Artist Patricia Fernandez presents a solo exhibition titled "A constellation of its other" at Whistle in Seoul. The exhibition, which runs from March 20 to May 2, 2026, features a body of work documented through extensive installation photography by Ian Yang and is supported by Commonwealth and Council in Los Angeles.
P21 gallery in Seoul, South Korea, presents 'Balance in Motion,' an exhibition running from May 14 to July 4, 2026. The show takes place at the gallery's Itaewon district space, which features two separate facades (P1 and P2) designed for site-specific works. P21, founded in 2017 by Soo Choi, opened with an inaugural exhibition by Choi Jeong Hwa and continues to promote international contemporary art.
On May 11, the Leeum Museum of Art in Seoul opened its entire museum on a Monday—its regular closing day—to host approximately 200 members of multicultural families. The event, organized in partnership with family centers and related organizations across Seoul, included exhibition tours of the permanent antique art collection, the special exhibition "Into Another Space: Synesthetic Environments by Women Artists 1956-1976," and the outdoor Orozco Garden. A curator provided explanations, and a magic show was held in celebration of Family Month. Participating organizations included the Yongsan-gu Family Center, Itaewon and Ichon Global Village Centers, the Mari Shelter for Migrant Women and Mari Community, and the Dongdaemun and Seocho Family Centers.
Jungeun Park, an artist based between New York and Seoul, creates sculptures that blend glass, ceramics, and textiles to evoke raw biological forms and alien organic matter. Her 2025 graduate presentation at the Rhode Island School of Design featured works like *Skin Mite (demodex)* (2024), sewn from old pillowcases, and *Period Chalice* (2024), made from resin, metal chain, metal ring, water, and strawberry syrup, which transform the repulsive into something tender and strange.
Artist Vio Choe has opened a solo exhibition titled 'Time Interface' at The Page Gallery in Seoul, South Korea. The exhibition features paintings that Choe describes as an attempt to express energy perceived through unconsciousness, aiming to communicate with viewers on a sensory, non-verbal level.
The Sehwa Museum of Art in Seoul, operated by the Taekwang Group Sehwa Arts and Culture Foundation, has launched a series of artist-led participatory programs tied to its current exhibitions. On May 17, artist Yesol Kim will lead "Perhaps Scribbling on the World Crookedly," where participants draw and view their work through a kaleidoscope. On May 23, artist Jeong Manyoung will host "Sound Exploration: Finding My Own Sound Space," involving outdoor sound recording. Every Tuesday and Sunday at 3 p.m., visitors can enjoy a performance while holding cotton candy, linked to Lee Wonwoo's work "Gentle Prince." Additional ongoing activities include a handmade zine-making station and a social media review giveaway offering an "Artist Puzzle" from the museum shop.
The Kansong Art Museum in Seoul has launched a special exhibition titled "Cultural Defense of the Nation: The Spirit of Our People Preserved Through Faith," showcasing 46 significant artifacts reclaimed by collector Chun Hyung-pil during the Japanese colonial period. The centerpiece of the show is a rare 18th-century white porcelain bottle decorated with underglaze blue, iron-red, and copper-red, which Chun famously acquired at the Gyeongseong Art Club auction in 1936. He outbid a prominent Japanese dealer with a record-breaking bid of 14,580 won—a sum equivalent to the price of 15 houses at the time—to prevent the treasure from leaving Korea.
The 2025 Sea Art Festival, titled 'Undercurrents: Waves Walking on the Water,' is co-directed by Keumhwa Kim and Bernard Vienat, who were selected through an international open call. The biennial returns to Dadaepo Beach in Busan, South Korea, focusing on outdoor installations and sculptures that engage with the natural landscape and local communities. Kim, founder of Keum Art Projects, and Vienat, founder of art-werk and leader of the (re)connecting.earth biennial, emphasize collaboration with scientists such as paleontologists and bioacoustic researchers to highlight invisible ecological and social structures.
Frieze is opening a permanent exhibition space in Seoul called Frieze Seoul House, set to debut alongside Frieze Seoul 2025. Located in a former home in the Yaksu-dong neighborhood, the venue will model itself after Frieze's No. 9 Cork Street in London, offering temporary selling spaces for galleries from out of town. The space will also host non-commercial programming, including exhibitions by architects, film-makers, and fashion designers, as well as talks and lectures. Frieze will relocate its Seoul office to the building, which was designed in 1988 and renovated by local studio Samuso Hyoja.
Multimedia artist Im Youngzoo has won the Frieze Seoul Artist Award 2025, creating a new commission titled "Calming Signal" for this year's edition of the fair. The three-channel video installation explores how humans use learned and repeated gestures during times of collective unease, drawing inspiration from Norwegian dog trainer Turid Rugaas's concept of calming signals—instinctual behaviors animals use to de-escalate conflict. Im, born in 1982, works across video, installation, performance, and virtual reality, and has also been shortlisted for the 2025 Korea Artist Prize, with her work currently on view at MMCA Seoul.
The New York Times profiles American artist Tom Friedman, known for his playful and provocative sculptures and installations that often use everyday materials like toothpicks, aspirin, and cereal boxes. The article highlights his concurrent exhibitions in Seoul and New York, showcasing his career-spanning work that blends humor, meticulous craftsmanship, and conceptual depth.
The Seoul Museum of Art (SeMA) has opened the Photography Museum of Seoul (Photo-SeMA) in Dobong-gu district, marking South Korea's first public museum dedicated to photography. Spanning 7,048 square meters, the new venue draws from SeMA's collection of over 20,000 photographs and archival materials from the 1920s to the 1990s. It launches with two exhibitions themed around 'light obsession'—'Storage Story,' featuring commissioned works by six contemporary artists, and 'The Radiance: Beginnings of Korean Art Photography,' showcasing five pioneering Korean art photographers. The museum will eventually become part of an eight-branch network run by SeMA.
Min ha Park, a Korean artist born in Seoul in 1984, is featured as part of this year's Korean Artists Today project, which selects emerging Korean artists with global potential. Park began her artistic journey as a form of teenage rebellion against classical music training, moving to New York in 2002 to study at the School of Visual Arts. After a residency at Woodstock through the Pollock-Krasner Foundation in 2008, she shifted to painting as her primary practice, later earning an MFA from Yale University in 2011. Her luminous, abstract works capture ephemeral natural phenomena like light through fog or rain, using materials such as spray paint, wax, and oil to create layered, unresolved visual experiences. She has recently expanded into performance, collaborating with choreographer Yanghee Lee on a piece titled Shimmering.
Jewyo Rhii, a Seoul-born artist from the first generation to come of age during South Korea's dramatic political shifts in the 1980s, has been selected for this year's Korean Artists Today project. Her work, which began as personal explorations of misplacement and survival using ephemeral materials and found objects, evolved around ten years ago into collaborative projects like Love Your Depot (2019), a series of storage-unit-like installations that question the lifespan of artworks. Rhii's practice includes object-oriented performance pieces such as Ten Years Please (2007-17) and Lie on the Han River (2003-06), and she has shown at institutions including the Queens Museum, the National Museum of Modern and Contemporary Art (MMCA) in Seoul, and the Venice Biennale.
Frieze has announced the winners of its prize program at the 2026 Venice Biennale. The prizes recognize outstanding contributions by artists and curators participating in the Biennale, with awards given across multiple categories including emerging talent and innovative exhibition practices. The winners were selected by a jury of international art professionals and will receive financial support and visibility through Frieze's platforms.
The Plas Art Show, a Seoul-based art fair specializing in sculpture and three-dimensional works, returns for its 11th edition from June 4 at Coex in Gangnam District. Featuring 102 galleries (91 domestic and 11 from Taiwan, Germany, Japan, and Georgia), the fair presents roughly 750 artists and 3,500 works under the theme “New Chance.” Fair president Shin Jun-won acknowledged criticism that the event had drifted from its sculptural focus and announced stricter curation, including on-site inspections and penalties for galleries that fail to include at least one three-dimensional artist and one stereoscopic work. Standard booth prices range from 5.7 to 6.7 million won, which Shin says attracts Gangnam-area galleries priced out of larger venues.
Korean American visual artist Sungmo Cho is returning to South Korea after 14 years to exhibit his 'Along the LOVE Road' series in Seoul and Buyeo. Cho, who moved to New York in 1992, has created over 30 solo shows and 150 group shows across four countries. His works explore themes of migration, memory, and the tension between civilization and nature, with roads serving as a central symbol of both human progress and environmental destruction.
連載 メグ忍者 Drawing and Sleeping 第四回
Artist collective member Meg Ninja reflects on recent travels and performances in the fourth and final installment of their column "Drawing and Sleeping." The piece recounts a performance event at Toyota Municipal Museum of Art, where Meg Ninja organized a participatory piece based on Guy Debord's *The Society of the Spectacle*, and a research trip to South Korea via Tsushima and Busan for the upcoming international art festival "Aichi 2025." The narrative weaves together experiences of sleep, movement, and the boundary between daily life and artistic practice.
Art Sonje Center in Seoul has launched "Spectrosynthesis Seoul," the first large-scale institutional exhibition in South Korea dedicated specifically to queer art. Organized in partnership with the Sunpride Foundation, the show features 74 international and Korean artists across two major sections, exploring themes of identity, sign language bias, and the historical queer spatiality of Seoul neighborhoods like Itaewon.
Digital art venue Arte Museum, operated by Seoul-based design company d'strict, has partnered with K-pop group BTS for a large-scale immersive exhibition titled "Arte Museum X BTS The City Arirang." Inspired by BTS's new album "Arirang," the exhibit debuted on Wednesday at the museum's Las Vegas branch and will run through June 17, with subsequent openings in Busan on June 5 and in New York at a later date. The show features five original media artworks—including "No. 29," "Body to Body," "Swim," "2.0," and "Into the Sun"—alongside an updated "Arirang Wave" installation, an interactive "Live Sketchbook" space, and a BTS-themed cafe. It is part of the band's "The City" project, which extends the concert experience into local venues during their "Arirang" world tour.
South Korea's Ministry of Culture, Sports and Tourism announced a monthlong celebration called "2026 Museum Week," running from late April to May 31, 2026, to coincide with International Museum Day on May 18. A total of 310 museums will participate under the theme "Museums uniting a divided world," with programs divided into three sections: Museum X Encounter (highlighting stories behind artifacts), Museum X Enjoy (special exhibitions and performances), and Museum X Stroll (expanding cultural access beyond Seoul). The event is hosted by the ministry and ICOM Korea, organized by the Korean Museum Association.
More than 300 museums and art institutions across South Korea will participate in the 2026 Museum and Gallery Week, a nationwide cultural festival organized by the Ministry of Culture, Sports and Tourism, running from May 1 to May 31. The event adopts the theme "Museums Uniting a Divided World" from the International Council of Museums, and features three main programs: "Museum × Meet" highlighting 50 signature objects, "Museum × Enjoy" with exhibitions and performances at 18 institutions, and "Museum × Wander" offering guided tours connecting galleries with historic sites.
Air de Paris, a veteran contemporary gallery that has exhibited at Art Basel since 1999, announced its withdrawal from the upcoming edition after a dispute over its assigned stand. Co-founders Florence Bonnefous and Edouard Merino made their exit public by posting emails online via Provence, a French publishing house, calling the stand assignment process “brutal and unfair.” Art Basel’s chief artistic officer Vincenzo de Bellis defended the decision, noting that 58 galleries had their stands moved this year due to the launch of a new section called Premiere and the need to improve visitor flow and aesthetic dialogue between exhibitors.
The Leeum Museum of Art in Seoul will open the exhibition "Inside Other Spaces" on May 5, featuring 11 installation artists from Asia, Europe, and the Americas. The show reconstructs full-scale environments from 1956 to 1976, including Korean artist Jung Kang-ja's "Incorporeal Exhibition" (1970), which was forcibly dismantled by the Korean government and is being rebuilt for the first time. The exhibition previously appeared at Munich's Haus der Kunst, Rome's Maxxi, and Hong Kong's M+, with each venue expanding its scope.
The Seoul Museum of Craft Art opens two special exhibitions on Tuesday, both centered on the Korean Empire (1897-1910), a brief period when Korea sought to modernize through craft and industrial innovation. The larger exhibition, “The Hybrid,” marks 140 years of diplomatic relations between Korea and France, gathering 24 objects from European collections—23 from France and one from Germany—some not displayed in Korea in over 120 years. The second, “Folded Time, Unfolded Memory: Andong Palace,” focuses on the royal women who lived on the museum’s grounds, particularly Empress Sunjeonghyo and Princess Kim Deok-su. Museum director Kim Soo-jung described the two shows as “almost like an omnibus,” connected through the Korean Empire period.
Renowned South Korean actor Park Shin-yang has launched a solo exhibition titled 'The Fourth Wall' at the Sejong Center for the Performing Arts in Seoul. The show features a unique performative element where fifteen clowns roam the gallery, acting as surreal extensions of the canvases to bridge the gap between the artist and the public. Park, known for his roles in 'Lovers in Paris,' presents a diverse body of work including paintings of donkeys and bullfighters that symbolize the burdens of life and the struggle for creative expression.
The Arts Council Korea (ARKO) is accepting applications for its ARKO Art Studio residency program in Seoul, which will host 10 visual artists—six international and four local—for two rounds in 2025. Selected artists receive private studio space in Pyeongchang-dong, cultural tours, mentorship, networking events, and studio visits with curators, culminating in a two-month group exhibition at the ARKO Art Center. The application deadline is February 18, with successful applicants announced on March 11.
CookieRun: Kingdom, the mobile game franchise, is opening a new art exhibition titled "Legacy of the Kingdom" at the Ara Art Center in Insa-dong, Jongno District, central Seoul, running from Friday through April 23. The exhibition features 10 high-quality collaborative artworks by Korea's master artisans, including lacquerware inlaid with mother-of-pearl (najeon chilgi) by Sohn Dae-hyun, a buncheong vase by Park Sang-jin, and gold-leaf work by Kim Gi-ho, alongside interactive media art by Nerdy Artist Union. Visitors can use special wristbands to trigger projections and visual effects. Devsisters CEO Cho Kil-hyeon announced plans to expand the exhibition to the United States, Australia, Britain, Canada, Taiwan, and Thailand, given that 70% of players are from outside Korea.
Frieze has established a permanent venue in Seoul called Frieze House, giving the art fair a year-round presence in the South Korean capital. The space will host exhibitions, events, and programming beyond the annual Frieze Seoul fair, signaling the fair's long-term commitment to the Asian art market.
This article features a studio visit with London-based artist Dima Rebus, offering an intimate look into his creative process, workspace, and recent works. The piece includes photographs of the studio and Rebus at work, providing insight into his artistic practice and the environment that shapes his output.