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DePaul Art Museum Bids Farewell with Barbara Nessim’s Retrospective

The DePaul Art Museum (DPAM) is hosting a career-spanning retrospective for New York-based artist Barbara Nessim titled "My Compass Is the Line" before the institution permanently closes in June. The exhibition marks Nessim’s first solo show in Chicago, featuring works from the 1960s to the present that span painting, computer art, and her iconic 1982 Time magazine cover. The show highlights Nessim’s exploration of femininity and sexuality, drawing stylistic parallels to the Chicago Imagists while showcasing her technical versatility.

Gallery showcases artists in their element

Qualia Contemporary Art in Palo Alto is currently hosting two concurrent exhibitions, "Emergence" and "Tidal Traces," featuring the work of Yulia Pinkusevich, Cathy Lu, and Stella Zhang. The shows explore the four classical elements—fire, earth, air, and water—through a diverse range of media including large-scale ceramic incense sculptures, paintings incorporating charcoal and ash, and mixed-media works inspired by oceanic tides.

LETTER | Wires crossed on art museum crisis

A local resident has criticized the Nelson Mandela Bay municipality and local media for their delayed response to the deteriorating state of the historic NMB Metropolitan Art Museum. The critique highlights significant factual errors in recent reporting regarding the museum's history, specifically correcting the timeline of its construction phases which date back to 1927, rather than the 70-year history recently cited by officials.

What’s new this spring at the Cantor Arts Center

The Cantor Arts Center at Stanford University has launched two major exhibitions that challenge traditional perceptions of nature and craft. 'Animal, Vegetable, nor Mineral' features the multimedia work of Miljohn Ruperto, utilizing virtual reality, sculpture, and animation to critique how humans categorize and expand into both physical and digital landscapes. Simultaneously, 'Jeremy Frey: Woven' presents over 30 intricate baskets by the MacArthur Fellow and Passamaquoddy artist, marking the final and only West Coast stop for this career-spanning survey.

10th Weston Loan Programme sees national collections in 15 regional museums

The Weston Loan Programme with Art Fund has announced its tenth round of support, facilitating 15 exhibitions at regional museums across England, Scotland, and Wales through 2027. This initiative funds the logistical costs—including transport, insurance, and security—required to move masterpieces from major national institutions like the Tate, the National Gallery, and the V&A to smaller local galleries. Notable upcoming highlights include the return of Joseph Wright’s 'An Experiment on a Bird in the Air Pump' to Derby for the first time in eight decades and a landmark Leonard McComb exhibition in Birkenhead.

New exhibition at Trenton City Museum: African American Abstractions

The Trenton City Museum at Ellarslie has launched "African American Abstractions," a major exhibition featuring the works of James E. Dupree, Femi J. Johnson, and Kenneth J. Lewis. Curated by Janis Purcell, the showcase spans three galleries and explores the intersection of vibrant color, form, and cultural narrative. The exhibition is supported by public programming, including an abstract art workshop and an artists' roundtable discussion.

New Orlando Museum of Art exhibit journeys through time and space

The Orlando Museum of Art has unveiled a new solo exhibition by artist Dennis Scholl titled 'A Day of Four Sunsets.' The collection features works heavily inspired by NASA and space exploration, blending celestial themes with personal memories to create a narrative journey through time and space. The exhibition, which held its media preview on March 19, 2026, is scheduled to remain on public view through June 14.

Whitney Biennial 2026 | Art & Artists

The 2026 Whitney Biennial has opened at the Whitney Museum of American Art in New York, featuring a video and sound installation by artists Basel Abbas and Ruanne Abou-Rahme. Their work, titled 'Until we became fire and fire us,' explores collective feelings of love, longing, and haunting in the context of Palestinian erasure, weaving together traditional songs, contemporary footage of indigenous plants, and personal ephemera like drawings by Abou-Rahme's father.

Rare 'Ponyo' Work From Studio Ghibli Donated To Academy Museum

Studio Ghibli has donated over 120 rare production artifacts to the Academy Museum of Motion Pictures, marking the first time the legendary animation studio has gifted such materials to an external institution. The donation includes original Japanese release posters, artboards, and key animation drawings from the 2008 film 'Ponyo,' which were revealed to be hand-drawn by Hayao Miyazaki himself. These items are currently featured in the museum's new interactive exhibition, 'Studio Ghibli’s Ponyo.'

Two New Orleans Artists Selected for the 61st International Art Exhibition of La Biennale di Venezia

New Orleans artists Dawn DeDeaux and Big Chief Demond Melancon have been selected to participate in the 61st Venice Biennale, titled "In Minor Keys." This marks the first time since 2015 that artists from New Orleans have been included in the prestigious international exhibition, and they are the only representatives from the American Gulf South selected for this edition. DeDeaux is recognized for her pioneering multidisciplinary work, while Melancon is celebrated for his intricate beadwork and craftsmanship rooted in the Black Masking Indian tradition.

Tiffany Chung’s exhibition at the AD&A Museum maps history within deep geological time

The Art, Design & Architecture (AD&A) Museum at UC Santa Barbara has launched "Tiffany Chung: indelible traces," a mid-career survey of the Vietnamese American artist and UCSB alumna. The exhibition features over 70 works spanning 25 years, including her signature hand-drawn and embroidered maps, video, and sculptural installations. Curated by Orianna Cacchione, the show highlights Chung’s use of cartography to challenge colonial narratives and document the complexities of forced migration, climate crises, and the movement of botanical organisms across continents.

British Museum secures £5m sponsorship for Bayeux Tapestry display

The British Museum has secured a £5m sponsorship deal from billionaire Igor Tulchinsky to fund the landmark loan of the Bayeux Tapestry. The 11th-century textile, which depicts the Norman Conquest of 1066, will be displayed in the museum’s Sainsbury Exhibitions Gallery from September 2025 through July 2027. This historic event marks the first time the artifact has returned to British soil in nearly 1,000 years, facilitated by the temporary closure of its home in Normandy for renovations.

TWO NEW ORLEANS ARTISTS SELECTED FOR THE 61ST INTERNATIONAL ART EXHIBITION OF LA BIENNALE DI VENEZI

New Orleans artists Dawn DeDeaux and Big Chief Demond Melancon have been selected to participate in the 61st International Art Exhibition of La Biennale di Venezia, titled "In Minor Keys." Curated by Koyo Kouoh, the exhibition marks the first time since 2015 that artists from New Orleans have been featured in the main international section. DeDeaux is recognized for her pioneering multidisciplinary work, while Melancon represents the Black Masking culture of the Young Seminole Hunters, showcasing the city's intersection of contemporary innovation and ancestral tradition.

Back to Assam: British Museum agrees to loan fragile tapestry showing Krishna’s life

The British Museum has reached an agreement with the state government of Assam to loan the Vrindavani Vastra, a 350-year-old sacred tapestry depicting the life of Krishna, for a six-month period starting in 2027. The loan is contingent upon the construction of a specialized new extension at the Assam State Museum in Guwahati to accommodate the textile's extreme fragility. This marks the first time the artifact, which features the earliest known Assamese inscriptions, will return to its place of origin since it was acquired by the British Museum following the 1904 Younghusband expedition to Tibet.

New McMullen Museum exhibition

The McMullen Museum of Art at Boston College has launched "Collaborating in Conflict: The Yeats Family and the Public Arts," a comprehensive exhibition exploring three generations of the Yeats family. Featuring approximately 200 works including paintings, embroideries, and rare manuscripts, the show highlights the collaborative yet often tense creative output of patriarch John Butler Yeats and his children, including the poet William Butler Yeats and the painter Jack B. Yeats. Many of the items on display are being shown publicly for the first time or for the first time outside of Ireland.

Dóra Maurer, ‘towering figure’ of the Hungarian art scene, has died aged 88

Dóra Maurer, a seminal figure in Hungarian conceptual and abstract art, has died at the age of 88. A versatile artist whose career spanned printmaking, photography, filmmaking, and painting, Maurer was celebrated for her rigorous exploration of movement, time, and mathematical systems. Her death was confirmed by the Széchenyi Academy of Literature and Arts, where she had served as president since 2017.

The Sticky Politics of Wall Texts

A critic's visit to the 36th Bienal de São Paulo led to a pointed critique of the exhibition's didactic strategy. The show, curated by Bonaventure Soh Bejeng Ndikung, featured floor-mounted placards with QR codes, poorly placed basic labels, and extremely lengthy omnibus section texts, creating a frustrating experience that oscillated between providing too little and too much information.

White House presses Smithsonian’s National Portrait Gallery for new Trump portrait and display

The White House has suggested that the Smithsonian's National Portrait Gallery create a dedicated section to display multiple images of President Donald Trump, including a new painted portrait, during his current term. This proposal came during a December visit by State Department and White House officials, who noted the president receives much artwork from supporters that could be curated for display.

Bucks County museum to showcase Eric Carle's work with exhibit, events

The James A. Michener Art Museum in Doylestown, Pennsylvania, is presenting the exhibition 'Small Living Things: The Magical Art of Eric Carle.' The show, organized by The Eric Carle Museum of Picture Book Art, features original artwork from Carle's classic children's books, process sketches, and related cultural objects, including a 1996 McDonald's Happy Meal toy series and a bronze sculpture of the Very Hungry Caterpillar. It runs from February 14 through May 24, supported by several donors and foundations.

Artist whose recent award ‘saved my career’ has first major solo museum show at SAM

Samantha Yun Wall has opened her first major solo museum exhibition, "What We Leave Behind," at the Seattle Art Museum. The show features her large-scale, black-and-white drawings that explore identity, family, and Korean folklore through surreal, portal-like imagery.

Portland Art Museum opens gallery focused on Black artists, named for local trailblazer

The Portland Art Museum has opened a new permanent gallery dedicated to Black artists, named for local artist, dancer, and educator Thelma Johnson Streat. The gallery, which opened on the first day of Black History Month, features a variety of works by Black Oregon artists, including multimedia installations, paintings, drawings, and a large photographic grid.

Inaugural Museum Exhibit Honors Toshiko Takaezu’s Princeton Legacy

Princeton University Art Museum has opened its inaugural exhibition in its new building, focusing on the work of ceramic artist and longtime faculty member Toshiko Takaezu. The show, 'Toshiko Takaezu: Dialogues in Clay,' features her 'closed form' ceramics alongside works by her contemporaries, highlighting her artistic experimentation and her nearly three-decade tenure teaching at the university.

Long lost portrait of Scotland’s great poet Robert Burns goes on show for first time

A long-lost portrait of Robert Burns by Henry Raeburn, painted in 1803, has gone on public display for the first time at the National Gallery of Scotland in Edinburgh, just in time for Burns Night on 25 January. The painting resurfaced in a house clearance in Surrey and was auctioned in Wimbledon in March 2025 with a guide price of £300–£500; collector and Burns enthusiast William Zachs purchased it for £68,000 after a tense bidding war, gambling on the Raeburn attribution. Experts including Patricia Allerston and Duncan Thomson have since confirmed the work is authentic, and it is now exhibited alongside Alexander Nasmyth's 1787 portrait of Burns.

Illinois art and design faculty explore stories about place in Krannert Art Museum exhibition

Eleven artists from the University of Illinois Urbana-Champaign School of Art & Design explore the relationship between people and place in a new exhibition at Krannert Art Museum. Titled “Another Place: Storymaking the Entangled Prairie,” the show opens January 29 and runs through July 2, featuring sculpture, installation, photography, printmaking, video, and performance. Curated by art history professor Terri Weissman, the exhibition is tied to the Humanities Research Institute’s 2025-26 theme “Story and Place.” Works include Ryan Griffis’s multimedia project on the Illinois River Valley, Stephen Signa-Avilés’s wearable sculptural assemblage “The Recollector,” and Melissa Pokorny’s prairie-inspired installation.

Art@Countway Exhibition Closing Ceremony: Call & Response

The Countway Library at Harvard Medical School is hosting a closing ceremony for the art exhibition "Call and Response: A Narrative of Reverence to our Foremothers in Gynecology" on January 21. Developed by the Resilient Sisterhood Project, the multimedia exhibition highlights the exploitation of enslaved Black women—Anarcha, Betsey, and Lucy—in the origins of modern gynecology, focusing on experiments by Dr. J. Marion Sims in the 1840s. The event will feature speakers including artists Jules Arthur, Dr. Michele David, Michelle Hartney, and others, along with community organizers.

Burnished: Pueblo Pottery at NMWA

The National Museum of Women in the Arts (NMWA) presents 'Burnished: Pueblo Pottery,' a focus exhibition running from May 8 to September 27, 2026, showcasing 24 clay vessels by women Pueblo potters. The show features works by historic and contemporary artists including Maria Martinez, Margaret Tafoya, LuAnn Tafoya, Stephanie Tafoya, Emma Lewis Mitchell, Dorothy Torivio, and Iris Youvella Nampeyo, drawn from NMWA's collection and donations from founders Wilhelmina Cole Holladay and Wallace F. Holladay, as well as their son Hap Holladay. It marks the first time the museum's pottery collection is presented in a dedicated exhibition and is part of the Handwork: Celebrating American Craft 2026 initiative.

Exeter artists turn away from traditional landscapes in bold new exhibition

A new exhibition titled 'Not A Pretty Landscape' opens at Kaleider Studios in Exeter from January 31 to February 1, featuring 15 artists who present contemporary and unconventional views of the South West, deliberately avoiding traditional coastal and rural landscapes. Curated by Exeter-based artist Claire Le Day, the show emerged from an open call with no rules or experience requirements, only the condition that no pretty landscapes be submitted. Artists keep 100% of their profits, and most will be present to meet visitors and manage sales. Featured artists include Jo Beer, whose portraits have been recognized by the National Portrait Gallery and the Royal Society of Portrait Painters.

‘Painted Worlds: Color and Culture in Mesoamerican Art’: A colorful journey through time, culture and belief

The Nelson-Atkins Museum of Art has opened 'Painted Worlds: Color and Culture in Mesoamerican Art', a major exhibition featuring over 250 works spanning nearly 3,000 years, from pre-Hispanic times to the present day. Curated by Kimberly Masteller, the show is the first presentation of Mesoamerican art at the museum in nearly 40 years and includes textiles, ceramics, paintings, murals, and codices organized by color categories—white, blue/green/yellow, and red/black—to explore the cultural and spiritual significance of color in Mesoamerican traditions.

‘Creative, provocative, controversial’: Truth Social ads for Nazi-owned art spark heated debate

The German Art Gallery (GAG), a Dutch-run gallery specializing in art once owned by Nazi leaders including Adolf Hitler, has sparked controversy by advertising on Truth Social, the right-wing platform founded by Donald Trump. The gallery’s founder, who uses the pseudonym Marius Martens, defends the move as a cost-effective way to reach a broad American audience, including conservatives, and denies any ties to neo-Nazi ideology. Critics, including a Truth Social user who alerted The Art Newspaper, argue the ads—taglined “Art of the German Elite, 1933-1945”—appear to celebrate Nazism. Curator and historian Gregory Maertz notes that while the GAG holds one of the most complete private collections of Third Reich art, the rising market for such works may reflect a global revival of right-wing sentiment.

Dilys Blum, longtime curator of clothes at the Philadelphia Art Museum, dies at 77

Dilys Blum, the longtime curator of fashion and textiles at the Philadelphia Museum of Art, has died at age 77. She retired last summer after 38 years at the museum, where she served as head of the costumes and textiles department, overseeing the care and interpretation of historic clothing and fabric-based art. Blum began her career at the Museum of London, later working at the Brooklyn Museum and the Chicago Conservation Center before joining the Philadelphia Museum in 1987. She curated notable exhibitions including "Off the Wall" (2019) and "BOOM: Art and Design of the 1940s" (2025), and authored several books on fashion history, including works on Elsa Schiaparelli, Roberto Capucci, and Patrick Kelly.