‘We refuse_d’: rehearsing refusal as method, memory, and possibility.

Marking the fifteenth anniversary of Mathaf: Arab Museum of Modern Art, the traveling exhibition ‘we refuse_d’ has opened at M HKA in Antwerp. Curated by Nadia Radwan and Vasif Kortun, the project draws on the intellectual lineage of Hannah Arendt’s reflections on displacement and the historical precedent of the Salon des Refusés. The exhibition features a constellation of works by artists including Khalil Rabah, Barış Doğrusöz, and Nour Shantout, exploring refusal not as a simple negation, but as a complex strategy for survival, dignity, and the preservation of memory.

The Sky Lives in Us Still, Resistance and Imagination Take Flight.

Vanessa German has unveiled a major new installation at the Speed Art Museum titled '…do you remember when you were the sky?', marking the inaugural project of the Sam Gilliam Visiting Artist Program. The exhibition features German’s signature assemblage sculptures, which utilize diverse materials like cowrie shells, quilts, and skateboards to create hybrid figures representing young girls in states of transformation. The body of work is the result of months of community engagement and research into local histories, specifically focusing on the narratives of the Colored Girls Dormitory in Louisville.

Luminous Tiffany Window Poised to Net $2 Million at Auction

A late 19th-century Tiffany stained-glass window, known as the Boyd Family Memorial Window (The Falls), is set to be auctioned at Christie's in June with an estimated price of $2 million. The window, depicting a waterfall and sunset landscape, has been installed in the Second Congregational Church in Winsted, Connecticut, for 125 years and was commissioned by Ellen Wright Boyd in memory of her parents.

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The Rothschild Vienna Mahzor, a 15th-century illuminated Hebrew prayer book, sold for $6.4 million at a Sotheby's auction on February 5. The sale followed the manuscript's recent restitution to the descendants of Alphonse von Rothschild, from whom it was seized by the Nazis in 1938.

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The LA Art Show will launch its 31st edition from January 7–11, 2026, at the Los Angeles Convention Center, directed by Kassandra Voyagis. Featuring over 90 exhibitors, the fair introduces a new Latin American Pavilion curated by Marisa Caichiolo, focusing on memory, migration, and identity. It also returns with its non-commercial platform DIVERSEartLA, titled “The Biennials and Art Institutions in the Contemporary Art Ecosystem,” which examines the roles of biennials and museums through five installations and a video presentation. Participating galleries include Rehs Galleries, Inc., Gallery Artwall, Teranarva, and Oliver Sears Gallery, the first Irish gallery to join the fair.

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A new biography by art historian Elizabeth Goldring, titled "Holbein: Renaissance Master," traces the journey of German painter Hans Holbein the Younger from his humble beginnings in Augsburg to becoming the official painter of King Henry VIII in Tudor England. The book, already released in the U.K. and hitting U.S. bookshops on January 6, examines how Holbein's portraits—including the iconic image of Henry VIII and rival courtiers Thomas More and Thomas Cromwell—defined the visual legacy of the Tudor dynasty. Goldring highlights Holbein's ability to confer power through paint, with his works still shaping global perceptions of the Tudors centuries later.

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The article uncovers the story of three secret sculptures carved by François Décure, a quarryman in the Catacombs of Paris during the late 18th century. Décure, a veteran of the Seven Years' War, used his lunch breaks and spare time to chisel detailed stone models of buildings he remembered from his imprisonment on the island of Menorca, including a fortress called Port Mahon. He died tragically when a staircase he was working on collapsed, but his sculptures survived, were restored in 1854, and remain a highlight of guided tours through the catacombs.

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Spanish foreign minister José Manuel Albares inaugurated an exhibition titled “Half the World: Women in Indigenous Mexico” at the Cervantes Institute in Madrid, featuring over 400 works on loan from the Mexican government. At the press conference, Albares acknowledged that Spain's colonization of Mexico caused “pain and injustice” toward indigenous peoples, but stopped short of issuing a full apology. This follows a 2019 letter from former Mexican President Andrés Manuel López Obrador demanding an apology from Spain and the Catholic Church for the conquest, which Spain rejected. Current Mexican President Claudia Sheinbaum has reiterated the demand, calling the original letter “very diplomatic” and criticizing Spain's response as “undiplomatic.”

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Japan’s Okada Museum of Art is selling 125 works from its collection at Sotheby’s Hong Kong on November 22 to help its founder, Kazuo Okada, pay a $50 million legal bill. The bill stems from a long-running feud with casino magnate Steve Wynn, which began when the two co-founded Wynn Resorts in 2002 and later accused each other of improper payments. The collection includes Katsushika Hokusai’s iconic *The Great Wave Off the Coast of Kanagawa* (1830–32), a rare Qianlong “Eight Treasures” vase, and 16th-century screens by Kano Motonobu. Okada, an 83-year-old billionaire, lost a binding arbitration over the legal fees and must now sell the art.

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The Bayeux Tapestry, a 900-year-old embroidery depicting the Norman Conquest of 1066, will be loaned from France to the British Museum for a blockbuster exhibition running from September 2026 to July 2027. French officials reportedly lobbied for discounted or free entry for French citizens, a request British negotiators dismissed as a "try-on" that was "never going to happen." The loan, first proposed in 2018 by then-Prime Minister Theresa May, was delayed over fragility concerns and finally confirmed during President Emmanuel Macron's state visit. In exchange, Britain will send the Sutton Hoo treasures and the Lewis Chessmen to France. French negotiators also floated borrowing the Rosetta Stone, but that proposal failed as the artifact is considered immovable.

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Lumin Wakoa, a rising painter known for her hazy, memory-based works that blurred abstraction and figuration, has died at 43 after battling brain cancer. Her death was announced by her gallery, Harper’s, on Monday. Wakoa had solo shows last year at Various Small Fires in Seoul and Harper’s in New York, and her work was featured at Frieze art fair. She studied at the North Carolina School of the Arts, the University of Florida, and earned an MFA from the Rhode Island School of Design.

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Monument Lab and Bryn Mawr College have unveiled a permanent public artwork by Nekisha Durrett titled "Don't Forget to Remember (Me)" in the school's Cloisters courtyard. The installation features 9,000 custom pavers arranged in an intertwined knot pattern, with 250 of them engraved with the names of Black staff whose labor was essential to the college's early operations but went unrecognized. The project emerged from a multiyear initiative called Art Remediating Campus Histories, which included symposia, lectures, and community consultations to address the institution's histories of systemic exclusion.

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Ronen Zien, an artist born in the Arab city of Shefa Amr in northern Israel, presents a solo exhibition titled "Walking Into" at the Tel Aviv Museum of Art. The show features works that explore memory, time, and borders, including a life-size video piece where Zien walks into a faded family photograph from the 1990s. Using chroma key technology, he inserts himself into images from his childhood and historic photographs, such as a 19th-century print by Félix Bonfils. The exhibition draws on Zien's family history within the Druze community, which is divided by the Israel–Syria border, and includes works created in the six months before its February 2025 opening, amid ongoing war tensions.

‘It’s about processing’: the artist who spent three months recreating the most poignant moments with her ex

Photographer Diana Markosian has created a new project titled "Replaced," in which she spent three months recreating intimate moments from her past relationship with an ex-partner. To document the experience of falling in and out of love, she hired an actor to play her ex and traveled with him to locations they once visited together, including Miami, Paris, Naples, Capri, and Nice. The series blurs documentary and fiction, using staged reenactments to process grief, heartbreak, and healing.

LATIN AMERICA AT THE VENICE BIENNALE: A VISUAL TOUR OF THE CENTRAL EXHIBITION

LATINOAMÉRICA EN LA BIENAL DE VENECIA: UN RECORRIDO VISUAL POR LA MUESTRA CENTRAL

The 61st Venice Biennale, titled "In Minor Keys," opened its preview days on May 8, 2025, curated by the late Koyo Kouoh (1967–2025). The central exhibition, realized by a team she selected before her death, features 110 participants from around the world, with a strong Latin American presence of 15 artists, collectives, and organizations. The show explores themes of colonial history, plantation economies, geological memory, and environmental crisis through works that emphasize shared materials, politics, and poetics across geographies from Dakar to San Juan.

Form in the Age of Living Materials. Interview with Curator Pablo José Ramírez

LA FORMA EN LA ERA DE LOS MATERIALES VIVOS. ENTREVISTA AL CURADOR PABLO JOSÉ RAMÍREZ

The Hammer Museum in Los Angeles is presenting "Several Eternities in a Day: Form in the Age of Living Materials," an exhibition curated by Pablo José Ramírez running until August 23. Featuring 22 artists from the Americas, the show explores materials such as avocado, cacao, achiote, cochineal, stone, clay, and natural dyes that evolve, degrade, or transform over time. Organized into three acts, the exhibition challenges conventional notions of the art object by treating these materials as living agents with memory and agency, rooted in Indigenous knowledge and the concept of "brownness." In an interview, Ramírez discusses how these materials destabilize extractivist logics and institutional frameworks, forcing a rethinking of conservation protocols and the very conditions of exhibition-making.

GEORGE FEBRES: TRADUCCIÓN, IRONÍA Y LIBERACIÓN. UN ARTISTA ECUATORIANO EN LA DIÁSPORA

George Febres (Guayaquil, 1943 – New Orleans, 1996) was an Ecuadorian artist whose work blended pop art, neo-surrealism, and Southern U.S. culture, shaped by his experience as a migrant and queer individual. The article traces his life from a privileged but unstable childhood in Ecuador to his migration to the United States, where he was drafted during the Vietnam War and eventually settled in New Orleans. Febres used bilingualism and ironic appropriation of tropical imagery to create a hybrid, irreverent body of work that challenges the official historiography of Ecuadorian art.

LA LECHUZA DE MINERVA

The Círculo de Bellas Artes in Madrid, founded in 1926 by a small group of artists, has launched a centenary exhibition titled "La lechuza de Minerva" (The Owl of Minerva). Curated by Isabella Lenzi, the project revisits the institution's most disruptive exhibition, "El sueño imperativo" (1991), curated by Mar Villaespesa, which invited twelve artists to intervene in both exhibition spaces and transit areas, challenging traditional display logic. The new exhibition features works by artists including Dagoberto Rodríguez, Elo Vega, Rogelio López Cuenca, Isidoro Valcárcel Medina, Itziar Okariz, Los Carpinteros, María Salgado, Pedro G. Romero, Regina Silveira, Silbatriz Pons, and Tino Sehgal, who activate hidden and unexpected corners of the building through visual and sound actions. The project also restores Nancy Spero's 1991 intervention "Minerva, Sky Goddess," which had largely disappeared, through archaeological research led by restorer Rocío Casasus.

CARTIER FOUNDATION. A THIN LINE BETWEEN EXTRACTIVISM AND CULTURAL RECLAMATION

FUNDACIÓN CARTIER. UNA DELGADA LÍNEA ENTRE EXTRACTIVISMO Y REIVINDICACIÓN CULTURAL

The Cartier Foundation inaugurated its new Paris headquarters on October 25 with the exhibition "Exposition Générale." The curatorial approach and, most notably, the labyrinthine architectural design by Jean Nouvel have drawn criticism from the specialized press, described as disappointing and patchwork. The new space, a dense black cube in central Paris, represents a radical departure from the foundation's previous luminous, glass-walled hall, forcing a complete rethinking of how to present its 40-year collection.

Andrew Cranston’s Paintings of Dreamlike Domesticity

Scottish artist Andrew Cranston has opened a new solo exhibition titled 'I’m going in a field' at Modern Art gallery in London. The show features eleven paintings that blend landscape, memory, and domestic scenes, drawing inspiration from the artist's childhood in Hawick, Scotland, and his reflections on activities like golf, which he views as a form of landscape experience.

Deutscher Pavillon wird zum Plattenbau

The German Pavilion at the Venice Art Biennale has been transformed into a prefabricated concrete slab building (Plattenbau) for this year's edition, designed by artists Sung Tieu and the late Henrike Naumann, who died suddenly in February at age 41 from cancer. Curator Kathleen Reinhardt described the pavilion as part of a highly political Biennale, with Tieu covering the 1938 fascist-era building with a mosaic of over three million tiles depicting a Berlin apartment block that once housed Vietnamese contract workers. Naumann's interior installation features mint-green references to Soviet barracks in East Germany, a cartography of war, and works including a relief of chairs, a curtain of chainmail, and the performance "Trümmerfrau."

Almost Everything in the World Depends on This Substance

"Fast alles in der Welt hängt von dieser Substanz ab"

Artist Monira Al Qadiri presents her exhibition "Hero" at the Berlinische Galerie, focusing on oil tankers as central figures. The show explores the hidden violence and scale of the petroleum industry through a large wall painting of the supertanker Hero, miniature tankers with satirical names, and a video work depicting their destruction. Al Qadiri connects this to her long-term artistic investigation of oil's imagery and materiality.

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Kenturah Davis, a Los Angeles- and Accra-based artist known for large-scale drawings and carbon pencil rubbings that incorporate text, lost her Altadena home and studio in the Eaton fire last year. In response, she helped organize “Ode to ‘Dena,” a group show at the California African American Museum honoring the neighborhood, and is now launching Rest Stops, a restorative public art project and community garden aiming to establish 10 green spaces by 2027. She has also taken up pottery classes and rebuilt her studio practice in a new Altadena sanctuary.

art naomi beckwith guggenheim museum curator

Naomi Beckwith, deputy director and chief curator of the Guggenheim Museum and Foundation, has relocated to Kassel, Germany, as artistic director of Documenta 16, which opens in June 2027. The article follows her early impressions of Kassel, a city shaped by immigration and still grappling with its post-reunification identity, and touches on the political and cultural debates surrounding Documenta after controversy over antisemitic imagery in its previous edition. Beckwith is also organizing a concurrent exhibition at the Palais de Tokyo in Paris, titled "Echo Delay Reverb: American Art, Francophone Thought."

design art precious okoyomon garden

Precious Okoyomon, editor of CULTURED at Home gardens, selects five unconventional natural landscapes that thrive against difficult odds. These include Dumbarton Oaks in Washington DC with its ancient wisteria, the radioactive waste site Dead Horse Bay in Brooklyn where invasive species bloom, the childhood haven Glen Helen Nature Preserve in Ohio, the Persian-inspired Untermyer Gardens in Yonkers, and Derek Jarman's seaside garden beside a nuclear plant in Dungeness, UK. Each location is described through Okoyomon's personal reflections, illustrated by Erin Knutson.

art young photographer jasmine clarke

Jasmine Clarke, a photographer and MFA candidate at the Yale School of Art, is featured in Cultured's "Art Young Photographer" series, nominated by renowned photographer Stephen Shore. Her tender images of home and family have been exhibited at the Brooklyn Museum and the Phoenix Art Museum. Clarke describes her work as a form of "biomythography," blending history, biography, and myth to explore memory, cultural identity, and the nature of seeing.

The Interview: Kei Ishikawa

Filmmaker Kei Ishikawa has adapted Kazuo Ishiguro's debut novel, 'A Pale View of Hills,' into a feature film, with Ishiguro serving as executive producer. The film expands the novel's dual-timeline narrative, set in post-war Nagasaki and 1980s England, and introduces a decisive narrative closure not found in the original text. It features performances from leading Japanese actors and meticulous period detail.

Sur Arte Radio et dans une expo, l’enquête d’Adrianna Wallis sur les traces de sa grand-mère peintre spoliée par les nazis

Artist Adrianna Wallis (born 1981) discovers that her paternal grandmother, painter Diane Esmond (1910–1981), was a victim of Nazi looting during World War II. After being contacted by historians Patricia Helletzgruber and Sophie Juliard, Wallis learns that much of Esmond's work was systematically destroyed by the ERR, the Nazi organization responsible for art theft in occupied countries. This revelation sparks a personal investigation that becomes a podcast for Arte Radio titled "Il restera la gravité," blending documentary, autobiographical inquiry, and sound installation. Wallis delves into archives, examining microfilms and lists that detail 46 of Esmond's paintings—each methodically described and declared destroyed, such as "Woman in blue evening dress: annihilated."

Centenary of Elizabeth II: Two colossal statues of the queen to be erected in London's St James's Park

Centenaire d’Elizabeth II : deux statues colossales de la reine seront érigées à Londres, dans St James’s Park

London has unveiled the final design and models for a colossal memorial to Queen Elizabeth II in St James's Park, to be completed by 2028. The centerpiece is a seven-meter bronze statue of the queen at age 28, inspired by a Pietro Annigoni portrait and created by sculptor Martin Jennings. It will be accompanied by a statue of Prince Philip by Jennings and a second, more intimate statue of the queen in old age by Karen Newman. The project marks the centenary of Elizabeth II's birth (1926–2022) and is designed by Foster + Partners. Models are on display at the British Museum until June 21.

Photographer Giles Duley brings images of historic and current wars into dialogue in Manhattan pop-up show

British photographer Giles Duley has opened a pop-up exhibition titled "Distortion/Memory/Resilience" in a 77th-floor penthouse at Sutton Tower in Manhattan, running from 12 to 24 May. The show features haunting war photography alongside installations—Youth, Childhood, and Memory—that draw parallels between historic and current conflicts. Duley, who lost both legs and an arm after stepping on a landmine in Afghanistan, uses a camera obscura, children's art from war zones, and side-by-side images of injured children from the London Blitz and Beirut to create an immersive experience. The exhibition is presented by the luxury tower's developer and includes benefit dinners hosted by Duley.