The Address gallery in Brescia is presenting the group exhibition "Tales from Fractured Minds," which explores the psychological concept of dissociation through the work of contemporary artists. The show examines how artists translate this complex mental state, characterized by a separation from reality across memory, identity, and perception, into visual form.
A new documentary titled "The Final Cut" explores the life and artistic journey of Lucio Fontana, the Italian-Argentine artist famous for his slashed canvases (Concetti Spaziali). Produced by Good Day Films and Nexo Studios, directed by Andrea Bettinetti and narrated by Miriam Leone, the film will screen in Italian cinemas on May 25–27 as part of the "La Grande Arte al Cinema" season. It features archival footage, interviews with artists such as Doug Wheeler, Antony Gormley, Carsten Höller, Alfredo Jaar, Michelangelo Pistoletto, Heinz Mack, and scholars Luca Massimo Barbero and Daniela Alejandra Sbaraglia, highlighting Fontana's revolutionary approach and his first immersive installation, "Ambiente Spaziale a luce nera" (1949).
Storia di Max Peiffer Watenphul, il pittore del Bauhaus che trovò in Italia la sua nuova patria
A major retrospective titled "Max Peiffer Watenphul. Pittore del Bauhaus" has opened at the Galleria Nazionale d'Arte Moderna e Contemporanea (GNAMC) in Rome, curated by Gregor H. Lersch, director of the Museo Casa di Goethe. The exhibition explores the complex artistic journey of Max Peiffer Watenphul (1896–1976), a German Bauhaus-trained painter who found a second home in Italy. It highlights his multidisciplinary approach, his troubled painting style marked by unusual materials and scratched surfaces, and his deep connection to Italy, where he fled after Nazi persecution and where he lived until his death.
A Venezia due nuove realtà culturali nel circuito dei Musei Civici: nasce un centro d’arte contemporanea a Mestre e entra nella rete il Museo Wagner
The Fondazione Musei Civici di Venezia (MUVE) has opened a new contemporary art museum called MUVEC (Casa delle Contemporaneità) at the Centro Candiani in Mestre, inaugurated on April 24. Simultaneously, MUVE has signed an agreement with the Casinò di Venezia and the Associazione Richard Wagner to bring the Museo Wagner in Ca' Vendramin Calergi into its network starting in 2027, expanding the MUVE circuit to 14 museums (excluding MUVEC). MUVEC features a permanent collection spanning from 1948 to the present, drawn from the Galleria d'Arte Moderna di Venezia Ca' Pesaro, and will host temporary exhibitions including a 2026 show on Klimt, Schiele, Kokoschka and the body.
Si può ripercorrere tutta la carriera del mitico designer Alessandro Mendini in questa mostra a Verbania
A new exhibition titled "Alessandro Mendini. COSE. Stanze come mondi" has opened at Villa Giulia in Verbania, Italy, running until September 27. Curated by art historian Loredana Parmesani, the show condenses the career of legendary designer Alessandro Mendini (1931–2019) into seven rooms, each centered on one of his iconic objects—such as the Poltrona di Paglia (1974) and the Poltrona di Proust (1978)—alongside 130 total pieces including drawings, paintings, and texts. The selection was made with Mendini's daughters Elisa and Fulvia, and the layout follows the villa's 19th-century plan, turning each space into a distinct chapter of his creative journey.
The Fondazione Giancarlo Sangregorio in Sesto Calende, near Varese, has inaugurated a new exhibition space called Spazio Luce, created from the renovation of an old rural building. The space opens with the show "Incontri. Da Fontana a Baj, da Rotella a Mondino. Una collezione svelata," curated by Lorella Giudici, featuring 34 works from Sangregorio's personal collection, including pieces by Lucio Fontana, Enrico Baj, Mimmo Rotella, Aldo Mondino, and Giancarlo Sangregorio himself. The exhibition runs from May 16 to September 27, 2026.
On May 24, the Collegio Ghislieri in Pavia inaugurated the Giardino della Ricerca, a garden dedicated to photojournalist Andy Rocchelli, who was killed in 2014 in the Donbas region of Ukraine alongside human rights activist Andrei Mironov. The garden, opened on the twelfth anniversary of his death, features a commemorative plaque and includes speeches by Gherardo Colombo and Michele Serra, as well as a podcast by Agostino Zappia and Enrico Rotondi. Italian courts have ruled that Rocchelli and Mironov were killed by Ukrainian army fire, but no one has been convicted.
Michelangelo Pistoletto has opened Hotel Cittadellarte in Biella, Italy, within his Cittadellarte Fondazione Pistoletto. The 31-room hotel houses the exhibition "L'ospite inatteso" by Giuseppe Stampone, curated by Ilaria Bernardi, with each room containing a unique artwork designed to be lived with rather than quickly viewed. The exhibition includes Stampone's "Fotocopie intelligenti" and large tapestries from the Brioni manufactory, addressing themes of migration, belonging, memory, and coexistence. The building was sustainably renovated with PNRR funds.
Corpo come dispositivo. Guida e riflessione sulle performance della Biennale di Venezia
The article analyzes the role of performance art at the 2026 Venice Biennale, arguing that performance is no longer a rediscovered genre but a structurally institutionalized primary form of experience production. It examines how the body reemerges not as an alternative to image-based works but as an internal interruption of the artwork system, preventing closure and reintroducing instability. Key pavilions are discussed: Austria's Florentina Holzinger with "Sancta" draws on 1970s radical performance and feminist body art, creating an immersive environment of continuous movement; Belgium's Miet Warlop with "IT NEVER SSST" engages post-dramatic theater and postmodern dance repetition; Japan's Ei Arakawa-Nash with "Grass Babies, Moon Babies" activates Gutai avant-garde legacies through viewer interaction with soft dolls.
A new exhibition titled "Dante Ferretti. Con i miei occhi" has opened at the Musei di San Salvatore in Lauro in Rome, celebrating the legendary Italian set designer and costume designer Dante Ferretti. Curated by Raffaele Curi, the show runs until July 19, 2026, and features a collection of Ferretti's sketches, charcoal drawings, and collages that served as the foundational visual ideas for films by directors including Pier Paolo Pasolini, Martin Scorsese, Federico Fellini, and Tim Burton. The exhibition presents these preparatory works not merely as production tools but as autonomous works of art, tracing Ferretti's visual genealogy from Renaissance painters like Piero della Francesca and Caravaggio to contemporary cinema.
Quella del 2026 è una Biennale di Venezia leggera e consapevole
The 2026 Venice Biennale, titled "In Minor Keys" and curated by the late Koyo Kouoh, has opened with a focus on ecology and humanity's relationship with nature. The central pavilion at the Giardini presents a festive, craft-heavy exhibition that emphasizes connections with plants and animals, while the Arsenale offers a more spacious, symphonic experience featuring standout works such as Alfredo Jaar's "End of the World" (2023-2024) and Kader Attia's "Whisper of Traces" (2026). National pavilions, including those of Austria, Denmark, France, Germany, and Spain, explore themes of the body, memory, and ruin with notable installations.
Arte e politica: bisogna esporsi o no? Rispondono in 9 tra artisti e curatori
Nove tra artisti e curatori italiani rispondono alla domanda se l'arte debba esporsi politicamente, in un articolo pubblicato su Artribune. Marco Trulli, responsabile Cultura Arci e curatore, sostiene che l'arte non possa prescindere dal contesto storico e geopolitico, e che il mondo dell'arte debba mettere in discussione le connessioni tra istituzioni culturali, guerre e violenze sistemiche. Gabi Scardi, curatrice, rifiuta la categoria di 'arte politica' e invita gli artisti ad agire politicamente, citando esempi di padiglioni nazionali alla Biennale di Venezia (Turchia 2017, Israele 2015) come modelli di critica radicale dall'interno. Un altro contributo, legato al progetto 'Francesco 2026' per il Padiglione Internet a Venezia, propone una regola etica: l'arte deve minimizzare il danno alle persone più vulnerabili.
Com’è la mostra internazionale della Biennale di Venezia? Recensione di “In minor keys” di Koyo Kouoh
The 2026 Venice Biennale, titled "In minor keys" and curated by the late Koyo Kouoh, opens to the public on May 9 amid controversies including the absence of the president's name in the colophon at the Arsenale entrance. The exhibition, organized by Kouoh's team (Rory Tsapayi, Siddharta Mitter, Marie Helene Pereira, Gabe Beckhurst Feijoo, and Rasha Salty), unfolds across the Giardini and the Arsenale's Corderie, featuring works that balance strength and beauty with a harmonious mix of voices and themes. The Giardini section is particularly compelling, with a non-linear, polycentric layout that feels like a living organism, while the Arsenale offers further depth.
A family of entrepreneurs acquired an ancient bar in Rome's Pigneto neighborhood in 2020, inheriting a Roman-era hypogeum dating back to the 1st century BC. Originally a pozzolana quarry, later a wine cellar and WWII air-raid shelter, the space beneath the historic bar Necci dal 1924 reopened to the public on March 12 as an exhibition venue. It now hosts "Sottoforma," a cycle of three exhibitions curated by Donatella Giordano and Agatha Jaubourg that explore the theme of the invisible through contemporary art. The first exhibition features works by Eva Marisaldi, Enrico Serotti, and Luca Vitone, running until March 31, followed by shows with Iginio De Luca and Liliana Moro in April, and José Angelino and Elena Bellantoni in May 2026.
Miltos Manetas, a Greek-born artist, has adopted a life of Franciscan poverty as both a personal practice and an artistic project called "Francesco_2026." His work is featured in the exhibition "Vita minore. San Francesco e la santità dell’arte contemporanea" at Palazzo Collicola in Spoleto, curated by Gianni and Giuseppe Garrera. Manetas has also launched the tenth Internet Pavilion at the Venice Biennale, inviting Saint Francis as the artist, using AI conversations and a monastery in the Venetian lagoon to create an informal community of "Fratelli e Sorelle" who follow a shared rule based on poverty, absence of preparation, and divine providence.
Colleghi pittori e anche amici. Zandomeneghi e Degas sono in mostra a Rovigo
Palazzo Roverella in Rovigo is hosting the exhibition "Zandomeneghi e Degas. Impressionismo tra Firenze e Parigi," curated by Francesca Dini. The show brings together works by Italian 19th-century painter Federico Zandomeneghi and French Impressionist Edgar Degas, featuring about fifteen paintings and sculptures by Degas alongside works by Zandomeneghi. It explores their friendship, mutual artistic influence, and shared commitment to realism, tracing their connections from Florence's Caffè Michelangiolo to Paris, where their paths fully converged. Themes such as dance and the nude are highlighted, with works like Degas's "Classe de ballet" (1888) and Zandomeneghi's "Visita in camerino" and "Donna che si asciuga" on view.
Firenze accoglie il grande artista Georg Baselitz con una grande mostra al Museo Novecento
The Museo Novecento in Florence has opened "Avanti!", a major retrospective dedicated to German artist Georg Baselitz, featuring 170 works on paper spanning his career from the 1960s to the present. Curated by Sergio Risaliti and Daniel Blau, the exhibition is the first in Italy to focus on Baselitz's graphic output, including woodcuts, linocuts, and etchings, alongside sculptures and installations that explore themes of the human body, war, and inversion.
Un Barocco troppo barocco. Riflessioni sulla colossale mostra di Forlì
A massive exhibition titled "Barocco: il gran teatro delle idee" (Baroque: The Grand Theater of Ideas) is on view at the Museo Civico San Domenico in Forlì, Italy. The show, curated by a committee of six, ambitiously attempts to define the Baroque across the 17th and 18th centuries, extending its scope to include France and Spain, and even suggesting its echoes in the 20th century. It features approximately 300 works, including paintings, sculptures, and decorative arts.
Cosa c’entra una fiera della tecnologia con il mondo dell’arte? Un report dal MIR di Rimini
The article reports from the MIR (Live Entertainment Expo) technology trade fair in Rimini, an event focused on professional audio/video equipment and systems integration. While dominated by corporate stands and live sound demonstrations, the fair also hosted discussions on the precarious working conditions and pension system for cultural and entertainment workers, revealing underlying anxieties in the creative industries.
Shopping experience: com’è cambiato il modo di vivere il lusso?
Luxury retail in Milan is undergoing a significant transformation, evolving from simple commercial spaces into 'cultural brandscapes' that blend art, design, and hospitality. Major fashion houses are redesigning their flagship stores to function as urban salons and living galleries, integrating site-specific art installations, historical architecture, and high-end gastronomy to foster community and tangible experiences in an increasingly digital world.
Milano ha un museo d’arte contemporanea a cielo aperto. Il progetto ArtLine a CityLife è finalmente completo: per l’Art Week 2026 inaugurata l’ultima opera
The City of Milan has officially completed ArtLine, a major public art project that has transformed the CityLife park into a permanent open-air contemporary art museum. Spanning 173,000 square meters, the park now hosts nineteen site-specific installations by internationally renowned artists and emerging talents. The project's conclusion was marked during Milan Art Week 2026 with the inauguration of 'Octospider', a large-scale interactive sculpture by British artist Jeremy Deller designed for children.
A Milano la fiera che dedica un’intera giornata per riflettere sullo stato dell’arte italiana: 8 ore filate di conversazioni
The debut edition of Paris Internationale in Milan, scheduled for April 2026 at Palazzo Galbani, will feature a marathon eight-hour symposium titled "Aperto Italia." Organized in collaboration with the Fondazione Nicola Trussardi and curated by Massimiliano Gioni, the event brings together 35 international galleries and a significant roster of Italian artists. The program is designed as a continuous cycle of conversations to address the current state of contemporary art in Italy, paying tribute to the late Flash Art publisher Giancarlo Politi.
Una importante mostra a Milano racconta il Man Ray meno conosciuto: intervista al curatore
The Gió Marconi gallery and Fondazione Marconi in Milan have launched a major retrospective titled "Man Ray: M for Dictionary," marking fifty years since the artist's passing. Curated by Yuval Etgar and Deborah D’Ippolito, the exhibition moves beyond Man Ray’s famous photography to highlight his role as a pioneer of conceptual and multimedia art. The show is organized into five thematic sections that explore his use of visual puns, experimental "Rayographs," and the transformative power of language across painting, drawing, and sculpture.
Aprile 2026 a teatro: guida agli appuntamenti da non perdere in Italia (anche sulla danza)
Italy’s April 2026 performing arts season features a diverse lineup of major theatrical premieres and experimental adaptations. Highlights include the Italian debut of Annie Baker’s Pulitzer-winning 'Circle Mirror Transformation' directed by Valerio Binasco, and a dark comedy by Ariel Dorfman titled 'The Other Side' exploring the absurdity of war. Other notable productions include Armando Punzo’s non-traditional 'Cenerentola' (Cinderella) moving from a high-security prison setting to the Teatro della Pergola, and a dedicated retrospective for Daria Deflorian at Milan’s Piccolo Teatro.
Il libro d’arte più grande, più pesante e più costoso al mondo arriva a Venezia. In donazione alla Biblioteca Marciana
The Alberto Peruzzo Foundation has donated a copy of "Modern Art – Revolution and Painting" to the Biblioteca Nazionale Marciana in Venice. Described as the world’s largest, heaviest, and most expensive art book, the volume weighs 35 kilograms and measures 70 x 100 centimeters. It features 544 hand-bound pages with 25-color lithographs reproducing over 250 masterpieces from the 19th and 20th centuries, including works by Picasso, Chagall, and Fontana.
È morto lo storico dell’arte Paolo Baldacci. Fondamentali i suoi studi su Giorgio de Chirico e sulla Metafisica
Renowned art historian, critic, and professor Paolo Baldacci has passed away in Milan at the age of 81. Originally a scholar of ancient history and Roman epigraphy, Baldacci transitioned into a leading authority on 20th-century Italian art, specifically focusing on Futurism and Metaphysical painting. He was widely recognized for his monumental 1997 monograph and catalogue raisonné on Giorgio de Chirico, as well as his extensive research into the work of Alberto Savinio.
In questo liceo dell’Aquila c’è una collezione d’arte contemporanea realizzata dagli studenti con gli artisti
The Liceo Bafile in L’Aquila has established a permanent collection of contemporary art featuring over 60 site-specific works created through collaborations between professional artists and students. Initiated by artist and professor Licia Galizia following the devastating 2009 earthquake, the project integrates art into the educational environment as a tool for cultural rebirth. In 2026, the collection will expand further with seven new installations created by artists including Elena Bellantoni and Marco Nereo Rotelli in partnership with the Academy of Fine Arts of L’Aquila.
DUDD LITE, a collaboration between design collective Dudd Haus and The Future Perfect gallery, presents over 130 artist-designed nightlights on view through June 26. Curated from nearly 400 open-call submissions, the exhibition transforms a mundane household object into a canvas for small-scale sculptures made from stained glass, wood, sea shells, ceramic, cotton, and more. Featured artists include James Burial, Chris Wolston, Nicholas Holmes, and Mikei Huang, among others.
Central Oregon’s art scene is hosting a diverse array of exhibitions this week across Bend, Sisters, Sunriver, and Redmond. Notable highlights include Jana Charl’s mixed-media showcase "This is not a Love Story" at Art Adventure Gallery, Hilary Baker’s moth-themed "Prophets" at the High Desert Museum, and a collection of literary-inspired quilts at the Deschutes Historical Museum. The offerings span various mediums, from nomadic woven macramé and custom jewelry to volcanic science explorations and historic cartography.
K Auction will hold its May sale on May 27 at its headquarters in Sinsa-dong, Seoul, offering 83 works by Korean modern and contemporary masters with a combined estimated value of around 10.4 billion won. Highlights include Suh Do-ho's large-scale installation "Cause & Effect" (estimated 280 million to 600 million won), Kim Whan-ki's untitled 1969 painting from his New York period (estimated 780 million to 1.5 billion won), and Yoo Young-kuk's abstract landscape "Mountain" from 1988 (estimated 400 million to 800 million won). The sale also features works by Dansaekhwa artists Yun Hyong-keun, Park Seo-bo, and Lee Ufan, alongside contemporary artists Angel Otero, Anna Park, and Woo Kuk-won.