AT A LOW FLAME. CLAY AND NATURAL FIBERS IN THE WORK OF IBERO-AMERICAN ARTISTS

A MEDIA LUMBRE. BARRO Y FIBRAS NATURALES EN LA OBRA DE ARTISTAS IBEROAMERICANOS

The exhibition 'A media lumbre' presents a collection of works by Ibero-American artists that engage with materials and knowledge historically considered minor arts, such as ceramics, clay, wool, textiles, embroidery, and natural fibers. The show integrates sound and oral tradition as tools for transmitting memory, drawing inspiration from communal gatherings like the 'filandones.' It unfolds across four autonomous exhibitions in Valencia, Mallorca, Aragon, and Catalonia, connecting urban museums like the IVAM with rural contexts.

Michael Fullerton: The Politics of Portraiture

Glasgow-based painter Michael Fullerton is presenting a two-part exhibition that critically examines the politics of portraiture. The first section features 11 oil portraits of male asylum seekers he lived alongside while working as live-in staff at the Hilltop Hotel in Carlisle. These works, painted in a traditional style, depict the men with care against ambiguous landscapes, deliberately restricting personal information to names and origins, highlighting their status within systems of power.

Joyce Awards to Relaunch After Yearlong Pause with $100,000 Unrestricted Grants for Great Lakes Artists

The Chicago-based Joyce Foundation has announced the relaunch of its Joyce Awards after a year-long hiatus, introducing a significant shift in its funding model. Starting with the 2026 cycle, the program will move from project-based grants to providing four artists annually with $100,000 in unrestricted funds, alongside a $40,000 grant for a partner nonprofit. The awards will now operate on a biennial rotation between specific Great Lakes states and allow for self-nominations for the first time.

Dice Are 6,000 Years Older Than Previously Believed, Study Says

Archaeologist Robert J. Madden has published a groundbreaking study in the journal American Antiquity identifying over 600 prehistoric objects as two-sided dice. These artifacts, found across 57 sites in the American West, date back more than 12,000 years to the Late Pleistocene era. By applying criteria from historic Native American gaming traditions to these bone and wood fragments, Madden argues that dice-based games of chance existed 6,000 years earlier than previously recorded in the archaeological record.

Peep the Wildest Costumes of This Year’s Easter Bonnet Parade

New York City’s Fifth Avenue was transformed into a vibrant public gallery on April 5, 2026, for the annual Easter Parade and Bonnet Festival. Participants gathered outside St. Patrick’s Cathedral to showcase elaborate, hand-crafted headpieces ranging from Eduardo Escobar’s rotating 'Trip to the Moon' hat to Shayna Strype’s hot-air balloon ensemble. The event featured a diverse array of creators, including climate-conscious artist Cristian Pietrapiana and mixed-media sculptor Gail Trunick, who utilized the street as a stage for avant-garde millinery and performance art.

Is There an Ethical Path for AI Art?

An exhibition at Rice University's Moody Center for the Arts, titled 'Imaging after Photography', presents work by seven contemporary artists who use artificial intelligence in ethically considered ways. The show argues we are in a post-photographic moment where AI disrupts the link between photorealism and reality, and features artists who train their algorithms on their own images or public domain datasets to avoid plagiarism.

FORGING PATHS: AFRO-BRAZILIAN ANCESTRY AND FEMININE POWER IN THE WORK OF NÁDIA TAQUARY

FORJAR CAMINOS: ANCESTRALIDAD AFROBRASILEÑA Y PODER FEMENINO EN LA OBRA DE NÁDIA TAQUARY

The exhibition "Ònà Irin: caminho de ferro" by artist Nádia Taquary has opened at Sesc Belenzinho in São Paulo, featuring large-scale sculptures and an immersive video installation. Curated by Amanda Bonan, Ayrson Heráclito, and Marcelo Campos, the show centers on a massive installation of iron rails that symbolize the Yoruba deity Ogum, the opener of paths. The works integrate traditional Afro-Brazilian materials such as cowrie shells, beads, and metals to explore spiritual protection and the historical significance of jewelry as a form of resistance and identity for enslaved and freed Black women.

Coachella 2026 features massive maze art installation by Sabine Marcelis, among others.

The 2026 Coachella Valley Music and Arts Festival has unveiled its lineup of large-scale art installations, featuring major works by Dutch artist Sabine Marcelis, London-based architect Kyriakos Chatziparaskevas, and The Los Angeles Design Group (LADG). The program, curated by Raffi Lehrer of Public Art Company and Paul Clement, will transform the festival grounds with immersive experiences including a massive glowing maze and towering sculptural structures.

Rockefeller Center Unveils Sculpture by German Iranian Artist Bettina Pousttchi.

Rockefeller Center in New York has installed a new public sculpture, 'Vertical Highways V03 (2025)', by German Iranian artist Bettina Pousttchi. The work, composed of bent and battered red guardrails arranged in a tangle, will be on view in the Channel Gardens through April 17th.

Phillip Lai at Spike Island

The contemporary art space Spike Island in Bristol is hosting a solo exhibition by artist Phillip Lai titled "Rain / Ruin." Running from January 30 to May 10, 2026, the exhibition features a series of sculptural installations and works that engage with the architectural environment of the gallery. The presentation is documented through a comprehensive suite of installation photography by Rob Harris, capturing the spatial relationship between Lai's objects and the industrial character of the venue.

Hunter Foster at Good Weather

Hunter Foster presents a solo exhibition titled "Involition" at Good Weather in Chicago. Running from February 6 through April 4, 2026, the show features a new body of work documented through an extensive series of installation views and a detailed works list.

This Risograph Studio Celebrates 400 Artist Postcards Mailed Around the Globe

Glasgow-based design studio Risotto is celebrating a major milestone for its Riso Club subscription service with a retrospective exhibition at the Glue Factory. Since 2017, the club has commissioned and mailed four artist postcards monthly to subscribers worldwide, reaching a total of 400 unique works. The exhibition, running from April 11 to 19, marks the 100th mailing and showcases the full collection of prints together for the first time.

A Parade of Floating Artworks Honors Hieronymus Bosch in the Netherlands

The 2026 Bosch Parade will return to the Dommel river in ’s-Hertogenbosch from June 18 to 21, featuring nineteen new floating artworks inspired by the theme "Powered by Defects." This biennial event pays tribute to the surrealist legacy of Hieronymus Bosch, the city's most famous son, by inviting international artists to create fantastical aquatic installations. The program includes the "Garden of Earthly Delights," an open-air studio at the Citadel where visitors can interact with artists as they develop their contemporary interpretations of Bosch’s fascination with human imperfection and the absurd.

Street Artists Take On Monumental Infrastructure in ‘Impossible’ Photos

Photographer Joseph Ford collaborates with street artists like Antonyo Marest, Alex Senna, and MadC on his 'Impossible Street Art' series. The artists create trompe-l'œil interventions on Ford's photographs of massive infrastructure sites, which he then documents on an easel placed in front of the actual location, creating the illusion of monumental, site-specific street art.

Monopol is giving away 1 × 2 tickets for "Arv og miljø" at the Schaubühne Berlin

Monopol verlost 1 × 2 Tickets für "Arv og miljø" in der Schaubühne Berlin

The Schaubühne Berlin is hosting the Norwegian production "Arv og miljø" (Will and Testament) as part of the Festival Internationale Neue Dramatik (FIND). Based on Vigdis Hjorth’s controversial novel, the play follows Bergljot, a woman who confronts her estranged family during an inheritance dispute over summer houses, leading to a harrowing clash over suppressed childhood memories and the nature of truth.

“100% L’Expo”: 5 Young Talents Shaping Today’s Art at La Villette

« 100 % L’Expo » : 5 jeunes talents qui font l’art d’aujourd’hui à La Villette

The Grande Halle de La Villette in Paris is hosting "100% L’Expo," a major showcase featuring emerging talents from art schools across France. Curated by Inès Geoffroy, this year’s edition highlights a diverse range of multidisciplinary installations focusing on themes of living ecosystems, diasporic memories, and new spiritualities. Notable participants include Zoé Saudrais, whose work blends activism with ceramics and textiles, and Joséphine Berthou, who presents a tense, two-screen video installation exploring social aggression.

Oviedo to host the world's first philosophy museum

Oviedo accueillera le premier musée de philosophie au monde

The Gustavo Bueno Foundation has announced plans to open the world's first museum of philosophy in Oviedo, Spain, scheduled for January 2027. Housed in the historic Miñor sanatorium, the institution will serve as a physical extension of the Oviedo School of Philosophy, focusing on the "philosophical materialism" developed by the late thinker Gustavo Bueno. The museum aims to move beyond academic circles to engage the general public in critical thinking and the rigorous analysis of social structures.

Pat Oleszko “Fool Disclosure” at SculptureCenter, New York

Pat Oleszko has opened a major solo exhibition, "Fool Disclosure," at SculptureCenter in New York. The show features her signature sculptures and costumes, which are designed to be activated through performance, and includes new works created specifically for the presentation.

Mongolia Pavilion Announces Artistic Team for 2026 Venice Biennale

Mongolia has selected artists Nomin Bold, Dorjderem Davaa, Gerelkhuu Ganbold, and Tuguldur Yondonjamts to represent the country at the 61st Venice Biennale in 2026. The pavilion, titled 'Entanglements: Connectivities Across Borders,' will be curated by Uranchimeg Tsultem and Thomas Eller and will explore interspecies relations, spirituality, and historical trade links, specifically the Mongol Empire's 13th-century connections to Venice.

Book Review: The Disoriented Garden... A Breath of Dream

A new book titled 'The Disoriented Garden... A Breath of Dream' has been published by the Jim Thompson Art Center to accompany Vietnamese artist Trương Công Tùng's 2024 solo exhibition. The volume, edited by Hùng Mạnh Dương, is a multilingual, multidisciplinary collection featuring poetry, myths, curatorial texts, and photographs that mirror the artist's exploration of nature, gardens, and spiritual cosmology through video, installation, and painting.

USC Fisher Museum welcomes the National Archives’ Freedom Plane National Tour

The USC Fisher Museum of Art has welcomed the "National Archives’ Freedom Plane National Tour," a traveling exhibition featuring foundational American documents. Arriving via a specially branded Boeing 737 at Van Nuys Airport, the collection includes rare items such as a 1823 Stone engraving of the Declaration of Independence, the Treaty of Paris, and a secret printing of the Constitution. USC is the only university selected as a stop on this eight-city tour, which commemorates the upcoming 250th anniversary of the United States.

New Hong Kong fairs offer fresh opportunities for a changing market

Hong Kong Art Week 2026 features several new art fairs offering alternative models to traditional events. ArtHouse Tai Hang, led by former Christie's executive Jacky Ho, displays works across ten locations in a residential neighborhood with a pay-only-if-sold financial model. Check-in, organized by Alex Chan, requires all artworks to be suitcase-sized and includes daily performances. Pavilion, founded by Ysabelle Cheung and Willem Molesworth, presents a boutique, curated alternative to high-pressure fairs.

Required Reading

This week's cultural roundup connects diverse stories from art conservation to literary analysis. Novelist Karma Brown draws parallels between restoring artworks and revising novels, inspired by visits to the Art Gallery of Ontario, while an interview with Namwali Serpell examines the complex "monumentalization" of Toni Morrison's legacy. The column also includes a poignant image from Tehran—a framed artwork hanging in a bomb-damaged apartment—and touches on topics ranging from celebrating Eid in Gaza to discussions about "girl games" and the Lindy West drama.

“Land. Sea. Sugar. Salt.: Terrestrial and Aquatic Contemplations of the Caribbean” at Art Museum at the University of Toronto

The Art Museum at the University of Toronto has opened a new exhibition titled "Land. Sea. Sugar. Salt.: Terrestrial and Aquatic Contemplations of the Caribbean." The show features works by contemporary artists from the Caribbean and its diaspora, exploring the region's complex geography, layered histories, and cultural intersections through themes of land, water, and the legacies of colonial industries like sugar production.

Yoshiko Shimada: Selfless Devotion / Loving Care @ Ota Fine Arts

嶋田美子：滅私｜愛護 @ オオタファインアーツ

Ota Fine Arts in Tokyo is hosting a solo exhibition by Yoshiko Shimada titled "Selfless Devotion / Loving Care," running from March 14 to May 16, 2026. The exhibition features a significant selection of Shimada’s seminal works from the early 1990s, including "A Woman Shooting II," "A House of Comfort," and "Tied to Apron Strings." These pieces utilize photography, installation, and found objects to confront difficult historical narratives.

From Bell Centre to museum: Canadiens team photo hanging at local exhibition

The Montreal Museum of Fine Arts (MMFA) has officially installed a framed team photograph of the Montreal Canadiens celebrating Cole Caufield’s 50th goal of the season. The move originated from a viral social media post by the team’s content creators, who used the popular idiom "Hang it in the Louvre" to caption the dressing room image, prompting the museum to turn the digital sentiment into a physical display.

Amarillo Museum of Art to open AC, WT Student/Faculty Exhibition Friday

The Amarillo Museum of Art is launching its annual collaborative exhibition featuring works from the students and faculty of Amarillo College and West Texas A&M University. Opening this Friday with a reception and gallery talks, the showcase highlights the premier artistic output from the region's two primary higher education art programs.

Art gallery advocates inclusion of special needs children in the society

Oye Art Gallery has officially opened in Nigeria, marking a significant milestone as a space dedicated to the work of Oye Adegbola, an artist with special needs. During the inaugural exhibition, Creative Director Asha Adedayo Samuel emphasized that the gallery's mission is to bridge the social gap between individuals with disabilities and the wider public. The event showcased Adegbola’s award-winning portfolio, challenging the perception of special needs individuals as mere dependents and instead highlighting them as valuable contributors to national development.

Art Beat Review: Artists explore flight, community and materials in Lynnwood art exhibition

The Lynnwood Event Center recently hosted a "Meet the Artists" reception for its juried exhibition, "Flight Patterns: The Art & Motion of Winged Life." Curated by Mary Adams and Julie Carlos, the show features over 45 works by 27 regional artists from the Pacific Northwest, ranging from traditional paintings and photography to innovative metal etchings and fiber arts. Highlights include Graham Schodda’s holographic bird imagery ground into stainless steel and Alexandra Nason’s participatory installation, "The True Butterfly Effect," which invited guests to decorate aluminum butterflies to contribute to a growing communal wall piece.

Mondialisation and Mondialité: For a Museum of Errantry with Édouard Glissant

The Center for Art, Research and Alliances (CARA) in New York is hosting "The Earth, the Fire, the Water, and the Winds: For a Museum of Errantry with Édouard Glissant," an exhibition traveling from the Instituto Tomie Ohtake in São Paulo. The show eschews traditional curatorial hierarchies, instead utilizing the theories of Martinican philosopher Édouard Glissant to present works by artists such as Gerardo Chávez and Eduardo Zamora. Rather than providing didactic labels, the installation encourages "errantry" and "relationality," allowing visitors to discover visual resonances and meanings through their own active engagement with the landscape of the gallery.