Artist Maria Britton presents "Second Sleep," a solo exhibition at the Halsey Institute of Contemporary Art featuring her "Draperies" series. Britton transforms discarded, patterned bedsheets into three-dimensional abstract works that blur the line between painting and sculpture through expert layering and pleating.
Artist Ruben Ochoa has returned to the UC Irvine campus with "Class C," a mobile art gallery housed inside a converted 1985 Chevy delivery van. The pop-up exhibition features works by UCI-affiliated artists Sean Duffy, Beatrice von Rague Schleyer, and André Woodward, showcasing contemporary art within a space that mimics a traditional white-cube gallery. The project is presented in coordination with the exhibition "Breakdown/Breakthrough: Art and Infrastructure" at the Langson IMCA.
Multidisciplinary artist Richie Shazam has launched her debut solo exhibition, "I Was Never Meant to Survive This," at the McLennon Pen Co. gallery in Austin, Texas. The show features 39 new works that blend photography, sculpture, and set design, utilizing found objects, hair, and flowers alongside Shazam’s own body as a primary subject. The collection represents a deeply personal exploration of her Guyanese heritage, trans identity, and the community that has supported her journey from New York City to the international stage.
The San Francisco neighborhoods of the Marina and West Portal are set to host "The Art of Place," a three-month exhibition featuring 24 local artists. Organized by Ingleside Gallery founder Shrey Purohit in partnership with the BarbCo real estate group, the fair will showcase cityscapes, sculptures, and photography across two commercial offices starting April 17. The initiative aims to integrate art into everyday community spaces, featuring works by artists like Sarah Horowitz and Rhonel Roberts that capture the unique geometry and secret views of the city.
The Times Art Museum has launched a major retrospective of Henri Matisse’s printmaking, featuring 100 works that span his career from early line drawings to his iconic late-period cut-outs. Titled "Bathe in Color — A Journey of Lines, Body and Dreams," the exhibition includes significant collaborations with Paris-based workshops Mourlot Studios and Atelier Auval, highlighted by the vibrant composition La Gerbe.
Chinese artist Cao Fei is set to debut her latest multimedia project, "Dash" (known as "Super Farms" in China), at the Fondazione Prada in Milan on April 9. The exhibition is the result of three years of field research across China and Southeast Asia, where Cao documented the rise of smart farming and the integration of AI, drones, and autonomous vehicles into traditional agricultural landscapes. Her work captures a unique cultural synthesis where modern technology is sometimes integrated into ancient rituals, such as the worship of drones as deities.
A new exhibition titled VISION has opened at the recently launched Art Jewel gallery space within Bangkok's Siam Paragon shopping mall. The show features works by fifteen artists from around the world, including notable figures like Japanese artist Kohei Nawa and Thai artist Pinaree Sanpitak, presenting a diverse range of contemporary art in a high-traffic commercial setting.
Ukrainian-born artist Jonko “George” Voronovsky transformed his modest retirement room at Miami’s Colony Hotel into a dense, vibrant sanctuary of over 5,000 artworks. After surviving the horrors of the Russian Revolution, Nazi labor camps, and permanent separation from his family, Voronovsky immigrated to the U.S. and spent his final years creating "memoryscapes." These works, crafted from found materials like pizza boxes and soda cans, depicted idyllic, colorful scenes of his youth in Ukraine, contrasting sharply with the trauma of his past.
Externaliser un service n’est pas interdit, diriger les salariés du prestataire l’est
A wave of legal complaints has been filed against several major French cultural institutions, including the Louvre, the Pinault Collection, and the MuCEM, alleging illegal labor practices. Labor unions Sud-Culture, SUD-PTT, and Solidaires claim these museums are engaging in "illicit lending of labor" and "bargaining" by exercising direct authority over outsourced staff from third-party agencies like Marianne International and Pénélope. While outsourcing services like ticketing and reception is legal in France, the lawsuits argue that museums are illegally managing these external employees' daily schedules, rotations, and disciplinary actions as if they were their own staff.
Artist Jenna Sutela has been selected to represent Finland at the 61st Venice Biennale in 2026 with a multisensory installation titled Aeolian Suite. Curated by Stefanie Hessler and commissioned by Frame Contemporary Art Finland, the project transforms the Alvar Aalto-designed pavilion into a dynamic windscape using meteorological data, wind machines, and a children’s woodwinds orchestra. The work personifies five specific Venetian winds as protagonists in an elemental drama that blends scientific data with the theatrical traditions of Commedia dell’arte.
Watercolor artist Judy Thompson and her daughter, poet Kristin Gifford, have launched a collaborative exhibition titled “Becoming Midwest: Life Between” at the Washington Pavilion Visual Arts Center in Sioux Falls. The show features 27 artworks and 12 poems that explore shared themes of motherhood, the natural landscape of the Great Plains, and the complexities of regional identity. The project marks the first formal partnership between the pair, blending Thompson’s established watercolor practice with Gifford’s contemporary poetry.
Stay Connected: Supplying the Globe @ 大館
Tai Kwun in Hong Kong is set to host "Stay Connected: Supplying the Globe," a major group exhibition running from February 28 to May 31, 2026. Curated by Pi Li and Yan Kwok, the exhibition features a diverse array of contemporary artists including Musquiqui Chihying, Ho Rui An, Lap-See Lam, and Li Shuang. The works span various media, from video installations like "The Smart City" to sculptural interventions and performance-based projects, focusing on themes of global infrastructure, labor, and technological connectivity.
越後妻有MonET 連続企画展Vol.10 宮坂了作「宮坂了作 ＡＲＴ ７５歳」@ 越後妻有里山現代美術館 MonET
The Echigo-Tsumari Satoyama Museum of Contemporary Art (MonET) has announced a major solo exhibition for artist Ryosaku Miyasaka, titled "Ryosaku Miyasaka: ART 75 Years Old." Curated by renowned art critic Noi Sawaragi, the show features early map paintings, recent "plant character" works where the artist grows and eats edible calligraphy, and new pieces created in the Echigo-Tsumari region. Miyasaka, a former student of Allan Kaprow at CalArts, has spent decades balancing his creative output with life as a rice farmer in Nagano Prefecture.
Grackle Art Gallery is set to host "Blank," a group exhibition curated by the artist duo Kickpigeon Kids. Featuring works from students and affiliates of The Alternative Art School, the show explores the conceptual theme of blankness as a site of limitless potential and unsaid narratives. The curators, Cosmo Jones and Max Marshall, employ an experimental approach by integrating the artists' works with found objects and ephemera to create a singular, immersive installation.
Wyoming artist Zak Pullen is returning to the Nicolaysen Art Museum (the NIC) for his first solo exhibition in eleven years. The showcase features his signature comically exaggerated style and includes the first-ever public display of the complete interior oil paintings from his latest children’s book, "A Home for Steamboat." The exhibition also provides a rare look into Pullen’s creative process, featuring sketches and reference photos that highlight his meticulous approach to character-focused storytelling.
Artist Patricia Fernandez presents a solo exhibition titled "A constellation of its other" at Whistle in Seoul. The exhibition, which runs from March 20 to May 2, 2026, features a body of work documented through extensive installation photography by Ian Yang and is supported by Commonwealth and Council in Los Angeles.
川辺ナホ「Flos Filicis：羊歯の花」@ WAITINGROOM
The Tokyo gallery WAITINGROOM is hosting "Flos Filicis: Flower of the Fern," a solo exhibition by Naho Kawabe featuring new installations, photo collages, and drawings. The exhibition centers on the paradoxical concept of the "fern flower" to explore the relationship between fossil fuels, industrial infrastructure, and the myth of progress. Kawabe utilizes materials like charcoal and electrical components alongside research-based lithographs to examine the history of Japanese migrant coal miners in Germany and the broader ecological impact of energy consumption.
In questa mostra a Milano lo spettatore può modificare gli spazi. Il grande artista-architetto Gianni Pettena ci spiega perché
Gianni Pettena, a pioneer of the Italian Radical Architecture movement, has unveiled his immersive installation "Paper/Northern Lights" at the BiM urban regeneration project in Milan's Bicocca district. Originally conceived in 1971 as a pedagogical exercise at the Minneapolis College of Art and Design, the work consists of 49 kilometers of white paper strips hanging from the ceiling. Visitors are invited to physically interact with the installation by cutting through the paper, effectively reshaping the architectural environment and challenging traditional notions of fixed space and authorship.
In una villa storica a Prato una mostra che fa incontrare artificiale e naturale
Artist Andrea Marini presents "Anomale Intrusioni" (Anomalous Intrusions) at the historic Villa Rospigliosi in Prato, an exhibition organized by Associazione Chorasis. Curated by Riccardo Farinelli, the show features sculptural interventions that blend conceptual minimalism with the villa's centuries-old architecture and natural landscape. Marini’s works function as "programmed interferences," creating a dialogue between the organic and the artificial through metallic structures and zoomorphic forms that react to the surrounding environment and climate.
Tutt’Italia riscopre Bice Lazzari. Dopo la mostra a Brera, ecco la seconda tappa alla Galleria Nazionale di Roma
The major retrospective "Bice Lazzari: The Languages of Her Time" has arrived at the Galleria Nazionale d’Arte Moderna e Contemporanea (GNAMC) in Rome following its debut at Palazzo Citterio in Milan. Curated by Renato Miracco and featuring over 200 works, the exhibition traces the Venetian artist’s journey from her early collaborations with architects to her late-career mastery of abstract painting. The show highlights her constant experimentation across various media, including textiles and jewelry, before she fully dedicated herself to painting in her fifties.
I dimenticati dell’arte. La storia dell’architetto e scultore Pietro De Laurentiis
The life and legacy of Pietro De Laurentiis, a multifaceted Italian architect, sculptor, and cultural activist, are being rediscovered through a retrospective look at his prolific career. Born into a peasant family in Abruzzo, De Laurentiis rose to prominence in Rome's mid-century art scene, balancing a forty-year teaching career at the Faculty of Architecture with significant public commissions, including bronze panels for the ACEA headquarters and marble works for INPS. His artistic style evolved from rural-inspired figuration to a unique geometric abstraction that blended Cubism with folk traditions.
Il soft power dell’Italia in Cina grazie a due grandi mostre su Pompei e Palladio
The National Museum of China in Beijing is currently hosting two major exhibitions celebrating Italian cultural heritage: "Pompeii: An Eternal Discovery" and "Geometry, Harmony and Life: The Architecture of Andrea Palladio from Antiquity to Classicism." These exhibitions, marking the 55th anniversary of diplomatic relations between Italy and China, were inaugurated by Italian Culture Minister Alessandro Giuli. The Pompeii showcase traces 250 years of archaeological history using artifacts and multimedia, while the Palladio exhibition explores the Renaissance master’s influence on Western architecture and creates a cross-cultural dialogue with traditional Chinese building techniques.
Di testamenti e di trasfigurazioni. Intervista alla poeta Silvia Righi
Italian poet Silvia Righi discusses her latest collection, *Ex voto suscepto*, published by Pungitopo as part of the Remedia series. The book originated from a narrative concept involving the arrival of God's daughter on Earth and features a unique interdisciplinary collaboration with artist Mattia Barbieri, who provided China ink illustrations. The interview explores the collection's focus on the decaying body, the fluidity of the lyrical 'I', and the intersection of poetic language with visual art.
In Cina la sfilata di Margiela è allestita dentro una serie di container
Maison Margiela has launched a major traveling exhibition in China titled "Artisanal: Our Creative Laboratory," debuting in Shanghai before moving to Chengdu. Designed by OMA/AMO, the open-air showcase features over forty couture creations from the Artisanal line dating back to 1989, uniquely displayed within weathered shipping containers. The project aims to demystify the fashion house's secretive creative process, highlighting the techniques of deconstruction and manipulation that define the brand's aesthetic.
I produttori di vino Pasqua puntano sull’arte. L’artista Sara Ricciardi racconta il progetto per Verona
Artist Sara Ricciardi has unveiled 'Resonance,' a site-specific immersive installation at the newly restored Monastero space within Palazzo Maffei, Verona. Commissioned by Pasqua Vini, the work celebrates the creative partnership between winery CEO Riccardo Pasqua and American winemaker Charles Smith. The installation utilizes light, sound, and large-scale geode-inspired structures to translate the 'alchemy' of winemaking and the meeting of two distinct identities into a sensory ritual for visitors.
Alla Festa della Rivoluzione. Un film per raccontare l’impresa a Fiume di Gabriele D’Annunzio
Director Arnaldo Catinari’s new film, *Alla Festa della Rivoluzione*, explores the 1919 occupation of Fiume led by the poet-soldier Gabriele D’Annunzio. Distributed by 01 Distribution and set for a mid-April release, the film depicts the city-state as a visionary laboratory where art served as a structural foundation and social hierarchies were temporarily dismantled. The narrative follows three fictional characters—a spy, a government official, and a deserter—whose lives intersect amidst the political and aesthetic fever of the D’Annunzio enterprise.
La galleria The Flat di Milano trasloca: nuovo spazio da 280 mq vicino alla Stazione Centrale
The Flat – Massimo Carasi gallery is relocating to a new 280-square-meter space near Milan’s Central Station after 18 years in the Porta Venezia district. To mark the opening on April 9, 2026, the gallery will present "Here… Now!", a group exhibition featuring artists such as Hiva Alizadeh, Michael Johansson, and Leonardo Ulian. The show serves as a retrospective of the gallery’s history since its founding in 2002, showcasing the experimental and international practices that define its program.
A Firenze l’arte crea comunità e confronto nello spazio Bagasseria. Intervista al suo fondatore
Painter Samuele Alfani has launched Bagasseria, a new independent art space and studio in the Sant’Ambrogio district of Florence. Named after the Catalan word for a house of prostitution as a gesture of reclamation and freedom, the venue functions as a porous community hub that blends artistic production with public engagement. Its inaugural exhibition, "Bau Bau Baby," is a group show curated by Luigi Presicce and Anna Capolupo featuring artists such as Francesco Lauretta, Davide Serpetti, and Thomas Berra.
An exhibition titled "Waltz" opened at the Cittipunkt e.V. venue in Berlin, featuring works by a group of artists including Squat Theatre, Ben Kinmont, Juliette Blightman, Marysia Paruzel, and Rampike Magazine. The show was curated by Riverside and ran from March 1 to March 29, 2026, with documentation available through Contemporary Art Daily.
"Das Wichtigste ist, dass die Kunst zugänglich bleibt"
Gilles Neiens has been appointed as the first-ever artistic director of Art Düsseldorf, marking a strategic shift for the eight-year-old regional art fair. In his new role, Neiens aims to elevate the fair's profile by focusing on high-quality curation, thematic depth, and fostering closer collaborative relationships with participating galleries. This structural change signals a move away from purely organizational management toward a more distinct, content-driven identity.