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Fast-rising Montana art organisation to take over century-old theatre

Tinworks Art, a non-profit contemporary art space in Bozeman, Montana, is expanding from its original industrial campus to the historic Rialto Theater downtown. Opening November 21, Tinworks at Rialto will debut with Matthew Barney's 2018 film *Redoubt*, on view until February 1, 2026, marking the organization's first year-round venue for installations, talks, screenings, and performances. The Rialto, which opened as a theater in 1924, was donated to Tinworks by its previous owners. Additionally, Tinworks is restoring its deteriorating mill building on the northeast campus, set to open in October 2026, which will add flexible gallery spaces, a visitor center, and offices, extending programming beyond its current June-to-October schedule.

59th Carnegie International's inaugural artist commissions revealed

Carnegie Museum of Art in Pittsburgh has announced the first 14 artists for its 59th Carnegie International, running from May 2026 to January 2027. Participants include Torkwase Dyson, Alia Farid, Sanchayan Ghosh, Jonathan González, Abraham González Pacheco, Eric Gyamfi, G. Peter Jemison, Liz Johnson Artur, Arturo Kameya, Claudia Martínez Garay, Cinthia Marcelle, Shala Miller, Brooke O’Harra, Sofu Teshigahara, and Ginger Brooks Takahashi. The exhibition, curated by Ryan Inouye, Liz Park, and Danielle A. Jackson, will feature commissions across multiple disciplines, including a planetarium animation, sound installations, photography, performance, and public outdoor works. Venues include the Carnegie Museum of Art, Children’s Museum, Kamin Science Center, Mattress Factory, and Thelma Lovette YMCA.

Thaddaeus Ropac is betting on Milan—will it pay off?

Austrian dealer Thaddaeus Ropac opened a new gallery in Milan on September 20, capitalizing on Italy's newly reduced 5% VAT on art imports—the lowest in the EU—and an influx of wealthy expats from London following the UK's abolition of non-dom tax status. The gallery occupies the first floor of the historic Palazzo Belgioioso, with Elena Bonanno di Linguaglossa appointed as director. Ropac's move follows his earlier successful expansions into Seoul and Pantin, which proved prescient.

Smithsonian under fire from Trump, Frieze Seoul, Dara Birnbaum and Quantum—podcast

The Art Newspaper's podcast 'The Week in Art' returns with three major stories. Ben Luke hosts a discussion with Ben Sutton, the publication's editor-in-chief in the Americas, about the Trump administration's announced comprehensive internal review of eight Smithsonian museums and artist Amy Sherald's cancellation of a long-scheduled exhibition at the National Portrait Gallery, citing censorship and institutional fear. The episode also covers Frieze Seoul 2024, the season's first major art fair, with correspondent Lisa Movius reporting from the South Korean capital amid political turmoil. The Work of the Week segment features Dara Birnbaum's landmark video artwork 'Technology/Transformation: Wonder Woman (1978-79)', part of a new exhibition 'The Quantum Effect' at the San Marco Art Centre in Venice, curated by Daniel Birnbaum and Jacqui Davies with physicist Ulf Danielsson.

‘I feel a renewed passion to shape a new era’: Youn Bummo takes the reins as president of the Gwangju Biennale

Youn Bummo has been appointed president of the Gwangju Biennale Foundation, returning to the organization he helped launch in 1995. He previously served as director of South Korea's Museum of Modern and Contemporary Art (MMCA) from 2019 until his resignation in 2023, which was widely attributed to political pressure. The 16th edition of the Biennale in 2025 will be curated by Singaporean film artist Ho Tzu Nyen.

Antony Gormley: ‘Everything I make now is a surprise to me’

Antony Gormley, the British sculptor best known for public works like *Angel of the North* and *Another Place*, is opening his first solo exhibition in Seoul this September, titled *Inextricable*, simultaneously at White Cube and Thaddaeus Ropac. The shows coincide with Frieze Seoul and explore how urban infrastructure shapes human consciousness. Gormley also discusses his ongoing collaboration with Japanese architect Tadao Ando at Museum SAN, where their permanent installation *Ground* (2025) is on view, and reflects on past unrealized projects in Korea, including a utopian proposal with the Kim Dae-jung Foundation.

Frieze Seoul’s fourth edition takes on tariffs and a tough market

The fourth edition of Frieze Seoul (3-6 September) will host around 120 galleries at the Coex convention centre in Gangnam, including mega-galleries like Gagosian, Hauser & Wirth, Pace, David Zwirner, and White Cube. The fair welcomes about 20 new exhibitors, such as 10 Chancery Lane Gallery and de Sarthe from Hong Kong, The Breeder from Athens, Carvalho from New York, Make Room from Los Angeles, and Ota Fine Arts from Tokyo. However, more than 40 galleries are not returning, including Karma, Mariane Ibrahim, Michael Werner, and Neugerriemschneider. The event unfolds amid significant political and economic turbulence in South Korea, including the impeachment of former president Yoon Suk Yeol after a martial law declaration, the election of new President Lee Jae Myung, and ongoing tariff negotiations with the United States, all contributing to a climate of uncertainty.

Art Blooms Across South Korea in September, Despite an Uneasy Market

South Korea's Ministry of Culture, Sports and Tourism is promoting a month-long Korea Art Festival in September 2025, featuring scores of events including design, craft, and calligraphy biennials across the country. The centerpiece is the concurrent staging of Frieze Seoul (fourth edition, over 120 exhibitors) and Kiaf (24th edition, some 175 galleries) at the Coex convention center in Gangnam, with a single ticket granting access to both fairs. International galleries have been opening local outposts in Seoul, and a Centre Pompidou branch is planned, as the city builds its reputation as an art capital.

Seoul Mediacity Biennale searches for the mystical in contemporary art

The 13th Seoul Mediacity Biennale, titled "Seance: Technology of the Spirit," opens at the Seoul Museum of Art and other venues across Seoul until November 23. Curated by Anton Vidokle, Hallie Ayres, and Lukas Brasiskis, the biennale brings together 49 artists and collectives exploring spirituality, mysticism, and shamanism as counterpoints to the anxiety and alienation of technological advancement. The theme emerged from the curators' work on the 2023 Shanghai Biennale and includes works by Hilma af Klint, Jane Jin Kaisen, Angela Su, Hsu Chia-Wei, and the late Nam June Paik, alongside sound and experimental theatre sections hosted at Nakwon Arcade.

Exhibition as Séance at Seoul Mediacity Biennale with Anton Vidokle, Hallie Ayres, and Lukas Brasiskis

The 13th Seoul Mediacity Biennale, titled “Séance: Technology of the Spirit,” will open in August 2025 at the Seoul Museum of Art. The exhibition is curated by Anton Vidokle, Hallie Ayres, and Lukas Brasiskis of e-flux, who previously organized the Shanghai Biennale in 2023. The curators aim to structure a film program as an extension of the exhibition, engaging with themes of Cosmism and spiritual séance. They have collaborated with the Hong Kong-based architecture firm COLLECTIVE to transform the museum’s white-wall space into a scenography evoking different metaphysical realms, using color and light to enhance the experience.

Meyer Riegger and Jocelyn Wolff Open Joint Seoul Gallery Ahead of Frieze

Berlin's Meyer Riegger and Parisian Galerie Jocelyn Wolff will open a joint gallery in Seoul's Hannam-dong district on 2 September 2025, marking their first permanent Asian outpost. The new space, named Meyer Riegger Wolff and led by director Gaia Musi, will represent artists from both galleries including Clemens von Wedemeyer, Miriam Cahn, and Marcel Duchamp. The inaugural exhibition, "Heute Nacht geträumt (Dreamed Last Night)" (2 September–7 November 2025), will explore drawing across four centuries in a salon-style format.

Design Miami announces 2025 international events and exhibitions programme

Design Miami has announced its 2025 international events and exhibitions programme, dubbed Design Miami.In Situ, in celebration of its 20th anniversary. The initiative includes a one-day design event in Aspen with Range Rover on July 31, a 14-day exhibition in Seoul titled 'Illuminated: A Spotlight on Korean Design' in September, the third edition of its Paris fair at L'hôtel de Maisons in October, and the 21st edition of its flagship Miami Beach fair in December. The programme expands beyond the fair's traditional model, with events curated by Ashlee Harrison, Hyeyoung Cho, and Glenn Adamson.

From Origin to Future. Opening Exhibition for the Naoshima New Museum of Art by Tadao Ando

Architect Tadao Ando has designed the Naoshima New Museum of Art, the latest addition to the Benesse Art Site Naoshima project in Kagawa Prefecture, Japan. This marks Ando's tenth contribution to the site and the first museum to bear the island's name. The museum will open on May 31, 2025, with an inaugural exhibition featuring works by twelve artists and groups, including both longtime collaborators and newer voices. The building, which includes one above-ground floor and two basement levels, features a large roof integrated with the hills and a cafe overlooking the Seto Sea.

S’pore artist Ho Tzu Nyen among medallists for inaugural Art Basel Awards, could get major commission

Singapore artist Ho Tzu Nyen has been named one of six medallists in the established artist category at the inaugural Art Basel Awards, announced on May 16. The 49-year-old shares the honor with artists including Cao Fei and Ibrahim Mahama. The two-round awards process will culminate in December with a shortlist of Gold medallists announced in Miami, and Ho is in line for a potential major commission from Art Basel. He was also recently appointed artistic director of the 16th Gwangju Biennale.

Exhibition | Kang Cheol Gyu, 'KANG Cheolgyu: Discarded Host' at Arario Gallery, Seoul, South Korea

Arario Gallery Seoul presents 'Discarded Host', a solo exhibition by South Korean artist Kang Cheolgyu (b. 1990), running from May 1 to June 20, 2026. The show features new paintings that transform personal emotions and psychological sensations into visual narratives, exploring themes of anxiety, tension, identity, and transformation through fictional environments and indirect self-confrontation.

Exhibition | GaHee PARK, 'Half-Looking, Half-Seen' at Perrotin, New York, United States

Perrotin New York presents 'Half-Looking, Half-Seen', a special exhibition of new paintings by GaHee Park, featuring still lifes and portraits set within seascapes and landscapes that explore psychological dynamics of perception and coexistence. The show precedes Park's first institutional solo exhibition in the United States, opening in August 2026 at the Yerba Buena Center for the Arts in San Francisco. Works such as 'Seafood Heaven', 'Wetland at Dusk', and 'Creeping Shadow' depict ambiguous scenes where figures, animals, and natural elements blur boundaries between perceiving and being perceived, with influences including Joan Jonas's performance art.

Lindsay: Where Art Meets Life. Exhibit features Guffogg, Korean artists

The Lindsay Museum and Gallery recently debuted "Still Point: Everything Moves, One Remains," an international contemporary exhibition curated by JunHwan Chang of Gallery Chang. The show features a cross-cultural dialogue between local California artist Shane Guffogg and four prominent Korean artists: Kim Miné, Kim Hongbin, Anon, and Shin Kiwoun. The works on display range from Guffogg’s layered abstract paintings and Kim Miné’s lenticular "Nobody" series to hand-dyed fabric installations and video art exploring historical currency.

PKM gallery to open Lee Jung-jin exhibition 'Unseen/Thing' Wednesday

Photographer Lee Jung-jin has launched a major solo exhibition titled "Unseen/Thing" at PKM Gallery in Seoul, marking her first solo show in six years. The exhibition is divided into two parts: her latest "Unseen" series, captured during a 2024 trip to Iceland, and her "Thing" series from the early 2000s, which features analog still lifes printed on traditional Korean hanji paper. The new works depart from Lee’s previous focus on the static silence of deserts, instead capturing the volatile, forceful energy of the Icelandic landscape.

Review: Thomias Radin, Echoes of KA at Esther Schipper, Berlin

Thomias Radin’s fourth solo exhibition at Esther Schipper in Berlin, titled "Echoes of Ka," presents a multidisciplinary environment blending painting, woodwork, and installation. The Guadeloupe-born artist draws heavily from Caribbean embodied knowledge, dance philosophy, and the ancient Egyptian concept of 'Ka'—a vital life force—to transform the gallery into a choreographed 'secret garden.' The works, characterized by vibrant colors and gestural oil paintings on raw linen, are informed by Radin’s collaboration with dance scholar Léna Blou and his own practice of improvisation.

A Midwest Frieze: Kate Sierzputowski Takes the Reigns as Director of Expo Chicago From Founder Tony Karman

Kate Sierzputowski has officially stepped into the role of Director at Expo Chicago, succeeding longtime founder Tony Karman following the fair's acquisition by Frieze. As the fair prepares for its April 2025 edition at Navy Pier, Sierzputowski is overseeing a significant transition that includes a streamlined roster of 130 galleries and a more integrated branding presence from the Frieze parent company.

São Paulo pop-up exhibition spotlights spherical home by architect Eduardo Longo

The fifth edition of Aberto has launched in São Paulo, transforming the iconic Casa Bola—a spherical, sustainable home designed by architect Eduardo Longo in the 1970s—into a temporary art and design hub. Co-curated by Kiki Mazzucchelli and Claudia Moreira Salles, the exhibition features over 50 artists and six major galleries, including Gladstone Gallery and Mendes Wood DM. The show spans the futuristic residence and an adjacent warehouse, showcasing newly commissioned works that dialogue with Longo’s counterculture architectural vision.

Notable Museum Shows to See in Seoul During Frieze Week 2025

The article highlights seven must-see museum shows in Seoul during Frieze Week 2025, curated for visitors attending the art fair. It features exhibitions ranging from Richard Tuttle's restless assemblages at Galerie Greta Meert to an expansive show of Lutz Bacher at WIELS, providing a guide for art enthusiasts navigating the city's cultural offerings.

Secret Asian Man presents: 언니 언니(unni) at Whistle

Whistle gallery in Seoul presents "언니 언니(unni)," a group exhibition curated by the collective Secret Asian Man. The show features a diverse roster of contemporary artists including Dongho Kang, Muyeong Kim, Young Joon Kwak, Kang Seung Lee, Grim Park, Isaac Chong Wai, and Carrie Yamaoka. The exhibition is a collaborative effort involving works and support from both Whistle and the Los Angeles-based gallery Commonwealth and Council.

Wander through Adrienna Matzeg’s Embroidered, Late-Night City Explorations

Adrienna Matzeg’s solo exhibition "After Hours" at Abbozzo Gallery in Toronto presents embroidered textile works inspired by her late-night explorations of Kyoto, Tokyo, and Seoul during a July 2025 trip. The pieces capture quiet, illuminated scenes of convenience stores, markets, and roadside attractions, rendered on black linen with a diaristic, snapshot-like quality.

Meet the Writer Who Sees Every Single Show at the Venice Biennale

Jaeyong Park, a Seoul-based writer, translator, and interpreter, has attended every edition of the Venice Biennale since 2022—including both art and architecture cycles—and seen every single show, from the central exhibition and national pavilions to collateral and unofficial events. He documents his journeys in regular dispatches and has compiled a free bilingual guide to the biennial. Park organizes his trips with a group of fellow art workers, splitting accommodation costs and sharing reviews over dinner to ensure full coverage.

frieze seoul house september fair 2025

Frieze is launching Frieze House Seoul, a new exhibition space in the Yaksu-dong neighborhood of central Seoul, which will open alongside the fourth edition of Frieze Seoul in early September 2025. The four-story venue, renovated by architecture studio Samuso Hyoja, spans 210 square meters and includes two main galleries and a landscaped garden. Galleries can apply to program the inaugural season, following a model similar to Frieze's No. 9 Cork Street space in London. The announcement coincides with Korean artist Im Young-zoo being named the 2025 Frieze Seoul Artist Award recipient, a prize funded by Bvlgari.

K-Pop Band BTS Performed Two Songs from New Album ‘ARIRANG’ at the Guggenheim on Wednesday Morning

The K-pop group BTS performed two songs from their new album 'ARIRANG' in the main lobby of the Guggenheim Museum in New York. The private, phone-free event for about 150 invited fans featured the tracks "SWIM" and "2.0," with leader RM performing seated for one song due to an ankle injury.

Off-Site Exhibitions Review: The Politics of Listening

Andrew Durbin reviews the national pavilions at an unnamed biennial, contrasting a vacuous US presentation with incisive and moving installations from Britain and Germany. The review critiques the lack of meaningful engagement in the US pavilion while praising the depth and emotional resonance of the British and German contributions.

Arsenale Review: Where Voices Resist Erasure

At the 2026 Venice Biennale's Arsenale, critic Andrew Durbin reviews national pavilions, finding the US presentation vacuous and lacking meaning, while praising the British and German pavilions for their incisive and moving installations that resist erasure. The review highlights a stark contrast in curatorial ambition and political engagement among the participating nations.

Ayotunde Ojo Maps Interiority Under the Public Gaze

The article, a critic's guide review by Andrew Durbin, contrasts the US national pavilion presentation at an unspecified biennial with those of Britain and Germany. The US presentation is described as vacuous and lacking in meaning, while the British and German installations are praised for being incisive and moving. The review critically examines the thematic and conceptual approaches of each national pavilion, highlighting a disparity in artistic depth and engagement.