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ireland basic income artists program permanent 1234756981

Ireland is set to make its basic income for artists program permanent starting in 2026, following a successful pilot launched in 2022. The program provides selected artists with approximately $375 per week (about $1,500 monthly), with 2,000 spots available and applications opening in September 2026. The pilot, which involved 2,000 randomly selected recipients from over 9,000 applicants, cost €72 million but generated nearly €80 million in economic benefits, according to an external report by Alma Economics. Recipients saw arts-related income increase by over €500 per month, while reliance on other social programs declined.

A Holy Week procession, white pelicans and apricot blossoms: photos of the day – Tuesday

The Guardian's picture editors curated a selection of global photographs for Tuesday, March 31, 2026. The images include a Holy Week procession by the Trabajo y Luz brotherhood in Granada, Spain; white pelicans at Lake Çavuşçu in Turkey; apricot blossoms in Gilgit-Baltistan, Pakistan; and scenes from California, Lebanon, India, Israel, Ukraine, the West Bank, and France, capturing moments of nature, conflict, displacement, and commemoration.

Glasgow arts hub tenants condemn ‘unsustainable’ rent rises by landlord

Tenants at Glasgow's Trongate 103 cultural hub are protesting what they call "unsustainable" rent and service charge increases imposed by City Property, an arm's-length organization managing buildings for Glasgow City Council. Organizations like Transmission Gallery, Street Level Photography, and Glasgow Print Studio face potential displacement after receiving notices to quit or demands for significant cost hikes, with one group citing a £700,000 annual increase.

A circle of Cuban art at Westchester Regional Library

The Westchester Regional Library in Miami is hosting "Circular Reflections," an exhibition featuring over 80 contemporary Cuban artists, each working within a 21-inch circular format. Organized in collaboration with the Miami-Dade Public Library System, the show opened on April 3 and runs through June 25. Curated by Miami-based artist and independent curator Miguel Rodez, the project began nearly a decade ago and has evolved into a traveling, ongoing documentation of Cuban visual culture. Artists like Ismael Gómez Peralta discuss how the circular constraint challenged traditional rectangular composition, pushing them to rethink spatial organization while maintaining their individual visual languages.

BAMM launches a suite of exhibits April 24

The BANK Art Museum Moree (BAMM) is launching a suite of six new exhibitions on April 24, featuring works by artists Jo Norton, Penny Evans, Joan Ross, Melissa Spratt, Aaron Butt, and Pip Stalley. The shows, running until May 30, also include the Bleakley Collection, a group of First Nations objects curated by Robert Bleakley in the 1970s.

Museum Rietberg A Kind of Paradise Reframes Colonial Photography Narratives

The Museum Rietberg in Zürich has opened the exhibition 'A Kind of Paradise,' which critically reexamines colonial-era photography through the work of 20 contemporary artists from the global diaspora. The show is structured into four thematic sections—Shapeshifters, Confrontation, Care, and In the Photo Fantastic—and transforms archival images from tools of colonial power into sites of reinterpretation and resistance.

Don’t miss open exhibition at Margate Art Museum

The Margate Art Museum is currently hosting its annual open art exhibition, featuring the work of South Coast-based artist Celeste van der Merwe. Her highlighted painting, 'Knitting the Nations: Will I See Them Again?', depicts a woman knitting textured patches that represent different continents and countries. The piece uses symbolism to explore the emotional weight of global migration and the fragility of family bonds when loved ones are scattered across the world.

Jazlyne Sabree at Rowan University Museum of Contemporary Art

Philadelphia-based artist Jazlyne Sabree has debuted her solo exhibition, "The Spectrum of Resilience," at the newly rebranded Rowan University Museum of Contemporary Art (RUMOCA) in Glassboro, New Jersey. The show features large-scale, textured collages that utilize paint, paper, and found materials to portray members of the African Diaspora as spiritual figures and vessels of memory. The exhibition includes three new works and is scheduled to run through July 30, 2026.

At Frieze Los Angeles, Greg Ito’s bright baggage carries hope

Los Angeles-based artist Greg Ito has presented a striking installation titled "A Cautionary Tale" with Superposition Gallery at Frieze Los Angeles. The booth features stacks of neon orange suitcases and mirrored trunks alongside paintings of symbolic imagery like burning candles and ships in a bottle. The work draws directly from Ito’s family history, specifically the forced relocation of his grandparents to Japanese American internment camps during World War II, where they were restricted to bringing only what they could carry in a suitcase.

Dangling sculpture—‘evacuated’ from Russian-Ukrainian frontline—will be focus of Ukraine's pavilion at Venice Biennale

Ukraine's pavilion at the 2024 Venice Biennale will feature artist Zhanna Kadyrova's concrete sculpture *Origami Deer*, which was evacuated from Pokrovsk in the Donetsk region as Russian forces advanced in 2024. The pavilion, titled *Security Guarantees*, references the 1994 Budapest Memorandum and will include archival materials and a video installation documenting the sculpture's journey across Europe. The work will be suspended from a crane on a truck along the Venice lagoon, symbolizing forced displacement and the fragility of international promises.

In post-'revolution' Bangladesh, a photography festival questions how to rebuild after ruin

The Chobi Mela, a Dhaka-based international photography festival, is taking place in Bangladesh amid political upheaval following the 2024 'Monsoon Revolution' that toppled the authoritarian government of former Prime Minister Sheikh Hasina. Co-organized by photographer and curator Munem Wasif with Sarker Protick, the festival explores themes of revolution, rebuilding, and historical repetition through themed exhibitions and solo shows by international and Bangladeshi artists, including Bani Abidi, Myriam Boulos, and Mong Mong Shay. The event occurs at a tense time, with mob violence targeting arts groups in December 2024 drawing UN condemnation, yet organizers insist on addressing the region's current crises.

Artist Soumyadeep Roy's latest exhibition spotlights migration and identities

Artist Soumyadeep Roy's latest exhibition, "Shahrashob," explores migration and identity through the lens of historical and personal narratives. The show traces movements from Delhi to Lucknow in the 18th century, Lucknow to Calcutta in the 19th century, and post-partition shifts to Bombay and Karachi, centering on Wajid Ali Shah's journey to Kolkata and the creation of a mini-Lucknow in Metiabruz. The exhibition features video films of paan-sellers in Lucknow and Calcutta, archival references, and creative re-imaginings, drawing on Roy's personal bonds with descendants of historical figures.

Now this art exhibition is something truly audacious

An abandoned office floor in Manila's RCBC Plaza has been transformed into a raw exhibition space for a group show titled "Audacity," curated by Chloe Magpayo. Featuring over 20 artists, the show includes works by Isabel and Alfredo Aquilizan's Fruitjuice Factory Studio, Matt Trinidad, Kristoffer Ardeña, Christina Lopez, Marty Carsi Cruz, Hideki Ito, Bienvenido Tamayo, Mano Gonzales, Marionne Contreras, Luis Antonio Santos, James Clar, Doktor Karayom, Denver Garza, and Maricar Tolentino. The exhibition runs through October in the same space that previously hosted "Here & Now & Now & Then" curated by Nilo Ilarde.

Q&A: How does UVA’s ‘Fuego Eterno’ exhibit explore indigenous sovereignty?

The article is a Q&A with an artist and co-director of the Global Spanish Initiative at the University of Virginia (UVA), discussing the exhibition 'Fuego Eterno.' The show, which opened August 29, features artists from indigenous and Afro-descended communities across the Americas and its diasporas, exploring themes of indigenous sovereignty, Nahua cosmologies, border resistance, and diaspora. The exhibition includes the co-director's own artworks and is accompanied by a symposium, a workshop with Peruvian artist Venuca Evanán Vivanco, a film screening, and a closing party.

‘Occupation is buried deep in our psyche’: the haunting exhibition showing Irish support for Palestinians

An exhibition titled 'Dlúthpháirtíocht' (the Irish word for solidarity) is on display at Metamorphika Studio in Hackney, London, featuring over 50 works that connect Palestinian and Irish histories. The show includes pieces by Palestinian artist Nabil Abughanima, who fled Gaza two months ago, and Irish photographer Seamus Murphy, alongside works by Amal Al Nakhala, Spicebag, and Council Baby. Co-curated by Seán Óg Ó Murchú, the itinerant exhibition will travel to Dublin, Cork, and Belfast after its London run ends on 19 July.

LA-Based ModA Curations Opens New Space in NYC With A Contemporary Art Exhibition Called “Love”

ModA (Modern Anthropology) Studios, a Los Angeles-based creative organization founded by George Fan, opened its first permanent location at 227 E 24th Street in Manhattan's Lower East Side on June 27, 2025, with a contemporary art exhibition titled “Love.” Curated by Sia Fang, the show features nine artists divided into main-exhibiting artists and a subsection called Untapped, the Collection. Artists include Ellen Carpenter, Magali, A Cult, Ching-Wei Wang, Felisa Nguyen, Ibtisam Tasnim Zaman, Edd Ravn, Hongshan, and Agen Xin, working across performance, installation, painting, and mixed media.

The Frick debuts dreamy greenhouse art show

The Frick Pittsburgh Museum and Gardens has opened a new exhibition in its 128-year-old greenhouse featuring abstract sculptures by local Pittsburgh artist Atticus Adams. Titled "Catching Sunbeams from the Porch Swing of Wisteria Castle," the show presents dozens of whimsical pieces made from metal mesh, wiring, and textile materials, hanging from the greenhouse roof. The free exhibit runs through October 26, Tuesday through Sunday from 9am to 5pm.

Jewyo Rhii: ‘If you don’t die today, you get another opportunity to live’

Jewyo Rhii, a Seoul-born artist from the first generation to come of age during South Korea's dramatic political shifts in the 1980s, has been selected for this year's Korean Artists Today project. Her work, which began as personal explorations of misplacement and survival using ephemeral materials and found objects, evolved around ten years ago into collaborative projects like Love Your Depot (2019), a series of storage-unit-like installations that question the lifespan of artworks. Rhii's practice includes object-oriented performance pieces such as Ten Years Please (2007-17) and Lie on the Han River (2003-06), and she has shown at institutions including the Queens Museum, the National Museum of Modern and Contemporary Art (MMCA) in Seoul, and the Venice Biennale.

Mural Arts’ ‘No Place Like Home’ student exhibition champions the importance of art education

Mural Arts’ Art Education program presented its annual student exhibition, “No Place Like Home,” at a transformed exposed-brick home in Philadelphia’s Northern Liberties neighborhood. The two-day show featured artwork from over 100 students ages 11 to 18 who attend the organization’s after-school art courses. The gallery space was turned into a whimsical house with themed rooms, including a bedroom, kitchen, and living room, displaying drawings, paintings, and craft projects such as paper flowers, painted clouds, and papier-mâché pets. Mural Arts founder Jane Golden spoke at the opening, emphasizing the importance of art education access for all Philadelphia youth.

EL SALVADOR MAKES ITS DEBUT AT THE VENICE BIENNALE WITH ITS OWN PAVILION

El Salvador will debut its own national pavilion at the 61st Venice Biennale, running from May 9 to November 22, 2025. The exhibition, titled "Cartographies of Displacement," features the sculptural series "Children of the World" by Salvadoran-American artist J. Oscar Molina, curated by Alejandra Cabezas and commissioned by Dr. Astrid Bahamond. The pavilion is located at Palazzo Mora, showcasing Molina's elongated, faceless monumental figures that explore the migrant experience and global diaspora.

JEZIK AND COSTA EXPLORE MEMORY AND EXILE IN A GROUP EXHIBITION

The Miguel Hernández University in Elche, Spain, presents "Vientos del pueblo. Voices of Exile and Resistance," a group exhibition curated by Mónica Sotos. Inspired by Miguel Hernández's poem "Vientos del pueblo," the show features Argentine artists Ježik and Costa alongside Eugenio Merino, Gloria Oyarzábal, Ricardo Calero, Óscar Seco, Pierre Valls, and María Rosa Aránega. Through photography, video, installation, drawing, and archival works, the exhibition examines violence, borders, exile, and colonial legacies, challenging dominant power narratives.

AFFECTIVE CARTOGRAPHIES AND ARCHITECTURES BY SOFIA SALAZAR AT C3A

Ecuadorian artist Sofía Salazar Rosales has debuted a site-specific solo exhibition titled "Travesías de una lágrima" at the Centro de Creación Contemporánea de Andalucía (C3A) in Córdoba, Spain. The installation-heavy showcase utilizes sculpture and architecture to explore themes of migration, memory, and colonial legacies. Through materials like wax, charcoal, and iron grilles, Salazar Rosales transforms the gallery into a performative space where visitors navigate physical representations of borders, displacement, and the historical weight of territory.

Palma: The Conference of the Palm Trees. Artist Mehdi-Georges Lahlou and curator Virginie Puertolas-Syn.

French-Moroccan artist Mehdi-Georges Lahlou opened his first solo exhibition in Singapore and Asia, curated by Virginie Puertolas-Syn. The exhibition, conceptually linked to the 12th-century Sufi poem 'The Conference of the Birds,' uses the palm tree as a central motif to explore themes of displacement, colonial history, and constructed landscapes.

This Long Beach Art Gallery Survived a Drunk Driver. But The Next Threat Could Mean Its End.

A drunk driver crashed into Open Gallery in Long Beach on February 24, 2024, destroying the space and forcing a year of renovations, financial strain, and displacement. Owners Liz Garibaldi and Artos Saucedo, who founded the gallery in 2019 as a live-work space for screen printers, have since reopened their gift shop and resumed programming, including the current photography exhibition "Physical Memory" curated by Matthew “NORDY” Nordman. However, the building owner now wants to sell, threatening the gallery's survival.

Location, location, location: behind the Art Basel floor plan beef

Air de Paris, a veteran contemporary gallery that has exhibited at Art Basel since 1999, announced its withdrawal from the upcoming edition after a dispute over its assigned stand. Co-founders Florence Bonnefous and Edouard Merino made their exit public by posting emails online via Provence, a French publishing house, calling the stand assignment process “brutal and unfair.” Art Basel’s chief artistic officer Vincenzo de Bellis defended the decision, noting that 58 galleries had their stands moved this year due to the launch of a new section called Premiere and the need to improve visitor flow and aesthetic dialogue between exhibitors.

Tongue River Theory. davi de jesus do nascimento by Mateus Nunes

Brazilian artist davi de jesus do nascimento explores the intersection of poetry, memory, and the geography of the São Francisco River. Born in Pirapora, Minas Gerais, the artist’s work is deeply informed by his family's history of displacement due to the Sobradinho dam and the tragic loss of his mother to the river. His practice spans painting, installation, and performance, all rooted in a linguistic and philosophical framework he calls "Tongue River Theory."

Nomad Artist Explores the Meaning of Home Through a London Exhibition

Illustrator Molly Maine, who has been traveling the world since 2016 while running her remote design studio, is opening her first solo exhibition in London. Titled "Nomad: Perspectives on Home in a Changing Japan," the show grew out of her experiences at the Colive Fukuoka conference and an artist residency in Kanazawa. During her time in Japan, Maine interviewed both earthquake evacuees from the Noto Peninsula and digital nomads who had relocated there, exploring contrasting experiences of displacement and belonging. The exhibition weaves together these voices through illustration commissions that examine what defines home.

Walters’ Latin American art exhibit lost $70K in Trump cuts. It’s opening anyway.

The Walters Art Museum in Baltimore is opening its inaugural installation of Latin American art despite losing $70,000 in federal funding due to cuts by the Trump administration. The lost funds represented 6% of the $1,160,000 installation cost, and the museum had little opportunity to raise replacement money. The exhibition features an earthenware burial urn and other works, proceeding as planned despite the financial shortfall.

TROPICAL HYPERSTITION A SPACE OF MEMORY AND RESISTANCE AT THE BIENNALE DI VENEZIA 2026

Panama will present its second National Pavilion at the 2026 Venice Biennale, featuring a large-scale installation and performance titled 'Tropical Hyperstition' by the artistic duo Antonio José Guzmán and Iva Jankovic (Mensajeros del Sol). The project, curated by Ana Elizabeth González and Mónica Kupfer, is organized by Panama's Ministry of Culture and several cultural foundations.

Expat women in Estonia share experiences through museum exhibition

An exhibition titled "Vahepealsuse lävel. Kõik teed tõid Eestimaale" ("At the Threshold of In-Betweenness. All Roads Lead to Estonia") has opened at the People's Museum of Tallinn (Tallinna Rahvaste Muuseum). Curated by Ouddhena Teern, an artist originally from Malaysia who moved to Estonia in 2019, the show explores themes of migration, identity, memory, and belonging. It features works using batik, mixed media, and tie-dye, alongside contributions from expat women who shared personal stories and objects of sentimental value.