Stano Filko's exhibition "Painting" at Layr in Vienna challenges the persistent binary opposition between painting and conceptualism. The show presents Filko's work from around 1980, a period when debates over the merits of painting versus conceptual art were at their peak, offering a nuanced perspective that complicates this historical divide.
Lifestyle Asia has published a curated list of art exhibitions and events to see in May, offering recommendations for art enthusiasts looking to explore new shows and installations during the month. The article serves as a guide to notable cultural happenings, likely highlighting both emerging and established artists across various venues.
This article is a comprehensive listing of art exhibitions and events across Marin County, California, from May through August 2025. It includes details on dozens of shows at venues such as the Belvedere Tiburon Library, Anthony Meier, Blunk Space, Bolinas Museum, Gallery Route One, and many others, featuring works by artists like Carol Thomas, Saif Azzuz, Ian Collings, and Drew Frazier. The listings cover photography, painting, sculpture, and mixed-media exhibits, with opening receptions, artist talks, and benefit events noted.
Two concurrent exhibitions at the El Paso Museum of Art explore the Southwestern desert through distinct artistic lenses. "Desert Rinpa" presents Mitsumasa Overstreet's large-scale panels that blend Chihuahuan Desert flora with the classical Japanese Rinpa tradition, using techniques like tarashikomi and metallic leaf to evoke desert light. Upstairs, "Suzi Davidoff: Wander" features nearly 100 works from 1991 to the present, including drawings, prints, and installations made with natural materials like dirt, clay, and charcoal gathered from wildfire sites, emphasizing the physical presence of the desert itself.
Artist Aurore Guez presents 'LE CAFÉ,' a free, immersive exhibition at the Wilde Galerie in Paris on April 25-26, 2026. The installation transforms the gallery into a fictional café featuring interactive painted portraits that visitors can converse with via recorded voice clips and AI, alongside a fully designed environment that blurs the line between artwork, décor, and performance.
The St. Petersburg and Gulfport art scenes are preparing for a busy spring season with several major installations and exhibition openings. Highlights include the unveiling of Yvette Mayorga’s 30-foot kinetic sculpture, "The Magic Grasshopper," at the Museum of Fine Arts St. Petersburg, and the 10th anniversary of the "Fresh Squeezed" emerging artist exhibition at the Morean Art Center. Other notable events include Ali Banisadr’s solo show at the MFA, an environmentally-themed group exhibition at Soft Water Gallery, and a unique video game installation exploring Native Alaskan culture at the James Museum.
The Hamptons art scene is hosting a diverse array of exhibitions this March, ranging from intimate solo shows to expansive group surveys. Key highlights include Cait Porter’s still-life explorations of grief at Halsey McKay Gallery, Bruce Mermelstein’s photography retrospective at Southampton Town Hall, and a music-centric exhibition at ARDT Gallery featuring works by Kim Simmonds and David Edward Byrd. Other notable shows include "The Light of Awakening" at LTV Studios and a contemporary narrative group show at Slattery Gallery that pairs emerging artists with blue-chip masters like Picasso and de Kooning.
Despite a wave of high-profile gallery closures and economic pressure from the shrinking entertainment industry, a new generation of Los Angeles art dealers is finding resilience through local community ties. While major outposts like Michael Werner and Sean Kelly have shuttered, local mainstays argue that the market is not failing but rather correcting itself against unrealistic expectations. Success in the current climate requires a physical presence and deep-rooted relationships that satellite galleries often struggle to maintain.
Hayv Kahraman's latest solo show, "Ghost Fires," at Jack Shainman Gallery in New York City features paintings of women with smoke rising from their fingertips and pupil-less eyes, using scorched textures and marbled pigments. The body of work is her first since the January wildfires in Los Angeles displaced her and her family from their Altadena home, and it explores trauma, memory, and healing without directly depicting flames.
Ariel Pittman, a Los Angeles art historian and former director at Vielmetter and Various Small Fires, is opening a new gallery called Official Welcome in the MacArthur Park neighborhood on May 30. The gallery, located in the historic Granada Building, will launch with an inaugural exhibition titled "California Split" featuring works by June Edmonds, Jay Lynn Gomez, Henry Taylor, and others, with prices starting at $800. Pittman plans to diversify revenue by offering consulting services, project management, and space rentals, and aims to keep operations lean before eventually hiring staff and establishing equitable profit-sharing structures.
Artist Marina Kappos opens her solo exhibition 'Piercing the Veil' at SHRINE gallery in New York City, running from May 15 to June 27. The show features her signature acrylic-on-wood-panel paintings that use thin layers of pigment to create gauzy, prismatic effects. Inspired by the sculptural figures of grieving women she encountered at Père Lachaise Cemetery in Paris, Kappos explores themes of loss, memory, presence and absence, and the threshold between life and death. Works like 'Veil Study (Eclipse)' (2026) and 'Quantum Study (Green Entanglement)' (2025) depict hazy landscapes and keyhole-shaped portals that invite viewers to contemplate the unknown and the spiritual.
James Stourton, former chairman of Sotheby's UK, has written a book titled "Rogues and Scholars" that chronicles the rise of London's art market after World War II. The article highlights key moments such as Sotheby's 1958 sale of the Goldschmidt collection of Impressionist art, which transformed auctions into glamorous evening events, and the introduction of the buyer's premium in 1975, which Stourton calls "the Big Bang of the art world." It also profiles influential dealers and galleries like Marlborough Gallery, Robert Fraser, Christopher Gibbs, and Robin Symes who shaped global tastes from London.
A new permanent home for animation cinema, the Cité internationale du cinéma d'animation, will open in Annecy, France, on June 19, 2025, just before the annual Annecy International Animation Film Festival. Housed in a restored 19th-century horse stable (haras) listed as a historic monument, the 54-million-euro project includes a 450 m² permanent museum, a 332-seat cinema, temporary exhibition spaces, educational workshops, artist residencies, and image-education facilities. The city of Annecy contributes 30 million euros, with additional funding from the Haute-Savoie department, the state, and the Auvergne-Rhône-Alpes region. Designed by architecture firm dd.a and landscape architect Philippe Deliau, the center aims to be a hybrid, year-round hub for animation, blending heritage, creation, and transmission.
The Guardian’s weekly wildlife roundup showcases a diverse array of animal behavior captured by photographers globally. Highlights from this collection include an ostrich sprinting down a Thai highway after escaping a cafe, seals lounging on a surfboard in Ireland, and migratory birds returning to the thawing Songhua River in China.
A double-sided panel painting by Renaissance master Antonello da Messina, titled 'Ecce Homo and Saint Jerome in the Desert,' was withdrawn from Sotheby's Old Masters auction just days before its scheduled sale. The Italian Ministry of Culture purchased the work directly for $14.9 million, preventing it from going to public auction where it was estimated to fetch $10–15 million.
On Saturday, demonstrators across the United States took part in No Kings rallies protesting President Donald Trump, with artists playing a key role in creating protest visuals. In New York City, activists including Susan Sarandon and Mark Ruffalo carried a yellow banner by graphic designer Ange Tran reading “People Over Billionaires,” while Brooklyn artist Julie Peppito led an art build with Indivisible Brooklyn, producing around 100 signs featuring slogans like “people power” and a red sun design. The protests, organized by the 50501 movement alongside Indivisible and MoveOn, drew an estimated 5 to 13 million participants nationwide, making it the largest action since Trump took office in January.
Newcastle Art Gallery will open its fourth new exhibition space on December 19, 2025, featuring over 130 works of Australian art valued at more than $30 million. Highlights include pieces by Joseph Lycett, William Dobell, Grace Cossington Smith, and Margaret Preston. The opening will be celebrated with the return of the Friday Night Sounds after-hours event, featuring live music by Nina Romeru and a wildlife drawing workshop. The gallery has already welcomed nearly 11,000 visitors since partially reopening in September 2025, with the full reopening scheduled for February 2026.
The Denver Art Museum hosted "Untitled: Artist Takeover Oct 2025," a Halloween-themed evening event featuring performances, art installations, and interactive activities across its Hamilton Building, Martin Building, and Sturm Grand Pavilion. Highlights included a memorial installation series "Death of Baddy" by artist Moe Gram, classic horror film screenings, tarot readings, shadow puppet theater, mask-making, and a dance party with DJ 2AND2. Participating artists and performers included Justy Robinson, Miguel Garcia, Kendall Bennett, Patty McCrystal, Zora Beglarian, Lisa Frank 666, Karma Leigh, Joe Oliver, Medicine Mama Kia, Shaunie Berry, Elle Hong, and Rafael & Kristina Maldonado Bad Hand.
The City of Santa Monica has officially opened the Santa Monica City Gallery, its first municipal art space, located within the Bergamot Station Arts Center. The gallery launched with the inaugural exhibition "Case Study: Adapt," which showcases architectural models designed by students and professional firms to address housing needs for families displaced by the 2025 California wildfires. The venue is designed to host a rotating schedule of exhibitions, artist residencies, and selections from the city’s permanent Art Bank collection.
CULTURED editor-in-chief Sarah Harrelson and Legacy Investing co-founder Daniel English hosted an intimate dinner at Jean's in New York, bringing together leaders from art, finance, and real estate. Guests included Frieze's Julie Kim, Wells Group founder George Wells, Art Intelligence global director Rick Cappellazzo, and others. The evening featured Oscar Wilde's quote about artists and money printed on bookmarks, and guests received copies of Michael Craig-Martin's On Being an Artist and Michael Findlay's The Value of Art, along with CULT100 totes filled with magazines and products.
This article is a local arts listings roundup for the week of May 7, 2026, in Ventura County, California. It includes opening theater productions such as "¡Ay Chihuahua! A Mariachi Musical" at California State University, Channel Islands, "Eleanor" at Rubicon Theatre Company, and "It's a Trip, Man: An Evening with a Hollywood Has-Been" at Ojai Art Center Theatre. Art openings feature the Camarillo Art Center's gourd class and exhibition "May I Have Your Attention!," Canvas and Paper's show of work by L.S. Lowry, and the Carolyn Glasoe Bailey Foundation's "r/evolve: celebrating the circular" by Christopher Noxon. The piece also lists auditions for "The Importance of Being Earnest" at Moorpark College and a call for submissions to the Ojai Art Center Theater's 2027 season.
The article highlights Houston's vibrant gallery scene, focusing on the accessibility and social appeal of free art openings. It profiles 87-year-old Patti Lou Richardson, a regular attendee who, along with her family's "art posse," frequents openings at venues like Foltz Fine Art, Monterroso Gallery, and others across neighborhoods such as Montrose, Midtown, and the Arts District. The piece also notes resources like the Mused Houston newsletter and Glasstire magazine that help locals discover weekly events.
Echo Soho, a new art fair dedicated to female-led galleries, launched this week in London to address the underrepresentation of women in leadership roles within the art world. Conceived by gallerist India Rose James, the fair features 12 galleries, most of which are showing women artists, with works priced accessibly and participation costs kept low to encourage inclusivity. The fair takes place at Artists House, a Georgian townhouse owned by James's family's Soho Estates.
Relévant Galleries in Vail, Colorado, is hosting a series of artist meet-and-greet events and exhibitions throughout July 2025, featuring works by renowned photographer David Yarrow, jeweler Dan Telleen, and painter Sarah Winkler, among others. The gallery also highlights its other locations in Scottsdale, Park City, and Denver, while C. Anthony Gallery in Beaver Creek and Vail International Gallery present concurrent shows with artists like Britten and Sarah Winkler.
The Lost Giants (TLG), an art collective based in Lostwithiel, Cornwall, is reviving the British tradition of making processional giants—large, community-built figures made from wood, cloth, and papier-mâché. Founded three years ago by theatre designer Ruth Webb and her sister-in-law Amy Webb, the group has created giants for events ranging from local lantern parades to a harvest procession at Hauser & Wirth’s Somerset gallery. This New Year’s Eve, environmentalist Lisa Schneidau joined a massive procession of these giants in Lostwithiel, describing it as an extraordinary experience. The collective recently issued a public callout for an environmental group to collaborate on making a new beastie.
The Getty Center in Los Angeles has announced a year-long closure for extensive renovations, scheduled to begin in March 2027. This marks the first major modernization of the Richard Meier-designed campus since its opening in 1997. The project will focus on updating the galleries, the Welcome Hall, and the tram system, while also introducing new artist commissions and improving infrastructure like HVAC systems and digital connectivity.
The Mediterranean Alliance for Wetlands has launched a campaign against the Guggenheim Museum's proposed expansion into the Urdaibai Biosphere Reserve in Spain. The campaign warns that building a new museum spanning Guernica and the protected reserve would harm biodiversity, water quality, and conservation frameworks, and has gathered over 2,400 signatures on a petition urging UNESCO, the Ramsar Secretariat, and the Spanish government to intervene.
Syracuse-born artist Peter McGough hand-painted a custom Michael Kors gown worn by Anne Hathaway to the 2026 Met Gala. The dress, a strapless black Mikado silk ball gown with a plunging neckline and high-leg slit, features intricate Grecian patterns inspired by the Met's urns and statues, including a goddess with a dove on the back. McGough, a former classmate of Michael Kors at the Fashion Institute of Technology, painted directly on the silk and wool gown over a week using three layers of fabric paint. The design aligns with the gala's 'Fashion Is Art' dress code and references John Keats' poem 'Ode on a Grecian Urn,' also tying into Hathaway's upcoming film 'The Odyssey.'
Six Canadian artists have been awarded the 2026 Rewilding Arts Prize, established in 2023 by the David Suzuki Foundation and Rewilding Magazine. The winners include Nicole McDonald-Fournier, whose project EmballeToi! repurposes old winter coats as plant-growing pots, and the Montreal/Toronto duo Masumi Rodriguez and Elena Kirby, who run community papermaking workshops using invasive plant species. The prize awards $2,000 to each artist and plans to feature their work in a future exhibition, following the inaugural winners' show at the Canadian Museum of Nature in Ottawa.
On January 7, 2025, a wildfire driven by extreme winds reached the Getty Villa in Los Angeles. Thanks to years of preparation, staff efforts, and firefighter support, the museum buildings and art collection survived undamaged, though the landscape suffered severe damage. The Villa closed for about six months, during which staff removed 1,400 burned trees, cleaned soot and ash, restored water service, and installed a new exhibition. It reopened in late June 2025, welcoming visitors back to the galleries and gardens.