The J. Paul Getty Trust awarded its annual Getty Prize to Ann Philbin, who served as director of the Hammer Museum at UCLA for 25 years. A celebratory dinner was held at the Getty Center in Los Angeles, attended by artists, philanthropists, and museum directors. Philbin used the prize's $500,000 grant to support NPR, KCRW, and LAist, emphasizing the importance of free speech and public broadcasting.
Jacques Gairard, a figure in the French art world, has died. The announcement appears in Le Journal des Arts, which also covers the opening of the Venice Biennale amid controversy, the final adoption of a law on the restitution of cultural property looted during colonization, the V&A East's focus on young audiences, the uneven economic impact of Monet's legacy in Giverny, and the structuring of the Nabis art market.
A French parliamentary commission released a report on May 13 detailing severe security deficiencies in French museums, following a December 2025 heist at the Louvre where French Crown Jewels worth $100 million were stolen. The report, overseen by MPs Alexis Corbière and Alexandre Portier, draws on over 20 hearings and highlights that only 25% of surveyed museums have a finalized security plan, with the Louvre itself criticized for dilapidated conditions and ignored audit warnings from 2017 and 2019 that predicted the thieves' modus operandi. Former Louvre director Laurence des Cars, who resigned in February, faced criticism for delays in implementing a security master plan.
Nearly half of the artists in the main exhibition of the Venice Biennale have signed a statement declining consideration for the Golden Lion awards, in solidarity with the jury that resigned last month. The statement, published by e-flux, includes prominent names such as Alfredo Jaar, Tuan Andrew Nguyen, Otobong Nkanga, and Walid Raad, as well as national pavilion representatives from France, Lithuania, and the Netherlands. The Biennale had planned to replace the jury-selected Golden Lions with "Visitor Lions" decided by public vote, but the artists' refusal marks an unprecedented protest within the exhibition.
A long-running dispute involving the Wildenstein art dynasty has resurfaced over a 2004 transaction for Claude Monet's *Adolphe Monet Reading in a Garden* (1867). The painting was acquired by Guy Wildenstein through a €4.5m deal that included works by Pierre Bonnard and Alfred Sisley, among them Monet's *Marine, Amsterdam* (1874). That work was later resold via Christie's, but a 2020 sale attempt revealed that the original canvas had been lost during a transfer process, significantly reducing its value. Court-appointed specialists concluded in 2024 that the alteration predated the transaction and that the gallery likely knew of the damage. The sellers have filed a claim alleging "vitiated consent" under French law, with a court date set for 7 May in Rouen. The disputed Monet now reportedly belongs to billionaire Larry Ellison.
The Medina Triennial has announced the artist lineup for its inaugural edition, set to open on June 6 in the Western New York village of Medina. Curated by co-artistic directors Kari Conte and Karin Laansoo, the exhibition features 39 international and local artists, including Venice Biennale winner Lina Lapelytė, Taysir Batniji, and Tania Candiani. The event is centered around the Erie Canal and explores the theme "All That Sustains Us," focusing on ecology, sustainability, and community exchange.
A New York Supreme Court judge has ruled that the estate of Jewish art dealer Oscar Stettiner is the rightful owner of Amedeo Modigliani’s 1918 painting "Seated Man With a Cane." The decision concludes an 11-year legal battle led by Stettiner’s grandson, Philippe Maestracci, against billionaire art dealer David Nahmad. The court found that the painting was unlawfully seized by the Nazis after Stettiner fled Paris in 1939 and that subsequent sales, including the 1996 purchase by Nahmad at Christie’s, did not extinguish the original owner's rights.
British artist Simon Fujiwara has opened a major career survey, 'A Whole New World,' at Mudam Luxembourg. The exhibition features a reinterpretation of Picasso's *Guernica* using his cartoon character Who the Baer, alongside works addressing his personal experience with syphilis and a commemorative installation for Japanese gay porn star Koh Masaki. The show is structured as a thematic 'theme park' exploring contemporary issues.
James and Kathryn Murdoch, through their respective organizations Lupa Systems and Futurific, are partnering with MCH Group, the parent company of Art Basel, to create a new major festival called the Futurific Institute. The event, set to launch in Basel, Switzerland in the summer of 2028, aims to be a cross-disciplinary gathering focused on art, culture, technology, and future-oriented problem-solving, drawing comparisons to world's fairs and events like TED Talks.
British television presenters Ant McPartlin and Declan Donnelly have obtained a High Court order to investigate potential financial misconduct involving their contemporary art collection. The duo is seeking disclosure from art dealer Andrew Lilley regarding transactions for several Banksy prints, alleging that an unnamed intermediary may have pocketed undisclosed profits. The court found a "good arguable case" of wrongdoing after a discrepancy of approximately $335,000 was discovered between what the presenters paid and what the dealer reportedly received.
Artnet News has compiled a selection of artworks created in anticipation of Pope Francis's first visit to the United States. The works include Anthony VanArsdale's portrait for the North American College in Rome, a new addition to the 'Franks' mural at Philadelphia's Dirty Franks bar, a massive photo-realistic mural by Van Hecht-Nielsen overlooking Madison Square Garden in New York, a large-scale mural by Caesar Viveros for the Philadelphia Mural Arts Program, and a controversial, officially licensed portrait by Perry Milou. Other featured pieces include an illustration by Omkar Shivaprasad and a vandalized mural in Bolivia by William Luna and Guillermo Rodriguez.
The High Line in New York has selected Vietnamese artist Tuan Andrew Nguyen to create its next plinth commission, titled *The Light That Shines Through the Universe*, opening spring 2026. The 27-foot sandstone sculpture reimagines one of the Bamiyan Buddhas, destroyed by the Taliban in 2001, replacing the lost hands with melted brass artillery shells. The work is an "echo" meant to invoke memory of the lost cultural treasures.
The son of late Palestinian businessman Uthman Khatib, Prince Castro Ben Leon, is suing LitFin Capital, the Prague-based litigation funder that financed his family's legal battle to recover 135 Russian avant-garde paintings allegedly stolen by Israeli Russian Mozes Frisch. The paintings, attributed to El Lissitzky, Kazimir Malevich, and Wassily Kandinsky, are valued at $323 million. A Paris court secured the works in January after they were seized from Paris-based authenticators ArtAnalysis, which had been holding them for Frisch. Castro claims LitFin is now refusing to pay legal bills unless it gains control of the lawsuits, violating their funding agreement. LitFin denies the allegations, stating it has always honored its contractual obligations.
Collector Charles C. Cahn, Jr. has filed a lawsuit against Sotheby’s in the Supreme Court of the State of New York, alleging the auction house refuses to resell a painting attributed to Amedeo Modigliani that he purchased in 2003 for $1.55 million. The work, titled *Portrait de Leopold Zborowski* (1917), was consigned under a 2016 agreement allowing Cahn to resell it within 15 years, but Cahn claims Sotheby’s raised authenticity concerns and failed to respond to his recent attempts to consign the piece. He is seeking $2.67 million in damages.
A new study published in *Frontiers of Physics* analyzed paintings created during a 2003 'Dripfest' experiment, where children aged 4–6 and adults aged 18–25 were asked to splatter paint like Jackson Pollock. Using fractal and lacunarity analysis, researchers found that adults produced denser, more intricate patterns, while children's paintings were more clustered and smaller in scale, likely due to differences in biomechanical balance and coordination. Notably, Pollock's own fractal values fell near the children's range, suggesting his physical limitations influenced his technique.
The Kochi-Muziris Biennial, South Asia's largest contemporary art biennial, has announced the 66 artists from over 20 countries participating in its 2025 edition, titled “For The Time Being.” Running from December 12 to March 31 across venues including Aspinwall House and Pepper House in Kochi, India, the event features around 50 new commissions and a theme centered on the body, memory, and temporality. The announcement comes after the 2023 edition was marred by controversy, with more than half of its 90 artists signing a public letter alleging communication breakdowns, unpaid fees, and production issues, as well as the Kerala government reportedly pulling out of a deal to acquire the main venue.
A graffiti art installation titled "HEAR US" has been unveiled at Canterbury Cathedral in Kent, England, created by poet Alex Vellis and curator Jacqueline Creswell. The works, which appear directly on the cathedral's walls, pose spiritual and social questions such as "What is the architecture of heaven?" and "Why are you indifferent to suffering?" The project emerged from community workshops asking "What would you ask God?" and involves marginalized communities including the Punjabi, black and brown diaspora, neurodivergent individuals, and the LGBTQIA+ population. The installation is approved by the cathedral and runs through January 18, though it has already sparked widespread online backlash.
At the Raising Hope conference in Rome, Pope Leo XIV blessed a 20,000-year-old piece of Greenland glacial ice brought onstage by artist Olafur Eliasson. The ice, transported from Nuup Kangerlua fjord with geologist Minik Rosing, had already broken away from the Greenland ice sheet and was melting. Eliasson documented the event on Instagram, calling it a striking moment that underscored the connection between nature and humanity.
John Brandler, a British street art specialist, loaned three Banksy works to Metamorfosi, a Rome-based touring exhibition company, for shows in Italy and Switzerland. After a two-year contract expired and was extended with a monthly fee, Brandler claims Metamorfosi has fallen behind on payments and has not returned the artworks, including the mural "Season's Greetings" (2018), "Heart Boy," and "Computer Robot." Another Banksy dealer, Acoris Andipa, says he is owed £45,000 for curatorial services. Metamorfosi disputes the claims, stating it has paid monthly installments and attempted to return the works, blaming storage issues for the delay.
American artist Alan Sonfist, a pioneer of the Land Art movement known for his 1978 work "Time Landscape" in New York City, has opened a solo exhibition titled "Seeds of Time" at Parco Arte Vivente (PAV) in Turin, Italy. Curated by Marco Scotini, the show features a new installation, "Growth Between the Cracks" (2025), for which Sonfist collaborated with local residents to collect soil samples from overlooked urban spaces across Turin. The exhibition revisits Sonfist's early ecological works and includes a conversation between the artist and curator about the evolution of environmental art.
Ari Aster's upcoming film *Eddington*, premiering at Cannes, uses David Wojnarowicz's 1988–89 artwork *Untitled (Buffalos)* as its poster image. The film, set in May 2020, follows a sheriff and mayor clashing over face masks during the COVID-19 pandemic. Wojnarowicz's work, originally a critique of U.S. government indifference during the AIDS crisis, depicts bison falling off a cliff—a metaphor for societal collapse. The poster slightly alters the image, and A24, the production company, has not commented on the design.
Phillips auction house has filed a lawsuit against David Mimran, a film producer and son of billionaire Jean Claude Mimran, alleging he failed to pay $14.5 million for a Jackson Pollock drip painting (ca. 1948) that sold at a New York auction in November 2024. Mimran had agreed to a third-party guarantee for the work, which sold for $15.3 million with fees, but according to Phillips, he sought an extension and then claimed he could not pay. The auction house is seeking nearly $15 million including interest.
Amalia Ulman's new film *Magic Farm* follows an American documentary crew that arrives in a rural Argentine town with a mandate to cover "crazy subcultures," only to find none. Led by a harried producer (Alex Wolff) and an anchor (Chloë Sevigny), the crew fabricates a zany trend while completely missing an environmental crisis affecting the village—no drinking water and widespread illness. Ulman describes the film as a critique of media bureaucracy, where content demands override actual news. The film continues her exploration of image-making and fiction, themes she previously investigated in her 2014 Instagram performance *Excellences & Perfections* and her 2021 debut feature *El Planeta*.
Banksy has unveiled a new street artwork in Marseille, France, located on Rue Félix Fregier. The piece features a painted lighthouse and the stenciled text “I want to be what you saw in me,” set beside a sidewalk bollard whose shadow the lighthouse mimics. The artist posted the work on Instagram, where it quickly garnered over 800,000 likes. The mural marks a notably introspective and emotionally vulnerable departure from Banksy’s typically satirical or politically charged style.
Brian Eno, the English musician and artist who composed the iconic startup sound for Windows 95, has publicly called out Microsoft for its business relationship with the Israeli Ministry of Defense amid the ongoing war in Gaza. In an open letter titled “Not in My Name” posted to Instagram, Eno expressed dismay that the company he once associated with a promising technological future is now providing cloud and AI services to the Israeli military, which he and human rights organizations accuse of committing genocide and war crimes. He urged Microsoft to suspend all services that contribute to violations of international law and announced he would donate his original fee for the Windows 95 chime to Gaza victims.
Amalia Ulman, who gained fame in 2014 for her Instagram performance "Excellences and Perfections," is now an accomplished filmmaker. Her second feature, "Magic Farm," starring Chloë Sevigny, follows a crew of American journalists traveling to Argentina to record an episode about a musician, only to encounter locals affected by pesticide pollution. The film is an absurdist satire of American hipsters, continuing Ulman's pivot from visual art to cinema after her debut dark comedy "El Planeta" (2021).
Ben Davis, an art critic, analyzes the failure of Kamala Harris's 2024 presidential campaign through the lens of its visual culture, particularly a MoveOn.org poster in Brooklyn that renders Harris's face entirely from emojis—smiley eyes, fist-bump skin, octopus lips, and coconut necklace. He argues this poster epitomizes the campaign's reliance on incoherent internet vibes and substance-free memes, contrasting it with Shepard Fairey's uninspired "FORWARD" poster and the self-parody of "Brat Summer" aesthetics. Davis blames Democratic Party consultants for wasting over $1 billion on a campaign that failed to connect with voters on economic anger, instead offering wonkish proposals and appeals to nonexistent Liz Cheney Republicans.
The Saltzman-Leibovitz photography prize, founded in 2025 by Lisa Saltzman and Annie Leibovitz, announces its winners and runners-up for 2026. Bolivian photographer Marisol Mendez wins for her series 'MADRE,' which challenges patriarchal representations of women in Bolivia through portraits of matriarchs and references to the Inca moon goddess. Runner-up Miranda Barnes documents African American debutante cotillions in Detroit, while other featured photographers include Bettina Pittaluga and Cole Ndelu, whose works explore body diversity and the fusion of Zulu cosmology with Catholicism. The exhibition runs at Photo London, Olympia, 13–17 May 2026.
Anish Kapoor has called for the United States to be excluded from the Venice Biennale, citing the country's "abhorrent politics of hate" and "incessant warmongering." His comments follow the resignation of the five-member international jury, who stepped down in protest over the inclusion of Israel and Russia. Kapoor praised the jury's decision as "courageous" but argued they should have also targeted the US. The US pavilion, featuring artist Alma Allen and his exhibition "Call Me the Breeze," has faced scrutiny over perceived Trump administration interference and a delayed selection process. Meanwhile, the Israeli and Russian pavilions remain flashpoints, with over 200 participants signing a letter demanding the cancellation of the Israeli pavilion, and the Russian pavilion closed to the public but viewable through windows.
Ana Viladomiu, a 70-year-old writer, is the last remaining tenant of Antoni Gaudí’s Casa Milà (La Pedrera) in Barcelona, a UNESCO World Heritage site that receives about a million visitors annually. She has lived in the luminous apartment since 1988, originally moving in with her then-husband Fernando Amat, owner of the iconic design store Vinçon. Viladomiu holds a rare renta antigua (fixed-rent contract) that allows her to stay until she or Amat dies, after which the not-for-profit foundation managing the building will take ownership. The rest of the building now houses offices and cultural event spaces.