‘I paint the kind of people I’m attracted to’: Hernan Bas on hiding from the world in Venice

Cuban-American artist Hernan Bas has been living in Venice, painting tourists while reflecting on the ironies of mass tourism and his own status as a visitor. His new series, titled "The Visitors," comprises 30 paintings that will be exhibited at Ca' Pesaro, Venice's modern art museum, alongside the Venice Biennale. The works range from bleak to satirical, depicting young white men in tourist scenarios—such as a grinning youth at Holi in India or another cradling a koala—and explore themes of alienation, innocence, and the uncanny. Bas, who is gay, acknowledges that his subjects are often the kind of people he is attracted to, and he emphasizes narrative as central to his practice, aiming to be a conceptual artist who happens to paint.

Niklaus Stoecklin at Hauser & Wirth, Basel

Hauser & Wirth Basel is presenting a focused exhibition of works by Swiss artist Niklaus Stoecklin (1896–1982), featuring paintings and drawings spanning from the 1920s to the 1970s. The show includes several rarely seen pieces, highlighting Stoecklin's distinctive approach to depicting life—people, animals, trees, stones, and space—as he described it.

At Home at Hong Kong Art Week

During Hong Kong Art Week, beyond the dominant Art Basel Hong Kong fair, a series of intimate interventions and installations across the city explore the boundaries between art, design, and everyday life. One notable event is a 'Listening Session' organized by Guangzhou's Vitamin Creative Space in a private home in the New Territories, where Lebanese artist-composer Tarek Atoui debuted two new 'instruments' that transform the living room itself into an interactive sound sculpture. The gathering of about 30 people, mostly in town for art week, blurred the lines between performance, installation, and domestic space.

LACMA Responds to Anger Over Pedro Reyes Sculpture, New Louvre President Reveals His Plans, and More: Morning Links for May 6, 2026

A sculpture at LACMA's new David Geffen Galleries has sparked controversy. Pedro Reyes's large stone work *Tlali* (2026) resembles a 2021 project for Mexico City that was canceled because Reyes is not Indigenous. A letter signed by nearly 80 people accuses LACMA of lacking "memory" for displaying the piece. LACMA defends the work as "entirely different in purpose and meaning," and director Michael Govan suggested the figure may be androgynous, not female. Separately, new Louvre president Christophe Leribault outlined plans to reduce contemporary art projects and acquisition spending, while a jury will select an architect for the Louvre-Nouvelle Renaissance renovation. Other news includes Georg Baselitz's final exhibition at Fondazione Giorgio Cini, a planned strike at the Venice Biennale's Israel Pavilion, and the Lucas Museum's first "Star Wars" exhibition.

Jon Batiste, Troye Sivan, and Amy Sherald lead a Met Gala 2026 rooted in art-historical homage.

The 2026 Met Gala, held at the Metropolitan Museum of Art, centered on the theme "Fashion Is Art," marking the opening of the Costume Institute's spring exhibition "Costume Art." Attendees including Jon Batiste, Troye Sivan, and artist Amy Sherald interpreted the dress code through art-historical references, with Sivan wearing Prada to channel Robert Mapplethorpe. The event brought together fashion, art, entertainment, and high society to make a deliberate case for fashion as a legitimate art form.

New Zealand's Venice Biennale pavilion explores the secret life of birds

New Zealand returns to the Venice Biennale in 2025 with Fiona Pardington’s solo exhibition *Taharaki Skyside* at the Istituto Provinciale per l’Infanzia Santa Maria della Pietà. The show features 17 large-scale photographic portraits of taxidermied birds from the South Canterbury Museum Timaru’s collection, including the extinct whēkau (laughing owl) and the critically endangered kākāpō. Pardington, an artist of Māori and Scottish descent, draws on Māori cosmology in which birds serve as spiritual messengers, and her work continues a long-standing photographic investigation of objects that hold “mana” (power) for Māori people.

Sophie Calle’s ‘Overshare’ Exhibition Takes Visitors on a Journey Through the Intimate

Sophie Calle's retrospective exhibition 'Overshare' has opened at the UC Irvine Langson Orange County Museum of Art (OCMA) in January 2026, running through May 24. The show, which first debuted at the Walker Art Center in Minneapolis in October 2024, spans five decades of Calle's work, including photographs, text pieces, physical installations, and video works. It explores themes of intimacy, surveillance, and personal disclosure, featuring iconic pieces such as following strangers, inviting people to sleep in her bed, and documenting her mother's final moments.

What you want from your body? Antony Gormley, iron and crawling

British sculptor Antony Gormley discusses his solo exhibition "What Holds Us" at Galleria Continua in San Gimignano, on view from 9 May to 13 September 2026. The show transforms the gallery's former cinema-theatre into an interactive environment where visitors are invited to crawl through massive cardboard bodies, exploring interior spaces and shifting from passive spectatorship to bodily engagement. Gormley explains that the title connects "hold" and "whole," suggesting that being held—by the ground, the womb, or the body—is essential for growth and wholeness.

The Kyrgyzstan Pavilion at the Venice Biennale Builds a Bridge Between Two Cultures

Il Padiglione del Kirghizistan alla Biennale di Venezia getta un ponte tra due culture

Alexey Morosov presents "BELEK" at the Kyrgyzstan Pavilion of the 61st Venice Biennale, a project inspired by the mountainous landscapes, glaciers, and brutalist dams of Kyrgyzstan. Combining video, sculpture, painting, and sound, Morosov explores water as a key resource for the future and a deep cultural memory of Central Asia, linking the region's hydro-engineering transformations with the nomadic heritage of the Kyrgyz people. The project centers on the traditional equestrian game Kok-Börü, which Morosov describes as constitutive of Kyrgyz identity, and features centaur-like figures made from raw earth used in local dwellings.

‘It’s a tiny bit of joy!’ How trinket swapping is making the world a happier place, one china sheep at a time

Trinket exchange boxes, where people swap small items like pins, stickers, and ceramic animals, are rapidly spreading across the UK and US. The phenomenon, which began in Philadelphia in autumn 2024, has grown from 800 to nearly 1,500 installations in two months, according to Portland-based artist Rachael Harms Mahlandt, who tracks them on a world map. In Edinburgh, pet-sitter Sam Stevens runs a popular pink box outside Argonaut Books, inspired by a San Francisco exchange, and has seen her follower count jump overnight as locals trade trinkets for fun.

A ‘bird of Mexico City’ strikes a revolutionary pose: Pieter Henket’s best photograph

Photographer Pieter Henket describes the creation of his portrait "La Mujer" (The Woman), part of his series "Birds of Mexico City." The image features Ixchel Paz, a young Mexican woman wearing a lucha libre wrestling mask, captured in a dignified pose on the first day of the project. Henket explains how the series evolved from an earlier project, "Birds of New York," which celebrated young people in New York during the first Trump administration. After the pandemic, he traveled to Mexico City with his husband Roger Inniss, collaborated with stylist Chino Castilla and his team, and encouraged subjects to express their identities through costume and culture.

미시시피미술관 '사진과 흑인미술운동, 1955-1985'(7/25-11/8) - Lounge

The Mississippi Museum of Art (MMA) presents "Photography and the Black Arts Movement, 1955–1985," a landmark exhibition exploring the role of photography in fostering Black visual culture and identity during the civil rights and Black Arts Movement eras. The show features approximately 150 works by over 100 artists, including Dawoud Bey, Gordon Parks, and Carrie Mae Weems, drawn primarily from the National Gallery of Art's collection, and runs from July 25 to November 8, 2026, as the final stop on a national tour.

There is a major Paulo Nazareth exhibition to see in Venice (but the artist himself hasn't seen it)

C’è una grande mostra di Paulo Nazareth da vedere a Venezia (ma l’artista stesso non l’ha vista)

A major exhibition of Brazilian artist Paulo Nazareth, titled "Algebra," has opened at Punta della Dogana in Venice, but the artist himself is absent. Nazareth has kept a promise not to set foot in Europe until he has crossed African territories on foot, as they existed before the arbitrary divisions imposed by the 1884 Berlin Conference. He did not participate in the installation or opening, instead staging a simultaneous event in Veneza, a working-class district of Ribeirão das Neves, Brazil—a gesture he also made when invited to the 2013 Venice Biennale. The exhibition centers on structural violence and uses attention and care as strategies for healing, with the word "algebra" referring to the act of recomposing what was broken.

Exhibitions Coming to Houston Institutions in Summer 2026

Art museums and institutions across the Greater Houston area are opening a series of new exhibitions for summer 2026. Highlights include the Czech Center Museum Houston's solo show of travel photography by Clarice Marik Snokhous; Art League Houston presenting Marisol Valencia's installation "No Longer, Not Yet" and Juvana Soliven's "Subject to Surviving"; Houston Center for Photography featuring Simon Silva's "Madre Patria"; the Contemporary Arts Museum Houston launching the first survey of Mary Ellen Carroll's work; and the Moody Center for the Arts at Rice University hosting Masako Miki's first Texas exhibition.

Metropolitan Museum receives $23m to endow internship programme

On 30 April, the Metropolitan Museum of Art announced a $23m pledge from the Rubio Butterfield Foundation, led by newly elected trustee Jennifer Rubio and her husband Stewart Butterfield, to permanently endow the museum's internship program. The internships, offered for nearly 30 years with 100 participants annually, have only been paid since 2021. The article also explores broader trends in museum philanthropy, featuring insights from former directors Gary Vikan, Gary Tinterow, and Maxwell Anderson on how donors are often guided to fund endowments for curatorial positions, operations, or awards rather than art acquisitions.

Pussy Riot Storms Russia Pavilion at Venice Biennale

Pussy Riot staged a dramatic protest at the Russia Pavilion during the Venice Biennale, releasing pink smoke and waving Ukrainian flags while chanting slogans like 'Blood is Russia’s art.' Around 50 protesters, including members of Femen, occupied the area. Pussy Riot founder Nadya Tolokonnikova called for the pavilion to be closed and given to oppressed peoples, challenging Biennale president Pietrangelo Buttafuoco to meet her. The protest lasted about 20 minutes, with performers climbing the pavilion and exposing political slogans on their chests.

Stick a euro in the slot for the lights! The mesmerising, strictly Venetian works of Lydia Ourahmane

British-Algerian artist Lydia Ourahmane has created a new exhibition in Venice, opening alongside the Venice Biennale, that is deeply rooted in the city itself. Rather than shipping in materials, she built a pier for the island of Poveglia in collaboration with a local cooperative that saved the island from development, and she acquired a coin-operated light machine from the church of San Giovanni Crisostomo, which visitors must feed with a euro to illuminate the show. The exhibition is presented at the Nicoletta Fiorucci Foundation.

Venice Biennale’s fierce pussy Group Says City Censored Posters About Queer and Trans People

The lesbian artist collective fierce pussy, comprising Nancy Brooks Brody, Joy Episalla, Zoe Leonard, and Carrie Yamaoka, claims that the city of Venice censored their posters for the Venice Biennale. The posters, which feature phrases like "Welcome queers and trans people" and "we are queers and trans people" alongside a list of occupations, were intended to be pasted across the city. After the city blocked the full-scale posting, the group created stickers and placed them on walls, windows, and advertising spaces. As a concession, La Biennale installed the original posters inside the Arsenale entrance.

An Abandoned Shipyard in Venice Is Getting a New Life Thanks to This Congolese Choreographer

Congolese choreographer Faustin Linyekula is staging "The Galeazze Project," a performance in a 16th-century shipyard complex in Venice that has been inaccessible since World War II and never open to the public. Commissioned by the nonprofit Scuola Piccola Zattere, the work will bring up to 500 people into the 32,291-square-foot open-air ruin for two nights during the 2026 Venice Biennale preview week. The rental fee from the performance will help stabilize and restore the floors of the historic Galeazze site.

First Impressions of a Venice Biennale Torn Apart by the Present

The 61st Venice Biennale, titled "In Minor Keys," opens amid turmoil: its curator Koyo Kouoh died of cancer during planning, and the festival jury resigned after a controversial statement about excluding Israel and Russia from prizes, replaced by a Eurovision-style people's choice award. The main exhibition, completed by a team of five collaborators using Kouoh's plans, features over 110 artists and collectives, with highlights including works by Big Chief Demond Melanchon, Tammy Nguyen, Guadalupe Maravilla, Ayrson Heráclito, and a section focused on Michael Armitage's Nairobi Contemporary Art Institute.

How Tony Albert’s childhood instinct became a radical art practice

Tony Albert, a Girramay/Yidinji/Kuku-Yalanji artist, has spent his life collecting Aboriginalia—kitsch household items from the mid-20th century that feature naive or racist depictions of Indigenous culture. These objects, including ashtrays, velvet paintings, and figurines, form the basis of his upcoming exhibition *Tony Albert: Not A Souvenir* at the Museum of Contemporary Art, curated by Bruce Johnson McClean. Albert's practice transforms these mass-produced artifacts into a powerful critique of colonization, displacement, and erasure.

WA’s Maryhill Museum of Art has ties to royalty, celebrates milestone

The Maryhill Museum of Art in Goldendale, Washington, is celebrating the 100th anniversary of its dedication by Queen Marie of Romania. Founded by entrepreneur Samuel Hill in 1907, the museum houses an eclectic collection including over 80 works by Auguste Rodin, French haute couture fashions, and thousands of Indigenous art objects. To mark the centennial, the museum has opened three new exhibitions highlighting Queen Marie's contributions: Russian icons, Romanian embroidery, and folk pottery, alongside her personal items like coronation gowns and gilded furniture.

What does a painting sound like? The Clyfford Still Museum has lots of ideas.

The Clyfford Still Museum in Denver is opening a multisensory exhibition called "Still in Sound" on May 16, curated by Bailey Placzek and British artist Ben Coleman. The exhibition pairs the museum's vast collection of abstract expressionist works with sound-driven experiences. Additionally, the museum commissioned a world-premiere symphony, James Clarke's "Symphony No. 2," which will be performed by the Colorado Symphony at Boettcher Concert Hall on May 7. The program also includes music that inspired Still himself, such as works by Beethoven and Mahler, drawn from the artist's personal record collection.

The All-Women Exhibition Putting Penzance On The Art Map This Summer

An all-women exhibition titled 'Making Her Mark: A Celebration of Women in Art' has opened at Penlee House Gallery & Museum in Penzance, Cornwall, as the first stop on a three-part UK tour. The show features over 60 works by female artists from the 19th century to the present day, including Tracey Emin, Barbara Hepworth, Elizabeth Forbes, and Laura Knight. It is a collaboration between Penlee House, Worcester City Art Gallery & Museum, and Kirkcaldy Galleries, curated jointly by the three venues with local leadership from Penlee House deputy director Katie Herbert. The exhibition is part of Art Fund's £5.36 million Going Places programme and will travel to Worcester and Kirkcaldy in 2026 and 2027.

Ahead of the 2026 Met Gala, the Metropolitan Museum of Art Introduced New Mannequins With Diverse Body Types Inspired by Real People

The Metropolitan Museum of Art has opened a new exhibition titled "Costume Art" ahead of the 2026 Met Gala, featuring mannequins with diverse body types—including larger, pregnant, trans, and disabled bodies—created through 3D printing and based on real-life models. The show pairs roughly 400 artworks with garments, aiming to shift the traditional perspective by viewing art through the lens of fashion rather than the reverse.

4 artistes sami, peuple autochtone d’Europe du Nord, à découvrir avant tout le monde

Four Sámi artists, representing the Indigenous people of Northern Europe, are being highlighted in Finnish museums as Oulu, the European Capital of Culture, hosts exhibitions showcasing their work. The article introduces these artists and their practices, emphasizing their unique perspectives rooted in Sámi culture and traditions.

Monopol verlost 5 × 2 Tickets für Graciela Iturbide bei C/O Berlin

German art magazine Monopol is giving away 5 × 2 tickets for the retrospective exhibition "Graciela Iturbide: Eyes to Fly With" at C/O Berlin. The article describes Iturbide's career, including her iconic photograph "Mujer ángel" (Angel Woman) taken in the Sonora Desert while living with the Seri people, and her long-term documentary projects on Mexican cultural practices, such as the Zapotec community in Oaxaca and images like "Nuestra Señora de las Iguanas." Iturbide, born in Mexico City in 1942, began her photography career in the late 1960s as an assistant to Manuel Álvarez Bravo.

Major protests take place at Venice Biennale previews

Major protests erupted during the preview days of the Venice Biennale, with multiple demonstrations targeting the Israeli and Russian pavilions. On Wednesday, the Art Not Genocide Alliance (ANGA) held a large protest outside the temporary Israeli pavilion in the Arsenale, attended by over 200 people calling for its closure. Separately, the Solidarity Drone Chorus performed a sound composition by Gazan artist Ahmed Muin, with 60 artists wearing T-shirts bearing names of artists from Gaza. Meanwhile, Pussy Riot and FEMEN protested Russian participation, forcing the Russian pavilion to shut its doors. These actions follow the resignation of the entire Golden Lion jury days before the opening, after they stated they would not consider pavilions from countries whose leaders are charged with crimes against humanity by the ICC—widely seen as a reference to Russia and Israel.

With Nearly 30,000 Clay Earth Bricks, Dana Awartani Remakes History in the Saudi Arabia Pavilion

Dana Awartani, a Jeddah- and New York-based artist of mixed Palestinian, Saudi, Jordanian, and Syrian descent, has created the Saudi Arabia Pavilion at the Venice Biennale using nearly 30,000 clay earth bricks. The installation, titled "May your tears never dry, you who weep over stones," replicates traditional mosaic motifs sourced from over 20 cultural heritage sites across the Arab world that have been destroyed by human conflict. Awartani emphasizes collaboration, crediting numerous skilled craftsmen—economic migrants to Saudi Arabia—who worked alongside her, and her practice blends formal training at Central St. Martins with Islamic geometry and illumination studies in Turkey.

Miet Warlop on Representing Belgium at the 61st Venice Biennale

Miet Warlop, the artist representing Belgium at the 61st Venice Biennale (2026), discusses her plans for the Belgian Pavilion in the Giardini in an interview with ArtReview. Her installation, inspired by the Belgian motto 'L'union fait la force' ('unity makes strength'), aims to create a space between a workspace, exhibition, and performance that brings people together in introspection. She cites time spent with Venice's artistic communities, including students at the Accademia, as influential, and notes that her work engages with the Biennale's theme 'In Minor Keys' by incorporating minor-key music to evoke nuanced, introspective emotions.