filter_list Showing 685 results for "Ida" close Clear
search
dashboard All 685 museum exhibitions 302article local 148article news 79trending_up market 49article culture 43rate_review review 22article policy 20person people 13candle obituary 6gavel restitution 3
date_range Range Today This Week This Month All
Subscribe

The Parrish Art Museum Held Annual Spring Fling Benefit Honoring Bobbie Braun

The Parrish Art Museum in Water Mill held its annual Spring Fling benefit on April 25, celebrating the 10th anniversary of Access Parrish, an initiative that makes art accessible to visitors of all needs and abilities. The event featured art, dance, music, and food, and honored Bobbie Braun of The Neuwirth Foundation as the museum's inaugural Civic and Community Leader Honoree for her unwavering commitment to the program since its inception in 2016.

The Artists Who Put Their Bodies Into the Work

This article from Google News, dated May 3, 2026, profiles a selection of artists who have used their own bodies as central elements in their work. It draws a connection to the Metropolitan Museum of Art's spring Costume Institute exhibition, "Costume Art," which places fashion in dialogue with other artworks. The roundup includes Marina Abramović, known for her 2010 MoMA performance "The Artist Is Present"; Chris Burden, who staged dangerous works like "Shoot" (1971); David Hammons, creator of the "Body Prints" series; Frida Kahlo, whose painting "The Broken Column" (1944) depicts her own physical pain; Ana Mendieta, whose "Silueta" series used her figure in the landscape; and Yoko Ono, a conceptual artist with a significant body-based practice.

Eat Frida food off a Frida plate: Kahlo kitsch raises eye...

A major Tate Modern exhibition dedicated to Frida Kahlo and her circle opens next month in London, accompanied by a wave of commercial spin-offs including a Kahlo-inspired menu, dinner plates, a Netflix documentary, a clothing line, and an opera premiering in New York. The show, titled "Frida: The Making of an Icon," will also display over 200 souvenir objects and knick-knacks, examining Kahlo's transformation into a global brand. A new whodunnit novel by Oscar de Muriel reimagines Kahlo as a detective, and a culinary collaboration with Mexican chef Santiago Lastra will run at the Tate Modern restaurant.

Scene Calendar: Harn exhibit on Florida, 'Million Dollar Quarter' at Hipp

The article is a scene calendar listing upcoming events in the Gainesville, Florida area, including art exhibitions and a theatrical production. Key visual art events include the Santa Fe College Student Juried Art Exhibition, the Santa Fe Springs Plein Air Paintout, the Gainesville Fine Arts Association's 'NEXT: High School and College Juried Exhibition', and the Harn Museum of Art's exhibition 'Florida in the Frame: A Century of Artists’ Reflections on the Sunshine State', which features works by Winslow Homer, John Singer Sargent, and Florida Highwaymen painters. The calendar also lists non-visual-art events such as the Levitt AMP Alachua Music Series and the Hippodrome Theatre's production of 'Million Dollar Quartet'.

Losing Frida Kahlo in "The Making of an Icon"

The article critiques the Museum of Fine Arts, Houston's (MFAH) exhibition "Frida: The Making of an Icon," arguing that it perpetuates a fetishized, commercialized view of Frida Kahlo by focusing on her biography—her marriage to Diego Rivera, her affairs, her accident—rather than her artistic skill. The author contrasts this with a visit to the Museo de Arte Moderno (MAM) in Mexico City, where the exhibition "Relatos modernos. Obras emblemáticas de la Colección Gelman Santander" presents Kahlo's work alongside other Mexican masters in a quiet, understated manner that allows viewers to appreciate her technical abilities without overwhelming narrative.

Artists at work: A peek behind the canvas

The Norton Museum of Art in West Palm Beach has opened a small exhibition titled "Artists at Work," curated by first-time curator Sarah Bass, a curatorial research associate at the museum. The show features paintings, photographs, and sculptures that focus on the creative process rather than finished works, including pieces by Charles Griffin Farr, Hiram Williams, Ben Benn, Bay Williams, Robert Bailey, and William Zorach. Highlights include a self-portrait by Farr, Williams's seemingly incomplete "Big Studio Table," and Zorach's terra-cotta sketch for "Youth" displayed alongside the final marble sculpture. Photographs of artists like Henri Matisse, Georges Braque, and Fernand Léger in their studios further emphasize the theme of the artist at work.

9 Spectacular Art and Fashion Exhibitions You Can’t Miss in 2026

The article previews nine major art and fashion exhibitions scheduled for 2026 across Europe and the United States. Highlights include the V&A's first UK survey of Elsa Schiaparelli, tracing her radical approach to couture; ICA Miami's immersive Dolce&Gabbana showcase celebrating Italian craftsmanship; the Met's comprehensive Raphael exhibition featuring over 170 works; the Musée d'Orsay's exploration of Renoir's joyful modernity; and Palais Galliera's look at 18th-century fashion's lasting influence.

Nocturne Calder #1: Exhibition, music, workshop and bar at the Fondation Louis Vuitton in May 2026

The Fondation Louis Vuitton in Paris will host its first late-night event dedicated to Alexander Calder on Friday, May 8, 2026. Titled "Nocturne Calder #1," the evening features guided micro-tours of the retrospective "Calder. Dreaming in Equilibrium" (April 15–August 16, 2026), a creative workshop inspired by the artist, music, and a food-and-drinks offering. The program also includes a spotlight on the concurrent Armineh Negahdari exhibition. The event runs from 7:00 PM to 10:30 PM, with timed tours and open gallery spaces.

Bilingual Catacombs of Neto Art Museum is much more than art on a wall

Milwaukee's Third Ward now hosts The Catacombs of Neto Art Museum, a bilingual museum-gallery hybrid founded by artist-couple Ernesto Atkinson and Jenny Urbanek. Housed in the Marshall building's basement tunnels, the one-and-a-half-year-old space serves as a permanent home for Atkinson's work, which he previously stored in his basement. The couple, inspired by visits to sites like Els Quatre Gats in Barcelona and the Milwaukee Art Museum, conceived the museum as a "sacred resting place" where art comes alive through viewer interaction. Atkinson, a licensed art therapist, integrates psychological and wellness elements into the museum, which also functions as a gallery, educational space, community hub, and introduction to art therapy.

Dozens of Venice Biennale Artists Withdraw From Awards En Masse

Almost half of the artists in the 61st Venice Biennale's international exhibition, along with 16 national pavilion teams, have withdrawn from awards consideration in solidarity with the jury's resignation. The jury resigned on April 30 after stating it would not consider countries whose leaders are charged with crimes against humanity by the ICC, effectively disqualifying Israel and Russia. The Biennale Foundation then replaced the traditional Golden Lions with new "Visitor Lions" decided by public vote, reinstating all pavilions including Israel and Russia. The withdrawal follows protests at the Russian and Israeli pavilions and a historic labor strike that shuttered multiple pavilions.

Corals as Living Geology. In Conversation with Julian Charrière by Timothée Chaillou

Julian Charrière has created two new bodies of work, *Chorals* (2025) and *Veils* (2025), in collaboration with Maison Ruinart. The projects are inspired by the Lutetian Sea, which submerged the Champagne region 45 million years ago, and explore themes of deep time, climate change, and the interconnectedness of organic and mineral life. *Chorals* is a permanent sound installation in Ruinart's cellars in Reims, featuring amplified recordings of ocean reefs, while *Veils* comprises wall works and sculptures centered on corals and fading coral imagery. The works travel to art fairs as preludes to the permanent installation.

Contemporary art returns to center stage in Ascoli Piceno for the fifth edition of the Premio Sparti

L’arte contemporanea torna protagonista ad Ascoli Piceno per la quinta edizione del Premio Sparti

The fifth edition of the Premio Sparti, titled "Dove finisce la città" (Where the City Ends), will open on May 23 at the Forte Malatesta in Ascoli Piceno, Italy, running through June 28. Curated by Alex Urso, the exhibition features over twenty international artists exploring artistic practice outside major urban centers, with works also installed at the Frida Museum. The show is divided into three sections—"Essere oltre," "Essere qui," and "Essere altro"—highlighting artists who have chosen peripheral, rural, or marginalized locations as bases for their research, including Francesco Arena, Davide Maria Coltro, Andrea Mastrovito, and emerging talents under 35.

The Joy of Discovery at 1-54 Art Fair

The 1-54 Contemporary African Art Fair, now open at the Starrett-Lehigh Building in Manhattan, presents a smaller edition than previous years but continues to offer unexpected, tactile works. Highlights include Rommulo Vieira Conceição's Pop-art-inspired wall installation at Aura gallery, Kendra Frorup's mixed-media piece at the Current: Baha Mar Gallery, and Eymric Moderne's gold-leaf and glass bird painting at TM Arthouse. The fair also features posthumous works by Marcel Gotène at Loeve and Co and Sophia Bounou's enigmatic paintings at Blond Contemporary.

Gulag Museum rebrand marks latest phase in Kremlin’s assault on free speech

The Kremlin is systematically erasing the memory of Soviet repression under Joseph Stalin from Russian museums. The Gulag Museum in Moscow, which documented Stalin-era crimes, has been rebranded as a "Museum of Memory" focused on Nazi war crimes, with its entire website replaced and exhibitions packed up. Simultaneously, Russia's supreme court banned Memorial, a human rights organization founded to document Stalin-era atrocities, labeling it an "anti-Russian" extremist group. The Yeltsin Presidential Center in Yekaterinburg has also removed references to Memorial from its walls, and the Sakharov Center in Moscow was disbanded and evicted from its facilities.

Met Gala Boycott Message Projected on Bezos’s Manhattan Penthouse

On May 3, 2026, the activist group Everyone Hates Elon projected messages condemning Jeff Bezos and Amazon onto Bezos's luxury penthouse in Manhattan's Madison Square Park, ahead of the Met Gala on May 4. The projections included a video testimony from Amazon warehouse worker Mary Hill, who called for honoring workers instead of billionaires, and slogans such as 'Boycott The Bezos Met Gala.' The group also projected onto the Chrysler and Empire State buildings. This action follows earlier protests, including littering the Met with fake urine bottles and wheatpasting posters across the city, all targeting Bezos's role as an honorary co-chair of the gala.

Al Padiglione del Giappone della Biennale di Venezia vi affidano una bambola da accudire

The Japan Pavilion at the Venice Art Biennale 2026 features an immersive, interactive exhibition titled "Grass Babies, Moon Babies" by Japanese-American artist Ei Arakawa-Nash. Visitors are invited to care for one of 200 dolls, each with a QR code that provides a "diaper poem" linked to the doll's symbolic birth date—reflecting the artist's personal experience of becoming a father in 2024 and broader social dynamics in Japan. The pavilion, curated by Lisa Horikawa and Mizuki Takahashi, evolves over the seven months of the Biennale as a platform for shared care and participation.

72 Hours in Venice: Palazzos, Protests, and a Biennale on the Brink

The article recounts a journalist's 72-hour visit to the Venice Biennale, beginning with a protest by Pussy Riot and Femen at the Russian Pavilion. The action features pink smoke, chants of "Blood is Russia's art," and a guerrilla performance of the song "Disobey," set against a backdrop of internal Biennale strife—including juror resignations over countries whose leaders face ICC arrest warrants (Netanyahu and Putin). The narrative also notes the presence of alt-right figures like Ryan Coyne and sculptor Alma Allen's troubled U.S. pavilion representation.

Wonder Gallery Debuts in Coney Island With Vintage Photos and Mini Zines

Wonder Gallery, a collaboration between Parachute Literary Arts and the Coney Island History Project, opens May 23 at the History Project's Exhibit Center beside the Wonder Wheel in Coney Island. The seasonal gallery will debut with black-and-white photographs by Brooklyn documentary photographer Anders Goldfarb, capturing Coney Island residents and architecture from the 1970s and 1980s, alongside the launch of the Coney Island Zine Machine featuring miniature zines by Sheepshead Bay artist Kelly Luu. The free gallery will be open weekends and holidays from Memorial Day through Labor Day.

At 1-54 New York 2026, Afro-Brazilian art takes centre stage for the first time

The 1-54 Contemporary African Art Fair in New York (May 13–17, 2026) will debut a curated section titled '1-54 Presents: Brazil Beyond Brazil,' focusing exclusively on Afro-Brazilian art and artists. Organized by Brazilian curator Igor Simões, the section features works by ten Black Brazilian artists—including Ana Claudia Almeida, Rebeca Carapiá, and Rommulo Vieira Conceição—presented by leading Brazilian galleries such as Almeida & Dale, Fortes D’Aloia & Gabriel, Nara Roesler, and Aura. The initiative draws on archival research, reinterprets modernist legacies, and challenges narrow narratives around Afro-Brazilian art, highlighting the cultural links between Africa and Latin America.

Artist Mateo Blanco Unveils a Poetic Vision for America’s 250th Anniversary

World-renowned artist Mateo Blanco has unveiled *Silver Falls Flag* (2026), a textile work reimagining the American flag as a flowing cascade of silver threads, evoking waterfalls and natural rhythms. The piece will be displayed from May 16 to August 23 at the Brick Store Museum in Kennebunk, Maine, as part of the exhibition *From Many, One: Visions of American Patriotism at 250*, marking the nation's 250th anniversary.

Fight Club Denounces the System From Within the System

Cameroonian artist Pascale Marthine Tayou's first major institutional exhibition in Brazil, "Knockout!," has opened at the Pinacoteca de São Paulo's Pina Luz building. The show spans over 25 years of Tayou's career, featuring installations, sculptures, and paintings across seven rooms. Each room is themed around a historical international conference—including the Berlin Conference of 1884, Yalta, San Francisco, Rome, Rio de Janeiro, Bandung, and a fictional Avignon conference—using these as political and historical axes to critique colonial power structures and global inequality.

Exhibition | Naomi Rincón Gallardo, 'Sonnet of Vermin' at Hayward Gallery, London, United Kingdom

Naomi Rincón Gallardo presents her first solo exhibition in London, 'Sonnet of Vermin,' at the Hayward Gallery. The show features her 2022 film following a group of animals from Mesoamerican myths—Bat, Snake, Scorpion, and a choir of frogs—as they navigate dystopian landscapes in Oaxaca, communicating via radio signals and calling for solidarity amid social and ecological devastation. Rincón Gallardo works across video, performance, drawing, and sculpture, weaving cuir/queer resistance, pre-colonial folklore, DIY aesthetics, music, and dance into surreal narratives that critique colonialism and exploitation.

"She's Like the Wind"

The article reviews "She's Like the Wind," an annual all-female group exhibition at Deep Space gallery in Jersey City, featuring works by artists Delilah Ray Miske, Leigh Cunningham, and SarahGrace. Miske's painting "Lemon Lime Toe of God" shows only a woman's leg and foot, while Cunningham's oil paintings present figures as blurred forms seen through a translucent curtain, and SarahGrace's textile works depict headless female nudes with suggestive titles like "Provoke" and "Dominate." The show marks a departure from the gallery's typically family-friendly, sex-averse programming.

Nathaniel Mary Quinn's Museum Show | Herbie Hancock Returns Home | The Lake Plans Opening

Nathaniel Mary Quinn, a Chicago-born artist who grew up in the Robert Taylor Homes, will present his first solo museum exhibition in his hometown at the National Public Housing Museum. The show, titled "Nathaniel Mary Quinn: A Love Letter To My Mother," features ten works on canvas and paper, a recreated living room from his family's apartment circa 1984, and a reading room with historical materials about the housing project. Separately, Mariane Ibrahim gallery now represents Chicago-based artist Leasho Johnson, whose work draws on Jamaican mythology and appeared on the cover of Newcity's April 2026 issue. In other local news, a new social club called The Lake is set to open in River North this fall, designed by Robert A. M. Stern Architects, and construction has begun on the next phase of the Southbridge development on the site of the former Harold Ickes Homes.

Marianne Vitale exhibition and performance in Pittsburgh

The Pittsburgh Cultural Trust presents "Marianne Vitale: On Liberty: A Summoning," an exhibition and performance project at SPACE gallery in downtown Pittsburgh, running from May 1 to October 11, 2026. Guest curated by Benjamin Tischer of New Discretions, the project explores the layered social and cultural history of the 818 Liberty Avenue building, a former hub of nightlife, performance, and queer gathering. Vitale's work incorporates sculpture, painting, film, and live activations, using decommissioned locomotive parts and industrial debris to engage with post-industrial America. The exhibition transforms into a functioning club during select Final Fridays, drawing on the site's history as home to venues like Pegasus Lounge, a key LGBTQ+ space during the AIDS crisis.

AIPAD’s 45th Edition Puts New Light on Favorites at Park Avenue Armory

The Association of International Photography Art Dealers (AIPAD) held its 45th annual Photography Show at New York City's Park Avenue Armory, featuring 77 exhibitors from North America, South America, Asia, Europe, and Australia. The preview night drew a crowd of photography enthusiasts, with highlights including strong representation of Latin American photographers such as Graciela Iturbide, Frida Kahlo, and Tina Modotti, as well as classic New York imagery from William Klein, Joel Meyerowitz, and Richard Avedon. Notable sales included a Lucienne Bloch portrait of Kahlo, which sold within hours of the preview opening.

In love with trees, sculptor Lélia Demoisy elevates nature through hybridization

Amoureuse des arbres, la sculptrice Lélia Demoisy sublime la nature par l’hybridation

Lélia Demoisy, a French sculptor born in 1991, creates hybrid works that blend wood with animal elements, such as a yew wood sculpture covered in fox fur or a suspended skeleton made from naturally curved thuya branches. She lives in a small village in the Yvelines region, where she works with wood and metal herself, often sourcing materials locally, and recently participated in the Maif pour le vivant committee as the only artist on the jury.

Who Should Design NYC’s New Billie Holiday Monument?

The New York City Department of Cultural Affairs (DCLA) has revealed six commission proposals for a monument honoring legendary jazz vocalist Billie Holiday, to be installed outside the Jamaica Performing Arts Center in Queens through the Percent for the Art program. The artists in the running are Thomas J Price, Tanda Francis, Nekisha Durrett, La Vaughn Belle, Tavares Strachan, and Nikesha Breeze, and the public is invited to share input on the conceptual designs before the final selection. The monument emerged from the 2018 She Built NYC initiative, which aimed to address the lack of historical monuments dedicated to influential women in the city, and was revitalized in 2024 after delays caused by the COVID-19 pandemic.

Historic Strike Disrupts Biennale as Thousands March in Venice

On May 8, 2026, artists and cultural workers staged the first strike in the 131-year history of the Venice Biennale, disrupting the pre-opening of the international exhibition. At least 27 of the 100 national pavilions were partially or fully shut down, and thousands marched through Venice to the Arsenale, which was barricaded by Italian riot police. The strike, organized by the Art Not Genocide Alliance (ANGA) and local activist groups, was a 24-hour action for Palestine and workers' rights, with some artists altering or draping their works in the main exhibition, "In Minor Keys."

Artists Pay Tribute to Koyo Kouoh in Poetry Caravan at Venice Biennale

At the Venice Biennale on May 7, 2026, Cuban artist María Magdalena Campos-Pons led a poetry caravan across seven locations in the Giardini to honor Koyo Kouoh, the late curator of the Biennale's main exhibition "In Minor Keys," who died of cancer at age 57 in 2025. The procession, inspired by a 1999 voyage Kouoh took with nine African poets from Dakar to Timbuktu, featured performances by poets Natalie Diaz, Robin Coste Lewis, Batool Abu Akleen, and Anne Waldman, kora player Saliou Cissokho, and Kouoh's husband, Swiss saxophonist Philippe Mall, who played a composition dedicated to her. The event was organized by a team of Kouoh's assistants and advisers, including Marie Hélène Pereira, who served as stand-in lead of the 2026 Biennale.