trump administration violated law withholding institute of museum and library services funds

The Government Accountability Office (GAO) issued a decision on Monday finding that the Trump administration violated the Impoundment Control Act of 1974 by withholding congressionally appropriated funds from the Institute of Museum and Library Services (IMLS). In March, President Trump signed an executive order calling for the elimination of the IMLS, and in April the agency was gutted by the Department of Government Efficiency (DOGE), placing its entire 75-person staff on leave. The GAO determined that the IMLS ceased performing its legal duties and withheld funds intended for museums and libraries, and that the administration could not justify the withholding.

looted antiquities sold facebook marketplace palmyra syria

Thieves in Syria are looting ancient artifacts from archaeological sites like Palmyra, a UNESCO World Heritage city dating back to the 3rd century BCE, and selling them on Facebook Marketplace. The looting has surged since the overthrow of former president Bashar al-Assad in December, with traffickers listing funerary gold, statues, and mosaics alongside ordinary secondhand goods. The Antiquities Trafficking and Heritage Anthropology Research (ATHAR) Project reports that nearly one-third of its 1,500 Syrian cases occurred in December alone, and sales are happening faster than ever—mosaics that once took a year to sell now move in two weeks.

eu import regulations

The European Union's Regulation 2019/880, aimed at combating illicit trafficking and terrorism, will take effect on June 28, imposing stricter import controls on antiquities and artworks over 200 years old and valued above €18,000 ($19,500). The regulation requires importers to provide evidence that an object was lawfully exported from its country of origin, even for items exported decades ago when such documentation was not required. This reverses the presumption of innocence, placing the burden of proof on importers. Dealers and experts express concern that the rules are not based on market realities, as importers must be registered within the E.U., forcing non-E.U. dealers to rely on third-party agents or shippers. The regulation also poses challenges for ancient objects, where borders and export controls may be historically ambiguous.

peru halves protected area near nazca lines

Peru's Culture Ministry has reduced the protected area surrounding the Nazca Lines by nearly half, from approximately 2,162 square miles to 1,235 square miles. The move shrinks the Nazca Archaeological Reserve, a UNESCO World Heritage Site, and archaeologists warn it could expose the ancient geoglyphs to exploitation by informal miners seeking to legitimize their operations amid a global surge in precious metal prices.

protect stonehenge from future development wiltshire council

Wiltshire Council has launched a public consultation on a new planning document aimed at protecting Stonehenge from future development, less than a year after the controversial A303 tunnel project was canceled. The draft supplementary planning document, created with input from Historic England, the National Trust, and the English Heritage Trust, will guide decisions regarding the Stonehenge and Avebury World Heritage Site, with a public comment deadline of June 17 and potential adoption in October 2025.

extreme mold damage denmark

A newly discovered mold species, aspergillus section restricti, is damaging artworks and cultural objects across Denmark. Detected in 12 museums including the National Museum of Denmark and Skagens Museum, the fungus thrives in dry environments—the very conditions used to preserve artifacts. Conservators describe it as an "epidemic" that also poses health risks to visitors. The National Museum is relocating affected works to a new warehouse near Copenhagen, but no solution has been found yet. Preliminary studies are underway at 150 additional cultural sites to assess the spread.

lawmakers probe executive order targeting museum content

A group of 71 House Democrats, led by Representatives Ayanna Pressley and Paul Tonko, is urging the Smithsonian Institution's inspector general to investigate Executive Order 14253, issued by President Donald Trump in March 2025. The order mandates the removal of exhibits and materials deemed "divisive" or promoting "race-centered ideology" from federally funded museums, including the Smithsonian. The lawmakers argue that the directive threatens the Smithsonian's congressionally mandated independence and could breach federal law, as the institution is expected to remain nonpartisan and free from political interference.

house democrats urge jd vance to stop smithsonian

Four Democratic members of the U.S. House of Representatives—Joseph Morelle, Terri Sewell, Norma Torres, and Julie Johnson—sent a letter to Vice President J.D. Vance on Thursday urging him to reject an overhaul of the Smithsonian Institution. The letter responds to President Donald Trump's March 27 executive order, "Restoring Truth and Sanity to American History," which aims to eliminate "divisive" and "anti-American" content from Smithsonian exhibitions and restore removed monuments. The lawmakers argue that the order threatens the curatorial independence that has made the Smithsonian a globally respected cultural institution.

Israel’s Artist Said to Have Threatened Legal Action Before Venice Biennale Jury Resignation

Belu-Simion Fainaru, the artist representing Israel at the 2024 Venice Biennale, allegedly threatened legal action against Biennale officials, accusing them of “racial discrimination” and “antisemitism” after the international prize jury announced it would exclude countries whose leaders are charged with crimes against humanity—effectively barring Israel and Russia from awards. The jury, handpicked by late artistic director Koyo Kouoh, resigned en masse on April 30, citing their earlier statement of intent. Fainaru had previously opposed calls to exclude Israel over its military actions in Gaza, arguing for dialogue over boycotts.

The appalling mediocrity of the chosen project for the 'Grande Colonnade' of the Louvre

L'effarante médiocrité du projet retenu pour la « Grande Colonnade » du Louvre

The French Ministry of Culture has announced the winning team for the 'Grande Colonnade' project at the Louvre, selecting STUDIOS Architecture Paris and Selldorf Architects. The ministry's press release, described as self-congratulatory and written in trendy bureaucratic language, celebrates the choice as a major advancement. However, the article criticizes the lack of transparency, noting that only three exterior visuals have been released, and argues that the project is unfunded and threatens necessary renovations at the museum, as previously highlighted by the Cour des Comptes and parliamentary representatives.

Dispatch: Beijing

The article reports on a series of significant shifts in Beijing's art world since 2024. UCCA Center for Contemporary Art faced financial troubles; its director and CEO Philip Tinari ended his 14-year tenure to lead Hong Kong's Tai Kwun. Taikang Art Museum also disclosed leadership changes. Smaller venues like DRC NO. 12 and fRUITYSPACE closed due to lease issues. Independent publishing faces sharp restrictions, and art book fairs are being replaced by cultural-lifestyle merchandise events. Official figures show Beijing lost over a million young residents since 2020 due to soaring living costs and tightening regulations.

New York City provides long-term support to five local arts organisations

The New York City Department of Cultural Affairs (DCLA) has inducted five new members into its Cultural Institutions Group (CIG), an exclusive program that provides long-term operational subsidies to private arts organizations operating on public land. The new members—Bric (Brooklyn), Pregones/Puerto Rican Traveling Theater (Manhattan), the Bronx Children’s Museum, the Noble Maritime Collection (Staten Island), and the Louis Armstrong House Museum (Queens)—represent each of the city’s five boroughs. This is the largest expansion of the program, now totaling 39 members, since the 1970s. A celebratory event was held at Bric on September 30, featuring remarks from DCLA Commissioner Laurie Cumbo and Deputy Mayor Adolfo Carrión Jr., along with musical performances by each institution.

Closure of UNT art show points to larger climate of fear on college campuses

The University of North Texas recently shuttered an on-campus art exhibition shortly after its opening, marking a significant escalation in campus censorship. This incident follows a pattern of administrative interference, including the removal of pro-Palestinian student work and the resignation of a museum director at Pepperdine University over the alteration of politically sensitive artworks. These actions are part of a broader national trend where university administrations are increasingly intervening in artistic expression to avoid political controversy.

‘We need to rethink’: new exhibition revisits an Israeli conceptual art project, 53 years on

A new exhibition at the Givat Haviva Art Gallery in northern Israel revisits a landmark 1972 conceptual art project called Metzer-Meiser, which took place along the seamline between Kibbutz Metzer and the Arab village Meiser. The original project involved four Israeli artists—Dov Or-Ner, Moshe Gershuni, Avital Geva, and Micha Ullman—who created actions exploring Jewish-Arab coexistence, including burying personal items, parcelling land, scattering books, and exchanging soil between the two communities. The contemporary exhibition, "Metzer-Meiser: Take 2," co-curated by Anat Lidror and Tali Tamir, includes two of the original artists (Geva and Ullman) alongside ten contemporary Jewish and Palestinian artists, responding to the original project's themes of connection, fear, and trust.

Venice Biennale opens under shadow of protests over Russia and Israel

The 61st Venice Biennale opened under heavy protest as Russia returns to the event for the first time since its 2022 invasion of Ukraine. Ukrainian feminist collective Femen and Russian punk band Pussy Riot demonstrated outside the Russian pavilion, with activists accusing Russia of using art as a weapon in a hybrid war. Meanwhile, pro-Palestinian protesters gathered outside Israel's pavilion, holding banners reading 'No artwashing genocide' and demanding Israel's exclusion over the war in Gaza. The Biennale's international jury resigned last month, refusing to award prizes to countries led by figures subject to ICC arrest warrants, namely Vladimir Putin and Benjamin Netanyahu. EU foreign policy chief Kaja Kallas called Russia's participation 'morally wrong' and threatened to cut €2 million in funding, while culture ministers from 22 European countries urged organizers to reconsider.

Jury for Venice Biennale's art prize resigns after refusing to recognise Israeli, Russian artists

The international jury of the 61st Venice Biennale art exhibition resigned just over a week before the May 9 prize ceremony, after announcing they would not consider artists from countries whose leaders face International Criminal Court charges—an apparent reference to Russia and Israel. The jury included president Solange Farkas, Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi. In response, the Biennale established two Visitors’ Lions to be awarded by ticket-holder vote, postponed the awards to November 22, and reaffirmed that all national participations remain eligible, effectively reinstating Russian and Israeli artists.

Europe: China’s censorship of cultural institutions must be challenged - ARTICLE 19

The Victoria and Albert Museum (V&A) in London has reportedly removed maps and images from exhibition catalogues on multiple occasions following pressure from its Chinese publisher, C&C Offset Printing. The publisher cited directives from China's General Administration of Press and Publication (GAPP), which enforces the Chinese Communist Party's official narratives on sensitive topics like territorial borders.

Mummies and other human remains held in UK museums raise serious ethical questions, warn scholars

A major investigation has revealed that UK museums, universities, and local authorities hold more than 263,000 human remains, including mummies, skeletons, and skulls. Of these, approximately 37,000 originate from overseas, largely from former British colonies, often acquired without consent. The findings have sparked intense criticism from scholars and curators who argue that the sheer scale of these collections reflects a distressing colonial legacy and necessitates a systemic shift toward repatriation and more ethical storage practices.

Turkey’s heritage power grab: new law threatens Istanbul’s opposition-run cultural sites

The Turkish government has enacted a new law allowing the central state to seize historic properties from local municipalities, specifically targeting sites originally endowed to Ottoman-era foundations. This legislation directly impacts Istanbul, where Mayor Ekrem İmamoğlu’s administration has spent years restoring nearly 1,000 heritage sites and converting neglected spaces into vibrant museums, libraries, and contemporary art venues. Critics argue that the state-run General Directorate of Foundations lacks the expertise to manage these cultural hubs and may instead lease them out or close them entirely.

Louvre staff vote to strike, citing failures of management and building maintenance

Staff at the Louvre Museum in Paris voted unanimously to strike, with rolling walkouts set to begin on December 15. The unions, representing around 200 employees, filed a strike notice with the French culture ministry, citing insufficient staff, technical failures, and the building's aging condition. They also criticized the museum's director, Laurence des Cars, for a top-down management system that ignores staff alerts. The strike follows a series of incidents, including the theft of the French crown jewels in October, a forced closure of the Campana Gallery due to structural issues, and a water leak that damaged hundreds of books in the Egyptian antiquities library.

The new ARTE Museum at Chelsea Piers is a must-see immersive experience: How to get tickets

ARTE Museum New York has opened at Chelsea Piers, a 52,000-square-foot immersive digital art experience created by the Korean art-tech studio d’strict. The exhibition, themed 'Eternal Nature,' features multisensory rooms with lifelike digital waterfalls, blooming flowers, ocean waves, jungle animals, and a tornado, using cutting-edge projection mapping and interactive technology that responds to movement, sound, and scent. Visitors can also enjoy an interactive animal sketching station and unwind at the ARTE Tea Bar. The museum has locations in Miami, Las Vegas, and Dubai as well.

Artist Flees Thailand After China Exerts Influence on Museum Exhibition

A Myanmar artist, Sai, has fled to the U.K. and is seeking asylum after Chinese officials pressured the Bangkok Art and Culture Centre to censor an exhibition on authoritarianism. The show, titled "Constellation of Complicity: Visualizing the Global Machine of Authoritarian Solidarity," included works by Tibetan, Uyghur, and Hong Kong artists. Following demands from the Chinese embassy, transmitted through Thai authorities, the center removed sensitive artworks, obscured artists' names, and covered flags and references to Tibet, Hong Kong, and Xinjiang. Sai and his wife, who co-curated the exhibition, were allegedly told Thai police were looking for them, though police denied this.

Comment | Trump's 100 days should remind us to be brave—because in an autocracy there is no safety

The article examines the impact of the first 100 days of Donald Trump's second term on the U.S. cultural sector, detailing executive actions that force museums, libraries, and arts institutions into ideological conformity. Orders targeting diversity, equity, inclusion, and gender threaten funding from the National Endowment for the Arts and the National Endowment for the Humanities, while the Smithsonian Institution and Kennedy Center face direct political oversight. The administration also redirects funds toward patriotic projects like a sculpture garden of 'American Heroes,' and private institutions such as the Rhode Island School of Design and Creative Capital face pressure over pro-Palestinian expression and diversity-focused programs.

In Rome, the extension of the Galleria Borghese provokes a revolt

À Rome, l’extension de la Galerie Borghèse provoque une fronde

The Galleria Borghese in Rome has sparked controversy by initiating a feasibility study for a new building attached to its 17th-century villa. Museum director Francesca Cappelletti, in office since 2020, cites the need to increase visitor capacity, improve security, and create spaces for mediation, conferences, and temporary exhibitions. The museum, which saw nearly 630,000 visitors in 2025, operates with strict two-hour time slots capped at 180 people, often sold out in high season. Engineering firm Proger has offered to fund the study for €875,750 in exchange for institutional visibility, and Rome's mayor Roberto Gualtieri has declared the project of public interest.

Mischief’s Genius Ads for NPR Provoke Urgent Questions About the Right to Information

In mid-2025, the Trump administration rescinded $9 billion in public media funding, including $1.1 billion for the Corporation for Public Broadcasting (CBP), which subsequently voted to dissolve. While NPR stated its mission would continue unchanged, the cuts disproportionately impacted rural member stations that relied on CBP for about 13% of their revenue, threatening local access to public media.

Brussels, Russia and the Venice Biennale

The jury of the 61st Venice Biennale Art Exhibition has resigned en masse to protest the decision to allow Russian participation for the first time since the 2022 invasion of Ukraine. The jury stated it would refuse to consider artists from countries whose leaders face International Criminal Court warrants, specifically Israel and Russia, citing a commitment to human rights. The Biennale organizers defended the re-admission as consistent with openness and dialogue, while Ukrainian Foreign Minister Andriy Sybiha and EU foreign policy chief Kaja Kallas condemned the move, with the EU threatening to cut funding. The Italian government distanced itself, calling the Biennale autonomous.

Unpacking the Venice Biennale controversies and highlights

The 2026 Venice Art Biennale is proceeding with a posthumous main exhibition, "In Minor Keys," curated by the late Cameroonian-born artistic director Koyo Kouoh, who died in May 2025. The event features 100 national participations, including seven first-time countries, and has reinstated Russia's pavilion after its voluntary withdrawal following the 2022 invasion of Ukraine.

EU threatens to pull funding from Venice Biennale over return of Russian pavilion

The European Union has threatened to withdraw a €2m grant from the Venice Biennale following the foundation's decision to allow Russia to reopen its national pavilion for the first time since the 2022 invasion of Ukraine. EU commissioners Henna Virkkunen and Glenn Micallef, supported by 22 European culture ministers, argue that the Biennale must not provide a platform for Kremlin propaganda or individuals who justify military aggression. The Russian pavilion's return is reportedly being organized by the Gnesin Russian Academy of Music under the direction of the Russian Ministry of Culture.

Luxury Art Gallery Debuts in Nashville, Launches Profound Exhibit Exploring Shared Culture

CASS Contemporary, a Tampa-based luxury art gallery, opened its new Nashville location in the Wedgewood-Houston neighborhood on September 12, 2025, with a grand opening event. The gallery launched its inaugural group exhibition, "CLTRL CNTXT," featuring eight artists from eight countries, including Florian Eymann, Michal Mraz, and Faith47, running through November 7. Founded by Cassie and Jake Greatens over a decade ago, CASS Contemporary has expanded from a gallery into art consulting and management, serving high-profile clients such as celebrities, athletes, and developers.

Christie’s Spring Marquee Week Totals $693 Million 123% Over Low Estimate - Christie's

Christie's Spring Marquee Week, held May 12–15, 2025 in New York, generated $693 million in total sales, exceeding the low estimate by 123% and surpassing the auction house's totals from both May and November 2024. The week featured six evening and day sales, led by the $272 million Leonard & Louise Riggio: Collected Works sale, with the top lot being Piet Mondrian's *Composition with Large Red Plane, Bluish Gray, Yellow, Black and Blue* (1922) selling for $47.6 million. Marlene Dumas' *Miss January* set a new auction record for a living female artist at $13.6 million, and additional records were set for Simone Leigh, Emma McIntyre, Louis Fratino, Dorothea Tanning, and Remedios Varo. The overall sell-through rate was 88% by lot, with strong bidding across all price bands.