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Tiffany Shlain uses trees and technology to trace Jewish history in new exhibit

Tiffany Shlain, a multidisciplinary artist and founder of the Webby Awards, has opened a new exhibition titled "Ancient Wisdom for a Future Ecology: Trees, Time, and Technology" at the di Rosa Center for Contemporary Art in San Francisco. The show, which debuted in October 2024 at the Skirball Cultural Center in Los Angeles as part of a Getty Museum initiative, uses massive tree trunk slices—some weighing 10,000 pounds—to explore Jewish history, feminism, and existential questions. Shlain, known for her work blending feminism, technology, and Judaism, also co-created a video on the teenage brain with Goldie Hawn and recently screened her 2005 documentary short "The Tribe."

Holbein biography interrogates the artist's life and work from a different angle

Elizabeth Goldring’s new biography of Hans Holbein the Younger takes a documentary-focused approach, prioritizing archival evidence over visual analysis. The book examines Holbein’s life (1497/8–1543) through chronological chapters, using inventories, correspondence, and other records to correct long-held assumptions and propose new theories about his work. Goldring’s detective work includes identifying the green curtain in Holbein’s portrait of Sir Thomas More as a reference to the sitter’s role as chancellor of the Duchy of Lancaster, and suggesting that a lost painting of the More family was given to Erasmus as a gift.

The Met’s Renovated Galleries for British Decorative Arts and Design to Open on March 2, 2020

The Metropolitan Museum of Art will open its newly renovated British Galleries on March 2, 2020, as a highlight of the museum's 150th-anniversary year. The suite of 10 galleries, spanning 11,000 square feet, features nearly 700 works of British decorative arts, design, and sculpture created between 1500 and 1900, including new acquisitions and three meticulously conserved 18th-century interiors. The galleries have been completely renovated for the first time since their establishment in the late 1980s, with a new entrance and a re-erected 17th-century staircase from Cassiobury House.

Multicultural Art Exhibit Opens in Metuchen

The "Open Archways: By the Light of the Same Moon" exhibition opened on December 18 at the Bowery Art Collective gallery in Metuchen, New Jersey, featuring new works by 15 Muslim and Jewish artists. Curated by Hannah Finkelshteyn and Aakef Khan, the show explores themes of heritage, faith, identity, and culture through five shared themes: shared moments, diaspora experience, womanhood, family and loved ones, and light and spirituality. The opening included a menorah lighting ceremony during Chanukah, and the artists agreed to exclude nationalist symbols or military references from their works.

That time a bunch of radical artists got under the hood at Mia – and stayed there

A group of experimental Minnesota artists in the 1970s, frustrated with the established art scene, successfully pitched the Minneapolis Institute of Art (Mia) to create the Minnesota Artists Exhibition Program (MAEP). Launched in 1975, MAEP gave artists direct control over curating a dedicated gallery within the museum, selecting their peers for exhibitions. Fifty years later, the program remains active, with artists chosen through an open call and an advisory committee, and has featured influential figures like Phyllis Wiener, Judy Onofrio, and George Morrison.

Jerrell Gibbs: From NFL Dreams To His First Solo Museum Exhibition

Jerrell Gibbs, a former college football player and two-time college dropout, is now the subject of his first solo museum exhibition, "No Solace in the Shade," at the Brandywine Museum of Art. The article traces his unlikely journey from working double shifts in direct care to rediscovering his passion for drawing after seeing a photo of his wife and daughter, eventually earning a spot at the Maryland Institute College of Art (MICA) and building a career as a painter.

'The Last Supper:' Boise Art Museum exhibits artist’s lifework on death row final meals

The Boise Art Museum is exhibiting Julie Green's "The Last Supper," a collection of nearly 1,000 hand-painted blue-and-white ceramic plates depicting the final meal requests of death row inmates. The project, which Green began in 2000 after reading a newspaper clipping about an execution, spans more than two decades and is on display for the first time in its entirety in the U.S. The plates show comfort foods like fried chicken, tater tots, and honey buns, painted in cobalt blue reminiscent of 18th-century Danish porcelain.

How ‘archaeological ceramicist’ Yasmin Smith has forever changed the way I look at flint

Yasmin Smith, an Australian artist described as an 'archaeological ceramicist,' presents her solo exhibition *Elemental Life* at the Museum of Contemporary Art Australia (MCA) in Sydney, running until June 8. The show features sculptural installations that use ceramics and glaze technologies to decode environmental and human histories. Key works include *Seine River Basin (2019)*, commissioned by the Centre Pompidou, which uses ash-glazed stoneware replicas of tree branches to reflect the chemical history of the River Seine, and *Chicxulub (2025)*, which draws on samples from the asteroid impact crater in Mexico to explore mass extinction. Smith’s practice involves extensive field research and collaboration with ecologists, archaeologists, and local communities, creating site-specific glazes that act as chemical records of place and time.

Long Overdue, First Museum Retrospective of Mavis Pusey Explores Artist's Geometric Abstraction Over Five Decades

The Institute of Contemporary Art (ICA) at the University of Pennsylvania is hosting "Mavis Pusey: Mobile Images," the first museum retrospective of Jamaican-American artist Mavis Pusey (1928-2019). Curated by Hallie Ringle and Kiki Teshome, the exhibition spans five decades and features over 60 works, including seven paintings shown publicly for the first time. Pusey, who studied at the Art Students League and worked at Robert Blackburn's Printmaking Workshop, was known for her geometric abstraction at a time when many Black artists focused on figuration. The show will travel to the Hammer Museum in Los Angeles and the Studio Museum in Harlem.

The new art conglomerate: Pace Gallery, Emmanuel Di Donna and David Schrader join forces

Pace Gallery, Emmanuel Di Donna, and David Schrader have announced a joint venture to launch Pace Di Donna Schrader Galleries (PDS), a new entity focused on secondary market sales. The partnership, revealed on the eve of Art Basel Miami Beach, will operate from a new headquarters on Manhattan's Upper East Side, with equal partnership among the three. PDS will leverage Pace's global network of galleries in cities including Los Angeles, London, Geneva, Berlin, Seoul, and Tokyo. Di Donna, founder of Di Donna Galleries and former Sotheby's vice chairman, brings expertise in Surrealist, Modern, and post-war art; Schrader, a former Sotheby's head of private sales, adds auction-house experience. The venture is set to begin operations in early 2025, with Di Donna's team moving to the new space in summer 2026.

Pulitzer Prize-winning art critic Christopher Knight is retiring

Christopher Knight, the Pulitzer Prize-winning art critic for the Los Angeles Times, is retiring after more than 40 years in the field, with his final day set for November 28. Knight spent 36 of those years at the Los Angeles Times, becoming one of the last full-time art critics at a major U.S. daily newspaper. He won the Pulitzer Prize for criticism in 2020 for his incisive coverage of the Los Angeles County Museum of Art's proposed overhaul, and received a $50,000 Lifetime Achievement Award for Art Journalism from the Dorothea and Leo Rabkin Foundation the same year. Knight also authored two books and appeared on programs like 60 Minutes and PBS NewsHour.

17th-century jewels, historic photographs focus of Kimbell museum’s 2026 exhibitions

The Kimbell Art Museum in Fort Worth has announced two major exhibitions for 2026. From March 15 to June 28, the museum will host "The Holy Sepulcher: Treasures from the Terra Sancta Museum, Jerusalem," featuring over 60 silver, gold, and bejeweled objects gifted by Holy Roman Emperors and European monarchs to the Church of the Holy Sepulcher. In the fall, from October 4, 2026, to January 17, 2027, the Kimbell will present "Photography's First Century: Masterworks from the Bibliothèque nationale de France," its first-ever photography exhibition, showcasing more than 150 early images from pioneers like Henri Le Secq, Gustave Le Gray, and Félix Tournachon.

How China’s private museums are navigating a post-boom era

China's private museum sector, which boomed in the 2010s with hundreds of new institutions often tied to property developments or vanity projects, is now contracting. Notable closures include Guangzhou's Times Museum (shuttered in 2022, later relaunched as a project space), OCAT Shanghai (closed indefinitely in 2021), and Qingdao's TAG Museum (suspended operations in 2024). Other prominent museums like Sifang Art Museum, Yinchuan MoCA, and Shanghai MoCA have scaled back, while Long Museum's future appeared uncertain after its owners auctioned part of their collection. The downturn follows the collapse of China's property sector, Covid-19 restrictions, and a broader economic slump.

Hew Locke Unpacks the Complexity of Empire in His Biggest Museum Show Yet

Artist Hew Locke's most comprehensive museum exhibition to date, "Hew Locke: Passages," has opened at the Yale Center for British Art in New Haven. The show features 49 works spanning nearly three decades, including photography, sculpture, and drawing, and explores themes of empire, identity, and migration. Curated by museum director Martina Droth, the exhibition runs through January and includes key works such as "Veni, Vidi, Vici (The Queen's Coat of Arms)" (2004) and "Koh-i-noor" (2005), which critique British imperial symbols using found objects and textiles.

Louvre acquires first-ever video work

The Musée du Louvre has acquired its first-ever video work, a piece titled *Les 4 temps (The 4 Seasons)* by Algeria-born artist Mohamed Bourouissa. The work documents the Tuileries Gardens over the course of a year, originally created as 52 weekly videos for the Louvre’s Instagram channel between February 2024 and February 2025. It will be displayed in the Salle de la Chapelle from 22 October to 19 January 2026. Bourouissa also composed the music for the piece by recording the vibrations of the garden’s plants.

Minnesota Anishinaabe artists well-represented at major new exhibition in Detroit

A major new exhibition, “Contemporary Anishinaabe Art: A Continuation,” has opened at the Detroit Institute of Arts (DIA), marking the museum’s first major Native American exhibition in over three decades. The show features 90 works by more than 60 artists from the Great Lakes region of the U.S. and Canada, including a strong contingent of Minnesota-based painters, sculptors, designers, and filmmakers. Curated in collaboration with a panel of Anishinaabe artists—including Duluth-based painter and filmmaker Jonathan Thunder, Kelly Church, Jason Quigno, Monica Rickert-Bolter, and Jodi Webster—the exhibition spans painting, beadwork, fashion, film, and sculpture. Signage is translated into Anishinaabemowin, and QR codes offer language learning. The curators deliberately chose not to begin with historical works, asserting that Native American artists should not be required to provide a historical preamble.

Highlighting Contemporary Art in Georgia | Seams to Be: New Approaches to Textile Techniques

The Georgia Museum of Art has organized "Seams to Be: New Approaches to Textile Techniques," a traveling exhibition opening October 2, 2025, at the Lyndon House Arts Center in Athens. Guest curated by Didi Dunphy, the show features 13 Georgia-based artists who reinterpret traditional textile methods through contemporary practices, including beaded chip bags, free-motion quilts, yarn paintings, and multimedia sculptures. It is the fourth installment of the triennial "Highlighting Contemporary Art in Georgia" series, which aims to discover and cultivate local artists and bring their work to audiences across the state.

Andrea Carlson: A Constant Sky

The Denver Art Museum will present "Andrea Carlson: A Constant Sky," the first museum survey of mixed-media visual artist Andrea Carlson, from October 5, 2025, to February 16, 2026. The exhibition features over 30 works on paper, three large-scale paintings shown together for the first time, and a monumental sculptural work titled "Columns for a Horizon." Carlson, who descends from Grand Portage Ojibwe and European settlers, creates intricate, colorful works that challenge colonial narratives in American landscape painting and museum collections.

Vancouver Art Gallery selects architects for second attempt at new building

The Vancouver Art Gallery (VAG) has selected Formline Architecture and Urbanism, based in Vancouver, and KPMB Architects, based in Toronto, to design its new building at Larwill Park in downtown Vancouver. The announcement comes ten months after the museum abandoned a Herzog & de Meuron design due to a 50% cost increase, and after parting ways with director Anthony Kiendl. The VAG has outgrown its current 1913 courthouse home, and the new project was initiated 13 years ago by former director Kathleen Bartels. A preliminary design is expected next year, though no budget, timeline, or opening date has been revealed.

Milestone moment as Newcastle Art Gallery reopens its doors for first look inside expanded building

Newcastle Art Gallery in Australia has reopened its doors to the public for the first time after a major expansion project, unveiling new gallery spaces, a central atrium, and a foyer. The milestone event, held on 26 September 2025, featured a First Nations First ethos with major commissions and acquisitions on display, and was celebrated as part of the New Annual festival. The expansion has more than doubled the gallery's size, adding 1,600 square meters of exhibition space, with several areas named after major donors including Valerie and John Ryan, Margaret Olley, and Robert and Lindy Henderson.

Superchief, Beloved LA Arts Hub, Fights to Stay Open

Superchief Gallery, a longtime hub for LA’s underground art and photography scene, is fighting to stay open amid mounting financial challenges. Founder Bill Dunleavy is exploring alternative revenue models like crowdfunding to save the space, which has operated since 2014 in downtown LA and later moved to a 10,000-square-foot warehouse in South LA. The gallery has faced setbacks including a fire in 2020 and declining art sales and corporate sponsorships, despite its popularity for anti-elitist, community-focused programming.

Fred Jones Jr. Museum of Art Opens Nicolai Fechin: An Artistic Journey October 2025

The Fred Jones Jr. Museum of Art at the University of Oklahoma will open "Nicolai Fechin: An Artistic Journey" on October 3, 2025. The exhibition features over fifty drawings and paintings spanning the Russian artist's career, drawn from the museum's permanent collection, the Eugene B. Adkins Collection, and a private Oklahoma collection, with many works on public view for the first time. The show explores Fechin's travels from Russia to New York, New Mexico, and Southern California, highlighting how family, training, and cultural encounters shaped his vibrant portraits.

The V&A's David Bowie Centre opens this week—here's what visitors can expect to see

The David Bowie Centre opens on 13 September at the V&A East Storehouse in Stratford, east London, offering free timed-entry access to a 90,000-piece archive acquired from the Bowie estate. Lead curator Madeleine Haddon highlights discoveries like Bowie's paint palette and a framed photo of Little Richard, alongside an interactive installation tracing his influence on pop culture. The centre features nine rotating curated displays, including guest-curated ones by Nile Rodgers and The Last Dinner Party, and connects to the upcoming V&A East Museum exhibition 'The Music Is Black: A British Story'.

Independent 20th Century fair will move to Sotheby’s Breuer Building in 2026

The Independent 20th Century art fair will move to the Breuer Building in New York, soon to become Sotheby’s headquarters, for its 2026 edition running September 24–27. The fair, previously held at Casa Cipriani, will expand to accommodate over 50 galleries. Sotheby’s acquired the landmarked building in 2023 and has made subtle renovations led by Herzog & de Meuron, with the new headquarters opening November 8.

Banking family’s treasures go on show at Bath’s Holburne Museum

Nearly 200 Old Master treasures from the Schroder Collection, amassed by the late banker Bruno Schroder and his family over more than a century, will go on long-term display at the Holburne Museum in Bath, UK, starting 10 September. The collection includes silver, maiolica, and paintings by artists such as Lucas Cranach the Elder and Hans Holbein the Elder, many shown publicly for the first time. The loan was facilitated by Bruno’s daughter Leonie, who requested the works remain in the UK and be placed in a regional museum rather than London.

Museum Exhibitions On View in East Texas, South Texas & the Valley this Fall

Several museums and art centers across East Texas, South Texas, and the Rio Grande Valley have announced their fall 2025 exhibition schedules. Highlights include the Tyler Museum of Art’s "Alas…" by Alicia Eggert, a floral sculpture that wilts over three weeks, and "Assembled: A Look at Contemporary Collage" featuring Texas artists. The Art Museum of South Texas in Corpus Christi will present three shows: Jason DeMarte’s surrealist photography in "Arcadian Enclosures," the Texas A&M University-Corpus Christi faculty biennial "Quarter Turn," and "Breadth of Latino/a Voices" from its permanent collection. The Rockport Center for the Arts opens Jessica Ninci’s "A Field Guide" and Moira Garcia’s "Nepantla: In-Between." The Beeville Art Museum hosts Caprice Pierucci’s "Threads Through Time," and the Five Points Museum of Contemporary Art in Victoria will survey work by Fort Bend County artists.

A Rarely Seen Caravaggio Masterpiece Makes Its Way to Florida

A rarely seen Caravaggio masterpiece, *Boy Bitten by a Lizard* (1593–94), is traveling to the Museum of Fine Arts, St. Petersburg, Florida, for a new exhibition titled “In Caravaggio’s Light: Baroque Masterpieces from the Fondazione Roberto Longhi.” The show features 40 paintings by Caravaggio and his followers, the Caravaggisti, drawn from the collection of the Fondazione Roberto Longhi in Florence. The last time this painting was in the U.S. was in 2012 at the Kimbell Art Museum, and the Longhi collection has never before had a dedicated exhibition in America.

Reviving Metcalf Château: Celebrating Hawaiʻi artists who redefined modern art

A new exhibition at the University of Hawaiʻi at Mānoa’s Walter Dods, Jr. RISE Center honors the Metcalf Château, a pioneering collective of Asian-American artists who gathered in a house on Metcalf Street in the 1950s to redefine modern art in Hawaiʻi. Curated by Allison Wong and initiated by longtime university supporter Walter Dods, the show features works by founding members Bumpei Akaji, Satoru Abe, Tadashi Sato, Edmund Chung, Tetsuo “Bob” Ochikubo, Jerry T. Okimoto, and James K.K. Park, with a ceremonial blessing by Kahu Kordell Kekoa.

‘We’ve faced immense new pressures’: Shanghai museum director on the challenges—and benefits—of going free entry

Shanghai’s Rockbund Art Museum (RAM) became one of the only private museums in China to offer free admission in May 2025, marking its 15th anniversary. The move initially required pre-booked timed entry via WeChat, but after city-wide guidance encouraged removing barriers, the museum eliminated the booking system, leading to long wait times and visitor complaints on social media. One visitor reported receiving an inappropriate response from the museum’s official account, prompting apologies from both the museum and its executive director and chief curator, X Zhu-Nowell. A hybrid system of day-ahead reservations and same-day walk-ins was later implemented.

Documenta unveils first all-woman curatorial team for 2027

Documenta has announced the first all-woman curatorial team for its 16th edition, set to take place in Kassel, Germany, from June 12 to September 19, 2027. Artistic director Naomi Beckwith, deputy director and chief curator of the Solomon R. Guggenheim Museum, selected four curators—Carla Acevedo-Yates, Romi Crawford, Mayra A. Rodríguez Castro, and Xiaoyu Weng—to develop the exhibition, publications, and programming. Each curator brings distinct expertise: Acevedo-Yates focuses on diaspora and cultural production; Crawford on race and American visual culture; Rodríguez Castro on writing and editing; and Weng on globalization, feminism, and decolonization.