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For Fashion Iconoclast Iris van Herpen, ‘Nature Is the Best Artist’

The Brooklyn Museum has opened "Iris van Herpen: Sculpting the Senses," a major exhibition surveying two decades of the Dutch designer's avant-garde fashion. Curated by Matthew Yokobosky and Imani Williford, the show features over 140 of van Herpen's biomorphic couture pieces, including designs worn by Lady Gaga and Björk, alongside works by contemporary artists like Agostino Arrivabene and Tara Donovan. The exhibition, which originated at the Musée des Arts Décoratifs in Paris in 2023, highlights van Herpen's use of cutting-edge technology such as 3D printing and magnetic sculpting, as well as her deep inspiration from natural phenomena like fossils, coral, and water.

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The 2025 edition of TEFAF Maastricht has opened with 277 dealers from 24 countries, showcasing 7,000 years of art history despite significant geopolitical instability in the Middle East. While the fair remains a premier destination for Old Masters and high-end antiques, exhibitors are navigating logistical hurdles caused by regional conflicts and airport closures in major transit hubs like Dubai.

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Gallerist Ron Mandos reflects on the enduring legacy of the late Dutch photographer Erwin Olaf, whose work blended fine art, fashion, and activism. Following Olaf’s death in 2023, Galerie Ron Mandos has continued to champion his career, most recently through the exhibition “Tender Fury,” which places Olaf’s provocative imagery in dialogue with conceptual artist Kendell Geers. The partnership between Mandos and Olaf began in earnest in 2020, a period during which the artist committed to a decade of total creative freedom, resulting in significant series like “Im Wald.”

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Artist Tarek Atoui has been selected for the next Hyundai Commission in Tate Modern's Turbine Hall, opening October 13 and running into April 2027. The Beirut-born, Paris-based artist is known for complex installations with specially designed instruments incorporating glass, water, or ceramics, activated by touch, breath, or motors. Curators Nabila Abdel Nabi and Dina Akhmadeeva will oversee the exhibition. Atoui has previously shown at S.M.A.K., Luma Westbau, and the Museum of Contemporary Art Australia, and won the Suzanne Deal Booth/FLAG Art Foundation Prize in 2022.

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Jacqueline Humphries's survey exhibition at the Aspen Art Museum features her painting installation "TSLA" (2025), a five-panel work hung on bare metal studs that bisects the gallery space. The installation plays with perception through mirrors and anamorphic imagery, including a distorted Tesla logo, and includes a hidden set of red paintings visible only as reflections. The show also presents nine smaller works generated in part by artificial intelligence, housed in a green-walled adjacent room.

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Kevin McGarry reviews the debut issue of *Even*, a new print art journal launched by *Guardian* contributor Jason Farago during Frieze New York. Named after a phrase from Marcel Duchamp's *The Bride Stripped Bare By Her Bachelors, Even*, the magazine is a small, paperback-sized publication that prioritizes text over images, positioning itself as an antidote to market-driven art discourse. The first issue features a lengthy essay on artist Joan Jonas by Elisabeth Lebovici, timed to Jonas's U.S. pavilion at the 56th Venice Biennale, and a piece by Zachary Woolfe on the Björk exhibition at MoMA. McGarry critiques the journal's ambition to revitalize art criticism, noting that while its goals are lofty, the content sometimes falls back on familiar artspeak.

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SuperRare, the digital art trading platform, is opening a permanent New York gallery called Offline in the East Village at 243 Bowery, the former home of Salon 94. The inaugural exhibition, “Mythologies for a Spiritually Void Time,” curated by X.S. Hou and Jack Wedge, opens July 8 and features 15 artists working across animation, painting, sculpture, and networked media. The launch includes a week-long festival with dance performances, panels on art and A.I., and a choreographed NFT auction ritual.

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French artist Jean Dufy (1888–1964), brother of Raoul Dufy and a contemporary of Picasso and Braque, is the subject of a major new catalogue raisonné. Galerie Jacques Bailly in Paris has released Volume III of the catalogue, a 495-page volume with 801 reproductions and essays by Vanessa Schmitz-Grucker and Chantal Meslin-Perrier. The book explores Dufy's use of color, his depictions of post-war Parisian life, and his lesser-known work in porcelain design for Haviland Limoges.

will this ultra rare painting by famed filipina painter anita magsaysay ho break records 2650460

León Gallery's Spectacular Mid Year Auction 2025 will feature a rare egg tempera painting by pioneering Filipina modernist Anita Magsaysay-Ho titled *Water Carriers / Taga-igib* (1947). The work is expected to draw strong market interest, following the artist's previous egg tempera sales at the same auction house—*Tinapa (Fish) Vendors* (1975) and *Fruit Market* (1957)—which fetched $1.52 million and $1.56 million respectively. Only about 20 works by Magsaysay-Ho exist in this delicate medium, making this lot exceptionally scarce. The sale also includes three works by Spanish Filipino artist Fernando Zóbel, whose market has recently surged after exhibitions at the Prado Museum, Ayala Museum, and National Gallery Singapore.

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President Donald Trump has proposed eliminating the National Endowment for the Arts (NEA), and arts organizations across the U.S. are already feeling the impact. After a White House budget request in May that excluded the NEA, dozens of institutions received abrupt termination notices for their grant applications, with the NEA citing a shift in policy priorities to focus on projects reflecting the nation's artistic heritage as prioritized by the President. In protest, many senior NEA staff resigned or were asked to retire, leaving the agency in disarray. The cuts are part of broader federal efforts to defund cultural agencies, including the Kennedy Center, the Smithsonian, and the National Endowment for the Humanities, which has seen a 70-80 percent staff reduction and canceled over a thousand grants. Private foundations like the Mellon Foundation and the Helen Frankenthaler and Andy Warhol Foundations have launched emergency funding programs, but the consequences for artists, educators, and community organizations are immediate and destabilizing.

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The Andy Warhol Foundation for the Visual Arts and the Helen Frankenthaler Foundation have announced an $800,000 fund to support 80 visual arts programs at small and mid-sized organizations across the United States. Each recipient, previously funded through the National Endowment for the Arts' Challenge America initiative, will receive $10,000 to advance projects stalled after the Trump administration suspended that federal program. The announcement comes amid broader cuts to federal arts funding, including the departure of all 10 NEA grant directors and the termination of grants for organizations like n+1, SculptureCenter, Queer Art, and A.I.R. Gallery, which received notices citing misalignment with the administration's priorities.

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Diedrick Brackens, a Los Angeles-based artist known for his woven tapestries, is experiencing a major career moment in 2025. The Savannah College of Art and Design (SCAD) has opened a large-scale solo exhibition titled "The Shape of Survival" (on view through July 7), while another solo show, "Woven Stories," debuted at the Holburne Museum in Bath, England, marking his U.K. debut. Additionally, his works are featured in group shows at the Museum of Modern Art in New York and Dallas Contemporary. Brackens's tapestries feature silhouetted figures against abstracted backgrounds, and his recent works explore themes of autobiography, history, and mythology, using moody dusk hues to reflect his personal journey from the American South to the West.

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Pope Francis, the head of the Roman Catholic Church, has died at age 88. A Jesuit priest from Argentina, he was the first pope from the Americas and the first from outside Europe since the 8th century. During his papacy, he took progressive stances on social justice, migrants, the environment, and the LGBTQ community, and also engaged deeply with contemporary art. He oversaw the Vatican Museums, ordered the return of Parthenon marble fragments to Greece, restored Raphael frescoes, and became the first pope to visit the Venice Biennale, where the Vatican had its first-ever pavilion in 2013.

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Pope Francis died on April 20 at age 88, ending a transformative papacy that began in 2013. He was the first Jesuit pope, first from the southern hemisphere, and took his name from St. Francis of Assisi. Known for austerity and advocacy for the oppressed, he criticized wars in Gaza and Ukraine, apologized to Indigenous communities in Canada, and made history in 2024 by attending the Venice Biennale—the first pope to do so—visiting the Holy See Pavilion at the Women's Prison on Giudecca.

11 Contemporary Emirati Artists To Know

The article highlights 11 contemporary Emirati artists, providing an overview of their practices and significance within the Gulf's evolving art scene. It contextualizes this list against recent major events in the region, including the debut of Art Basel Qatar in early February and the subsequent U.S. attacks on Iran, which caused turmoil across the Gulf, disrupted airline operations, and forced Art Dubai to scale back its event to a smaller fair in mid-May. Artists and galleries in the Gulf also had to temporarily close.

5 Standout Artworks at Carnegie International 2026

The Carnegie Museum of Art in Pittsburgh, Pennsylvania, has unveiled the 59th edition of its Carnegie International exhibition, featuring a monumental series of murals titled *Orogenic* (2026) by Abraham González Pacheco. The newly commissioned work, made of concrete, metal, and pigment, depicts a maelstrom of archaeological objects inspired by the museum’s collection and sets the tone for the exhibition.

The 5 Best Booths at miart 2026

The 30th edition of miart opened its doors at the Allianz MiCo convention center in Milan, marking a significant milestone for Italy’s premier international modern and contemporary art fair. As the city continues its ascent as a global art capital, the 2026 fair attracted a diverse continental crowd of collectors and professionals ahead of the upcoming Venice Biennale.

Julie Mehretu Captures Our Contemporary Chaos in Shimmering Abstract Paintings

Julie Mehretu has established herself as a preeminent voice in contemporary abstraction by creating dense, multilayered canvases that synthesize architectural drawings, maps, and media imagery. Her work is characterized by a meticulous accumulation of marks that transform sociopolitical data and historical events into ethereal, gestural compositions. By layering information until it reaches a point of abstraction, she explores how individual and collective identities are shaped by the built environment and global shifts.

Brushstrokes Transform into Beaded Topographies in Liza Lou’s Mixed-Media Paintings

Artist Liza Lou is presenting a new body of work that merges the legacy of Abstract Expressionist brushstrokes with intricate beadwork. Her solo exhibition, 'FAQ,' at Thaddaeus Ropac in London features mixed-media paintings where thousands of glass beads are meticulously placed atop fields of oil paint, creating textured, chromatic topographies that transform gestural marks into sculptural forms.

The Permanence of Refusal: Interview with Ding Yi

Chinese artist Ding Yi, who first appeared at the Venice Biennale in 1993 as part of the inaugural Chinese contemporary art exhibition, has returned to Venice with his first solo show in the city, titled “Cosmotechnics: Ding Yi as a Planetary Code” at Fondazione Querini Stampalia. The exhibition, referencing philosopher Yuk Hui's concept of cosmotechnics, traces Ding Yi's abstract visual language from the 1980s to the present, featuring new and historic works that engage with the modernist architecture of Carlo Scarpa. In an interview with ArtAsiaPacific during the 61st Venice Biennale preview week, Ding Yi reflects on the evolution of his practice, his travels, and the deep perceptual frameworks of ancient civilizations.

Ed Ruscha | Billy (1968) | Art & Prints

Ed Ruscha's 1968 exhibition catalogue 'Billy', designed for a show of works by his friend Billy Al Bengston, is being offered for sale. The catalogue features a flocked sandpaper cover, satin ribbon bookmark, and machine screw and hex nut binding, and was published by the Los Angeles County Museum of Art for an exhibition that traveled to the Corcoran Gallery of Art and the Vancouver Art Gallery. The work is listed on an art marketplace platform with a price of €62,600, and the listing includes details about its condition, provenance, and the artist's broader career.

Latin American galleries dominate at Frieze New York

Frieze New York 2025 features a surge of 14 Latin American galleries from Mexico, Argentina, and Brazil, reversing a trend of withdrawal seen during the first 100 days of Donald Trump’s second presidency. Non-profit support from organizations like Latitude, which helped all eight Brazilian exhibitors, and a concerted effort by Frieze’s Americas team have enabled this increased presence, despite ongoing challenges such as high shipping costs, tariffs, and visa denials—exemplified by Mexican artist Dr Lakra being unable to attend his own show at Kurimanzutto.

Museum of Contemporary Art Detroit reopens, with the local community front and centre

The Museum of Contemporary Art Detroit (Mocad) reopened on 25 April after over a year of renovations, unveiling upgrades to its 22,000-square-foot Midtown space—including a new learning space, air conditioning, and a large street-facing window—just in time for its 20th anniversary. The main building has been renamed after co-founder Julia Reyes Taubman. Co-directors Marie Madison-Patton and Jova Lynne have repositioned the institution as a civic space, emphasizing community engagement and local artists, with exhibitions such as Olayami Dabls: Detroit Cosmologies, Martha Mysko's Retail Therapy, and Carole Harris's This Side of the River.

Art Dubai announces updated gallery list for postponed 2026 edition

Art Dubai has released a revised exhibitor list for its 2026 edition, which was rescheduled to May 15–17 following regional instability caused by the US-Israel war in Iran. The fair will feature 50 galleries at Madinat Jumeirah, down from its original roster after approximately 75 participants—including major Indian and Western galleries—withdrew due to scheduling conflicts and logistics. To support those remaining, the fair has introduced a flexible fee structure where galleries pay a percentage of sales capped at the original stand cost.

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Artist Lucy Raven has completed her film trilogy, "The Drumfire," with the release of Murderers Bar (2025). The 42-minute film documents the historic removal of four dams along the Klamath River, capturing the dramatic release of water and the restoration of a river system flowing from Oregon through Northern California. The work is currently on view at the Power Plant in Toronto and is scheduled to travel to the Institute of Contemporary Art Boston in May.

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The Barnes Foundation has promoted Will Cary to Executive Vice President and Chief Operating Officer, where he will oversee new revenue initiatives, the Calder Gardens partnership, and a newly formed Brand department. Bukia Vakhania Gallery (formerly Gallery Artbeat) is opening a Berlin location on January 15 with a solo show by Nina Kintsurashvili. Heritage Auctions reported $2.2 billion in sales for 2025, its highest-ever annual total, driven by coins, comics, sports memorabilia, and illustration art. Antenna Space will open a Hong Kong outpost in March 2026, directed by Jeff Li. A Deloitte Private and ArtTactic report reveals that 50% of non-bank art lenders experienced loan defaults in 2024, up from 17% in 2023.

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Artnet Pro's Talentspotter feature highlights seven Asian artists pushing boundaries in contemporary art through diverse media such as 3D printing, VR, photography, and large-scale installation. The artists include Hà Ninh Pham from Vietnam, who creates speculative topographical works and virtual games, and Heecheon Kim from South Korea, who examines digital cognition and reality using GPS, AR, and VR. The article provides critical and market insights into each artist's practice, background, and recent exhibitions, originally published in the Asia Pivot newsletter.

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Charisse Pearlina Weston, a rising artist known for transforming industrial materials like shattered glass and concrete into harmonious abstract works, is the subject of a profile highlighting her rapid ascent. Her first solo exhibition with Jack Shainman Gallery, titled "Mis-/Mé- (Squeeze)," opened in New York's Chelsea and runs through December 20, 2025. Weston, who gained attention with a solo presentation at Patron gallery during Frieze New York 2024, was awarded a Guggenheim Fellowship in April 2025 and has an installation at the Cecilia Alemani-curated SITE Santa Fe International. She will also have dual representation at Art Basel Miami Beach next month.

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Gabriel Chaile's adobe sculptures are currently on view at Marianne Boesky Gallery in New York, as part of a world tour that has seen his work exhibited across multiple continents. The artist, who draws inspiration from pre-Columbian communities in northwest Argentina, creates towering, creature-like forms coated in adobe that leave dust everywhere during installation. His career has expanded rapidly since his inclusion in Cecilia Alemani's 2022 Venice Biennale, with recent commissions in Montana, Uruguay, Spain, Saudi Arabia, and Berlin, and an upcoming participation in the Biennale of Sydney.

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Brittany Nelson, a Brooklyn-based artist, explores the intersection of space exploration, queer identity, and early photochemistry in her work. Her 2024 show "I Can't Make You Love Me" at PATRON Gallery in Chicago featured bromoil prints of images from NASA's Mars rover Opportunity, which she describes as a "lesbian icon." She also creates works like a programmed typewriter that types the word "Starbear," inspired by letters between sci-fi writers Ursula K. Le Guin and Alice B. Sheldon. Nelson is currently developing new work focused on telescope arrays, following a residency at the SETI Institute and a two-person exhibition at Luhring Augustine in New York.