The Asian Art Museum in San Francisco has opened 'Chiharu Shiota: Two Home Countries,' the first solo exhibition in the Bay Area for the Japanese-born, Berlin-based artist. The show features her signature immersive installations of red thread, weaving together personal objects and exploring themes of memory, displacement, and identity.
The article examines the inherent limitations of traditional photography in documenting installation art, arguing that static images fail to convey the experiential qualities of scale, sequence, and audience interaction central to the medium. It uses Olafur Eliasson's iconic 'The Weather Project' as a prime example of a work whose atmospheric and social dimensions are lost in photographic reproduction.
Laasya Art is hosting a special exhibition in Palo Alto featuring the works of two of India’s most prominent contemporary artists, Laxma Goud and Thota Vaikuntam. The event includes the premiere of two original short films produced by the gallery, "Zauq: The World of Laxma Goud" and "Thota Vaikuntam: The Making of the Telangana Woman," which explore the personal histories and creative processes of these masters.
The Surrey Art Gallery has launched "In the Shadow of the Pavilions," an exhibition exploring the complex artistic legacy of Vancouver’s Expo 86. Curated by Jordan Strom, the show features works and archival materials from over 50 artists, including those officially commissioned for the world’s fair and those who were excluded or responded critically to the event. Highlights include documentation of Michael Snow’s pioneering holography and Bill Reid’s Haida canoe, Loo Taas, alongside works by Stan Douglas and Rodney Graham.
Abu Dhabi is celebrating World Art Day 2026 with a series of high-profile events centered in the Saadiyat Cultural District, most notably the exhibition "Picasso, the Figure" at the Louvre Abu Dhabi. Running until May 31, the show features loans from the Musée National Picasso-Paris and the Musée du Louvre, exploring the artist's lifelong obsession with the human form. The festivities also include documentary screenings, olfactory art experiences, and extensive community workshops at Manarat Al Saadiyat covering ceramics, textiles, and printmaking.
The Museum of Modern Art (MoMA) has launched a comprehensive retrospective of Marcel Duchamp, marking the first major American survey of the artist's work in five decades. The exhibition follows a chronological path through Duchamp’s radical career, featuring early pen-and-ink drawings, his transition through Cubism and Dadaism, and his revolutionary "readymades" like the urinal titled Fountain. Highlights include the rare gathering of all three versions of Nude Descending a Staircase and documentation of his final, secretive installation, Étant donnés.
The Museum of Modern Art (MoMA) in New York is hosting "Wifredo Lam: When I Don’t Sleep, I Dream," the first comprehensive U.S. retrospective of the Cuban modernist's career. Running from November 2025 to April 2026, the exhibition traces Lam’s artistic evolution from his formative years in Europe to his return to the Caribbean, where he integrated Afro-Caribbean histories and spirituality into the language of modern painting. The show features major loans, a documentary film, and a scholarly catalogue exploring his unique synthesis of Surrealism and decolonial thought.
The Musée d’Art Moderne de Paris has announced a major retrospective of American photographer Lee Miller, scheduled to run from April 10 to August 2, 2026. Featuring approximately 250 vintage and contemporary prints, the exhibition will survey Miller’s multifaceted career, including her early days as a fashion model, her Surrealist collaborations with Man Ray, and her harrowing work as a war correspondent during World War II. The show arrives in Paris following its premiere at Tate Britain and marks the first significant retrospective of the artist in the French capital since 2008.
The Kimbell Art Museum has announced an extensive lineup of free community programming for the Spring 2026 season. The schedule features a diverse array of events including gallery discussions, hands-on art-making workshops for children, live music performances, and scholarly lectures. A significant portion of the programming is designed to complement the special exhibition, "The Holy Sepulcher: Treasures from the Terra Sancta Museum, Jerusalem," through documentary screenings and expert-led talks.
The Surrey Art Gallery is launching "In the Shadow of the Pavilions: Expo 86 and Contemporary Art," a multidisciplinary exhibition running from April 18 to June 7. Curated by Jordan Strom, the show features archival works and documentation from over 40 artists created between 1984 and 1988. It brings together official commissions from the world’s fair alongside unofficial, parallel art initiatives that emerged during Vancouver’s Centennial celebrations, covering media ranging from kinetic sculpture to performance art.
The Art Institute of Chicago is preparing to host an exhibition exploring the profound intersection between modern art and jazz music. Focusing on the works of Henri Matisse and Pablo Picasso, the show highlights how the concept of improvisation—a cornerstone of jazz—served as a vital creative catalyst for these two masters of modernism.
Kent County Council is facing sharp criticism for the deaccessioning and sale of 168 lots from its art collection, including a significant archive of 33 photographs by the influential postwar British photographer Tony Ray-Jones. The auction, held at Sworders Fine Art Auctioneers, also features works by Andy Goldsworthy and Sidney Nolan. The council cited financial pressures and a lack of viable storage as the primary reasons for the sale, admitting that the works were not offered to local museums or galleries before being sent to auction.
Two concurrent exhibitions in Plymouth, England, are re-evaluating the work of the late British artist Beryl Cook, long dismissed by critics for her popular, humorous paintings of plump, joyful people. The Box gallery presents "Beryl Cook: Pride and Joy" (until 31 May), which places Cook within the Western art canon by tracing her influences from Peter Paul Rubens and Pieter Brueghel the Younger to Stanley Spencer and Edward Burra. The show features over 80 paintings, sculptures, textiles, and a personal archive, and is curated by Terah Walkup. A parallel exhibition at Karst gallery, "Discord and Harmony" (until 18 April), pairs Cook's legacy with contemporary artists like Olivia Sterling, Rhys Coren, and Flo Brooks, who similarly champion overlooked communities.
The article reviews the exhibition 'Still Glasgow' at the Gallery of Modern Art in Glasgow, running from November 29, 2025, to June 13, 2026. Curated from the Glasgow Life Museums collection, it features around 80 photographic works from the 1940s to the present, including pieces by Bert Hardy, Oscar Marzaroli, Alan Dimmick, Iseult Timmermans, Joseph McKenzie, and Eric Watt. The show documents Glasgow's people and urban change, moving from earlier male documentary photographers to contemporary perspectives, and includes both still and moving images.
The Museum of Modern Art in New York has opened a new exhibition, 'Ideas of Africa: Portraiture and Political Imagination,' surveying West and Central African studio portrait photography from the 1950s and 60s. The show features works by photographers including James Barnor, Seydou Keïta, Malick Sidibé, Jean Depara, Sanlé Sory, Kwame Brathwaite, Samuel Fosso, Silvia Rosi, and the collective Air Afrique, alongside a reading room exploring print culture. Curated by Oluremi C. Onabanjo, the exhibition presents these portraits not as documentary records but as imaginative acts of self-definition and political expression.
Martin Parr, the renowned British photographer known for his vivid, satirical documentation of British life and class, has died at age 73 at his home in Bristol, as announced by the Martin Parr Foundation on 7 November. Tributes have poured in from across the art and photography worlds, including from the Victoria and Albert Museum, the National Portrait Gallery, and fellow artists such as Grayson Perry and Joel Meyerowitz. Parr's major projects include *The Last Resort* (1983-85) and *The Cost of Living* (1987-89), and an exhibition of his work, *Global Warning*, is scheduled to open at Jeu de Paume in Paris in January 2026.
Photographer Anastasia Samoylova presents her latest exhibition and photobook, "Atlantic Coast," at the Norton Museum of Art in West Palm Beach. The project documents a road trip along the old US Route 1 on the East Coast, inspired by Berenice Abbott's 1954 journey. Through her lens, Samoylova captures a country in transition, juxtaposing decaying Americana with modern structures and political commentary, including images of a statue of John C. Calhoun being removed after the George Floyd protests and the collapsed Francis Scott Key Bridge. She draws parallels between her work and Paul Thomas Anderson's film "One Battle After Another," both centering on road trips and shared anxieties.
A new documentary film, *Artists in Residence*, premiered on November 14 at the DOC NYC film festival, telling the story of three single mothers—painters Lois Dodd and Eleanor Magid and the late sculptor Louise Kruger—who bought a former factory in New York's East Village in 1968. Denied a mortgage because single women could not apply for credit until 1974, they secured a loan from their landlord and transformed the building into a live/work space where they raised their children and pursued their art. The film, produced by Katie Jacobs, explores how each woman prioritized her creative practice while contributing to the city's cultural fabric.
Gustav Klimt's "Bildnis Elisabeth Lederer" (Portrait of Elisabeth Lederer) sold for $236.4 million at Sotheby's first auction in its new Breuer building location in New York, becoming the most expensive modern artwork ever sold at auction. The 1914-1916 portrait depicts Elisabeth Lederer, daughter of Klimt's patrons Serena and August Lederer, and was previously owned by Estée Lauder heir Leonard A. Lauder, who died earlier this year. The painting was looted by the Nazis during World War II, returned to the Lederer family in 1948, and later sold in 1983.
The Clyfford Still Museum in Denver has handed curatorial authority to 100 children from the Confederated Tribes of the Colville Reservation for the exhibition "Tell Clyfford I Said ‘Hi’" (on view until May 10, 2026). The show features works by Clyfford Still, who in 1936 traveled to the Colville Reservation with colleague Worth Griffin to document tribal members and landscapes. The museum collaborated with tribal youth from three schools—Nespelem School, Nespelem Head Start, and Hearts Gathered Montessori—who selected artworks from facsimiles of Still’s paintings and photographs, drawing connections between his abstract works and their own cultural experiences, such as a student noting that a painting resembled a pow wow blanket.
The fifth edition of Art Week Tokyo (AWT) took place from November 5-9, bringing together over 50 commercial galleries and museums across the city in a hybrid "post-art fair" model. The event unfolded against the backdrop of Sanae Takaichi becoming Japan's first female prime minister, a political shift that has sparked mixed reactions in the Japanese art world, with calls for improved tax incentives, international promotion, and stronger public collections. AWT, directed by Atsuko Ninagawa and organized in collaboration with Art Basel, featured museum shows including "What is Real?" at the Okura Museum of Art, curated by Adam Szymczyk, and "Prism of the Real: Making Art in Japan 1989-2010" at the National Art Center, Tokyo.
Tehching Hsieh, the pioneering performance artist known for his extreme durational works, has opened his first retrospective, 'Lifeworks 1978-99', at Dia Beacon. The exhibition follows his gift of 11 major works to the institution last year and features six spaces designed to convey the relative time of his performances—including his five one-year pieces (Cage Piece, Time Clock Piece, Outdoor Piece, Rope Piece, No Art Piece) and the Thirteen Year Plan—using spatial measurements to represent 'art time' and 'life time'.
The Saint Louis Art Museum (SLAM) unveiled German artist Anselm Kiefer's exhibition "Becoming the Sea" on October 18, 2025, after 2.5 years of development. Spanning nearly 30,000 square feet, the show features enormous paintings shipped from Kiefer's Paris suburb studio, some cut into sections to fit shipping constraints. The exhibition includes works influenced by Kiefer's wife's hospitalization, his studies as a constitutional lawyer, and themes of anti-nationalism and philosophy. Kiefer requested no stanchions in front of artworks and that window shades remain up to encourage visitor immersion and connection with the outdoors.
A block of Great Jones Street in downtown Manhattan, between Bowery and Lafayette Street, has been officially renamed Jean-Michel Basquiat Way in honor of the late Neo-Expressionist artist. Basquiat lived and worked at 57 Great Jones Street from 1983 until his death from a heroin overdose at age 27 in 1988, renting the space from his friend Andy Warhol. On October 21, New York city council members and Basquiat's family, including his sister Lisane Basquiat, unveiled the street signs. The building now features a commemorative plaque and has been rented by actress Angelina Jolie as a showroom and curatorial space for her fashion brand Jolie Atelier.
The Albuquerque Museum will present "Cara and Diego Romero: Tales of Futures Past" from November 1, 2025, through February 8, 2026. This is the first national traveling exhibition to bring together the work of acclaimed contemporary artists Cara Romero (Chemehuevi) and Diego Romero (Cochiti), featuring 40 works including Diego’s pottery and lithographs and Cara’s photographs from her Indigenous Futurism series. The exhibition, organized by the Figge Art Museum in Davenport, Iowa, includes the debut of Cara Romero’s large-scale photographs "Four Horsewomen I and II" and a documentary by Kaela Waldstein. Public events include an opening panel moderated by artist and scholar Deborah Jojola.
Sotheby's will auction Jean-Michel Basquiat's painting *Crowns (Peso Neto)* (1981) in its contemporary evening sale in New York this November, with an estimate of $35–$45 million—the highest ever for a Basquiat work from 1981. The painting, making its auction debut, was featured in Basquiat's breakthrough solo show at Annina Nosei Gallery in 1982 and later exhibited at documenta 7 in 1983 and the artist's retrospective at Fondation Louis Vuitton in 2018. It will tour London and Paris before being presented at Sotheby's new New York headquarters in the historic Breuer building.
Martin Parr, the renowned British documentary photographer, has released an informal autobiography titled "Utterly Lazy and Inattentive: Martin Parr in Words and Pictures," written with author Wendy Jones. The book traces his career from early black-and-white work inspired by Garry Winogrand and Tony Ray-Jones to his signature vivid color series like "The Last Resort" (1983-85) and "Small World" (1987-94), which drew controversy for their satirical take on British leisure and global tourism. Parr, who was diagnosed with cancer in 2021, continues to be active, with his photographs of Bristol Pride currently on display at Bristol Museum and Art Gallery through March 2026.
A new documentary titled *The Painted Life of E.J. Hughes*, directed by Vancouver filmmaker Jenn Strom, premieres at the Vancouver International Film Festival. The film explores the personal and professional life of the reclusive Canadian landscape painter E.J. Hughes (1913-2007), known for his dreamlike depictions of British Columbia's coastal life. It features interviews with art historians, curators, and locals, and includes footage of major works, such as *Entrance to Howe Sound* (1949), which is set for auction at Heffel with an estimate of C$1.25m–C$1.75m. The documentary was inspired by books by artist-author Robert Amos and took several years to complete due to the pandemic.
The Image Centre in downtown Toronto will stage the North American debut of Magnum Photos' first-ever exhibition, originally titled 'Gesicht der Zeit' (Face of Time) and shown in Austria in 1955-56. The show, lost for half a century, was rediscovered in 2006 in the basement of the Institut Français in Innsbruck, Austria, along with its original poster and hanging instructions. It features 83 original gelatin-silver prints by legendary Magnum photographers including Henri Cartier-Bresson, Robert Capa, Inge Morath, Ernst Haas, and Marc Riboud. The exhibition will run concurrently with 'Chim’s Children of Europe,' a show devoted to Magnum co-founder David 'Chim' Seymour's 1949 Unesco project on postwar European children.
Four screenprints by Banksy from the 2000s are featured in Artnet Auctions’s Contemporary Editions sale, running through August 28, 2025. The lots include 'Bomb Love (Bomb Hugger)' (est. $25,000–$35,000), 'Welcome to Hell (Pink)' (est. $30,000–$50,000), and 'Morons (Sepia)' (est. $25,000–$35,000), tracing the artist’s rise from Bristol street graffiti to international fame. The article highlights key milestones: his 2002 Los Angeles show 'Existencilism,' his counterfeit £10 notes featuring Princess Diana, and the Oscar-nominated documentary 'Exit Through the Gift Shop.'