Artist Lauren Halsey has unveiled a new installation titled 'Sister Dreamer' Park in South Central Los Angeles. The work features stone monuments that elevate familiar faces from the neighborhood, celebrating local heroes and community members. The installation is part of Halsey's ongoing practice of centering Black and brown communities in her art, using architecture and sculpture to create spaces of empowerment and memory.
Steven Soderbergh, les couleurs de l’argent
Steven Soderbergh's new film "The Christophers" (2025) is a sharp, chamber-piece drama about art, inheritance, and money. The story follows Julian Skar, a former art superstar from the 1970s now living in seclusion and earning a living by caricaturing himself on social media. His children, Barnaby and Sally, eager to maximize their future inheritance, hire a repentant forger named Lori Butler to secretly complete Julian's unfinished masterpiece, an eight-portrait series titled "The Christophers." The film explores the complex relationships that develop between the four characters in a labyrinthine London house, written in the style of a lively theatrical play.
Le primitivisme pour réinventer l’art
Philippe Dagen has published the third and final volume of his series on primitivism, covering the period from World War II to the late 1970s. The book traces how Western artists, from Barnett Newman and Jackson Pollock to members of the CoBrA movement and figures like Jean Dubuffet, Lucio Fontana, and Yayoi Kusama, engaged with so-called "primitive" art from Africa, Oceania, and the Americas, often as a means of rejecting or redefining modern civilization. Dagen also examines the intellectual debates surrounding primitivism, including the critiques of colonized peoples who refused the label "primitive," and the shifting attitudes of thinkers like Claude Lévi-Strauss, Michel Leiris, and Aimé Césaire.
The St. Louis-based triennial Counterpublic has unveiled its full artist list for the 2026 edition, titled 'Coyote Time.' Running from September 12 to December 12, the exhibition features 47 artists, duos, and collectives, including prominent names like Glenn Ligon, Nicholas Galanin, and Rirkrit Tirivanija. Curated by a diverse team including Stefanie Hessler and Wanda Nanibush, the triennial will utilize site-responsive practices and emergent technologies to explore themes of climate, immigration, and education.
Ethics and Parafiction: A Conversation
e-flux Screening Room hosted an event featuring artist and filmmaker Salomé Lamas on December 6, 2025. The program included screenings of her films 'Eldorado XXI' (2016) and 'Gold and Ashes' (2025), a presentation of her related publication, and a public conversation with curator Lukas Brasiskis. The published transcript focuses on Lamas's filmmaking process, particularly the logistical and ethical challenges of shooting in extreme locations like La Rinconada, Peru.
This article is a guide to museums open in Paris during the summer of 2026, highlighting a variety of cultural institutions that remain accessible to visitors. It mentions specific venues such as the Musée de l'Armée at Hôtel des Invalides, the Paris Museum of Modern Art (MAM), the Musée Bourdelle, and the Maison de Victor Hugo, as well as the Fragonard perfume museum's Théâtre du Parfum. The piece emphasizes that these museums offer permanent collections and temporary exhibitions spanning art, history, fashion, science, and photography.
A major controversy has erupted at the Art Gallery of Ontario (AGO) following the revelation that trustee Judy Schulich led a successful effort to block the acquisition of a new work by photographer Nan Goldin. The museum's Modern and contemporary curatorial working committee voted 11-9 against jointly purchasing Goldin's video piece *Stendhal Syndrome* (2024) with two other institutions, after Goldin was reportedly labeled antisemitic and compared to Nazi propagandist Leni Riefenstahl for her criticism of Israel's actions in Gaza. The decision prompted the resignation of the AGO's curator of modern and contemporary art and two volunteer committee members.
Two concurrent exhibitions in Plymouth, England, are re-evaluating the work of the late British artist Beryl Cook, long dismissed by critics for her popular, humorous paintings of plump, joyful people. The Box gallery presents "Beryl Cook: Pride and Joy" (until 31 May), which places Cook within the Western art canon by tracing her influences from Peter Paul Rubens and Pieter Brueghel the Younger to Stanley Spencer and Edward Burra. The show features over 80 paintings, sculptures, textiles, and a personal archive, and is curated by Terah Walkup. A parallel exhibition at Karst gallery, "Discord and Harmony" (until 18 April), pairs Cook's legacy with contemporary artists like Olivia Sterling, Rhys Coren, and Flo Brooks, who similarly champion overlooked communities.
On January 8, 2026, Asia Society Seattle will host a private tour of the exhibition "Spirit House" at the Henry Art Gallery at the University of Washington, led by Associate Curator Swagato Chakravorty. The event is invite-only for the society's Advisory Council, Corporate Members, Groundbreaker and Innovator members, and donors. The exhibition, organized by the Cantor Arts Center at Stanford University, features 34 contemporary artists of Asian descent exploring themes of life, death, spirituality, and diaspora through works that engage with spirit houses and ancestral connections.
Al Park, a longtime music impresario in Lyttelton and Christchurch, shares his personal cultural highlights of 2025 in an end-of-year feature for The Press. His picks span books, films, music, poetry, and visual art, including the exhibition "Whāia te Taniwha" at Christchurch Art Gallery, which features works like Piri Cowie's bronze sculpture "Te Wheke – Aro Hā Series 2024." Park also looks ahead to 2026, noting his weekly event 'Al P and his P.A.Ls' and the upcoming "The Art of Banksy" exhibition at Christchurch Convention Centre Te Pae.
Tate Modern in London has opened 'Nigerian Modernism,' a major exhibition tracing the modern art movement in Nigeria from the 1940s through the post-independence era. Spanning 50 years, the show features over 250 works by more than 50 artists, including Jimo Akolo, El Anatsui, Nike Davies-Okundaye, Uzo Egonu, Ibrahim El-Salahi, Ben Enwonwu, Ladi Kwali, Aina Onabolu, Bruce Onobrakpeya, Uche Okeke, and Obiora Udechukwu. Curated by Osei Bonsu and Bilal Akkouche, the exhibition draws from Tate’s holdings and public and private collections across Africa, the United States, and Europe, and runs from October 8, 2025 to May 10, 2026.
The Penn Museum at the University of Pennsylvania in Philadelphia will open its new 2,000-square-foot Native North America Gallery on Saturday, November 22, after two years of planning. The long-term exhibition replaces the 2014 show "Native American Voices: The People—Here and Now," which was curated by Lucy Fowler Williams with around 80 Native consultants but felt fragmented. This time, Williams and co-curator Megan C. Kassabaum worked closely with eight Native American curators—not just advisors—to determine the stories told. The gallery highlights moments of rupture, loss, and betrayal alongside resilience, and includes an empty vitrine to acknowledge repatriation efforts and culturally sensitive objects that tribes prefer not to display.
Ball State University's David Owsley Museum of Art is hosting its annual 'Art in Bloom' event from May 15 to 17, 2026, in Muncie, Indiana. Regional floral designers create arrangements inspired by works from the museum's collection, with a free public preview party on May 15 featuring jazz by the Mark Buselli Trio. The weekend includes extended hours, paper flower-making workshops, live music by pianist Mikael Darmanie, and a People's Choice Award vote. This year's event is dedicated to the late David T. Owsley, the museum's namesake and main benefactor. A special exhibition, 'Nora Krug: Belonging,' organized by the Norman Rockwell Museum, is also on view through June 13.
Tony Albert, a Girramay/Yidinji/Kuku-Yalanji artist, has spent his life collecting Aboriginalia—kitsch household items from the mid-20th century that feature naive or racist depictions of Indigenous culture. These objects, including ashtrays, velvet paintings, and figurines, form the basis of his upcoming exhibition *Tony Albert: Not A Souvenir* at the Museum of Contemporary Art, curated by Bruce Johnson McClean. Albert's practice transforms these mass-produced artifacts into a powerful critique of colonization, displacement, and erasure.
On Indigenous Peoples' Day, nonprofit media lab Amplifier launched an unsanctioned augmented reality exhibition titled “Encoded” at New York's Metropolitan Museum of Art. The project features 17 Native artists who have digitally altered 25 iconic American artworks from the Met's collection—such as Thomas Cole's *View on the Catskills – Early Autumn* and Emanuel Leutze's *Washington Crossing the Delaware*—overlaying Indigenous perspectives onto the museum's American Wing. Visitors can view the AR works on smartphones or iPads, and Amplifier representatives are on-site to distribute guides and offer tours through the end of the year.
Kasmin gallery hosted its third annual benefit auction for Artistic Noise, a nonprofit supporting youth impacted by the juvenile justice, foster care, and mental health systems. The event honored artist Jordan Casteel as the inaugural featured artist, with over 40 donated works curated by Olivia Toups, including pieces by Lee Dawson, Julia Garciá, Ficus Interfaith, and Milly Skellington. The auction, which ended today, is projected to surpass its $100,000 goal, funding art therapy and resources for system-impacted young people.
Hannah Black presents her first solo exhibition, "Harsh Muting," at the zaza' gallery in Naples. The show features five circular oil paintings that draw inspiration from the rotating word-play disks in Marcel Duchamp's surrealist film *Anemic Cinema*.
On 30 April, the Metropolitan Museum of Art announced a $23m pledge from the Rubio Butterfield Foundation, led by newly elected trustee Jennifer Rubio and her husband Stewart Butterfield, to permanently endow the museum's internship program. The internships, offered for nearly 30 years with 100 participants annually, have only been paid since 2021. The article also explores broader trends in museum philanthropy, featuring insights from former directors Gary Vikan, Gary Tinterow, and Maxwell Anderson on how donors are often guided to fund endowments for curatorial positions, operations, or awards rather than art acquisitions.
The Walters Art Museum in Baltimore has opened an exhibition titled "Paws on Parchment," exploring the depiction of cats in medieval manuscripts from Europe, Asia, and the Islamic world. The show was inspired by a 15th-century Flemish manuscript that still bears the inky paw prints of a cat that walked across the pages while they were drying. Curator Lynley Anne Herbert assembled the exhibition after discovering the manuscript in the museum's collection, researching medieval poetry, bestiaries, and encyclopedic works to understand historical attitudes toward cats. The exhibition runs through February 22, 2026, and is the first of three shows dedicated to animals in art.
A petition signed by Greta Thunberg, Hugh Bonneville, and other prominent figures defends Misan Harriman, the photographer and chair of London's Southbank Centre, against what the letter calls a "dishonest smear campaign." The controversy stems from two incidents: Harriman shared a social media post about a stabbing attack in Golders Green, noting that a Muslim victim received less press coverage than two Jewish victims, and later posted a video reflecting on the rise of the right-wing Reform party, citing a conversation about the Holocaust. Right-wing outlets like The Daily Telegraph accused him of equating Reform's electoral success to the Holocaust, leading to widespread backlash. Harriman denies making such equivalences, and nearly 70,000 people have filed complaints with the press regulator IPSO—the largest campaign in its history.
British-Algerian artist Lydia Ourahmane has created a new exhibition in Venice, opening alongside the Venice Biennale, that is deeply rooted in the city itself. Rather than shipping in materials, she built a pier for the island of Poveglia in collaboration with a local cooperative that saved the island from development, and she acquired a coin-operated light machine from the church of San Giovanni Crisostomo, which visitors must feed with a euro to illuminate the show. The exhibition is presented at the Nicoletta Fiorucci Foundation.
An exhibition titled "Jack Leigh & Parker Stewart: In Place" has opened at Laney Contemporary in Savannah, featuring black-and-white photographs by Jack Leigh (1948–2004) and Parker Stewart (b. 1992). Both artists document the landscape and communities of the coastal South, with Leigh known for his work on oystermen, shrimp boat crews, and Gullah Geechee communities, and Stewart focusing on tidal landscapes of coastal Georgia and the Savannah River Basin. The show includes serendipitous parallels, such as nearly identical photographs of a water tower taken by each artist decades apart. Co-curated by Stewart and gallerist Susan Laney, it marks the first time Leigh's work has been exhibited alongside a living photographer in nearly a decade.
ISA Art Gallery in Jakarta recently held the first exhibition in its 'Biophilia' series, titled 'Exquisite Corpse', which ran from February 14 to April 16. The show features works centered on nature and sustainability, with a standout piece by artist Fitri DK: two batik works titled 'Selamatan Bumi 1 and 2'. These works depict the 'Nine Kartinis of Kendeng', a group of women from Central Java fighting to protect their karst mountains from a cement factory that threatens their clean water supply. The exhibition draws its title from Elza Adamowicz's book on Surrealist collage, emphasizing fragmented, collective creation.
London-based artist Jes Chen presents "Occupied" (2026), an interactive installation that strips AI technology down to a knock sensor, a screen, and a live AI system. Viewers knock on a door-like interface and receive varied responses—defensive, evasive, or silence—generated in real time. The work draws from Chen's childhood memory of having her bedroom door lock removed, transforming privacy and vulnerability into a behavioral system. Recent presentations at the London Design Festival, Edinburgh Fringe, and Generative Art Conference 2025 have showcased Chen's restrained, psychologically charged approach to AI art.
The National Gallery of Australia presents 'Of This Earth: Transforming Culture and Country Through First Nations Ceramics,' an exhibition featuring over thirty works by twenty-eight Aboriginal and Torres Strait Islander artists, including Thancoupie, Billy Bain, Nicole Foreshew, and Janet Fieldhouse. The show highlights diverse ceramic techniques and narratives drawn from the National Collection, emphasizing cultural continuity and contemporary expression.
Self-taught artist Marvin Young, 64, who has an intellectual and developmental disability, will have his first solo exhibition, “Impressions of a City,” at the Intuit Art Museum in Chicago from April 9 to August 23, 2026. Curated by Christina Stavros, the show features Young’s vivid drawings of Chicago cityscapes, architecture, and portraits, created from memory using graphite, colored pencils, crayons, and markers. Young, who works at Envision Unlimited and Arts of Life—nonprofits supporting people with disabilities—has long dreamed of selling his art, and this exhibition marks a major milestone in that goal.
The Big Art Loop has transformed San Francisco into an open-air gallery with nearly 100 sculptures installed along a 34-mile walkable and bikeable path through the city. The project, funded by the Sijbrandij Foundation and founded by Sid and Karen Sijbrandij, features works including R-Evolution at the Ferry Building, Echoes: A Voice from Uncharted Waters by Masaki Omor, Coralée by BJB, Got Framed, Desert Shark, and a double feature by Betsabeé Romero. The loop is designed to be encountered spontaneously in daily life, with no fixed starting point, and has support from Mayor Daniel Lurie.
Pittsburgh's visual artists are transforming the city into a sprawling winter carnival throughout December 2025, with a packed calendar of exhibitions and events. Highlights include Sharmistha Ray's three-channel animation "Emergent Realities" at Wood Street Galleries (Dec. 12–July 5, 2026), featuring a commissioned soundtrack by Grammy-winning composer Arooj Aftab; Mary Mazziotti's satirical textile series "Thank You for Your Attention to This Matter" at BE Galleries (Dec. 6–Jan. 31, 2026); and Offroute Art's "Crisis of Empathy // Limit of Empathy" showcasing eight young artists. Wood Street Galleries also partners with Visual AIDS for Day With(out) Art 2025 on Dec. 3, presenting videos exploring drug users and HIV crisis. The month kicks off with holiday markets and arcades, and includes a Neapolitan nativity scene exhibit and an art battle in Sharpsburg.
Aki Abiola, the son of Nigerian political icon Chief MKO Abiola, opened Hope 93 gallery in central London eight months ago to address the lack of diversity in the art world. After a career in finance and a personal art-collecting journey, Abiola founded the gallery to showcase underrepresented artists and create a welcoming space where people feel comfortable engaging with art. He also advises the Tate Gallery on African art.
The Cameron Art Museum (CAM) in Wilmington will open "Rooted in Memory: The Gullah Geechee Vision of Jonathan Green" on June 19, 2025, running through January 24, 2027. The exhibition features vibrant paintings by Jonathan Green, a Gullah Geechee artist trained at the School of the Art Institute of Chicago, alongside traditional sweetgrass baskets, quilts, and Adinkra-printed cloth on loan from the Charleston Museum, the Gibbes Museum, and the South Carolina State Museum. A special opening night on June 18 will also include the exhibits "Fresh Air: Inflatable Sculptures" and "Andy Warhol: Silver Clouds," followed by a free community day on June 20.