The Bakersfield Museum of Art (RAM) has opened a new exhibition titled "Catch a Wave," featuring works that explore themes of water, movement, and coastal culture. The show includes paintings, sculptures, and mixed-media pieces by regional and national artists, aiming to evoke the sensory experience of being near the ocean.
The New Britain Museum of American Art (NBMAA) has received a $200,000 grant from the Henry Luce Foundation to support a new project titled "Puerto Rico in Focus: Historical Interventions." The initiative is part of a multi-year museum effort to explore Puerto Rico’s complex relationship with the United States through exhibitions, research, and community programs.
The Grohmann Museum in Milwaukee has opened a new exhibition pairing two shows by contemporary American artists focusing on military service. Ohio-born Mary Whyte's "We the People: Portraits of Veterans in America" features 50 large-scale watercolor portraits of veterans from various wars and backgrounds. Milwaukee photographer Dennis Darmek's "Boots and Sand: The Marines of 29 Palms" presents two dozen color photographs taken at the Marine Corps base in California's Mojave Desert, where Darmek himself trained in 1969. The photos capture both posed and candid moments, highlighting diversity within the modern Marine Corps, including women in combat roles.
This May, Chiang Mai's art scene offers a diverse lineup of exhibitions across galleries, museums, and independent spaces. Highlights include a group show on regional identity at Chiang Mai Art Museum, a calligraphy-focused solo exhibition by Jin Li at Makok Art Space, and 'Class 2 Canvas' at Fãr Studios featuring artist-educators. Mid-month brings two openings: Chitti Kasemkitvatana's 'Epilogue: A Diffraction Grating' at Gallery Seescape, exploring time and light, and Kailash Mani's solo show of outsider art at Head High Second Floor.
The 59th Carnegie International, titled 'if the word we,' is set to open this Saturday at the Carnegie Museum of Art in Pittsburgh. The exhibition, one of the oldest and most prestigious surveys of contemporary art in North America, will feature works by a diverse group of international artists, curated around themes of collective identity and language.
Brea Gallery in Brea, California, opened its 41st annual "Made in California" juried art exhibition on Saturday, featuring over 90 artists from across the state. The show includes a range of mediums such as oil paintings, sculptures, and mixed media, with jurors selecting works from roughly 5,000 submissions. This year's exhibition explores themes of identity and social justice, with pieces like Angel Lesnikowski's "Othered Existence" addressing Arab identity and conflict, and Adam Singer's "Big Feelings" reflecting on aging and mortality in Los Angeles. A solo installation by Lorena Molina, "This must be the place," draws on her Salvadoran heritage and the immigrant experience.
Vanessa Sage, a curator at the Figge Art Museum in Davenport, Iowa, appeared on the local TV show Quad Cities Live to promote the museum's current exhibitions and offer practical advice for visitors. She discussed highlights of the shows on view, what makes them meaningful, and how to navigate multiple exhibitions without feeling overwhelmed, including recommendations on where to start and how much time to allocate.
The Cincinnati Art Museum is opening a new exhibition titled "Elizabeth Hawes: Radical American Fashion," the first-ever showcase dedicated to the groundbreaking American designer Elizabeth Hawes. The exhibit features over 50 garments from the 1920s to the 1960s, along with sketches, illustrations, and the first publication focused on her career. Hawes, who designed for icons like Lauren Bacall, championed gender-neutral clothing and quality mass manufacturing, ideas ahead of her time. The collection was largely donated by Dorette Kruse Fleischmann, a frequent client, and was curated by Megan Nauer, the museum's acting curator of fashion arts and textiles.
On The Edge Gallery, an artist-run collective in Old Town Scottsdale's Arts District, has been named one of the top 10 galleries in the Phoenix metropolitan area by Modern Luxury Magazine. The gallery operates as a co-op where local Arizona artists create the work, set their own prices, and often work on-site, allowing visitors to interact directly with the creators.
The Metropolitan Museum of Art is hosting "Household Gods: Hindu Devotional Prints, 1860–1930," an exhibition exploring the evolution of Hindu visual culture through the rise of chromolithography. The show traces how mass-produced prints transitioned sacred imagery from exclusive temple environments into the intimate, everyday spaces of domestic shrines.
Cal State Fullerton recently hosted its biannual Associated Students Inc. (ASI) Art Show at the Titan Student Union Center Gallery, centered on the theme of "Memory and Nostalgia." The exhibition showcased 20 student works spanning traditional oil paintings, digital illustrations, and 3D-printed media. Awards were presented across multiple categories, highlighting pieces such as Michael Butorac’s acrylic painting "Unforgotten Friday’s" and Victor Castaneda’s digital photograph "Becoming."
The Museum of Contemporary Art Australia (MCA) has announced it will accept Non-Fungible Tokens (NFTs) as a form of payment for entry to its upcoming exhibition focused on the intersection of art and artificial intelligence. This experimental initiative allows visitors to utilize digital assets to gain access to the museum, marking a significant integration of blockchain technology into the physical museum experience.
Prince Saheed Adelakun has returned to Mydrim Gallery in Lagos for a solo exhibition titled "KókóẸwà" (Essence of Beauty), featuring 45 new works. The exhibition is divided into two distinct series: "Dúdúyẹmí," which celebrates the natural richness of dark skin and traditional adornments, and "Ojú Tó ń Sọ̀rọ̀," a collection of portraits focusing on the expressive power of the human gaze. Utilizing a unique and labor-intensive rope medium, Adelakun explores themes of femininity, resilience, and cultural identity.
The Peabody Essex Museum (PEM) in Salem, Massachusetts, is launching a new exhibition titled "Pressing Importance: Salem and the Declaration of Independence" on May 2, 2026. Curated by Dan Lipcan, the show features rare materials from the museum's Phillips Library, including two of the earliest surviving broadside editions of the Declaration. The display focuses on the Revolutionary-era manuscripts, newspapers, and pamphlets that were instrumental in circulating the message of independence throughout the colonies.
The Missoula Art Museum has launched "Buffalo Is Our Good Medicine," a collaborative exhibition by artists Aspen and Cameron Decker. The show features a diverse array of media, including traditional ledger art, sculpture, hide paintings, and multimedia installations that center on the buffalo's vital role within tribal communities. Many of the works utilize hides harvested from the Yellowstone herd, blending historical storytelling with contemporary artistic practices.
The Detroit Institute of Arts (DIA) is closing its major exhibition, "Anishinaabe Art: Honoring Tradition, Inspiring Innovation," this weekend. The show, which opened in October, is the museum's first significant survey of Anishinaabe art in three decades, featuring over 80 works from the 19th century to the present.
A variety of weekend events are taking place across Wisconsin, including traditional Easter egg hunts, a Holi Festival celebrating the Hindu spring festival of colors, and a unique art exhibition featuring works made from or inspired by PEEPS marshmallow candies. The lineup highlights the state's diverse cultural offerings and community-focused spring activities, blending seasonal traditions with creative and cross-cultural expressions.
The Great Plains Transportation Museum in Wichita, Kansas, is hosting an exhibition of 'benching art.' This show features artistic benches, transforming a common functional object into a medium for creative expression.
The Millicent Rogers Museum in Taos has opened a posthumous retrospective dedicated to DeAnna Autumn Leaf Suazo, a rising Indigenous artist who was tragically killed in 2021 at the age of 29. The exhibition, titled "Honoring DeAnna Autumn Leaf Suazo," features over 20 works including large-format paintings, ledger drawings, and the first public display of illustrations from her children’s book, "Taos Pueblo Fall." The show highlights her unique aesthetic, which blended her Taos Pueblo and Diné heritage with influences from Japanese anime and manga.
The Dixon Gallery and Gardens has concluded the third and final installment of its ambitious "Black Artists in America" exhibition series. This concluding chapter focused on the late 20th century, showcasing how African American artists navigated the Civil Rights Movement and the subsequent shift toward contemporary abstraction and conceptualism while maintaining a dialogue with social justice.
The Denver Art Museum is hosting a public insight session focused on the specialized work of its conservation department. Conservators will present behind-the-scenes details regarding the treatment of artworks and objects prepared for several major exhibitions, including the mid-century modern showcase "Space Is the Place" at The Kirkland and the textile-focused "Conversation Pieces."
The Harvard Art Museums have launched "Celtic Art Across the Ages," a first-of-its-kind exhibition that challenges traditional Eurocentric narratives focused on Greece and Rome. Spanning from the Iron Age to the modern Celtic Revival, the show features objects like the abstract Heidelberg sandstone head and the bronze Dea Artio sculpture to highlight a visual language defined by ornamentation and deconstruction.
The Walters Art Museum has unveiled "Medieval Mindscapes," a new exhibition featuring 22 rare illustrated prayer books from the Middle Ages. Curated from the museum’s extensive permanent collection, the show focuses on "books of hours"—portable, highly personalized manuscripts that served as intimate tools for Christian devotion in medieval Europe. Highlights include 15th-century Belgian manuscripts featuring intricate visual illusions, gold parchment, and personifications of death.
The Saint Louis Art Museum (SLAM) is launching 'Ancient Splendor: Roman Art in the Time of Trajan,' a major exhibition featuring approximately 160 artifacts including imperial portraiture, mosaics, jewelry, and frescoes. Curated by Lucrezia Ungaro and Hannah Segrave, the show utilizes theatrical design and sensory elements like scents to immerse visitors in the Roman world. The exhibition is bolstered by significant loans from prestigious Italian institutions, including the Vatican Museums and the National Archaeological Museum of Naples.
The Royal Ontario Museum (ROM) has appointed Nicholas R. Bell as its next director and chief executive, effective July 6. Bell, a Vancouver native, succeeds Joshua Basseches, who led the Toronto institution for a decade. Bell joins the ROM from the Glenbow Museum in Calgary, where he was recognized for overseeing a major $200 million renovation and implementing a free admission policy.
The Phoenix Art Museum is hosting a talk by a fashion curator and author, focusing on the history of fashion. The event is part of a broader exhibition at the museum dedicated to fashion history.
The Canton Museum of Art is celebrating its 90th anniversary with a major exhibition titled "Shattered Glass: The Women Who Elevated American Art," which honors elite women artists. The exhibit will debut at the sold-out 2025 Art Inspires Gala on November 22 before opening to the public on November 25, with a free opening reception on December 11.
The Museum of Fine Arts, Houston is opening "Art and Life in Imperial Rome: Trajan and His Times," an exhibition exploring the artistic and cultural legacy of Emperor Trajan (AD 98–117). The show features loans from major Italian institutions including the Museo Archeologico Nazionale di Napoli and the Vatican Museums, with standout works such as a 2-meter marble statue of Trajan and a colossal portrait of his wife Plotina. The exhibition, conceived in 2021 with Italian consultancy StArt, will travel to the Saint Louis Museum of Art in March 2026, with each venue offering a different focus—Houston emphasizing large-scale objects like a recreation of Trajan's Column, and St. Louis delving into the port city of Ostia.
The Metropolitan Museum of Art’s newly reopened Michael C. Rockefeller Wing features a series of short documentaries by Ethiopian American filmmaker Sosena Solomon, commissioned to add contemporary context to the wing’s historical artifacts from Africa, Oceania, and the ancient Americas. Solomon spent two years traveling to 12 sites across sub-Saharan Africa, creating videos that highlight royal burial grounds in Uganda, ancient rock paintings in Botswana, bronze casters in Benin City, and the rock-hewn churches of Lalibela and Tigray in Ethiopia. Three of the videos are displayed on screens in the wing, while others are accessible via QR codes and online.
Nora Heysen became the first woman to win the Archibald Prize in 1938, yet the media response focused on her domestic life. This weekend, the Art Gallery of South Australia opens an exhibition highlighting Heysen and other local female artists who traveled to Europe before World War II, showcasing their portraits and still lifes that helped catalyze the modernist art movement in Australia.