The Hands That Feed: New Art Exhibit at Museum Highlights Farm Workers - The Source Weekly

The High Desert Museum in Bend, Oregon, has unveiled a new solo exhibition titled "Miguel Almeida: Las Manos que dan de Comer" (The Hands That Feed). The show features large-scale murals, hand-drawn animations, and a 10-foot-tall cutout figure of a farmworker surrounded by soil and ambient field sounds. Drawing from his own experience working in the fields of Idaho, the first-generation Mexican American artist uses a vibrant, contemporary style influenced by skateboarding culture and Mexican folk traditions to depict the daily lives of agricultural laborers.

154-Million-Year-Old Dinosaur Fossil Debuts in the U.K.—But Its Species Remains a Mystery

A remarkably complete 154-million-year-old theropod fossil, nicknamed Juliasaurus, has made its public debut at the Hollytrees Museum in Colchester, U.K. Discovered in Wyoming’s Morrison Formation in 2020 and sold by the David Aaron gallery to a private collector, the 20-foot-long specimen is currently part of the “Discover: Museum Wonders” exhibition. While initially thought to be an Allosaurus or Marshosaurus, unique anatomical features in its skull and pelvis suggest it may represent an entirely new species.

Endless’s Street Art Calls Attention to London’s Homeless Crisis

British street artist Endless has installed a new public artwork on the corner wall of Bloomsbury Central Baptist Church in London. The piece depicts a rough sleeper in a sleeping bag with the text "210,000 Homeless today," creating a stark visual juxtaposition against the affluent backdrop of the nearby Oxford Street shopping district.

Galerie Sept Sets Its Sights on a New, Expanded Vision on the Belgian Seaside

Galerie Sept, founded by Florian Araïb in Brussels in 2018, has expanded by opening a second gallery location in the Belgian seaside town of Knokke. The new, larger space features high ceilings and natural light, designed to support more ambitious presentations of its artists' work, and is launching with an exhibition by Juliette Clovis.

Statues Also Breathe: A Chorus of Clay and Memory, Where the Missing Return as Form.

The exhibition 'Statues Also Breathe' has opened at the Museum of African Contemporary Art Al Maaden (MACAAL) in Marrakech. Curated by Meriem Berrada, the installation features 108 terracotta heads created by artist Prune Nourry in collaboration with artisans and students. The work draws inspiration from the historic sculptural tradition of Ife in Nigeria while directly addressing the ongoing trauma of the 2014 kidnapping of the Chibok schoolgirls, using portraiture to represent the missing.

Winter Solstice: Seeds of Nothingness. Edo Costantini in collaboration with Delfina Braun & Delfina Muniz Barreto

WINTER SOLSTICE: SEEDS OF NOTHINGNESS. EDO COSTANTINI EN COLABORACIÓN CON DELFINA BRAUN & DELFINA MUNIZ BARRETO

Praxis Gallery in New York is hosting "Winter Solstice: Seeds of Nothingness," a multidisciplinary exhibition by Argentine artist Edo Costantini in collaboration with Delfina Braun and Delfina Muniz Barreto. The show features photography, sound, moving images, and bronze sculptures that explore the quiet, latent biological processes occurring during the winter season. Based on Costantini’s decade-long observation of the landscapes in Katonah, New York, the works focus on the concept of stillness as an active state of reorganization and persistence.

Arts Groups Speak Out Against US Trade Representative’s Potential New Tariffs

The U.S. Trade Representative, Jamieson Greer, has launched a Section 301 investigation into 60 countries to determine if forced labor practices create unfair trade advantages. This move follows President Trump’s continued push for sweeping tariffs after previous attempts were struck down by the Supreme Court. Major art organizations, including the Association of Art Museum Directors (AAMD) and Heritage Auctions, are formally petitioning for works of art and antiquities to be exempt from any resulting duties.

Colosseum Facelift Restores Ancient Southern Entrance to Its Former Glory

Rome’s Colosseum has unveiled a major four-year restoration of its southern entrance, a project led by Stefano Boeri Interiors in collaboration with the Colosseum Archaeological Park. The renovation lowered the surrounding piazza to its original Roman-era height, reintroduced travertine flooring sourced from ancient quarries, and installed seating blocks that mark the locations of long-lost marble columns. During the excavation process, archaeologists recovered a wealth of historical artifacts, including ancient coins, statues, and gold jewelry, while leaving a specific section untouched to showcase the arena's complex hydraulic foundations.

Sortilégios de desvio and the Politics of Image-Making

The Museu de Arte do Rio has launched 'Sortilégios de desvio,' the first solo institutional exhibition by Brazilian artist No Martins. Produced in collaboration with Galeria Almeida & Dale and curated by a five-person team led by Marcelo Campos, the show features a significant selection of Martins’ recent works that explore the intersections of urban experience and Afro-Brazilian cultural imaginaries. Through a variety of media, the exhibition highlights the artist's focus on gesture, memory, and the reconfiguration of traditional visual narratives.

Peep the Wildest Costumes of This Year’s Easter Bonnet Parade

New York City’s Fifth Avenue was transformed into a vibrant public gallery on April 5, 2026, for the annual Easter Parade and Bonnet Festival. Participants gathered outside St. Patrick’s Cathedral to showcase elaborate, hand-crafted headpieces ranging from Eduardo Escobar’s rotating 'Trip to the Moon' hat to Shayna Strype’s hot-air balloon ensemble. The event featured a diverse array of creators, including climate-conscious artist Cristian Pietrapiana and mixed-media sculptor Gail Trunick, who utilized the street as a stage for avant-garde millinery and performance art.

LA Artists Honor Dolores Huerta’s Defiant Spirit

The Chicano cultural center Plaza de la Raza in Los Angeles has launched "DOLORES," a major group exhibition celebrating the 96th birthday and enduring legacy of labor leader Dolores Huerta. Featuring works by over 30 artists, including Barbara Carrasco and Vincent Valdez, the show utilizes portraiture, mixed media, and depictions of migrant labor to honor Huerta’s contributions to the United Farm Workers (UFW) and Chicano civil rights.

In the Studio with Harley Burns

Asheville-based artist Harley Burns discusses their transition from a career in public health to a full-time painting practice centered on trans and gender-nonconforming identity in the American South. The interview focuses on Burns's triptych "Buttoning Back Up" (2025), which translates a vulnerable public performance of chest-binding into a series of oil paintings that explore the hypervisibility and invisibility of non-binary bodies.

FORGING PATHS: AFRO-BRAZILIAN ANCESTRY AND FEMININE POWER IN THE WORK OF NÁDIA TAQUARY

FORJAR CAMINOS: ANCESTRALIDAD AFROBRASILEÑA Y PODER FEMENINO EN LA OBRA DE NÁDIA TAQUARY

The exhibition "Ònà Irin: caminho de ferro" by artist Nádia Taquary has opened at Sesc Belenzinho in São Paulo, featuring large-scale sculptures and an immersive video installation. Curated by Amanda Bonan, Ayrson Heráclito, and Marcelo Campos, the show centers on a massive installation of iron rails that symbolize the Yoruba deity Ogum, the opener of paths. The works integrate traditional Afro-Brazilian materials such as cowrie shells, beads, and metals to explore spiritual protection and the historical significance of jewelry as a form of resistance and identity for enslaved and freed Black women.

Phillip Lai at Spike Island

The contemporary art space Spike Island in Bristol is hosting a solo exhibition by artist Phillip Lai titled "Rain / Ruin." Running from January 30 to May 10, 2026, the exhibition features a series of sculptural installations and works that engage with the architectural environment of the gallery. The presentation is documented through a comprehensive suite of installation photography by Rob Harris, capturing the spatial relationship between Lai's objects and the industrial character of the venue.

Street Artists Take On Monumental Infrastructure in ‘Impossible’ Photos

Photographer Joseph Ford collaborates with street artists like Antonyo Marest, Alex Senna, and MadC on his 'Impossible Street Art' series. The artists create trompe-l'œil interventions on Ford's photographs of massive infrastructure sites, which he then documents on an easel placed in front of the actual location, creating the illusion of monumental, site-specific street art.

Once a Year: Shock Trauma!

"Ein Mal im Jahr: Schock-Trauma!"

Artist Nik Nowak is exploring the "Sound Horeg" phenomenon in East Java, Indonesia, where massive DIY loudspeaker systems are mounted on trucks and boats for extreme mobile discos. These parades, characterized by towering walls of speakers and intense bass, represent a global evolution of sound culture influenced by social media rather than traditional folklore. Nowak's research into these unregulated, high-tech spectacles has culminated in a new body of work featuring sculptures and photographs.

At Centquatre, Circulation(s) Highlights the Diverse Perspectives of Young European Photographers

Au Centquatre, Circulation(s)s met en lumière la diversité de regards des jeunes photographes européens

The 16th edition of the Circulation(s) festival has opened at Centquatre-Paris, showcasing the work of 26 emerging photographers from 15 European countries. Organized by the Fetart collective, this year’s festival features Ireland as the guest country and emphasizes the hybridization of photography with other mediums, such as embroidery, tapestry, and digital installations.

Alice Peach “Still Curly” at Iowa, New York

Alice Peach’s solo exhibition "Still Curly" at Iowa, New York, features a series of new sculptures constructed from popsicle sticks. These humble, mass-produced materials are transformed into modular, skeletal forms that mimic biological structures such as spines and torsos. The works are displayed in various states of tension, either splayed against the gallery walls or suspended from the ceiling to create a sense of precarious movement.

The Irresistible Force of Thinking and Acting Together

Guest curator Greg de Cuir Jr. interviews five prominent artist duos—including Joana Hadjithomas and Khalil Joreige, and OJOBOCA—to explore the mechanics of collaborative practice and shared life. The participants discuss the origins of their partnerships, ranging from the necessity of navigating new environments like Berlin’s analog film scene to the shared political and aesthetic urgency following the Lebanese Civil Wars.

USC Fisher Museum welcomes the National Archives’ Freedom Plane National Tour

The USC Fisher Museum of Art has welcomed the "National Archives’ Freedom Plane National Tour," a traveling exhibition featuring foundational American documents. Arriving via a specially branded Boeing 737 at Van Nuys Airport, the collection includes rare items such as a 1823 Stone engraving of the Declaration of Independence, the Treaty of Paris, and a secret printing of the Constitution. USC is the only university selected as a stop on this eight-city tour, which commemorates the upcoming 250th anniversary of the United States.

A View From the Easel

Hyperallergic's ongoing series "A View From the Easel" features two artists describing their unconventional studio practices. Georgina Arroyo works in a shared academic space at Purchase College, compartmentalizing her process-intensive mold-making and casting work around her job schedule. Linda Jacobson, based in her Venice, California studio for 17 years, works on multiple pieces simultaneously, currently focusing on a large commissioned painting.

Outsourcing Museum Reception: A Booming Model

Externaliser l’accueil dans les musées, un modèle en plein essor

French museums are increasingly outsourcing front-of-house services, including ticketing, reception, and crowd management, to specialized private firms. This trend, which gained momentum with the opening of the Musée du quai Branly in 2006, allows public institutions to focus internal resources on core missions like conservation and curation while utilizing flexible, external labor for high-traffic operations. The market for these cultural services in France is projected to reach approximately €50 million by 2025.

Amarillo Museum of Art to open AC, WT Student/Faculty Exhibition Friday

The Amarillo Museum of Art is launching its annual collaborative exhibition featuring works from the students and faculty of Amarillo College and West Texas A&M University. Opening this Friday with a reception and gallery talks, the showcase highlights the premier artistic output from the region's two primary higher education art programs.

Art Gallery Opens a Community and Medicine Garden

The Art Gallery of Burlington (AGB) has launched a new Community and Medicine Garden, a collaborative initiative designed to enhance waterfront biodiversity and serve as a living classroom. The opening event features traditional seed songs by Kaniehtenhawi Deer, tobacco planting workshops led by Michele Dent, and activities focused on sustainable gardening. Artists-in-residence Carly Franklin and Kamaldeep Kaur are also utilizing the space to grow indigo and other plants for their research into natural pigments and textiles.

Want to visit Wakanda? Step inside the Walters’ new ‘Black Panther’ exhibit.

The Walters Art Museum in Baltimore is launching "Douriean Fletcher: Jewelry of the Afrofuture," an exhibition featuring the intricate metalwork and costume designs from the Marvel Cinematic Universe’s Black Panther franchise. The show highlights the work of self-taught artist and metalsmith Douriean Fletcher, whose collaboration with Oscar-winning costume designer Ruth Carter helped define the visual identity of Wakanda. On display are iconic pieces such as Nakia’s gold-plated brass necklace and Queen Ramonda’s silver bodice cage, alongside new works created specifically for the museum.

Tender Ground exhibit explores vulnerability and environment

The Hook Experiment in Oxford is currently hosting "Tender Ground," a lens-based exhibition featuring the work of four regional women artists: Lynda Schmid, Sarah R. Bloom, Marnie Ellen Hertzler, and Jonna McKone. Curated by Constance McBride and Lisa Baird, the show utilizes photography and found objects to explore themes of environmental instability, physical vulnerability, and the fragility of place. The works range from disjointed equine photography and nude self-portraiture in decaying spaces to documentation of the disappearing Tangier Island.

Philadelphia Museums Launch Landmark American Art Exhibition

The Philadelphia Museum of Art and the Pennsylvania Academy of the Fine Arts (PAFA) have announced a major collaborative exhibition titled "A Nation of Artists," set to open in April 2026. Featuring over 1,000 works spanning three centuries, the show will integrate paintings, sculptures, and decorative arts, including more than 120 pieces from the prestigious Middleton Family Collection. The exhibition is designed to coincide with the United States' 250th anniversary and the reopening of PAFA’s Historic Landmark Building.

In upcoming thesis exhibition, Bates senior studio art students each have a seat At the Table

Eleven graduating studio art and visual culture students at Bates College are preparing to debut their year-long thesis projects in the professional exhibition "At the Table." Opening April 17 at the Bates Museum of Art, the show features a diverse range of media including charcoal drawing, photography, and sculpture. The students have spent two semesters transitioning from theoretical research and material exploration to the physical production and professional framing of their works under the guidance of faculty and museum staff.

Studio Sessions: Lauren Boilini

Seattle-based artist Lauren Boilini has reached a significant career milestone with the simultaneous opening of her first museum exhibition at the San Juan Islands Museum of Art and her first solo gallery show, "The Good Death," at J. Rinehart Gallery. Boilini’s practice is rooted in deep scientific research, including residencies at biological stations and insectariums, which she translates into large-scale, frenetic paintings of animals and ecosystems. Her current work explores the intersection of animal behavior and the human condition through dense, layered compositions that blur the lines between struggle and pattern.

Exhibition | Lulama Wolf, 'The Architecture of Memory' at THK Gallery, Cape Town, South Africa

South African artist Lulama Wolf presents 'The Architecture of Memory,' an online-only exhibition hosted by THK Gallery. Wolf utilizes a distinct material language of pigmented sand and acrylic to create tactile surfaces that reference the weathered walls of domestic and sacred spaces. Her work moves beyond simple representation, using geometric abstraction and earth-based materials to explore the intersection of personal history and collective generational memory.