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Exhibition review: the New Art Exchange Open Exhibition

The New Art Exchange (NAE) in Nottingham, UK, is hosting its fifth Open Exhibition, a competitive open-call showcase for contemporary artists from the Global Ethnic Majority and all artists based in Nottinghamshire. The exhibition features a wide range of mixed-media works—including painting, video, live art, photography, textiles, and sculpture—selected by a diverse panel of neighbors, artists, and curators. Standout pieces include Broken Glass's 'Deforestation (Desmatamento),' a critique of environmental destruction in Brazil; Mamu Umu's 'Capitalist Champion,' exploring the tension between artistic passion and economic survival; Emily Catherine's photorealistic charcoal portrait 'Phuong'; and Aida Wilde's 'BUTCHERED.'

Polish artist's new Tartu exhibition explores inherent fragility of living organisms

Polish artist Paweł Matyszewski presents a new solo exhibition titled "Momentary Organisms" at Kogo Gallery in Tartu, Estonia, opening on August 15. The show explores the fragility and transformation inherent in all living organisms through exuberant, patchwork-like abstractions that merge plant and human body parts. The exhibition is part of a regional exchange program involving galleries in Turku, Riga, and Warsaw, curated by Šelda Puķīte, and will run until September 27.

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The Danish government has ordered the removal of a 13-foot tall mermaid statue known as the "Big Mermaid" from Dragør Fort in Copenhagen, following years of criticism that it is sexualized, ugly, and pornographic. The sculpture, inspired by Hans Christian Andersen's fairy tale, was installed without permission on a protected monument site overseen by the Agency for Culture and Palaces, which determined it disrupts the fort's military structure. Critics including Sorine Gotfredsen and Mathias Kryger condemned the work, while entrepreneur Peter Bech, who commissioned it, defended the statue's proportions.

Art Museum Launches Fall 2025 Season With Dynamic, Interdisciplinary Exhibitions

The Syracuse University Art Museum will launch its Fall 2025 season on August 26 with four new exhibitions. Highlights include 'What If I Try This?', a survey of Helen Frankenthaler's printmaking career curated by Melissa Yuen, featuring loans from multiple institutions and a gift from the Helen Frankenthaler Foundation. Other exhibitions include Kevin Adonis Browne's multimedia installation 'A Sense of Arrival' on Caribbean blackness, and 'Human/Environment: 4,000 Years of Art', a permanent collection show exploring human-environment relationships. An opening reception on September 11 will feature a talk by Stanford professor Alexander Nemerov.

Coburn Gallery to open new season with unique exhibition, which used AI to capture older adults’ memories

Ashland University's Coburn Art Gallery will open its 2025-26 season with the exhibition "Transcending Barriers Beyond Time: Visual Reminiscence of Older Adults with Chronicle Illnesses Facilitated by Generative AI," running from August 25 to September 27, 2025. The show features 42 artworks created by older adults with chronic illnesses who collaborated with researchers using generative AI to visualize their memories. Co-curated by Janet Reed of Kent State University and Rebecca D. Miller of Ursuline College, the exhibition is part of the university's Symposium Against Indifference biennial series, which this year explores the theme "Thinking About Intelligence: Human and Artificial."

The Metropolitan Museum of Art to Present Largest-Ever Exhibition of Works by American Artist John Wilson

The Metropolitan Museum of Art will present "Witnessing Humanity: The Art of John Wilson" this fall, the largest-ever exhibition of works by American artist John Wilson (1922–2015) and his first solo museum show in New York. Featuring over 100 artworks—including paintings, prints, drawings, sculpture, and archival material—the exhibition draws from The Met, the Museum of Fine Arts, Boston, and a dozen other lenders, with many works never before shown. Co-curated by Jennifer Farrell and Leslie King Hammond, the show spans Wilson's six-decade career, addressing themes of racial violence, labor, the Civil Rights Movement, and family life.

Powerful Photography Explores and Reimagines Black Identity Through Classical Art History

The National Museum of Women in the Arts (NMWA) in Washington, D.C., will present "Tawny Chatmon: Sanctuaries of Truth, Dissolution of Lies," a solo exhibition of over 25 large-scale photographs by artist Tawny Chatmon, running from October 15, 2025, to March 8, 2026. The works, drawn from series dating from 2019 to the present, blend photography with hand-applied paint, gold leaf, and precious materials, depicting Black children and families in gilded frames inspired by Gustav Klimt and medieval icons. This is Chatmon's first museum exhibition in the nation's capital.

Q&A with Sarah Koff, an environmental artist with an exhibition at AVA Gallery

Sarah Koff, a woodblock printmaker and environmentalist based in New Hampshire, discusses her exhibition “Object Permanence” at AVA Gallery in Lebanon, which runs from July 11 to August 9. Koff, a 2024 Juror Recognition Award winner from the Alliance for the Visual Arts Gallery, creates intricate prints that explore local environmental issues, such as invasive species like Japanese Knotweed and chemical pollution. She describes her slow, tactile process of woodcutting and her commitment to non-toxic printmaking through her work with Zea Mays Printmaking.

Meet the Curator: Informal Conversation on Monet’s Floating Worlds

The Portland Art Museum is hosting a series of informal, interactive conversations with curators and a conservator about the exhibition "Monet’s Floating Worlds at Giverny." Participants include Jeannie Kenmotsu, The Arlene and Harold Schnitzer Curator of Asian Art, and Hugo Torii, Garden Curator at Portland Japanese Garden. The free events explore connections between Monet’s waterlilies, Japanese printmaking, and conservation, encouraging open discussion and audience engagement.

Artist to Watch: Erin M. Riley’s Tapestries Examine Hard-Hitting Themes While Breaking Down Barriers

Brooklyn-based artist Erin M. Riley is preparing to unveil her latest and largest weavings in a solo exhibition at New York's P.P.O.W gallery in September 2025. Her tapestries tackle hard-hitting themes such as family trauma and domestic abuse, drawing on memory, photographs, and everyday iconography. Riley, who studied at Massachusetts College of Art and Design and Tyler School of Art and Architecture, initially faced pushback from both galleries and traditional weavers but has since become a leading figure in the blurring of fine art and craft. Her new works incorporate embroidery for the first time and include pieces like "Road Reverberations" (2024), which uses crowdsourced quotes from survivors of abusive relationships.

Discover Highlights from the 2025 Aspen Art Fair

The 2025 Aspen Art Fair returns to the Hotel Jerome for its second edition, running through August 2, with over 40 exhibitors from more than 15 countries. The fair has more than doubled in size from its inaugural year, now featuring 44 galleries, curated projects, conversations, and cultural programming. Highlights include a solo exhibition by Marc Dennis at Harper’s, featuring works inspired by the 1990 Isabella Stewart Gardner Museum heist, and Marjorie Strider’s Pop Art relief paintings at Galerie Gmurzynska. The fair is part of Aspen Art Week, which also includes the Aspen Art Museum’s ArtCrush Gala and Auction, Anderson Ranch Arts Center conversations, and public art projects.

New Delhi's Gallery Exhibit 320 Marks 15 Years With A Group Show Of 30 Top South Asian Contemporary Artists Called 'Shared Worlds'

Exhibit 320, a New Delhi-based gallery founded in 2010, is celebrating its 15th anniversary with a group show titled 'Shared Worlds' at Bikaner House from August 4–13, 2025. Curated by Deeksha Nath and guided by founder Rasika Kajaria, the exhibition features 30 South Asian contemporary artists including Anju Dodiya, Nandan Ghiya, Sumakshi Singh, Alex Davis, and others. The show spans diverse media—painting, sculpture, textile, and installation—and resists a single narrative, instead highlighting resonance between works that address identity, migration, climate change, and urban memory.

All that is trending in the art, entertainment, and culinary world

This article highlights several cultural events in India, including Kallol Datta's solo exhibition "Volume IV: Truths, Half-Truths, Half-Lies, Lies" at Experimenter Colaba in Mumbai, which critiques historical regulations on women's attire using textile-based works. It also covers the 8th edition of Delhi Contemporary Art Week (DCAW) at Bikaner House, featuring six women-led galleries; Partha Pratim Deb's solo show "Play-Forms" at Emami Art in Kolkata; the group exhibition "Non-Residency" at Jaipur Centre for Art curated by Rajiv Menon; and the reopening of Bombay Club café in New Delhi. Additionally, it mentions Khyber restaurant's 65th anniversary menu and a forthcoming exhibition "What Am I Made Of?" at Latitude 28.

Pablo Picasso: Private Creative Realms Revealed in Dublin Exhibition

The National Gallery of Ireland presents 'Picasso: From the Studio', an exhibition opening 11 October 2025 that explores Pablo Picasso's private creative spaces across his career. Featuring sixty works, including paintings, sculptures, and ceramics, the show reconstructs the artist's studios from Montmartre's Le Bateau-Lavoir to the Mougins farmhouse, using archival photographs as ghostly backdrops. Key pieces like 'Violin and Bottle on a Table' (1915) and 'Tête de femme' (1931-32) reveal how specific environments—a cramped Parisian garret, a sun-drenched villa in Avignon, a Normandy stable—shaped his stylistic reinventions from Analytic Cubism to postwar ceramics.

'Solace' selected as theme of Lehigh Valley’s fall art exhibition

The Ronald K. DeLong Gallery at Penn State Lehigh Valley will host a solo exhibition titled 'Solace: Photographs by Jane Noel' from September 10 to December 5. The show features over a dozen large-scale archival pigment prints by local photographer Jane Noel, who draws inspiration from her home on South Mountain. Trees are a recurring subject, with gallery director Ann Lalik comparing the immersive experience to walking into a forest. Noel, a former lecturer at PSU-LV, holds an MFA from Vermont College of Fine Arts and has exhibited extensively in the region.

South Florida artist honors Coco Gauff, women’s strength in bold new exhibit

Harold Caudio, a Haitian-American artist known for creating portraits from Skittles, is unveiling a new hand-sewn yarn piece titled "Warri-Her" at the Cornell Art Museum in Delray Beach. The exhibition, part of the museum's "Pop Culture" show, also features works by GWAK, Ashleigh Walters, Annina Rüst, and Rogerio Peixoto. On July 19, Caudio will add a portrait of tennis star and local native Coco Gauff to the series, which he plans to gift to her family after the exhibition closes on September 28.

“Feeling Color” at The Modern Art Museum of Fort Worth

The article reviews "Feeling Color: Aubrey Williams and Frank Bowling" at the Modern Art Museum of Fort Worth, an exhibition that pairs works by two artists from Guyana who worked in London in the late 20th century. Both explore abstraction, materials, and sociopolitical themes, with Bowling's color field paintings and Williams' geometric, Pre-Columbian-inspired works displayed in alternating galleries. The reviewer describes the show as dense and vibrant, noting the sensory experience of the paintings and the subtle dialogue between the artists.

11 Worst Modern Art Collection & It’s Reviews

The article presents a list of what it considers the worst modern artworks, including Jackson Pollock's abstract expressionist paintings, Tracey Emin's installation 'My Bed,' and Damien Hirst's project 'The Currency.' It offers personal commentary and critical reviews for each piece, questioning their artistic merit and cultural value.

The Modern Art Museum of Fort Worth announces the exhibition - David-Jeremiah: The Fire This Time

The Modern Art Museum of Fort Worth will present "David-Jeremiah: The Fire This Time," a solo exhibition organized by guest curator Christopher Blay, running from August 17 to November 2, 2025. The show features new works by multidisciplinary conceptual artist David-Jeremiah, including the final polychromatic EE (Emma Esse) series of seven paintings, and continues his exploration of Black identity, humanity, and ritual through inverted-performance installations centered on the Lamborghini as a symbol of beauty and violence.

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Sue Williamson's first-ever retrospective, "There's something I must tell you," is on view at the Iziko National Gallery in Cape Town through September 24, 2025. The exhibition spans five decades of her practice, which combines photography, drawing, and installation to explore themes of memory, remembrance, and the enduring impacts of apartheid and colonialism in South Africa. Key works include the video "There's something I must tell you" (2013), featuring conversations between anti-apartheid activists and their granddaughters; "A Few South Africans" (1982–87), a series of photo etchings celebrating influential women; and the installation "Messages from the Moat" (1997), which memorializes enslaved people brought to Cape Town. A new installation, "Don't Let the Sun Catch You Crying" (2024), is also featured.

Warrington Museum to host art exhibition exploring identity and transition

Warrington Museum and Art Gallery will host 'Foreign Bodies,' a solo exhibition by emerging artist Skye Baker, from July 18 to September 14. The show features performance and video works exploring Baker’s personal experiences with gender transition and broader societal perceptions of the trans community in the UK. Baker, an 18-year-old Warrington resident and recent Priestley College graduate, won the museum’s 2024 Open Exhibition, becoming its youngest winner, and the new show builds on her award-winning video 'Guttural.' Visitors can make choices after each video piece, shaping their own journey through the interactive exhibition.

LA-Based ModA Curations Opens New Space in NYC With A Contemporary Art Exhibition Called “Love”

ModA (Modern Anthropology) Studios, a Los Angeles-based creative organization founded by George Fan, opened its first permanent location at 227 E 24th Street in Manhattan's Lower East Side on June 27, 2025, with a contemporary art exhibition titled “Love.” Curated by Sia Fang, the show features nine artists divided into main-exhibiting artists and a subsection called Untapped, the Collection. Artists include Ellen Carpenter, Magali, A Cult, Ching-Wei Wang, Felisa Nguyen, Ibtisam Tasnim Zaman, Edd Ravn, Hongshan, and Agen Xin, working across performance, installation, painting, and mixed media.

The Best Art Exhibitions To Visit In Hong Kong This July

This article highlights three must-see art exhibitions in Hong Kong for July 2025. At Alisan Fine Arts, local artist Cherie Cheuk presents her first solo show, 'A Wrinkle In Time,' blending traditional Chinese ink painting with pop culture motifs like Super Mario and Pac-Man. At Villepin, 'Worlds Within' unites works by four migrant-influenced artists, including a debut Hong Kong showcase for Spanish-Filipino modernist Fernando Zóbel and a record-breaking painting by Lê Phổ. Ben Brown Fine Arts hosts 'Wish You Were Here,' a group show curated by Jie Xia featuring artists such as Gerhard Richter and Hilary Pecis, exploring themes of travel, paradise, and nostalgia.

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The Smithsonian Institution is facing renewed scrutiny from the Trump administration, this time targeting the National Museum of American History's permanent exhibition "Entertainment Nation." Fox News reported that the White House has raised concerns about wall texts in the display, which opened in 2022 and explores the entertainment industry's impact on American pop culture. One text notes that Mickey Mouse's design has roots in blackface minstrelsy, while another describes pop star Selena Quintanilla-Pérez as sparking conversations about identity and Latinx influence. A 1923 circus poster is accompanied by a placard linking circuses to colonial impulses. White House lawyer Lindsey Halligan criticized the exhibition as framing American culture as "inherently violent, imperialist, or racist." The Smithsonian has stated it is reviewing content to ensure it meets its standards of unbiased scholarship.

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A new documentary titled "Maintenance Artist," directed by Toby Perl Freilich, premiered at the Tribeca Film Festival this month. The film follows Mierle Laderman Ukeles, the longtime unpaid artist-in-residence with New York City's Department of Sanitation, as she reflects on her career. It traces her journey from graduate student at Pratt Institute to pioneering maintenance art, including her Queens Museum retrospective and international projects elevating everyday workers. The documentary features interviews with art historians, curators, and city officials, and highlights Ukeles's iconic performances, such as shaking hands with every sanitation worker over 11 months.

Fuse Box: Sarah Sze

The Denver Art Museum has acquired and is presenting "Sleepers," a new media installation by Sarah Sze, a renowned artist and 2003 MacArthur Fellow. The six-channel video installation projects moving images onto over 300 hand-torn paper screens suspended from strings, using footage shot on the artist's iPhone and stock libraries. This marks Sze's first work with recorded and edited sound, continuing her exploration of everyday objects and digital environments.

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A new book titled *Hidden Portraits: The Untold Stories of Six Women Who Loved Picasso* by Sue Roe (published by Faber and W.W. Norton) examines the lives of Picasso's six most significant partners: Fernande Olivier, Olga Khokhlova, Marie-Thérèse Walter, Dora Maar, Françoise Gilot, and Jacqueline Roque. The book challenges the narrative that these women were passive muses, instead revealing their personal ambitions and reasons for entering relationships with the artist, drawing on journals and historical context to present their perspectives.

Art Gallery of Hamilton is now free to visit for the rest of the summer

The Art Gallery of Hamilton (AGH) has announced free admission for all visitors during July and August 2025 as part of a new initiative called "Hamilton Strong." The program aims to support community health and wellbeing by providing a space for healing, reflection, and connection amid financial insecurity and political anxiety. Free entry is funded by a private donor and applies during regular business hours, though the gallery remains closed on Mondays, Tuesdays, and Wednesdays. Current exhibitions include Helen McNicoll: An Impressionist Journey, Taking Root: Recent Acquisitions, and The Shape of Curiosity, along with the Zucker Sculpture Garden and AGH Creative Lab. Members receive a two-month extension, and new memberships purchased in July or August come with two extra months.

Frist Exhibition Dresses a Bloody History in Silk and Velvet

The Frist Art Museum's summer exhibition, "Venice and the Ottoman Empire," presents over 150 artifacts from Venice's civic museums, Fondazione Musei Civici di Venezia, and the University of Zadar's museum. Co-curated by Stefano Carboni and Trinita Kennedy, the show explores the complex relationship between the Ottoman Empire and the Republic of Venice, highlighting not only their centuries of brutal warfare but also their extensive trade networks and cultural exchange. Luxury textiles, including silk and velvet with Ottoman designs, feature prominently, alongside books, a qibla indicator, and military artifacts like a 17th-century Ottoman banner. The exhibition focuses on commerce and the elite who commissioned portraits, though it notably omits discussion of the slave trades and minimizes production processes.

Why Helen Chadwick’s earthy, provocative art remains as vital as ever

Nearly 30 years after her death in 1996 at age 42, artist Helen Chadwick is receiving renewed attention with a major retrospective, "Helen Chadwick: Life Pleasures," at the Hepworth Wakefield. The exhibition spans two decades of her provocative work, including iconic pieces like "The Oval Court" (1984-86) and the chocolate fountain "Cacao" (1994). Chadwick was known for using unconventional materials—rotting organic waste, meat, hair, cleaning fluids—to explore identity, gender, and the sensuous body, often with irreverent humor. She was also a influential teacher at the Royal College of Art, Goldsmiths, Chelsea, and Central St Martins, mentoring artists such as Tracey Emin, Anya Gallaccio, Sarah Lucas, and Damien Hirst.