Southwest Florida's art centers are hosting 29 exhibitions in August, spanning venues from Sarasota to Marco Island. Highlights include Art Center Sarasota's juried show 'Vice and Virtue' exploring morality, Jacob Z. Wan's LGBTQ+ intimacy-themed mixed media installation 'Me, Myself and I, Vol. 3', a youth exhibition 'INK: Quilt of Identity' by ALSO Youth, and Dorothea (D') Calvert's ceramic series 'Praxis'.
Brooklyn-based artist Erin M. Riley is preparing to unveil her latest and largest weavings in a solo exhibition at New York's P.P.O.W gallery in September 2025. Her tapestries tackle hard-hitting themes such as family trauma and domestic abuse, drawing on memory, photographs, and everyday iconography. Riley, who studied at Massachusetts College of Art and Design and Tyler School of Art and Architecture, initially faced pushback from both galleries and traditional weavers but has since become a leading figure in the blurring of fine art and craft. Her new works incorporate embroidery for the first time and include pieces like "Road Reverberations" (2024), which uses crowdsourced quotes from survivors of abusive relationships.
Prominent collector and dealer Adam Lindemann is closing Venus Over Manhattan, the New York gallery he founded in 2012, after 13 years. The gallery's final exhibition, Susumu Kamijo's 'Fish & Flowers,' opened in June and will close on July 17. Lindemann announced the closure in an open letter published on Artnet, citing a desire to return to building his personal art collection and describing the difficulties of navigating the art world as both a dealer and collector.
A roundup of artist-run galleries in Kansas City highlights the rise of spaces like Vulpes Bastille and 100,000,000, which are reshaping the local art scene. These venues, operated by artists and volunteers, offer exhibition opportunities, studios, and community support, exemplified by Andrew Johnson's intimate multimedia installation "In The Presence of an Absence" at Vulpes Bastille.
The 'Emergence: Stories in the Making' exhibition at Galerie Myrtis in Baltimore features 12 artists, including Maxwell Pearce—an artist and Harlem Globetrotters player—and Linnea Poole. Pearce uses sports equipment like shoelaces and basketballs to create portraits of loved ones, responding to the 'shut up and dribble' narrative he faced after a traumatic incident. Poole's work focuses on mourning and grief, dedicated to Black women. The exhibition includes artists from Nigeria and the Caribbean, aiming to preserve personal and collective histories through uncensored storytelling.
Photographer Isaac “Drift” Wright was arrested at his own solo exhibition opening at Robert Mann Gallery in Chelsea, New York, on Thursday night. NYPD officers charged him with third-degree trespassing, with an undercover officer reportedly present at the event. Wright, a former Army paratrooper known for climbing skyscrapers and restricted sites to capture high-altitude photographs, had previously served jail time in 2020 for evading police. His first solo show, titled "Coming Home," was intended to mark a fresh start, but the arrest occurred just two hours into the opening.
The Musée d'Angoulême will host the exhibition "De Montmartre à Angoulême, Maurice Utrillo intime…" from April to September 2027, focusing on the artist's lesser-known years in the Charente region. Curators Pamela de Montleau and Philippe Cassereau are seeking archives, correspondence, photographs, testimonies, and paintings to illuminate Utrillo's two-year stay in Angoulême (1935–1937), where he married painter and writer Lucie Valore. The show will also feature works by his painter friends, including Maurice de Vlaminck, Alphonse Quizet, and others.
The 61st Biennale di Arte Venezia opens under the posthumous curatorial vision of Koyo Kouoh (1967–2025), the late Cameroonian-born curator who reshaped contemporary African and diasporic art discourse. The central exhibition, spanning the Giardini and Arsenale, features 111 participants including artists, collectives, and artist-led organizations from across the Global South, with works in textiles, film, sculpture, and performance that interrogate colonialism, migration, and ecological repair. The Biennale is also marked by a pronounced presence of African and diasporic narratives across national pavilions, including several first-time pavilions from the African continent.
Brazil's 2026 Venice Biennale pavilion, curated by Diane Lima, presents a radical, sensorial exhibition titled 'Comigo ninguém pode' featuring artists Adriana Varejão and Rosana Paulino. The show transforms the modernist pavilion into an active participant, where historical and new works by the two artists create friction and resonance, exploring themes of colonial violence, the Black female body as archive, and spiritual resistance.
Isaac Julien has created a new site-responsive film installation titled 'All That Changes You. Metamorphosis' at The Cosmic House in London. The work, which features protagonists Lilith and Naomi, explores themes of transformation, cosmology, and interdependence through a non-linear narrative that moves from Californian redwoods to Renaissance interiors, using the postmodern architecture as an active participant in the dialogue.
Hamburg's Senator Biermann Ratjen Medal, a culture prize awarded for nearly five decades, is being renamed the Medal for Art and Culture in Hamburg after historian Helmut Stubbe da Luz uncovered evidence that the prize's namesake, Hans Harder Biermann-Ratjen, confirmed his Nazi Party membership in a 1943 application. Biermann-Ratjen, who later served as Hamburg's senator for culture, had been deemed not to have been a member during post-war de-Nazification, but the new research prompted the city to rebrand the award.
The Catalan government has formally demanded €791,000 (approximately $920,000) from the Aragonese government to recoup costs related to the value and upkeep of 56 artworks from the Royal Monastery of Santa María de Sigena. The works were removed from the monastery in 1936 for safekeeping during the Spanish Civil War, and Spain's Supreme Court ruled in 2021 that they must be returned to Aragón. Of the 56 pieces, 12 were held at the National Art Museum of Catalonia and 44 at the Diocesan Museum of Lleida. The Catalan government has given Aragón 30 days to negotiate a settlement before returning to court.
Archaeologists from Mexico's National Institute of Anthropology and History (INAH) have discovered 153 Spanish and British muskets and rifles, along with an iron cannon, in the Síis Já cenote beneath the 16th-century former convent San Bernardino de Siena in Valladolid, Mexico. The weapons were likely discarded by the Yucatecan government during the early years of the Caste War of Yucatán (1847-1901) to prevent them from falling into Maya rebels' hands. The site also yielded Maya ceramic pieces and 18th-century Chinese porcelain, and INAH reported debris and pollution affecting the cenote.
An excavation in the Moharam Bek neighborhood of Alexandria, Egypt, has uncovered a significant trove of artifacts from the Greek, Roman, and Byzantine periods, including statues of deities such as Bacchus, Asclepius, and Minerva, as well as coins, lamps, ceramic vessels, a public bathhouse, mosaic flooring from a Roman villa, and advanced water systems. The discovery was announced by Egypt’s Ministry of Tourism and Antiquities and reported by Greek City Times, with officials from the Supreme Council of Antiquities highlighting the site’s comprehensive view of ancient residential and service architecture.
Artist Belu-Simion Fainaru, Israel’s representative at the Venice Biennale, reportedly pressured the exhibition’s organizers before the five-person jury abruptly resigned last week. The jury, tasked with selecting Golden Lion winners, had stated it would not consider nations charged with crimes against humanity by the International Criminal Court—applying to Israel and Russia. According to Italian news agency Adnkronos, Fainaru alleged “racial discrimination” and “antisemitism,” threatened to take his claims to the European Court of Human Rights, and the Biennale warned jury members they could be held personally liable for damages. Hyperallergic confirmed the threats of legal action, and a Biennale spokesperson acknowledged the reports were true.
Leon Botstein, president of Bard College since 1975, announced his retirement on Friday following the release of an independent report by the law firm WilmerHale, commissioned by Bard's board of trustees. The report found that Botstein had not been "fully accurate" in his public accounts of his relationship with convicted sex offender Jeffrey Epstein, revealing visits to Epstein's private island, personal messages, a joint watch purchase worth $56,000, and invitations to campus. While no illegal conduct was identified, the report raised serious concerns about Botstein's leadership and judgment. Botstein will step down on June 30 but remain at Bard as a professor.
The Belarus Free Theatre, an exiled underground theater group, will stage its first official collateral exhibition at the 61st Venice Biennale, titled “Official. Unofficial. Belarus.” The show, held in the historic La Chiesa di San Giovanni Evangelista di Venezia, features site-specific paintings, a sound installation, and large-scale sculptures that aim to immerse visitors in the experience of repression under authoritarian rule. This marks only the fifth time Belarus has been present at the Biennale, and the first time it appears not as a state but as a self-governing cultural body, challenging the official narratives of nations like Russia.
Russia will return to the 61st Venice Biennale with its national pavilion, but the exhibition will only be physically open to the press and select guests during the vernissage dates of May 5–8. From May 9 onward, the pavilion will remain closed to the public, with multimedia documentation of performances displayed on screens at the windows. The arrangement follows leaked emails among Biennale Foundation President Pietrangelo Buttafuoco, General Director Andrea Del Mercato, and Russian Pavilion Commissioner Anastasia Karneeva, revealing efforts to comply with EU sanctions while still allowing Russia's participation after two consecutive absences since its invasion of Ukraine.
Tuan Andrew Nguyen's sandstone and brass sculpture "The Light That Shines Through the Universe" (2026) has been installed on the High Line in Manhattan as the park's fifth site-specific commission. The 27-foot-tall work, selected from nearly 60 proposals, resurrects the destroyed Bamiyan Buddhas of Afghanistan, which were demolished by the Taliban in 2001. Nguyen sourced artillery brass from Afghanistan to cast the sculpture's mudra hand gestures, symbolizing fearlessness and compassion, and had the sandstone carved in Vietnam. The piece is on view through Spring 2027.
Leon Botstein, president of Bard College since 1975, has discussed retiring and transitioning to a faculty role as a historian and musician once a successor is found, following backlash over his ties to Jeffrey Epstein. According to a Times Union report, no timeline has been set, and the 79-year-old appears to have no immediate plans to leave. Botstein has held multiple meetings with students and staff since February, when details of his relationship with Epstein—including over 2,800 mentions in Epstein-related files—were revealed. He has characterized his eventual departure as a consequence of age, not the controversy, and stated that a search for a successor will begin after a law firm review of his Epstein interactions concludes by the end of May.
The European Union has declared its intention to cut its €2 million funding contribution to the Venice Biennale in response to the exhibition's decision to host a Russian national pavilion for the first time since Russia's 2022 invasion of Ukraine. EU foreign policy chief Kaja Kallas stated that allowing Russia to exhibit while it "bombs museums, destroys churches and seeks to erase Ukrainian culture" is morally wrong, marking the union's strongest condemnation to date.
Archaeologists from Mexico’s Instituto Nacional de Antropología e Historia (INAH) have identified 16 petroglyphs and cave paintings near the Tula River in Hidalgo. The artworks span over 4,000 years, ranging from prehistoric times through the Mesoamerican Postclassic period and into the early colonial era. The discovery, which includes depictions of the rain god Tláloc and various anthropomorphic figures, was made during archaeological salvage work for a new passenger rail line connecting Mexico City and Querétaro.
Two previously unseen preliminary drawings of Winnie-the-Pooh by illustrator E.H. Shepard have surfaced for the first time on the centenary of the children's classic. Brought forward by Shepard’s family, the pencil sketches depict scenes from A.A. Milne’s original 1926 book that were never fully realized or published. These rare works, along with several other preliminary sketches that did make it into print, are currently on display and for sale at Peter Harrington Rare Books in London before traveling to the New York International Antiquarian Book Fair.
Foundation, a prominent Ethereum-based NFT marketplace that launched during the 2021 digital art boom, has announced it will shut down following a failed acquisition by the digital art company Blackdove. CEO Kayvon Tehranian confirmed that the platform has entered a one-year wind-down phase, urging users to migrate their assets as no other viable buyers exist in the current market. The closure follows the collapse of a deal that was intended to provide long-term stewardship for the platform, which had facilitated over $230 million in sales since its inception.
The artist collective GRIT has issued a sharp critique of Fia Backström’s exhibition, "The Great Society," currently on view at the Queens Museum. The authors argue that Backström, a European artist, engages in "extractive" storytelling by focusing exclusively on trauma, environmental disaster, and poverty in West Virginia. They contend that the exhibition’s aesthetic choices—such as inverting landscape photographs and omitting human subjects—flatten the region's complexity into a spectacle of misery that alienates the very community it claims to represent.
The French National Assembly’s Cultural Affairs Committee has approved a landmark bill aimed at streamlining the restitution of cultural property looted from Africa during the colonial era. Moving away from the previous requirement for case-by-case legislation, the new framework allows restitutions to be ordered by ministerial decree, provided they fall within the 1815–1972 timeframe. This advancement follows years of debate sparked by President Emmanuel Macron’s 2017 pledge and the influential 2018 Sarr-Savoy report.
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Art Basel Hong Kong 2026 served as a critical barometer for a shifting global art market, characterized by a move away from impulsive buying toward a more deliberate and cautious collector base. Industry experts observed that the traditional first-day frenzy has been replaced by extended decision-making timelines, as buyers navigate a complex landscape of rising logistical costs and regional economic shifts.
Photographer and filmmaker Misan Harriman has opened a permanent installation titled 'The Purpose of Light' at London's Hope 93 gallery. The exhibition features over 100 black-and-white photographs taken over seven years at protests in the UK, US, and South Africa, including demonstrations related to Black Lives Matter, Gaza, and other social justice movements. The project debuted as a solo show last summer and, due to significant public response, has now been established as a long-term fixture with support from private collectors.
The Centre for Heritage, Arts and Textile (Chat) in Hong Kong has opened the exhibition 'Threading Inwards,' which explores the deep connection between textiles and spirituality across Asia. The show features 14 artists from the region, working in media from painting to video, who use fabric and fiber to create portals, shrines, and installations that bridge the material and spiritual realms.
The Banff Centre is accepting applications for two thematic visual arts residencies in late 2026 and early 2027. The first, "On Other Archives," focuses on reinterpreting archival methods and will be led by artists Deanna Bowen and Krista Belle Stewart with curator Tarah Hogue. The second, "Future Figurations," explores speculative futures and world-building under the guidance of artists Rajni Perera and Marigold Santos.