Artist John Skoog has premiered a new black-and-white feature film, 'Redoubt' (2025), starring Denis Lavant, and opened a concurrent exhibition at Moderna Museet in Malmö. The film follows a farmhand building an apocalyptic shelter, while the museum installation features the full-scale, fabricated bunker from the film's production.
Ce que vous ne saviez (peut-être) pas sur Alexander Calder
The Fondation Louis Vuitton in Paris has launched the exhibition "Calder. Rêver en équilibre," prompting a retrospective look at the life and technical mastery of Alexander Calder. The article explores the artist's journey from his arrival in Paris in 1926 to his interactions with avant-garde masters like Duchamp and Miró, highlighting how he defied traditional artistic labels through his innovative use of movement and simple materials.
Raphael Fonseca, a prominent curator specializing in Latin American art, has been appointed as the new visual arts programmer at Culturgest in Lisbon. He will relocate to Portugal in June, succeeding Bruno Marchand, while maintaining a curator-at-large position with the Denver Art Museum, where he has served since 2021.
ArtAsiaPacific published a profile of Chinese artist Yin Xiuzhen, born in 1963 in Beijing, highlighting her career as a pivotal figure in Chinese contemporary art since the 1990s. The article revisits milestone works following the closing of her solo exhibition "Yin Xiuzhen: Heart to Heart" at London's Hayward Gallery, including early pieces like *Dress Box* (1995) and *Washing River* (1995). Yin emerged alongside the second wave of Chinese contemporary artists, including Yu Hong, Song Yonghong, Wang Jinsong, and her husband Song Dong, and was an early practitioner of what art historian Gao Minglu termed "Apartment Art." Her practice uses discarded clothing, household ephemera, and industrial materials to address urbanization, globalization, environmental crisis, and collective memory.
Hyperallergic's Lakshmi Rivera Amin presents a curated list of 12 art books for summer reading, including a novel lampooning the art world, Megan O'Grady's meditation on art and living, Kory Stamper's exploration of color lexicography, Nan Goldin's reissued photo essay, and Jennifer Higgie's prose poetry novel. The roundup also features Vincenzo Latronico's 'Perfection,' Nina Burleigh's satirical 'Turn Around, Don’t Drown,' and a graphic novel by Naoki Matayoshi and Shinsuke Yoshitake, among others.
Artist Dayanita Singh mounted a major exhibition titled "ARCHIVIO" at the State Archives of Venice, which opened to the public as an exhibition venue for the first time in its history. Without institutional funding or a public relations budget, Singh relied on a "friendship economy" to install her signature "photo-pillars"—images of Indian archival documents bound in red cloth. The show attracted visitors despite the lack of traditional promotion, as documented in an interview with Hyperallergic Editor-at-Large Hrag Vartanian.
Mary Lovelace O’Neal, a painter, educator, and Civil Rights activist, died on May 10 at age 84 in Mérida, Mexico. Known for her monumental canvases and inventive “lampblack” works, she moved fluidly between abstraction and figuration, using layers of black pigment to assert Blackness and presence. Her career included studies at Howard University and Columbia University, activism with the Student Nonviolent Coordinating Committee, and connections to the Black Arts Movement.
ÓSCAR MURILLO: LA PINTURA COMO POZO DE ACUMULACIÓN
The article profiles Colombian-born artist Oscar Murillo and his expansive, socially-engaged practice. It details his rise to international prominence in the early 2010s with large-scale paintings that incorporate text, textiles, and studio detritus, and highlights his ongoing, collaborative project 'Frequencies,' which involves students from over thirty countries creating works on canvases attached to school desks. The piece also references his major solo exhibitions, including 'El pozo de agua' at kurimanzutto in Mexico City (2026), 'Masas' at WIELS in Brussels (2024), and 'The flooded garden' at Tate Modern (2024).
Dale Chihuly returns to Venice with "Chihuly: Venice 2026," a public exhibition marking the 30th anniversary of his landmark 1996 project "Chihuly Over Venice." The new show features three large-scale glass sculptures installed along the Grand Canal, viewable from the Accademia Bridge, at Palazzo Franchetti, Palazzo Querini alla Carità, and Palazzo Balbi-Valier Sammartini. The article also recounts Chihuly's 1968 Fulbright-funded study at Venini, where he learned Murano glassblowing and embraced glass as his primary medium, and reveals that his son Jackson Chihuly was conceived in Venice after a party hosted by the late Paul Allen.
Cayetano Ferrer, a 44-year-old artist born in Honolulu and raised in Las Vegas, is featured in a studio visit ahead of his solo exhibition "Object Prosthetics" at Commonwealth and Council in Los Angeles, running from January 31 to March 14. Ferrer's work often begins in archives, exploring how time is annotated and reinterpreted; his early piece made from casino carpeting was shown at the first "Made in L.A." biennial in 2012. He has salvaged fragments from the original William Pereira-designed LACMA buildings for recent projects, and is currently pursuing a PhD in Historic Preservation at Columbia University. The interview covers his creative process, influences like Caetano Veloso's concept of antropofagia, and his use of a hot iron seaming machine called the Kool Glide Pro.
The Bunker Artspace in Palm Beach, Florida, has opened "Beyond the Rainbow," a major exhibition of LGBTQ+ art curated by Laura Dvorkin and Maynard Monrow, along with 19 other artists, curators, gallerists, architects, and writers. The show draws from the collection of patron Beth Rudin DeWoody and features works by Catherine Opie, Andy Warhol, Nicole Eisenman, Lyle Ashton Harris, and others, running from December 7 through May 1, 2026. The exhibition was inspired by a visit to the Centre Pompidou's "Over the Rainbow" show in Paris.
The ICA Miami has organized a major posthumous survey of the late painter Joyce Pensato, opening December 2 and running through March 15. The exhibition brings together over 65 works spanning five decades, from early Batman sketches to her signature enamel paintings that transform cartoon icons like Mickey Mouse, The Simpsons, and South Park characters into grotesque, emotionally charged images. The show is curated by artistic director Alex Gartenfeld, curator Stephanie Seidel, and ICA Art + Research Center Director Gean Moreno, and is the most comprehensive presentation of Pensato's work to date.
Eamon Ore-Giron has taken over James Cohan's two downtown Manhattan galleries with "Conversations with Snakes, Birds, and Stars," an exhibition of new paintings and mosaics running through Dec. 20. The works draw on ancient Mesoamerican and Andean symbology, continuing his long-running "Talking Shit" series, which has previously been shown at the Contemporary Austin, Whitney Museum, and LACMA. In an interview with CULTURED, Ore-Giron discusses how he uses color, mythology, and ritual to create a universe where serpents, birds, and stars engage in dialogue with viewers and across time.
Jon Neidich, a 43-year-old New York nightlife entrepreneur and collector who chairs the board of Creative Time, discusses his art collection in an interview. He shares that his first purchases were works from Robert Longo's "Men in the Cities" series and a Tracey Emin neon titled "Trust Yourself," which offered a wholesome counterpoint to his nightlife-focused world. Neidich credits his mother, Brooke Garber Neidich, a voracious collector of mid-century and contemporary artists, for teaching him to navigate the art world. He also recounts a hard-won acquisition of Victor Moscoso and Lee Conklin rock posters from Matthew Marks gallery, and highlights John Baldessari's "Throwing Three Balls in the Air to Get a Straight Line" as a piece he often stares at.
Amy Sillman, a 69-year-old abstract painter based in New York, is preparing for a new solo exhibition titled "Alternate Side (Permutations #1–32)" at Dia Bridgehampton, opening June 28. The show will feature a series of recently completed silkscreen and painted works, which Sillman describes as being like Sol LeWitt's line forms but less structured. She plans to paint the gallery walls herself, creating an improvised backdrop for the works. The article also discusses her recent institutional survey "Oh, Clock!" at the Kunstmuseum Bern and Ludwig Forum Aachen, where she curated selections from their collections and painted the walls on a whim.
This article from Cultured magazine covers multiple art-related stories, including a profile of restaurateur Keith McNally's memoir, a list of must-see museum exhibitions in New York for spring, a review of Mary Abbott's overlooked Abstract Expressionist work now on view at Schoelkopf Gallery, a feature on Salman Toor's major new exhibition "Wish Maker" at Luhring Augustine, and a discussion on designing more empathetic museums. It also includes a beauty and fashion trends piece with creative nominations.
Disparition de l’artiste Fabien Verschaere
The French contemporary art world is mourning the sudden death of artist Fabien Verschaere at the age of 50. Represented by Galerie Brugier-Rigail since 2012, Verschaere was known for a prolific and singular body of work that blended childhood imagery, fairy tales, and pop culture icons like Mickey Mouse and Batman into a complex personal mythology. His career was marked by significant exhibitions at major institutions including the Palais de Tokyo, the Musée d’art contemporain de Lyon, and the Grand Palais.
This episode of 'A brush with...' podcast features Scottish painter Andrew Cranston, born in 1969 in Hawick. Cranston discusses how his work draws on personal experiences—childhood memories, family recollections, and recent rituals—filtered through the painting process. His pictures are rich with references to art history, cinema, poetry, and television, and he often paints on the covers of old hardback books. The conversation covers his influences (Pieter Bruegel the Elder, Paul Klee, Pierre Bonnard, Winifred Nicholson, writers Hugh MacDiarmid and Elizabeth Bishop, filmmakers Nicholas Roeg and Dennis Potter), his studio life, and his answer to 'what is art for?' The episode is sponsored by Bloomberg Connects.
The 13th edition of Expo Chicago has opened at Navy Pier with a streamlined selection of 130 international exhibitors. This year’s fair features a more curated and manageable scale, drawing a significant crowd of museum directors, curators, and collectors to the Windy City. Notable presentations range from contemporary Canadian artist duos to rare historical artifacts, reflecting a high bar for quality across diverse media.
Van Doren Waxter in New York is hosting "Portraits," a solo exhibition dedicated to the late American abstract painter Jackie Saccoccio. The show features five paintings and seven works on paper that showcase Saccoccio’s mature style, characterized by a physically demanding process of dragging, pressing, and dripping paint. These works bridge the gap between gestural abstraction and the psychological depth of traditional portraiture, drawing inspiration from both Abstract Expressionism and Roman Baroque aesthetics.
Galerie Michael Haas in Berlin is presenting "André Thomkins: Lackskins," a focused exhibition on the Swiss artist's experimental technique developed in the 1950s. Thomkins (1930–1985) created these works by dripping varnish onto water and transferring the floating pigment to paper, a process blending controlled manipulation with chance. The show, running through March 6, 2026, highlights a body of work rediscovered only in the last 15 years, including pieces like "Astronauten" (1962).
A new exhibition titled “Drop, Cloth,” co-curated by Glenn Adamson and Severin Delfs, explores how contemporary artists have reimagined drapery over the past 50 years. The show features 30 works by 25 artists, spanning two Chelsea galleries—Hollis Taggart (through January 10, 2026) and Susan Inglett Gallery (through January 30, 2026). Works range from Sam Gilliam’s seminal *Little Dude* (circa 1972) to recent pieces by Kennedy Yanko, Jenny Morgan, and Chellis Baird, alongside historical pieces by Nina Yankowitz, Lynda Benglis, and Rosemary Mayer. The exhibition traces a lineage of drapery as both subject and material, including shaped canvas, paint skin, ceramic, metal, embroidery, and weaving.
Several galleries withdrew from Art Basel Miami Beach 2024 amid rising costs and a contracting art market, leaving some like San Francisco's Altman Siegel facing cancellation fees despite closing. Claudia Altman-Siegel, who shut her gallery, owed $22,000 after missing the free-cancellation deadline. Other dealers, including Miguel Abreu, Tilton Gallery, and Sperone Westwater, navigated the fair's strict payment terms for different reasons—some pulling out early to avoid penalties, others proceeding despite business challenges. The fair proceeded with 283 exhibitors and reported strong sales, including an $18.5 million Joan Mitchell painting, signaling a potential market upturn.
French artist JR will wrap Paris's oldest bridge, the Pont Neuf, in images of the limestone rock formations from which it was originally built in the 16th century. The project, titled "La Caverne du Pont Neuf," is scheduled for June 2026 and marks the 41st anniversary of Christo and Jeanne-Claude's iconic wrapping of the same bridge in 1985. JR's installation was delayed by a year due to logistical and technical complications, echoing the famously tardy nature of Christo and Jeanne-Claude's large-scale works. The project was offered to JR by Vladimir Yavachev, director of the Christo and Jeanne-Claude Foundation, who wanted an interpretation rather than a reinstallation.
Japanese artist Mariko Mori presents "Radiance," a new body of work at Sean Kelly Gallery in New York, exploring ancient Japanese cosmologies and spiritual traditions through ultra-contemporary materials. The exhibition features a shrine-like installation with hanging white silk, faceted dichroic sculptures such as *Oshito Stone III* and *Kamitate Stone I* (both 2025), and a series of "Unity" photo paintings that blend art, science, and spirituality. The show runs through December 20, 2025.
French artist JR has announced plans to wrap the Pont Neuf bridge in Paris in June 2025, as a tribute to Christo and Jeanne-Claude. The project, titled "Pont Neuf Cavern," marks the 30-year anniversary of the couple's original wrapping of the same bridge in 1985. JR was approached by Christo's nephew Vladimir Yavachev, director of the Christo and Jeanne-Claude Foundation, to take on the challenge. The 761-foot bridge will be swathed in fabric, recalling the couple's signature monumental interventions.
Sam Falls has created two paintings, "Rewilding" (2024) and "King's Crossing" (2024), for Ruinart's "Conversations with Nature" program, following a residency at the Champagne house's Taissy vineyard near Reims. The works, which incorporate natural materials and ecological processes, will debut at Art Basel Miami Beach in December 2024 before traveling to Ruinart's headquarters. Falls's practice involves arranging plants on canvas and using pigment that reacts to humidity and sunlight, reflecting a collaboration with the environment.
Artist Fulton Leroy Washington, known as Mr. Wash, is establishing the Art By Wash Studio & Community Center, a 13,000-square-foot campus in Compton, California, to serve recently incarcerated individuals and local youth. Released in 2016 after President Barack Obama commuted his life sentence for nonviolent drug offenses, Mr. Wash taught art in prison for 18 years and later gained recognition in the art world, including a breakout appearance at the 2020 Made in L.A. biennial. The center, designed pro bono by Morphosis Architects and The NOW Institute, will offer art-making instruction, studio space, materials, and exhibition opportunities, with the goal of connecting emerging artists to curators and galleries. The project is currently fundraising $100,000 for its first phase, with completion targeted for 2028.
English artist Rachel Whiteread, the first woman to win the Turner Prize in 1993, has collaborated with French silversmith company Puiforcat on a new seven-piece silverware collection. Inspired by corrugated cardboard, the collection includes serving trays, a pitcher, tumblers, and napkin rings, with surfaces that mimic the grooves and overlapping corners of cardboard, as well as watermark-like concentric circles. The trays echo Whiteread's recent artworks, such as *Untitled (Silver Pallet)* (2023), a flattened cardboard cast in lacquered silver.