Mothership Studios is hosting the opening reception and a brunch for the "Layers of Us" exhibition, featuring nine artists from Texas State University. The show explores the concept of culture through individual representation and community, using diverse media like video, painting, photography, and sculpture.
Indonesian artist Dini Nur Aghnia presents her solo exhibition 'What Gathers, What Holds' at Gajah Gallery in Yogyakarta, opening April 25, 2026. The exhibition features a new body of work exploring landscape through layered compositions of clay, resin, and patchwork textiles, moving away from a totalized vista to focus on fragments and accumulative change.
The Crimson Coast Dance Society is hosting a keynote presentation and film screening at the Nanaimo Art Gallery featuring artist Kevin Jesuino. The event focuses on Jesuino’s "Tender City: The Slow Dance Project," a socially engaged initiative that invites queer, trans, and bisexual men to perform partnered silent slow dances in public urban spaces.
The South Coast region is hosting a diverse series of local art events, ranging from outdoor markets to museum showcases. Highlights include the Art-in-the-Park event in Uvongo featuring over 60 artists, the Art by the Sea club's Easter exhibition at Southcoast Mall, and a dedicated sculpture show titled "The Third Dimension" at Sands Gallery in Glenmore Beach.
The article announces the opening of the Block Gallery, a new contemporary art exhibition space located in downtown Raleigh, North Carolina. The gallery is a city-run initiative designed to showcase rotating exhibitions of work by local, regional, and national artists, with a focus on emerging and underrepresented voices.
Apply for an exhibition in 2027 in Tampere [City of Tampere]
The Public Cultural Services of the City of Tampere has opened a call for exhibition proposals for its Culture House Laikku and Haihara Art Centre venues for the year 2027. Applications are being accepted from February 4 to March 23, 2026, with specific spaces targeting professional contemporary artists, visual culture groups, associations, and community-focused projects.
Arash Nassiri's first institutional solo exhibition, 'A Bug's Life,' has opened at London's Chisenhale Gallery. The show features a moving-image commission set within a sculptural installation, following an insect puppet protagonist through a cavernous mansion in Los Angeles. The mansion is a 'Persian Palace'—a hybrid of Iranian and French Empire architectural styles that emerged in 1960s-70s Iran and was recreated by wealthy Iranian exiles in Los Angeles after the 1979 revolution. Nassiri, who is Tehran-born and Berlin-based, uses the film to explore themes of disorientation, displacement, and the ambiguous dual belonging of Iran's American diaspora.
The winners of the Leicester Open exhibition have been announced, with Simon Farrow winning the prestigious Attenborough Award for his drawing "Clock Tower: Heaven or Hell," which depicts Leicester's Clock Tower with a street preacher and passers-by. Farrow, an amateur artist from Leicester, was selected from over 1,000 entries across paintings, sculptures, prints, and photographs. Other winners include Peter J Lester, Lisa Davies, Alexis Hutson, and several young artists in categories for ages 5-18. All winning works are on display at Leicester Museum & Art Gallery until January 30, 2026, with adult artworks available for purchase starting at £50.
A new art gallery, Mark Jude Gallery, has opened in the historic Sears building in Boyle Heights, Los Angeles. The 5,000-square-foot space, plus a repurposed satellite gallery, occupies part of the 1.8-million-square-foot former Sears mail-order plant, which closed in 1992 and shut its store in 2021. The gallery features works by artists Megan Mueller, Antonio Kim, and Caterina Piccardo, and plans to host immersive exhibitions including performance art, experimental film, and interactive storytelling. Owner Mark Jude, a former executive chef at the Smithsonian Institution, moved the gallery from the Arts District to take advantage of lower rent and more space.
Artist-in-residence Julia Lipovsky leads a group of six emerging artists aged 16 to 24 in ArtWorks' Gallery Fellowship Program, creating an exhibition titled "Splendor in the Grass" at the Your Name Here Gallery. Inspired by Jackie DeShannon's 1968 song, the artists used its lyrics as prompts to produce works in various media, including India ink drawings and painted paper collages, with a focus on journaling and personal reflection.
Latika Sridhar, a Needham native and former design engineer, is preparing for her first solo art exhibition titled "Strange Mirror," opening May 9 at Established Gallery in Brooklyn. The show features work she has created over the past two years since leaving her engineering career to focus on painting, following a fine arts summer intensive at the Pratt Institute. Her art explores themes of internal complexity, human emotion, and her own mental health journey, with the exhibition running for a month.
The Eloise Pickard Smith Gallery at Cowell College, UC Santa Cruz, is presenting "About Hunger & Resilience," an exhibition by photographer Michael Nye featuring portraits and oral histories on hunger in America, collected over four and a half years. The show is paired with "Circuit," a student-led photographic installation by Morgan Yacullo that maps campus food systems, including the UCSC Farm, Chadwick Garden, Redwood Free Market, and Cowell Coffee Shop. The exhibitions are part of a yearlong campus focus on food systems and food justice, curated with support from the Basic Needs team and curatorial intern Sloane Harris.
Kimie Joe, an artist and former engineer who worked on the International Space Station program and with Northrop Grumman, is the owner of the Gallery of Hermosa in downtown Hermosa Beach, California. In this interview, she discusses how her gallery serves as a cultural hub for emerging and established artists, offering rotating exhibits, workshops, and artist talks. Joe also shares her artistic practice, which blends materials like handmade ceramic tiles, epoxy resin, oil paints, and woven papers, drawing on her engineering background to create layered, tactile works that explore memory, place, and the natural world.
Artist Gina Blickenstaff is set to present her second annual solo exhibition, "The Method and the Madness," at the Center for Creativity in Fort Collins. Spanning all three of the venue's galleries, the five-day event coincides with Fort Collins Art Week and features an artist talk alongside a showcase of her vibrant, color-focused paintings. Blickenstaff, a recipient of the Dame JaCkie Erickson Creative Catalyst Award, is transitioning from a primarily digital presence to deeper local engagement through this immersive physical installation.
長野県150周年記念／リニューアル・オープン5周年記念「再編する－NAMコレクションの現在」@ 長野県立美術館
The Nagano Prefectural Art Museum has announced a major exhibition titled "Reorganizing – The NAM Collection Today," scheduled to run from April 29 to June 7, 2026. Celebrating the 150th anniversary of Nagano Prefecture and the 5th anniversary of the museum's renewal, the show features approximately 100 works from the permanent collection alongside new commissions by guest artists Naoya Hirata, Barrack, and Tomoko Sato. The exhibition is structured into three thematic sections focusing on sculpture, the layers of painting, and the re-reading of institutional history.
SHIZUOKAせかい演劇祭2026
The Shizuoka Performing Arts Center (SPAC) has announced the lineup for the SHIZUOKA World Theatre Festival 2026, scheduled to take place from April 25 to May 6, 2026. Under the artistic direction of Natsuki Ishigami, the festival will transform Shizuoka City into a sprawling stage, featuring international collaborations such as the Japanese premiere of 'The Tiger of Malaya' by Singapore’s Teater Ekamatra and the site-specific 'Eel Migration' involving local residents with Brazilian roots. The program also includes Satoshi Miyagi’s acclaimed production of 'Medea' and contemporary works addressing gender, labor, and social justice.
David Hills Gallery in Orleans, Massachusetts, is celebrating its first anniversary with a public event on May 16 at 4 p.m. at its Route 6A location. The celebration includes a talk by local food expert and author Elspeth Hay, a spring refresh of the gallery, and a renewed seasonal presentation of David Hills’ photography, which focuses on commercial fishing and Cape Cod’s waters.
The El Paso Museum of Art (EPMA) and the Museo de Arte de Ciudad Juárez (MACJ) have launched an open call for the eighth edition of the Border Biennial/Bienal Fronteriza. Scheduled to open in September 2026, the exhibition invites artists living within 300 miles of the El Paso-Juárez border to submit works under the theme "Imagining the Border." This iteration will expand its scope to include multi-sensory art, poetry, and spoken word, with 30 selected artists displaying works across both international venues.
Adam Patrick Grant’s artistic practice is rooted in a meticulous and devotional process of observation, transitioning from a background in film to a dedicated focus on oil painting over the last three years. Working from his London studio, Grant utilizes an extensive archive of personal sketches, photographs, and found imagery—such as anonymous postcards and family photos from markets—to capture fleeting moments of intimacy and the unspectacular everyday. His work is characterized by a rhythmic dialogue between the act of walking, the gathering of visual fragments, and the translation of these memories into tender, precise compositions.
Disparition de Denis Coekelberghs
Denis Coekelberghs, an art historian and contributor to La Tribune de l'Art, died on February 25 at the age of 85. He was a specialist in the work of François-Joseph Navez and Flemish Baroque sculpture, and earned his doctorate in art history from the Catholic University of Louvain in 1976.
ART AFRICA has announced an open call for the second edition of its NEW FUTURES ARTS COLLABORATIVE, scheduled for 2026 in Cape Town, South Africa. The residency, titled "De-composition, Extraction and Regeneration," invites artists to collectively explore themes of extractivism, ecological crisis, and social justice, using artistic practice as a tool for transformation and regeneration.
Bryan Stevenson, civil rights attorney and executive director of the Equal Justice Initiative (EJI), opened Montgomery Square in Alabama on the anniversary of the Selma to Montgomery March. The new public space commemorates the acts of courage that led to the Voting Rights Act of 1965, focusing on the Civil Rights era and the role of Montgomery's Black community, including lesser-known figures like Linda Blackmon Lowry and Sheyann Webb. Stevenson discusses the square as part of EJI's broader network of sites—including the Legacy Museum and the National Memorial for Peace and Justice—which aim to deepen public understanding of America's history of racial inequality and mass incarceration.
Iva Sidash, a Ukrainian photographer based in Kharkiv, has been recognized for her ongoing project "Seeing the Unseen," which documents everyday life on the frontlines of the Ukraine war. This year, she won an Ian Parry Photojournalism Grant and the Women Photograph Fellowship. Her work focuses on intimate, fragile moments—such as a woman folding laundry in a ruined apartment—rather than conventional images of destruction, aiming to preserve the humanity of those living through conflict.
Adali Schell, a photographer from Southern California with family ties to rural Ohio, is featured as a young artist nominated by Paris Chong, director of Leica Gallery LA. Schell is known for a series capturing friends with their first cars, and his work has appeared at Les Rencontres d'Arles and in publications such as The Guardian, The New York Times, and The New Yorker. The article includes Schell's personal reflection on his artistic journey, from starting with an iPod Touch camera in fifth grade to focusing on intimate portraits of family and friends.
京都芸術センター展覧会シリーズ「FOCUS」第6回 澤田華個展「まめによそ見する足」@ 京都芸術センター
The Kyoto Art Center has announced the sixth installment of its "FOCUS" exhibition series, featuring a solo exhibition by Kyoto-based artist Hana Sawada titled "Attentive Sideways Glances." Running from April to May 2026, the show highlights Sawada’s practice of deconstructing everyday actions through photography, video, and installation. Key works include a new entry in her "Floating Video" series, where she filmed the center’s grounds using only the light of a projector playing a zombie movie, and a new installation that translates visual observations into linguistic records.
Fourteen Kurdish artists staged a provocative "Non-Art Exhibition" at Media Gallery in Erbil to commemorate World Art Day. In a radical departure from traditional gallery formats, the participants displayed only the reverse sides of their canvases, completely concealing the painted surfaces from the audience. Organized by artist Ahmed Nabaz, the one-day event kept its conceptual twist a secret from the participating artists until the moment of the opening.
Asheville-based artist Harley Burns discusses their transition from a career in public health to a full-time painting practice centered on trans and gender-nonconforming identity in the American South. The interview focuses on Burns's triptych "Buttoning Back Up" (2025), which translates a vulnerable public performance of chest-binding into a series of oil paintings that explore the hypervisibility and invisibility of non-binary bodies.
The Westmoreland Museum of American Art in Greensburg, Pennsylvania, has opened a limited-edition exhibition titled 'Gilded Glamour,' showcasing works that explore opulence and decorative arts from the Gilded Age. The show features paintings, furniture, and decorative objects drawn from the museum's collection and select loans, highlighting the era's lavish aesthetic and cultural aspirations.
The article examines how immersive digital exhibitions have transformed art viewing by the late 2020s, focusing on the Smithsonian Hirshhorn Museum's late-2025 survey "Big Things for Big Rooms" and the touring show "Picasso: Art in Motion" at the Museum of Art and Light. It notes that immersive exhibitions now encompass 360-degree projection mapping, AR overlays, and generative AI installations, and that they consistently outperform traditional exhibitions in attendance, especially among visitors under 35.
The article highlights Memorial Day weekend art offerings in the Concord and Fitchburg, Massachusetts area, focusing on museums and galleries as cool retreats from the summer heat. It notes International Museum Day's theme "Museums Uniting a Divided World" and promotes special membership deals at Fitchburg Art Museum, an exhibit at the Arts League of Lowell Greenwald Gallery, and the Concord Museum's upcoming Garden Tour fundraiser.