Photographer "Drift" Arrested at His Exhibition Opening

Photographer Isaac “Drift” Wright was arrested at his own solo exhibition opening at Robert Mann Gallery in Chelsea, New York, on Thursday night. NYPD officers charged him with third-degree trespassing, with an undercover officer reportedly present at the event. Wright, a former Army paratrooper known for climbing skyscrapers and restricted sites to capture high-altitude photographs, had previously served jail time in 2020 for evading police. His first solo show, titled "Coming Home," was intended to mark a fresh start, but the arrest occurred just two hours into the opening.

The Photography Show fair in New York sets new attendance record

The Photography Show, presented by the Association of International Photography Art Dealers (AIPAD), returned to New York’s Park Avenue Armory for its second consecutive year from 23-27 April, featuring 64 exhibitors. The fair set a new attendance record with nearly 15,000 visitors, driven by strong foot traffic and a buzz around the iconic venue. Executive director Lydia Melamed Johnson noted the optimism surrounding the fair, which also highlighted Indigenous women photographers such as Jessica Eaton, Cara Romero, and Shelley Niro.

Exhibition: Perception

The Marjorie Barrick Museum of Art in Las Vegas is presenting "Perception," an exhibition drawn from its permanent collection that explores the relationship between sight and cognition. Featuring works by over twenty artists—including new acquisitions by Thomas Burke, Denise R. Duarte, Dirk Staschke, and Thomas Ray Willis—the show includes paintings, sculptures, photography, and neon pieces that challenge viewers' trust in visual perception. The exhibition runs from June 20 to December 20, 2025, with an opening reception on September 5.

Hubert Robert & Fragonard. Le sentiment de la nature

The Musée d'art et d'archéologie in Valence, France, is presenting an exhibition titled "Hubert Robert & Fragonard. Le sentiment de la nature" from March 7 to June 21, 2026. The show traces the artistic friendship between Hubert Robert and Jean-Honoré Fragonard, who met as young French artists sketching in the ruins of Rome under the guidance of Charles-Joseph Natoire. It features works from the museum's renowned collection of sanguine drawings, notably those from the foundational bequest of Julien Victor Veyrenc (1835-1836), and includes new attributions proposed by curator Sarah Catala, a graduate conservator from the Institut National du Patrimoine.

A Gauguin Portrait for Budapest

Un portrait de Gauguin pour Budapest

The Szépművészeti Múzeum (Museum of Fine Arts) in Budapest has acquired a portrait by Paul Gauguin. The painting was part of the collection of André and Françoise Kostolany, which was recently dispersed at auction by De Baecque & Associés in Versailles. The sale saw strong results, particularly for Hungarian paintings from the late 19th and early 20th centuries, with works by József Rippl-Rónai fetching high prices.

A drawing by Toulouse-Lautrec for Albi

Un dessin de Toulouse-Lautrec pour Albi

The Musée Toulouse-Lautrec in Albi has acquired a rare drawing by Henri de Toulouse-Lautrec, depicting the intimate daily lives of women in a Parisian brothel. The work, created during the artist's frequent visits to the establishment on Rue des Moulins, captures a candid, non-judgmental moment of modern life, reflecting the artist's commitment to Baudelairian realism.

Yves Klein Research Grant 2026: A Funded Residency for Emerging Scholars

The Yves Klein Foundation has launched its first Research Grant for 2026, offering a CHF 6,000 stipend and a one-week funded residency in Paris to emerging scholars under 35 who hold a PhD or postdoctoral degree. The program invites original research projects that deepen understanding of Yves Klein’s work, ideas, and legacy, with access to archives and scholarly guidance provided. Applications are due by 15 June 2026, with selection based on originality, scientific quality, and feasibility.

Sharjah Biennial 17 Assembles 109 Artists Across a Restless Global Landscape.

Nobody Can Handle Me: Brazil Rewrites the Pavilion as Living Memory.

Brazil's 2026 Venice Biennale pavilion, curated by Diane Lima, presents a radical, sensorial exhibition titled 'Comigo ninguém pode' featuring artists Adriana Varejão and Rosana Paulino. The show transforms the modernist pavilion into an active participant, where historical and new works by the two artists create friction and resonance, exploring themes of colonial violence, the Black female body as archive, and spiritual resistance.

The Politics of In-action: Review of In-action: Viennese Actionism and the Passivities of Performance Art

Caroline Lillian Schopp's new book *In-action: Viennese Actionism and the Passivities of Performance Art* (2025) offers a revisionist history of Viennese Actionism, a movement retroactively named in 1970 by Peter Weibel and Valie Export. Schopp introduces the term "in-action" to describe a politics of artistic action that emphasizes intimacy, hesitation, and vulnerability rather than the violent or liberatory extremes typically associated with the movement. She expands the canon to include women artists such as Anna Brus, Hanel Koeck, and Ingrid Wiener, and reexamines the work of Rudolf Schwarzkogler, whose death was mythologized as a suicide by self-castration but was actually a fall from a window. Through close readings of photographs, Schopp argues that Schwarzkogler's performances were characterized by passivity and "in-sincerity," challenging the dominant narrative of actionism as aggressive or heroic.

These Four Filmmakers Have Never Fully Gotten Their Due. The Kitchen Wants To Change That.

The Kitchen, a New York nonprofit arts organization, held its annual spring gala at City Winery to honor four female filmmakers: Cheryl Dunye, Garrett Bradley, Shari Frilot, and Catherine Gund. The event was co-chaired by prominent figures including Ava DuVernay, Julie Mehretu, and Komal Shah, and featured performances, remarks, and a crowd of artists, curators, and collectors. The gala celebrated the filmmakers' contributions to cinema, with special recognition of their work in expanding representation and narrative boundaries.

Step Aboard the Superyacht Circling This Year’s Cannes Film Festival

Over the weekend of the Cannes Film Festival, director Ron Howard premiered his documentary *Avedon*, which traces photographer Richard Avedon's rise from a working-class Jewish immigrant background to a defining chronicler of American culture. The film received a second life aboard the Renaissance superyacht with a party hosted by editor Graydon Carter, Ancient chairman and CEO Alexander Klabin, and Burgess chief executive John Beckett. Guests included actors Natasha Lyonne and Rosemarie Dewitt, photographer Jean Pigozzi, model Eddie Mitsou, Avedon's grandchildren Michael, Matthew, and Caroline Avedon, and producers Courtney Kivowitz, Sara Bernstein, Darcie Reisler, Dallas Rexer, Chris St. John, and Justin Wilkes. The after-hours cocktail allowed attendees to relive the film's most impactful scenes while mingling with the producers and the photographer's family.

What Does the Future Hold for Female Collectors? We Got a Sneak Peek.

CULTURED Editor-in-Chief Sarah Harrelson hosted a panel discussion at Christie’s Rockefeller Center with collectors Tiffany Zabludowicz, Sophia Cohen, and Victoria Rogers, exploring the evolving role of women in the art market. The event coincided with Christie’s Marquee Week sales, which included a record-breaking $1.1 billion night, and featured works from the collections of legendary female patrons such as Agnes Gund, Marian Goodman, Lorinda de Roulet, and Marilyn Arison. Guests viewed masterpieces on display and received remarks from Christie’s Senior Vice President Isabella Lauria, who is leading the 21st Century Sale on May 20.

The LA Art World’s New Obsession Is a Theater Where Artists Run the Show

Calla Henkel and Max Pitegoff, former artistic directors of Berlin's Grüner Salon, launched New Theater Hollywood in 2024 as a nonprofit venue on Santa Monica Boulevard. The 49-seat theater specializes in genre-defying, multidisciplinary collaborations, staging works like Sophie Becker's ventriloquist act *Ronnie's Big Idea* and Diamond Stingily's *The Driver*. Every performance sells out, attracting a cult following of literary, art world, and pop culture figures who often linger to discuss shows.

Can a Venice Biennale Pavilion Be Rock ‘n’ Roll? At the Belgium Pavilion, Miet Warlop Makes the Case.

Miet Warlop, a Belgian artist known for her avant-garde theater work, is representing Belgium at the 2026 Venice Biennale with a performance-installation titled "IT NEVER SSST." The project transforms the Belgian Pavilion into a chaotic, sensory-filled space where performers climb wooden structures, bang drums, and break plaster boards inscribed with multilingual text, reflecting the noise and misunderstandings of contemporary life. Curated by Caroline Dumalin, the pavilion blurs the line between theater and visual art, with live performances occurring only part of the time while sculptors continuously remake plaster reliefs throughout the Biennale's run.

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Photographer Peter Fraser has collaborated with Bottega Veneta on a new series of 27 photographs exploring Venice, capturing both its iconic landmarks—canals, marble floors, Byzantine façades—and its overlooked details like construction cranes, discarded plaster casts, and beached boats. The images are juxtaposed with Bottega Veneta's intrecciato bags from Louise Trotter's first collection, nodding to the fashion house's long history in the Veneto region. In an interview, Fraser discusses his approach to photographing a city burdened by its own legacy, emphasizing the need to distance himself from preconceptions and to shoot based on feeling rather than appearance.

art advisors advice new collectors

CULTURED has compiled advice from top art advisors for novice collectors, drawn from their 2026 Power Art Advisors List. The advisors caution against treating art as a financial investment, urge collectors to follow their own taste rather than trends, and emphasize the importance of looking at art extensively before purchasing. They also warn against impulsive buying, overvaluing social media, and chasing discounts that lead to poor acquisitions.

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Rhae Lynn Barnes, a scholar at Princeton, has published a new book titled "Darkology: Blackface and the American Way of Entertainment," which examines the pervasive history of amateur minstrelsy in American life from the 19th through 20th centuries. Drawing on two decades of archival research, Barnes reveals how blackface performances were not confined to professional theaters but were common in living rooms, schools, USO shows, fraternal lodges, and even Japanese internment camps, involving figures like Shirley Temple, Frank Sinatra, and Bing Crosby.

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Toteme and CULTURED hosted a pre-Frieze week cocktail party at Toteme's Melrose Avenue flagship in West Hollywood. The intimate sunset gathering featured Ruinart champagne, Grey Goose martinis, and a curated collection of artworks by Swedish women artists, including pieces by Barbro Bäckström, Lisa Larson, and Alina Chaiderov. Guests included fashion tastemakers, arts patrons, interior designers, dealers, artists, and models, such as Christine Wuerfel-Stauss, Michelle Rubell, Yana Peel, Emma Webster, and Esther Kim Varet.

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CULTURED and Aritzia co-hosted a dinner party at the former Fred Segal store on Melrose Avenue in Los Angeles during Frieze Week. The event celebrated Aritzia's Artistic License series, featuring photographer Gregory Crewdson, whose work appears on shopping bags and in stores. Guests included Aritzia CEO Jennifer Wong, CULTURED Editor-in-Chief Sarah Harrelson, artists Chloe Wise and Maya Man, curator Essence Harden, and others from the art and fashion worlds. The evening featured a multi-course meal, Krug champagne, and copies of CULTURED's Entertainers Issue.

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Artadia hosted its fourth annual tennis tournament fundraiser at the Los Angeles Tennis Club on a Monday afternoon during Frieze Week. The event featured matches between artists, collectors, and co-chairs, raising $85,000 to fully fund all Artadia Award grants. Co-chairs included Zach Stafford, Aurele Danoff Pelaia, and Honor Titus, with participants such as artists Charles Gaines, Ariana Papademetropoulos, and Eamon Ore-Giron, along with dealers and patrons. Guests enjoyed a taco lunch, spritzes, and left with gift bags featuring a tote by Guillaume Berg.

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Amélie du Chalard, a bi-continental art collector and gallery owner, discusses her lifelong journey with art in an interview with CULTURED. Starting her collection at age 16 through family tradition, she founded her eponymous gallery in Paris in 2015 and later expanded to New York. Her collection and gallery blend design objects with fine art, embracing what she calls 'haptic minimalism'—a tactile, gentle aesthetic. She shares her sourcing process, including using the Drouot auction app and Artsy, and recounts tracking down a piece first seen in a 14th-century palace.

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German curator Udo Kittelmann and leading time-based art collector Julia Stoschek have collaborated on "What a Wonderful World," an audiovisual poem on view at Los Angeles's Variety Arts Theater from February 6 through March 20. The project interweaves early film entries by Alice Guy-Blaché, Georges Méliès, and Walt Disney with contemporary video works from Stoschek's collection, featuring artists such as Lu Yang, Bunny Rogers, and Paul Chan. Kittelmann and Stoschek insist the work is not an exhibition but a "poem," designed to challenge how audiences consume art and moving images, urging viewers to move beyond entertainment toward a raw, emotional experience.

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Chanel and Art21 hosted a screening event at the Roxy Cinema in New York to celebrate the launch of their new docuseries "IRL/url," which premieres on TikTok. The evening featured remarks by Yana Peel, Chanel’s President of Arts, Culture & Heritage, and a screening of selected films from the series, followed by a conversation between Art21’s Executive Director Tina Kukielski and seven of the eight featured artists: Neïl Beloufa, Jacky Connolly, Julien Creuzet, Sara Cwynar, Xin Liu, Rachel Rossin, and Jacolby Satterwhite. The event also drew a crowd of notable artists, advisors, curators, and cultural figures.

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Frieze Los Angeles has announced its 2025 public art program, titled "Body & Soul," developed in partnership with the Art Production Fund. Seven Los Angeles-based artists—including Patrick Martinez, Amanda Ross-Ho, Kelly Wall, Shana Hoehn, Polly Borland, Dan John Anderson, and Cosmas & Damian Brown—will present site-specific installations outside the fair's main venue at Santa Monica Airport. Works include a neon billboard by Martinez addressing ICE raids, a durational performance by Ross-Ho rolling a giant inflatable Earth, and a resurrected newsstand by Wall filled with disappearing glass magazines. The program also features youth art workshops and three prizes for emerging artists.

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Terry and Jo Harvey Allen, a multidisciplinary artist couple now in their 80s, have donated their entire archive to Texas Tech University. The collection includes countless paintings, scripts, hundreds of audio tapes recorded with collaborators like David Byrne and Steve Earle, and personal letters exchanged over decades. The couple, who met at a dance in Lubbock, Texas, over 70 years ago, continue to live and work in a rambling adobe home in Santa Fe, surrounded by their art and memories.

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CULTURED magazine's Editor-in-Chief Sarah Harrelson hosted a candlelit dinner at her Los Angeles home to celebrate the release of the Artists on Artists issue. The event was co-hosted by actor Kyle MacLachlan, the issue's digital cover star, and skincare brand Aēsop. Guests included artists Alex Israel, Jennifer Guidi, Callida Rawles, and Lauren Halsey; actors Jeanne Tripplehorn, Jordan Firstman, and Lisa Rinna; art dealers Sara Lee Hantman and Robert Goff; collector Sonya Yu; and other creative Angelenos. The evening featured Ruinart champagne, seasonal fare by Chris Kronner's Mayday group, and Aēsop gift kits as parting favors.

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Art advisor Rob Teeters opens his 1950s Sagaponack home to CULTURED magazine, revealing how he curates his personal collection alongside his husband, ceramicist Bruce M. Sherman. The home features a mix of ancient artifacts, such as a third-century Roman marble head, and contemporary works by Wade Guyton, Sherrie Levine, and Matias Faldbakken, alongside Sherman's own polychrome ceramics. Teeters, who founded Front Desk Apparatus in 2006 and leads the Dallas nonprofit art space the Power Station, discusses the nuanced process of living with art and how arrangement, lighting, and even the texture of a room affect the experience.

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The Contemporary Austin hosted its annual Art Dinner 2025 at the historic Driscoll Villa along the Colorado River, transforming the museum grounds into a festive gala reminiscent of Studio 54. The event featured an auction with works by RF. Alvarez, Sarah Crowner, Lubaina Himid, and Ed Ruscha, where participating artists could receive up to 50 percent of the winning bid. Attendees included film producer Bettina Barrow, Nike CEO Elliot Hill, athletes Chris Bosh and Zach Martin, collector Suzanne Deal Booth, and actors Jamie-Lynn Sigler and Elizabeth Reaser, with live performances by TheBrosFresh and Mama Duke.

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The Corita Art Center held its first benefit gala at the Marciano Art Foundation in downtown Los Angeles, celebrating the legacy of artist and nun Corita Kent. The event drew a high-profile crowd including actors Melissa McCarthy and Kathryn Hahn, artists Barbara Kruger, Catherine Opie, and Laura Owens, along with patrons, chefs, and designers. Guests enjoyed a new exhibition of Kent's work, a family-style dinner, and a performance by musician Natalie Bergman, with a 'GIVE A DAMN' tote bag as a parting gift.