A new Romaeuropa Festival approaches. Here is what the 2026 edition of the review will be like

Si avvicina un nuovo Romaeuropa Festival. Ecco come sarà l’edizione 2026 della rassegna

The 41st edition of the Romaeuropa Festival has announced its 2026 lineup, scheduled to run from September 8 to November 15 across various venues in Rome. Under the artistic direction of Fabrizio Grifasi, the multidisciplinary festival will feature a robust program of contemporary dance, theater, and music. Highlights include the Italian premiere of Sofia Nappi’s 'Chora', a world premiere of Romeo Castellucci’s 'Faust', and a special celebration of the Rome-Paris twinning anniversary featuring choreographer Benjamin Millepied.

Producing Cinema Inside and With Video Games: A 30-Year Festival in Milan

Produrre cinema dentro e con i videogiochi. A Milano ci fanno un festival (da 30 anni)

The Milan Machinima Festival recently celebrated the 30th anniversary of machinima, the practice of creating audiovisual works and films within video game environments. The event, curated by scholar Matteo Bittanti at IULM University, explored the medium's dual origins in 1996: the community-driven "vernacular" style seen in the Quake-based 'Diary of a Camper' and the artistic approach pioneered by Miltos Manetas in his work 'Miracle'.

Bologna Prepares for the Major Children's Publishing Festival: The Director Speaks

Bologna si prepara al grande festival di editoria per l’infanzia. Parla la direttrice

The Bologna Children’s Book Fair (BCBF) has announced the details for its 63rd edition, scheduled to take place from April 13 to 16, 2026, at BolognaFiere. This upcoming iteration will feature Norway as the Guest of Honor under the theme "What if?" and will host 1,500 exhibitors from 90 countries. The fair continues to evolve beyond traditional publishing, integrating transmedia narratives, licensing, and discussions on artificial intelligence alongside major anniversaries for figures like Carlo Collodi, Agatha Christie, and Mitsumasa Anno.

New York is so expensive that it is no longer possible to produce art and culture in the city

New York è così cara che ormai non è più possibile produrre arte e cultura in città

Artist and curator Josh Kline has sparked a significant industry debate with his essay, "New York Real Estate and the Ruin of American Art," which argues that the city's prohibitive real estate market is dismantling its cultural foundation. Kline posits that the financialization of property and the disappearance of affordable lofts and mid-size galleries have created an unsustainable ecosystem where only those with independent wealth can survive. This economic pressure is forcing a generation of creative workers to choose between their practice and basic survival, leading to a stagnation of innovation.

April 2026 at the Theater: A Guide to Must-See Events in Italy (Including Dance)

Aprile 2026 a teatro: guida agli appuntamenti da non perdere in Italia (anche sulla danza)

Italy’s April 2026 performing arts season features a diverse lineup of major theatrical premieres and experimental adaptations. Highlights include the Italian debut of Annie Baker’s Pulitzer-winning 'Circle Mirror Transformation' directed by Valerio Binasco, and a dark comedy by Ariel Dorfman titled 'The Other Side' exploring the absurdity of war. Other notable productions include Armando Punzo’s non-traditional 'Cenerentola' (Cinderella) moving from a high-security prison setting to the Teatro della Pergola, and a dedicated retrospective for Daria Deflorian at Milan’s Piccolo Teatro.

Learning is something aesthetic and emotional. Marco Dallari says so in his latest book (and in this interview)

L’apprendimento è qualcosa di estetico e di emotivo. Lo dice Marco Dallari nel suo ultimo libro (e in questa intervista)

Italian pedagogist Marco Dallari discusses his latest book, "La bellezza di Sophia" (2026), which explores the intrinsic human drive for knowledge as an aesthetic and emotional necessity rather than a pragmatic survival tool. Drawing on Freudian concepts and the work of Alessandra Risso, Dallari argues that the desire to learn is a primal impulse that should be nurtured through beauty and curiosity rather than stifled by rigid institutional structures.

Habib Hajallie’s Meticulous Ballpoint Pen Drawings Examine the Depths of Emotion

Habib Hajallie, a Kent-based artist of Sierra Leonean and Lebanese heritage, presents a new solo exhibition titled "Black & Blue" at Larkin Durey in London. The show features meticulous ballpoint pen drawings on found fragments of philosophical and historical texts, exploring themes of memory, connection, and loss. For this series, Hajallie switched from black to blue ink as he grapples with the stillbirth of his daughter and the loss of his sister four years ago. Works include self-portraits and depictions of Black cultural figures, conveying emotions such as despair, confusion, numbness, and care.

At the Venice Biennale, protests, self-mutilation and rage against Israel and Russia. Is anyone left to talk about the art?

At the 61st Venice Biennale, protests and controversies have overshadowed the art itself. The Art Not Genocide Alliance (ANGA) demonstrated against the inclusion of Israel and Russia, while the Israeli Pavilion became a flashpoint. Artist Belu-Simion Fainaru, presenting his installation "Rose of Nothingness" in a temporary space, complained that he was forced to defend his art's right to exist amid questions about politics rather than his work. The Biennale also saw barricades, strikes, the resignation of the Golden Lion jury, Iran's last-minute withdrawal, and anger directed at the American pavilion over Trump administration policies. The central exhibition, "In Minor Keys," curated by the late Koyo Kouoh, was eclipsed by these events.

Since 1968, Protests Have Revealed the Real Impact of the Venice Biennale

The article recounts the 1968 protests at the Venice Biennale, where artists, students, and activists clashed with police over the event's perceived ties to bourgeois power and capitalist commodification. It draws parallels to the 2024 Biennale, where groups like Art Not Genocide Alliance, Pussy Riot, and Femen demonstrated against the participation of Russia and Israel, while artists staged strikes and performances like the Solidarity Drone Chorus to highlight the Gaza conflict.

City College art faculty showcase their work in the Kondos Gallery

Sacramento City College's Kondos Gallery has opened its spring faculty exhibition, “The Other Half; SCC Art Faculty,” featuring works by five full-time art professors in painting, printmaking, mixed media, ceramics, and sculpture. A reception was held on April 30, 2026, attended by librarian Antonio López and others. The gallery, originally opened in the 1930s, was renamed after noted California artist Gregory Kondos, who served as its director in the mid-1970s until his retirement in 1982.

Exhibition | Daniel Crews-Chubb, 'Pareidolia' at MASSIMODECARLO Pièce Unique, Pièce Unique, Paris, France

MASSIMODECARLO Pièce Unique in Paris presents 'Pareidolia,' an exhibition of new paintings by London-based artist Daniel Crews-Chubb. The show explores the psychological phenomenon of pareidolia—the brain's tendency to see faces in random patterns—through heavily layered works created with hands, ink, oil, sand, and collage. Three paintings are featured: 'Immortal XXXVIII' and 'Immortal XXXIX' (2026), large-scale works drawing on cultural memory of ancient sculpture, and 'Mask XXIV' (2026), which tests the minimal cues needed for facial recognition. Crews-Chubb's process involves building up and tearing back surfaces over weeks, with charcoal lines added last to define emergent figures.

TOXIC’s ‘ALWAYS EVER SINCE 83’ brings four decades of uncompromising practice to Woodbury House

Torrick Ablack, known as TOXIC, will present a major solo exhibition titled 'ALWAYS EVER SINCE 83' at Woodbury House in London from 14th May to 26th June 2026. The show features new paintings alongside rarely seen early works dating back to 1983, marking what the gallery calls a long-overdue recognition of TOXIC's career. TOXIC emerged from the downtown New York scene of the early 1980s alongside figures like Jean-Michel Basquiat, Keith Haring, and Rammellzee, and participated in the landmark Post-Graffiti exhibition at Sidney Janis Gallery in 1983. The exhibition positions 1983 as a psychological and artistic turning point, tracing over four decades of his uncompromising practice.

Carole Harris’ Origin Story in “This Side of the River” at MOCAD

The article reviews Carole Harris's solo exhibition "This Side of the River" at the Museum of Contemporary Art Detroit (MOCAD), curated by Abel Gonzalez Fernandez. The show features twenty fiber pieces and archival materials spanning from 1966 to the present, tracing Harris's creative evolution and her responses to Detroit's social and urban changes. It highlights early works like "Potpourri" (1976) and "Black Jack" (1976) from her 1977 debut at Gallery 7, a Black Power-era space founded by Charles McGee, and later pieces such as "Down the Road a Piece" (2003) that mark her shift toward improvisational, abstract compositions.

From Yangjiang to the world: Zheng Guogu's living art space

Zheng Guogu, a prominent Chinese artist, has founded a living art space in Yangjiang, a quiet city in southern China. The museum functions as more than an exhibition venue; it is a dynamic, evolving creative ecosystem where artists from around the world come to live, work, and exchange ideas. Immersed in the local rhythms, participants turn everyday life into an ongoing artistic dialogue.

Art Leven First Nations And Australian Fine Art Auction Opens This Week - Scoop

Art Leven, a Sydney-based gallery focused on First Nations art, is opening its First Nations and Australian Fine Art Auction and Exhibition, headlined by the private collection of the late Dame Marie Bashir AD CVO and Sir Nicholas Shehadie AC OBE. The exhibition runs from 15–19 May 2026 at Art Leven's new Woolloomooloo gallery, with the live auction on 19 May at Artspace. The sale includes approximately 115 artworks, with 79 from the Bashir-Shehadie collection, featuring works by Balang John Mawurndjul AM, Arthur Boyd, Emily Kame Kngwarreye, Albert Namatjira, and others. The collection reflects decades of travel to remote art centres and close relationships with artists, supported by archival material like handwritten notes and early catalogues.

Ocean County Artists' Guild presents "Proof I Was Here" by Conni Freestone

Conni Freestone's solo exhibition "Proof I Was Here" opens June 1, 2026 at the Ocean County Artists' Guild in Island Heights, New Jersey, running through the end of the month. The show spans three interconnected spaces and explores themes of existence, memory, and identity through photography, featuring images of Bruce Springsteen, Asbury Park cars, Havana's aging vehicles, and Route 66 remnants, alongside self-portraiture. An opening reception on June 7 includes live music by Johnny Kasun and Timmy Basskidd Douglas, and a RiverJAM event on June 16 features additional performances.

Napa County’s di Rosa Preserve listed for sale at $10.9 million – art not included

Napa County's di Rosa Preserve, a 217-acre estate housing the di Rosa Center for Contemporary Art, has been listed for sale at $10.9 million. The sale includes the land, buildings, and event spaces but explicitly excludes the art collection, which is owned by the Rene & Veronica di Rosa Foundation. Executive director Kate Eilertsen stated the move is part of 'thoughtful planning' to ensure the institution's sustainability, as operating costs have outpaced endowment income and charitable giving. The foundation is open to a leaseback arrangement that would allow the center to continue operating on site, and the property remains open to the public during the sale process.

Skylands Museum of Art presents Spotlight on the Artist: Massimo Rao

The Skylands Museum of Art in Lafayette, New Jersey, has opened a new exhibition titled "Spotlight on the Artist: Massimo Rao," featuring eight works by the late Italian artist from the museum's permanent collection. The display includes oil and tempera paintings, lithographs, and drawings, such as "Portrait" and "Shelter Made of Ashes & Recollections," and will run through October 2025 in the museum's Sanctuary Gallery. Rao, known for his classic yet mysterious style blending Renaissance influences with Nordic Mannerism and pre-Raphaelite approaches, often depicted surreal, moonlit figures and was called "the Painter of the Moon." Born in 1950 near Naples, he studied art history and architecture, exhibited internationally, and died in 1996 at age 46; his hometown opened a museum dedicated to him in 2012.

New book explores the complex history of Jewish country houses

A new book titled *Jewish Country Houses*, edited by Juliet Carey and Abigail Green, explores the history of approximately 1,000 country estates built or remodeled by wealthy Jewish families across Great Britain and Continental Europe from the French Revolution until World War II. These houses, such as Waddesdon Manor and Château de Champs-sur-Marne, served as symbols of social arrival and assimilation, blending eclectic architectural styles with art collections from European auction houses. The volume, published by Profile and Brandeis University Press in association with the National Trust, features contributions from an international team of historians and curators, with photographs by Hélène Binet, and includes case studies of a dozen houses now open to the public.

韓国国立現代美術館 果川館で「Road movie: Art between Korea and Japan since 1945」が開幕

The National Museum of Modern and Contemporary Art (MMCA) in Gwacheon, South Korea, opened "Road movie: Art between Korea and Japan since 1945" on May 14, 2026. This exhibition is a touring version of the collaborative show "Always by Your Side: 80 Years of Art between Japan and Korea," which was held at the Yokohama Museum of Art from December 6, 2025, to March 22, 2026. Marking the 60th anniversary of the normalization of diplomatic relations between Japan and South Korea in 1965, the exhibition traces eight decades of artistic exchange from 1945 to the present. It features around 200 works by 43 artists, including Cho Yang-gyu, Kwak In-sik, Nam Hwa-yeon, Nam June Paik, Lee Ufan, Lee Bul, Takashi Murakami, and others, organized into five sections. The show also incorporates six outdoor sculptures installed at the museum's opening in 1986 and 1987, highlighting how the institution itself fostered cross-border artistic dialogue.

A Rococo Snuffbox for Cleveland

Une tabatière rocaille pour Cleveland

The Cleveland Museum of Art has acquired a rare gold and lapis-lazuli snuffbox (tabatière) by the Rococo master Juste-Aurèle Meissonnier, dated 1728-1729. The box, which bears Meissonnier's hallmark and the coat of arms of Marie-Anne de Neubourg (widow of King Charles II of Spain), was likely made for her during her long exile in Bayonne. It will be a centerpiece of the museum's upcoming exhibition "Juste-Aurèle Meissonnier: Rococo Goldsmith in Focus," opening in October.

A "National Treasure" Enters the Louvre

Un « trésor national » entre au Louvre

The Musée du Louvre has quietly acquired and installed a major masterpiece of French decorative arts: a commode adorned with Sèvres porcelain plaques by the renowned cabinetmaker Bernard II van Risen Burgh (BVRB). Formerly part of the prestigious Rothschild family collections, the piece was classified as a "national treasure" by the French government in 2023. Although the museum originally planned a public fundraising campaign to finance the acquisition, the initiative was canceled following a high-profile burglary at the museum in October 2025.

An important Italian relief for Nuremberg

Un important relief italien pour Nüremberg

The Germanisches Nationalmuseum in Nuremberg has acquired and publicly unveiled a previously unknown masterpiece: a large silver relief depicting the Lamentation of Christ, created in the workshop of Luigi Valadier in 1786. The work, purchased from a private collector in 2024 with support from several foundations, is now on temporary display and will later join the museum's permanent collection.

Verdun enriches itself with a work by a native son

Verdun s'enrichit d'une œuvre d'un enfant du pays

The Musée de la Princerie in Verdun has acquired a painting by Joseph Christophe, a rare artist originally from the city. The work was purchased from the Versailles-based Galerie Barnabé, which specializes in Old Master paintings.

the art angle art basel roundup

Artnet News editor Kate Brown hosts a podcast roundtable with three gallerists ahead of the 2025 edition of Art Basel in Basel, Switzerland. The fair features over 200 galleries and is set against a backdrop of a softening art market, with declining sales and cautious demand. The guests are Robbie Fitzpatrick of Fitzpatrick Gallery (who also founded the Art Basel Social Club), Lisa Offermann of LC Queisser (with spaces in Tbilisi and Cologne), and Freddie Powell of Ginny on Frederick (making its Art Basel debut). The discussion focuses on the challenges and strategies for emerging and mid-tier galleries selling works under $250,000.

HARRY CHÁVEZ: DONDE MUERDE EL MITO

Harry Chávez: Donde muerde el mito was the first presentation of Peruvian artist Harry Chávez's work at the Museo de Arte de Lima (MALI), held as part of the MALI Colecciones. Intervenciones contemporáneas program. The exhibition recently won the Premio Luces 2026 from El Comercio in the best exhibition category, a public-vote award reflecting its impact. The show explores symbolic conflicts between serpent and feline in Andean and Amazonian mythology, featuring works like 'Salto mortal' and 'Nacimiento del dragón' that depict cosmic struggles and hybrid transformations.

The Sports Are Just the Tip of the Iceberg. Here’s What Else to Expect From the 2028 Olympics.

Los Angeles is preparing a comprehensive Cultural Olympiad for the 2028 Olympic and Paralympic Games, led by LA28 senior vice president Dwayne Jones and executive director Nora Halpern. The program will feature free sports movie screenings, live music, food experiences, art installations, community events, and special exhibitions at local museums. Sixteen local artists have been commissioned to create posters honoring the games, with a dedicated gallery exhibition planned for July 2027. A new digital calendar and mapping tool will help residents and visitors navigate the cultural offerings, and institutions like LACMA, the LA Philharmonic, and the Museum of Latin American Art have already expressed support.

parties metropolitan museum vanguard dinner

The Metropolitan Museum of Art hosted its 2026 Vanguard Council dinner, celebrating the institution's youngest patrons. The evening featured a Chinese-inflected menu developed by James Beard Award-nominated wine bar Lei, remarks from Met CEO Max Hollein and Vanguard Council co-chair Arielle Patrick, and a crowd of New York tastemakers including dealer Lucas Zwirner, patron Laila Blavatnik, and designer Isabel Wilkinson Schor. Guests departed with custom tote bags as parting gifts.

tribeca film festival mierle laderman ukeles

Filmmaker Toby Perl Freilich has created a documentary titled "Maintenance Artist" about the pioneering artist Mierle Laderman Ukeles, known for her 1969 "Manifesto for Maintenance Art" and her decades-long role as the unsalaried artist-in-resident at the New York City Department of Sanitation. The film, which premieres at the Tribeca Film Festival, features archival footage, interviews with art historians and family, and documents Ukeles's process of curating her archives for the Smithsonian Archives of American Art, highlighting her iconic projects like "Touch Sanitation" (1979-80) and her ongoing work on Freshkills Park.

Katie DeGroot: The Arboreal Life

Katie DeGroot's exhibition "The Arboreal Life" at Kathryn Markel Fine Arts in New York (April 2–May 9) presents tree paintings that anthropomorphize branches into human-like figures. Works such as "Chit Chat" (2026) and "Family Matters" (2025) depict trees leaning, gesturing, and tangling in ways that suggest intimate relationships, arguments, and familial bonds. DeGroot, who moved from New York City to a farm in upstate Fort Edward, began using fallen branches as models after lacking human subjects, developing compositions that emphasize color, texture, and the interplay of fungi and lichen. Her use of opaque and translucent watercolors balances natural observation with poetic interpretation.