 'embodiment' rather than mere empathy, the artists confront the harrowing 93-mile journey across the Straits of Florida undertaken by those desperate to escape the island's dictatorship.

Prominent German Art Foundation Accuses Top Culture Official of ‘Attempted Intimidation’

Jurors from the Kunstfonds Foundation, a major German contemporary art funding body, have accused Minister of State for Culture Wolfram Weimer of attempted intimidation and political interference. The conflict erupted after Weimer requested the names of the independent jury members, a move the foundation views as a threat to artistic freedom. This follows a separate controversy where Weimer reportedly consulted domestic intelligence to exclude bookstores with left-wing leanings from a national award.

V&A faces calls to become living wage employer on eve of Stratford opening

The Victoria and Albert Museum is facing intense pressure to become an accredited living wage employer just as it prepares to open its high-profile V&A East site in Stratford. A petition coordinated by Organise and Citizens UK has garnered over 21,000 signatures, calling on Director Tristram Hunt to ensure all staff and contractors receive the London living wage of £14.80 per hour. While the museum meets legal minimum wage requirements, campaigners argue that as a publicly funded institution, it must provide a wage that reflects the actual cost of living in the capital.

Steve DiBenedetto’s Cosmic Sense of the Absurd

Artist Steve DiBenedetto presents a new body of work in his solo exhibition, "Spiral Architect," at Derek Eller Gallery. The show features 17 paintings ranging from large-scale canvases to intimate works, all characterized by a restless movement between abstraction and figuration. DiBenedetto utilizes a process-heavy technique of adding, scraping, and reworking oil paint to create dense, visionary landscapes filled with octopi, cellular forms, and Rube Goldberg-esque machinery.

Arts of the Earth

ARTES DE LA TIERRA

The Guggenheim Museum Bilbao has inaugurated "Artes de la Tierra" (Arts of the Earth), a multidisciplinary exhibition curated by Manuel Cirauqui that examines the relationship between contemporary art and the soil. Spanning from the mid-20th century to the present, the show integrates visual arts, architecture, and ancestral Basque knowledge to explore themes of composting, terraforming, and ecological repair. Featured artists include pioneers of Land Art and Arte Povera such as Ana Mendieta, Fina Miralles, and Meg Webster, whose works are presented alongside archival materials and architectural models.

Which Country’s Art Market Came Out on Top in 2025?

The United States solidified its position as the world's leading art market in 2025, with fine-art auction sales rising 25.3 percent to reach $5.4 billion. Despite early volatility caused by trade tariffs, a surging stock market and cooling inflation fueled a massive November auction season in New York, where nine of the year's ten most expensive artworks were sold. In contrast, China's market contracted by nearly 11 percent due to a persistent property crisis, while the United Kingdom and France saw significant growth, with Paris benefiting from the momentum of Art Basel Paris.

Olafur Eliasson stages public wake for the Great Salt Lake in Utah

Icelandic-Danish artist Olafur Eliasson presented 'A symphony of disappearing sounds for the Great Salt Lake,' a large-scale multimedia installation in Salt Lake City’s Memory Grove Park. The work featured a three-story luminous sphere projecting visuals of wind currents and geothermal light, accompanied by a soundscape of migratory birds, brine flies, and frogs. Commissioned by the Salt Lake City Arts Council and Bloomberg Philanthropies, the ten-day public event served as a creative wake for the rapidly receding lake.

LA museums to check out this Earth Month

Los Angeles museums are marking Earth Month with a series of exhibitions and events focused on sustainability and environmental consciousness. Highlights include the Hammer Museum’s exhibition, "Several Eternities in a Day: Form in the Age of Living Materials," which features works by 22 artists using organic substances like avocado, cochineal dye, and volcanic rock. Meanwhile, the Fowler Museum is hosting an immersive look at the indigenous rice cultivation practices of the Ifugao people in the Philippines.

Kunsthalle Mainz Facing the End?

Kunsthalle Mainz vor dem Aus?

The Kunsthalle Mainz is facing potential closure by the end of the year following the withdrawal of funding by the Mainzer Stadtwerke. The crisis is compounded by the departure of director Stefanie Böttcher, who is moving to the Kunsthalle Kiel, and the fact that her position has not been advertised for replacement. Despite its international reputation and successful recent exhibitions, such as the current Britta Marakatt-Labba retrospective, the institution lacks a secured financial future and a leadership succession plan.

Sun, Sea, and Security

"Sonne, Meer und Sicherheit"

The Art Cologne Palma Mallorca art fair has emerged as a strategic hub for wealthy German collectors, positioning the Mediterranean island as a safe and accessible alternative to more volatile global markets. While sales have been strongest in the lower price segments, the fair's revival highlights a trend toward 'lifestyle' art events that prioritize security and leisure. Simultaneously, the German art market faces a broader crisis of regionalization, where galleries are increasingly focusing on local buyers despite declining overall sales and a lack of transformative economic growth.

Artists take us down the rabbit hole in this group exhibition

The group exhibition 'Down the Rabbit Hole' at The Crypt Gallery features over 30 artists reflecting on the psychological and social impacts of the Covid-19 pandemic. Presented by the social enterprise Katya’s Space, the show honors the legacy of the late artist Katya Kan, who passed away in 2023. The works explore themes of digital addiction, isolation, and the 'dystopian' shift in reality experienced during global lockdowns, using Lewis Carroll’s Alice in Wonderland as a metaphor for this profound transformation.

Art Dubai announces details for revised 2026 edition

Art Dubai has unveiled the details for its 2026 "special edition," which features a significantly reduced scale in response to ongoing regional conflict. The fair will host 50 galleries—a sharp decline from the 120 participants in 2025—with a strategic focus on regional representation, as nearly two-thirds of the exhibitors hail from the Middle East. To compensate for the smaller commercial footprint, the event will deepen its ties with local institutions like the Sharjah Art Foundation and Alserkal Avenue through expanded collaborative programming.

The Milan fair dedicating an entire day to reflecting on the state of Italian art: 8 straight hours of conversations

A Milano la fiera che dedica un’intera giornata per riflettere sullo stato dell’arte italiana: 8 ore filate di conversazioni

The debut edition of Paris Internationale in Milan, scheduled for April 2026 at Palazzo Galbani, will feature a marathon eight-hour symposium titled "Aperto Italia." Organized in collaboration with the Fondazione Nicola Trussardi and curated by Massimiliano Gioni, the event brings together 35 international galleries and a significant roster of Italian artists. The program is designed as a continuous cycle of conversations to address the current state of contemporary art in Italy, paying tribute to the late Flash Art publisher Giancarlo Politi.

Michael Armitage and the Feverish Memory of Images

Michael Armitage und das fiebrige Gedächtnis der Bilder

The British-Kenyan painter Michael Armitage is the subject of a major solo exhibition at the Palazzo Grassi in Venice, part of the Pinault Collection. The showcase features new works, including the titular painting "52,000 Years," which references prehistoric cave art while weaving together themes of political unrest, the refugee crisis, and lush landscapes. Armitage’s technique is noted for its use of Lubugo bark cloth, a traditional Ugandan material that adds a tactile, irregular dimension to his complex figurative compositions.

At Rirkrit Tiravanija’s “Say Yes To Everything”, Eating Is Part Of The Experience

Renowned contemporary artist Rirkrit Tiravanija has launched his largest solo exhibition in Singapore at STPI – Creative Workshop & Gallery. Titled "Say Yes To Everything," the retrospective spans over a decade of the artist's practice, featuring prints, editioned works, and interactive installations that emphasize communal experiences. The show includes signature elements of Tiravanija’s relational aesthetics, such as communal meals, origami sessions, and works that utilize UV light to reveal extinct animals, highlighting themes of migration, ecology, and social interaction.

Goldsmiths Art College Staffers Will Fight Proposed Cuts

Staff and faculty at Goldsmiths, University of London, are preparing for strike action in response to a restructuring plan titled "Future Goldsmiths." The initiative aims to save £22 million by the end of the 2026/27 academic year through significant job cuts, starting with professional services staff and extending to academic positions. The Goldsmiths University and College Union (UCU) reports that 81 percent of its members voted in favor of the strike, arguing that the proposed austerity measures will devastate the institution's educational quality and its capacity for radical creative thought.

NEVERCREW Explores Our Tenuous Relationship with Nature in Huge Murals

The artist duo NEVERCREW, composed of Christian Rebecchi and Pablo Togni, has unveiled a series of large-scale murals across Europe that confront the deteriorating relationship between humanity and the natural world. Their recent works, including the mural "Souvenir" in Vienna and "Switch" in Wuppertal, utilize surrealist imagery—such as polar bears merged with plastic toy components or whales encased in architectural structures—to illustrate how nature is increasingly viewed as an artificial, distant object rather than an integrated system.

Private Art Schools Enter a Period of Turbulence

Les écoles d’art privées traversent une zone de turbulence

A wave of bankruptcies and judicial reorganizations is hitting the private art education sector in France. Following the closure of the École d’art de Montreuil, the Académie des arts appliqués (AAA) in Dijon and the École supérieure de design in Troyes have both entered receivership. These institutions are struggling with severe financial deficits, unpaid staff, and a sharp decline in student enrollment, with some schools seeing their student bodies shrink by two-thirds in just four years.

Gilles Bloch: "The Museum needs 1.1 billion euros"

Gilles Bloch : « Le Muséum a besoin de 1,1 milliard d’euros »

Gilles Bloch, president of the Muséum national d’histoire naturelle in Paris, has issued an urgent call for €1.1 billion in funding to address the critical state of the institution's infrastructure. Ahead of its 400th anniversary in 2026, a diagnostic report reveals that 74% of the museum's 120 buildings are in poor condition, with several galleries currently closed to the public or suffering from inadequate climate control. The requested funds would cover €500 million in emergency repairs to stabilize decaying structures and a further €600 million for long-term modernization and energy efficiency upgrades.

In Trentino, an immersive exhibition tackles workplace safety to engage with urgent issues

In Trentino una mostra immersiva affronta i temi della sicurezza sul lavoro per coinvolgere su questioni urgenti

The METS – Museo etnografico trentino San Michele is set to launch an immersive exhibition titled "Un lavoro a regola d’Arte" on April 17, 2026. Created by artists Paola Samoggia and Carlo Magrì, the project utilizes seven rooms featuring short films, video art, and multisensorial elements to explore themes of workplace dignity, health, and safety. The exhibition moves beyond mere statistics to address the human reality of labor, incorporating music, dance, and performance to create a reflective space on the risks and rights of workers.

Amid Iran war, Paterson Middle East art show carries layered meaning

Tehran-born artist and human rights lawyer Sanam Ghandehari is presenting a new body of work in Paterson, New Jersey, against the backdrop of escalating military conflict in Iran. Her multi-layered pieces reflect the duality of the current crisis, juxtaposing the hope for democratic liberation with the immediate trauma of seeing her childhood home bombarded.

Mass for Care of Creation; exhibition of art inspired by Laudato Si'

The London Jesuit Centre is hosting "Paintings of Prayer and Protest," an exhibition featuring the works of artists Helen Elwes and Martin Jarvis. The show coincides with a special Mass for the Care of Creation at Farm St Church in Mayfair, marking the anniversary of Pope Francis' death. Both artists, members of Christian Climate Action and the Laudato Si' Movement, present works that blend ecological activism with spiritual devotion, including painted banners used in climate marches and contemporary icons addressing rainforest devastation.