The article profiles the traditional Japanese craft of making kokeshi dolls, focusing on the artisans in the Tōhoku region who continue this centuries-old practice. It details the specific techniques, types of wood used, and the cultural significance embedded in the dolls' simple, limbless forms.
Filipa Ramos has been appointed curator of the 19th edition of the Lofoten International Art Festival, set to take place across the Norwegian arctic archipelago in June 2027. Ramos, a curator and writer who teaches at the Institute Art Gender Nature of the Academy of Art and Design FHNW in Basel, is known for ecologically-focused research that reimagines human-animal-environment relationships. She authored *The Artist as Ecologist* (2025) and is currently organizing the LOOP Festival in Barcelona and the symposia series *The Shape of a Circle in the Mind of a Fish*, created with Lucia Pietroiusti.
CULTURED, Design Within Reach (DWR), and Flos co-hosted a salon-style panel discussion in DWR's Third Avenue showroom in New York, focused on the evolving role of lighting in modern interiors. Panelists included Barber Osgerby design studio co-founder Jay Osgerby, interior designer Clive Lonstein, DWR Senior Director of Merchandising Lizzy Sullivan, and moderator Sarah Harrelson, CULTURED's Editor-in-Chief. The event featured the new Flos Bellhop Lamp Collection and drew designers, collectors, and media figures such as Sarah Solis, Gray Davis, and photographer Frank Frances.
The Phoenix Art Museum has announced a major upcoming exhibition titled "Nike: Form Follows Motion," scheduled to run from April 14 to September 26, 2027. Jeremy Mikolajczak, the museum’s director and CEO, unveiled the project during a presentation to the Phoenix Economic Development and Arts Subcommittee, describing it as one of the most significant milestones in the institution's upcoming schedule.
The Sherman Fund has acquired works by emerging artists for donation to US museums, supporting new talent and expanding institutional collections. The initiative focuses on acquiring pieces from lesser-known contemporary artists and placing them in public institutions to increase accessibility and representation.
The art world is witnessing a significant shift toward 'one-work exhibitions,' where entire gallery or museum spaces are dedicated to a single object. This curatorial trend, often referred to as 'slow looking,' prioritizes deep engagement and spatial experience over the traditional model of high-volume, rapid-fire viewing. By isolating a single masterpiece or installation, institutions are challenging the 'speed and glut' that defines modern digital and visual consumption.
Catherine Christer Hennix's exhibition at Malmö Konsthall presents an austere yet expansive body of work that weaves together mathematics, mysticism, and sound. The artist's practice is characterized by a focus on absence, silence, and negative space, creating an immersive environment that challenges conventional sensory engagement.
A growing number of contemporary photographers are shifting their focus from traditional documentary subjects to their own personal and familial archives. This movement, termed the 'familial turn,' sees artists using intimate, domestic materials as primary sources for artistic exploration and narrative construction.
CARLOS RUNCIE TANAKA S CERAMICS IN PINTA LIMA S SPECIAL PROJECT
The art fair Pinta Lima is presenting a Special Project dedicated to the late Peruvian ceramic artist Carlos Runcie Tanaka. Organized by Fundación Pinta, Henrique Faría Gallery, and the artist's estate, the exhibition brings together a selection of works from 2001 to 2007, focusing on his mastery of the clay sphere and his unique visual language.
The Swiss Arts Council Pro Helvetia has selected the project "The Unfinished Business of Living Together" to represent Switzerland at the 2026 Venice Biennale. Conceived by Gianmaria Andreetta, Luca Beeler, and artist Nina Wakeford, the exhibition utilizes archival television broadcasts from the 1970s and 80s to explore the history of LGBTQ+ visibility and social coexistence. The installation will feature a spatialized video production and garden interventions that reactivate historical media moments to examine how social norms dictate public discourse.
Artist Gisela Colón has opened her first retrospective exhibition, 'La montaña, el monolito (The Mountain, the Monolith),' at the Museo de Arte Contemporáneo de Puerto Rico. The show, curated by Abdiel Segarra Ríos and Alexandra Méndez, features sculptures, paintings, video, and installations spanning over three decades of her career, with a focus on the organic forms of monoliths and mountains.
The Cultural Center of Spain in Panama is hosting an exhibition titled 'The Dimension of the Invisible: Ecofeminist Traces of Panamanian Art' until April 1, 2026. The show features traditional and digital works by ten Panamanian and international artists who explore the intersections of nature, culture, and the body from an ecofeminist viewpoint, challenging established boundaries between the human and non-human.
The Korean Museum Association, in partnership with the Ministry of Culture, Sports and Tourism and the ICOM Korea Committee, is hosting "2026 Museum and Art Gallery Week" throughout May to commemorate International Museum Day on May 18. The event features 16 special exhibitions and experiential programs from 18 institutions nationwide, organized under three main themes: "Museum×Enjoy," "Museum×Stroll," and "Museum×Meet." Participating venues include Kyo-dong Art Museum, Gyeonggi Provincial Children's Museum, Savina Museum of Contemporary Art, and others, offering hands-on activities, educational content, and community-based programs for children and families.
Nikki Brovold has opened Luckygirl Gourmet Gallery in Portland's Pearl District, a hybrid space where art takes precedence over food. The gallery's inaugural exhibition, "Who's That Girl," features nine artists including Tom Relth, Eric Rue, Paul Solevad, Michelle Yamamoto, Richard Cutshall, and Paula Bullwinkel, with a focus on abstractive figuration and feminine perspectives. Brovold, who previously worked at a global consulting firm in New York and as a gallerist at the Portland Art Museum, curates the art while also offering a small selection of elevated snacks and drinks, such as Makabi & Sons cookies and Puff Coffee cold brew. The space is co-owned by Brovold's husband, Shawn Przybilla.
A new exhibition titled 'In the Shadow of the Pavilions: Expo 86 and Contemporary Art' has opened at the Surrey Art Gallery, running from April 18 to June 7, 2026. It is the first exhibition to focus specifically on the art of Expo 86, featuring original works and archival materials from 35 artists that examine both official and unofficial art from the 1986 world's fair. The show includes photography, painting, installation, performance, and video art, and is accompanied by a symposium on May 9 and a curator's tour with Jordan Strom on May 28.
BankOnArt Gallery is launching a new exhibition titled "The Future of Finance," featuring works by contemporary artists who explore the intersection of art, technology, and the financial world. The show includes digital installations, paintings, and sculptures that critique and reimagine concepts like cryptocurrency, market data, and economic inequality.
The article announces the upcoming 58th edition of Artribune's newsletter 'Render', focused on urban and cultural regeneration, set to be released on Monday, May 25, 2026. It highlights the winning project 'Roma Continua' from the 'A Vision for Rome' call for ideas promoted by Fondazione Roma REgeneration, led by architects Alessandro Cambi and Bruna Dominici of studio IT'S, in collaboration with OMA, LGSMA, OKRA, NET Engineering, and others. The second-place project 'New Times New Roma' is also mentioned, involving groups like From, Fosbury Architecture, and BASE Milano. The newsletter also covers new regeneration projects across Italy and Europe, and notes the upcoming 20th International Architecture Exhibition of Venice.
Le donne di Grigory Gluckmann in mostra al Museo Archeologico di Aosta
The Museo Archeologico Regionale di Aosta is hosting the first Italian exhibition dedicated to Grigory Gluckmann (1898–1973), a Belarusian-born American painter. Curated by Daria Jorioz and Valeria Gorbova, the show, titled "Grigory Gluckmann. Tra luce e grazia," runs until June 2, 2026, and features works centered on the female figure. Gluckmann's career spanned Russia, Berlin, Florence, Paris, and the United States, and his style blends Renaissance techniques with modern sensibility.
Due grandi studi di architettura puntano a rivoluzionare Roma nei prossimi 25 anni
A multidisciplinary team led by Italian architecture and urban planning firm IT'S and Dutch firm OMA has won the international ideas competition "Vision for Rome," promoted by the Fondazione Roma REgeneration. Their project, "Roma Continua," was presented at the Auditorium della Tecnica di Confindustria during the second ROMA REgeneration FORUM. The proposal aims to rethink Rome over the next 25 years through a paradigm shift in urban, social, and cultural planning, envisioning the city as a living ecosystem. It is based on five guiding principles—care, beauty, knowledge, movement, reuse, and grafting—and includes five green corridors anchored to the Tiber River, "Fori dell'innovazione" (innovation forums), and a continuous mobility network. The project also seeks to reduce tourist pressure on the historic center by creating new cultural itineraries and sustainable transport links.
Il linguaggio oltre l’umano nel sorprendente Padiglione Polonia alla Biennale di Venezia 2026. L’intervista
The Polish Pavilion at the 2026 Venice Biennale presents "Liquid Tongues," a project by artists Bogna Burska and Daniel Kotowski, curated by Ewa Chomicka and Jolanta Woszczenko with the collective Choir in Motion. The installation eschews spectacle for a subtle, immersive exploration of language beyond the human voice, incorporating sign language, underwater immersion, choreography, and whale songs to destabilize conventional communication.
TAILOR, the vertical newsletter from Artribune exploring the intersections of art and fashion, returns on Sunday, May 17, 2026. The upcoming issue focuses on "Science Fashion," an event held from May 13 to 15 at the MACRO – Museo d'Arte Contemporanea di Roma, curated by Dobrila Denegri, which investigates relationships between fashion, science, and new technologies. The newsletter also examines the rapid spread of the non-color white in fashion and design as a response to pandemic, crisis, and geopolitical tensions, offering analytical content for professionals, students, and enthusiasts.
Intervista alle curatrici che hanno portato l’Italia alla Craft Week di Londra
Amalia di Lanno and Valeria Zerbo, founders of the London-based curatorial platform Avant Craft, are bringing Italian ceramics to the London Craft Week for the first time. Their exhibition, "Contemporary Perspectives on Italian Ceramics," showcases a selection of independent Italian artists and designers who explore ceramics as a material investigation, sculptural experimentation, and cultural continuity. The show opens on May 14 with a "Meet a Master" event featuring artist Riccardo Monachesi, marking the official kickoff of Avant Craft.
From May 13 to 15, 2026, the MACRO – Museo d’Arte Contemporanea di Roma will host "Science Fashion," an event curated by Dobrila Denegri that explores the intersections of fashion, science, and new technologies. The program brings together international researchers and practitioners in experimental fashion to discuss urgent issues such as climate emergency, energy, and interspecies coexistence. It is part of the broader multi-year initiative "Experiments in Fashion and Art," launched in 2024 with "Critical Fashion," and involves collaborations with NABA, Sapienza University of Rome, and UnitelmaSapienza.
A Roma è nato un nuovo spazio culturale che lavora sulla memoria della città (anche attraverso le cartoline)
A new cultural space called URBS has opened in Rome's Testaccio district, founded by architect Andrea D'Antrassi in collaboration with Giovanni Colombara. The space debuted in 2024 as "The Smallest Museum by URBS," a 20-square-meter venue housing over 1,600 historical postcards of the city, creating a visual archive spanning different eras. The museum also hosts temporary exhibitions, such as the current show "Not Mine, Not Yours" by Iranian artist Mehrdad Shadrooh, curated by Barbara Blasi, which draws from a family video-photo archive covering over eighty years of history. A commercial space has also been opened in Trastevere.
Una recensione della Biennale di Venezia 2026 senza nominare neppure un artista
This review of the 2026 Venice Biennale describes an exhibition that overcame dire circumstances—the death of curator Koyo Kouoh early in preparations, losses of key artists, and international political controversies—to deliver a surprisingly joyful and engaging show. Titled "In Minor Keys," the Biennale features a well-conceived, flowing presentation across the Giardini and Arsenale that prioritizes beauty, craftsmanship, and hope over a punitive or documentary tone.
Il Marocco è per la prima volta con un Padiglione alla Biennale d’Arte di Venezia. L’omaggio alla tessitura di Amina Agueznay
Morocco is participating for the first time with an official national pavilion at the Venice Art Biennale, presenting a monumental installation by artist Amina Agueznay. Titled "Asǝṭṭa" (2026), the site-specific work at the Arsenale's Artiglierie space explores ritual weaving and the transmission of traditional craftsmanship, using sewn panels to create a second skin over the 300-square-meter pavilion. Curated by Meriem Berrada, the project draws on Agueznay's two-decade-long research in dialogue with Moroccan artisan communities, including spinners, embroiderers, basket makers, and goldsmiths.
Sta per uscire la nuova newsletter TAILOR tra crisi del lusso, nuove generazioni creative e salute mentale (abbonatevi!)
Artribune has launched a new edition of its newsletter TAILOR, which examines the transformation of the global fashion system amid a luxury crisis, the rise of new creative generations, and the growing structural importance of mental health in the industry. The newsletter features a focus on five emerging designers shifting fashion from product to narrative, an exclusive interview with influential stylist Tom Eerebout, and the debut in Italy of the project "One Person. One Voice" as part of the Mental Health in Fashion campaign, created by Florian Müller with artist Claudia Malecka.
Il padiglione dei Paesi Bassi alla Biennale di Venezia è una contestazione politica (anche della Biennale stessa)
The Dutch Pavilion at the 2026 Venice Biennale, titled "The Fortress" by artist Dries Verhoeven and curator Rieke Vos, transforms the modernist Rietveld Pavilion into a fortress-like enclosure. Inside, a rotating group of thirteen international performers will stage a series of performances throughout the Biennale, focusing on themes of geopolitical uncertainty, social disorder, and the search for stability in an unbalanced world. This marks the first time the Netherlands has used the Rietveld Pavilion for a performance-based project.
Il primo maggio parte una nuova uscita di Pax. Le anticipazioni della newsletter sul turismo culturale (abbonatevi)
The article previews the upcoming May 1st issue of Pax, a newsletter by Artribune focused on cultural tourism. It highlights a feature on Italy's colorful villages, explaining how bright colors historically aided sailors and fishermen, and how white facades served hygienic purposes. The issue also covers off-the-beaten-path destinations like Bolsena, which recently opened a contemporary art space in Palazzo Cozza Caposavi, and explores slow tourism practices such as barefooting, discussed with its founder Andrea Bianchi. Additional content includes a roundup of cultural initiatives from Berlin to Naples, Budapest's Citadella reopening, and the Sussex forest's Winnie-the-Pooh centenary.
I futuri professionisti della cultura in Africa saranno formati da sei musei italiani
The fourth edition of the International School of Cultural Heritage (Scuola Internazionale del Patrimonio Culturale) is underway, with 23 cultural professionals from 12 African nations participating in a hands-on training program hosted by six Italian museums. After online modules and a week of lectures in Rome, the residential phase runs from April 27 to May 22, 2025, placing participants at the Museo delle Civiltà (MUCIV), the Archaeological Parks of Praeneste and Gabii, the National Archaeological Museum of Taranto (MArTA), the National Archaeological Museum of Naples (MANN), the National Archaeological Museum of Reggio Calabria (MArRC), and the National Archaeological Museum of Agro Falisco and Forte Sangallo in Civita Castellana. The program, titled "Managing Art Collections: from ancient to contemporary," focuses on collection management, conservation, and public programming, linking archaeological heritage with contemporary practices.