TEFAF New York is showcasing a group of artisans who are pushing the boundaries of traditional craft. Exhibitors include a couple who grow their own furniture, an artist who polishes metal to a mirror-like finish, and another who collaborates with insects in their creative process. These works challenge conventional definitions of craft and material use.
The New York Times Art section published an explainer titled "Why Is Everyone Obsessed With Bogs?" examining the cultural fascination with wetlands, particularly bogs, across fashion and art. The article explores how bogs have become a recurring motif in contemporary visual culture, from runway collections to gallery installations, reflecting a broader societal interest in these unique ecosystems.
La Casa Encendida in Madrid has opened "Fundación," a site-specific sculptural installation by Brazilian artist Marlon de Azambuja. The work transforms one of the building's central towers into a walk-through sculpture, curated by Bruno Leitão. Using materials and gestures that modify existing architecture, the installation explores the concept of "founding" as a search for foundational knowledge, questioning divisions between reason and sensation while positioning the exhibition space as an experiential environment. The piece is on view until September 27, 2026.
Gli effetti percettivi dei dipinti di Alessandro Gioiello sono in mostra a Roma
Alessandro Gioiello's solo exhibition "Pensieri Sparsi" is on view at Galleria Richter Fine Art in Rome, featuring oil-on-canvas works such as "Broken Flowers" (2026), "Quarantatreesimo" (2025), and "Tiscert" (2026). The show presents a stream-of-consciousness approach where color and composition emerge from a lengthy process of selection and transformation, inviting viewers to reconstruct meaning through the creative gesture rather than a linear narrative.
This article from Artribune presents seven new art book releases in Italy, all united by a common theme of bringing marginalized subjects back into focus. Featured titles include Johnny L. Bertolio's "L'ha scritto lei, ma…" which examines why female authors are excluded from Italian school curricula, and Carla Rossi's "Oltre i margini," a rigorous study of European female miniaturists from the Middle Ages to the Renaissance. Other works address queer representation in museums, children's voices on Gaza, photographic portraiture by Lorenzo Cicconi Massi, a collective volume on the Bertolucci family, and a theatrical project by Kepler-452 set in the central Mediterranean.
Lighthouse Poole in Dorset has issued an open call for visual artists with a local connection to submit work for its seasonal exhibition themed "BURROW," running from November 12, 2025 to February 27, 2026. The exhibition aims to create a peaceful, reflective space during the winter months, following last year's installation "The Wintering" by self-taught artist Carmel De’Lisser. Submissions are free, must use sustainable materials, and can explore concepts such as hibernation, searching, and comfort. The selection panel includes De’Lisser, curator Mille Lake, creative director Paul Newman, and co-founder Tom Pouncy.
The Albrecht-Kemper Museum of Art in St. Joseph, Missouri, will host a retrospective exhibition titled "The Shape of the Prairie" for American landscape painter Keith Jacobshagen, opening May 16 and running through August 16. The show spans 50 years of Jacobshagen's career, featuring rarely exhibited sketchbook pages alongside finished oil and watercolor paintings that capture the skies and plains of his Nebraska home.
The Metropolitan Museum of Art has published an article titled "The Body Is Art." The content appears to focus on the human body as a subject within art, likely exploring representations and interpretations of the body in the museum's collection.
Vasilisa Romanenko’s solo exhibition, *Flora & Flight*, is on view at Arch Enemy Arts in Philadelphia through May 31. The show features her detailed acrylic paintings, ranging from six to 28 inches tall, depicting birds like white doves, dark-eyed juncos, and lesser goldfinches amid vibrant blossoms such as peonies, poppies, and hollyhocks. The gallery notes that each bird carries a strong sense of form and character, and each leaf and flower feels varied and alive.
Carmichael artist Amanda Cadelago will exhibit her paintings in the Davis Art Studio Tour on May 16-17, 2026. The free, self-guided tour features 48 artists from the region opening their studios to the public, offering opportunities to view and purchase a range of artwork including sculpture, painting, printmaking, and photography. Cadelago, who rediscovered painting during the pandemic after a career in marketing and graphic design, will show her work alongside her mother, Cathie James-Robinson of Davis.
Toledo muralist Chris "Chili" Rodriguez is opening the Mind and Soul Gallery & Studios in the historic Gardner Building on Madison Avenue. The grand opening on Saturday, May 16 will feature artwork from over 40 local and nationally known artists, live music, food trucks, raffles, and a scavenger hunt, with an after-party running until 1 a.m. Rodriguez and his team spent six months renovating the 6,000-square-foot space.
The Howard Whittemore Memorial Library in Naugatuck, Connecticut, will host a new exhibition titled 'Mandalas and More' throughout May 2026, featuring artwork created by students of local artist and retired public school art teacher Rose-Ann Chrzanowski. The pieces were produced in Chrzanowski's Osher Lifelong Learning Institute (OLLI) course, which uses mandala-making and mixed-media techniques to encourage personal reflection and relaxation. The exhibit includes works using jewelry, torn handmade paper, feathers, paint, and sand, and will be displayed on the Whittemore Gallery Wall and in the library display case through June 1.
A new gallery and working studio called General Admission is opening on E 6th Avenue in Ybor City, Tampa, with a debut group exhibition titled “F.R.I.E.N.D.S” on Thursday, May 14. The show features over two dozen artists including Jay Giroux, Bask, Tes One, Ryan Lagasse, George Goldberg, Creative Loafing Tampa Bay cartoonist Cory Robinson, and Claire Casper. The venue is founded by artists Jay Giroux and Keith Burnson, and Rarefolks, a company tied to the parcel owners, will also have work on display.
The Hunterdon Art Museum in New Jersey will open three new exhibitions on May 17, 2025. The shows include a solo exhibition of figurative painter Emily Strong, featuring large-scale realist oil paintings that explore identity and relationships; “Claybash,” the museum’s second triennial juried ceramics exhibition curated by Angelik Vizcarrondo-Laboy; and “Mindscapes,” a retrospective of 60 years of work by 93-year-old New Jersey artist Bascha Mon, whose recent pieces are inspired by the music of composer Olivier Messiaen.
Irish artist John Redmond presents a new collection of sculptures in his exhibition "Beyond Form" at Gormleys Gallery in Dublin, running from May 22 to June 4. The show marks a significant evolution in his practice, as he moves from abstract painting into three-dimensional works for the first time, using mixed materials such as bronze, resin, and marble, with pieces cast at a foundry in Greece.
According to the 2025 art market trends, Impressionist and Modern art generated $4.7 billion in auction sales, a 29.5% increase from 2024, overtaking Postwar and Contemporary art to become the year's largest auction segment. Meanwhile, Ultra-contemporary art continued its decline, and Old Masters gained ground, signaling a broader shift in collector behavior toward established, blue-chip works.
The 2026 Spring Art Show in Mountain Home, held May 8th and 9th, featured artists of all ages and experience levels, with Madeline Martinez as the youngest participant. Her work was displayed alongside pieces by established local artists including KC Duerig, Julia Schmidt, Kathleen Hiler, Linette Nesbitt, Dara Lea Corvus, and Jennifer DeVore.
Spalding artist Joey Lowe organized the fourth edition of a local art exhibition at The Sessions House, attracting over 1,000 visitors and gallery owners from Norfolk and Gainsborough. The event featured 50 artists, including local MP Sir John Hayes, and introduced a new 'mini youth exhibition' with artwork from five area schools.
Flick Chafer-Smith, a First Nations artist, turned her life around after being incarcerated on her 18th birthday and spending six years in and out of prison due to drug addiction. Through the Victorian Indigenous arts program The Torch, she discovered painting as a means of expression and healing. She is now among 424 artists featured in Confined 17, an annual exhibition at Glen Eira Town Hall showcasing works by First Nations artists with lived experience of incarceration in Victoria. The exhibition includes paintings, weavings, ceramics, and carved emu eggs, with sales proceeds going directly to the artists.
The Joshua Tree Art Walk returns this Saturday in downtown Joshua Tree, featuring the grand opening of a new store and gallery called Walker’s Wipeout by local artist Walker Mettling. Mettling, a comic, woodcut, and risograph artist originally from Providence, RI, will exhibit his own absurdist neon comic dread multimedia works and plans to host other artists in the future. Other participating galleries include Hey There Projects with “Sous les etoiles” featuring Sofia Badaoui and Laura Cooper; La Matadora with “Fairytales & Fanciful Creatures”; Coyote Little with “Don’t Get It Twisted” showcasing fifteen desert-based textile artists; and The Beatnik Lounge with “Like A Dog: A Look at Selective Compassion” curated by Janice Taitel. Live music will be provided by Lee Scott and Joe Garcia on the Art Queen stage.
Nepali visual artist and photographer Jyoti Shrestha, 29, will exhibit her photography collection ‘Chhyake’ in the official collateral exhibition ‘Personal Structures’ at the 61st Venice Biennale in 2026. Organized by the European Cultural Centre (ECC), the exhibition runs from May 9 to November 22, 2026, and features 150 international artists. Shrestha’s work explores intergenerational shame, body politics, and identity, drawing on the Nepali word ‘Chhyake’—meaning scars from skin disease—to examine inherited perceptions of ugliness within her family.
The Other Art Fair has returned to Dallas for its largest and most ambitious edition to date, featuring 135 independent artists—the most ever presented in the Dallas market. The fair, presented by Saatchi Art, transforms Dallas Market Hall into a marketplace where artists sell directly to collectors and art lovers, with highlights including immersive installations, live neurofeedback art, and a special focus on LGBTQ+ artists. A short list of queer artists featured includes Ty Hays, Patricia Juppet, Jake Trujillo, and others, with Christopher Sonny Martinez receiving The New Futures award for first-time exhibitors.
On May 7, the National Art Museum of Belarus opened the exhibition "Harmony of the World of Niehliubka Weavers," showcasing traditional weaving from the village of Niehliubka in the Vetka District. The display features about 50 textile works from the museum's collection, along with tools, rare costume elements, and photographs provided by the Belarusian State Museum of Folk Architecture and Rural Life and the Vetka Museum of Old Believer and Belarusian Traditions named after Shklyarau. This tradition, which originated in the 17th century, includes towels, clothing, and interior items made with original weaving and embroidery techniques.
Res Publica Verlag sucht Projektmanager:in oder Chef vom Dienst Print
Res Publica Verlag, an independent publisher based in Berlin, is hiring a project manager or print production editor for its magazines Cicero and Monopol, as well as special publications. The role involves managing editorial workflows, asset management systems, ad coordination, and serving as a liaison between the publishing house and editorial teams. The position is for 30 hours per week, starting August 1, 2026, with an optional onboarding from July 1, 2026.
Frieze New York 2026 opened its VIP day at The Shed on May 13, following the Venice Biennale's opening week. Now in its 15th edition, the fair anchors New York Art Week, a series of concurrent fairs, gallery openings, auctions, and parties that take over the city each May. The article highlights the five best booths at the fair, curated by Artsy Editorial.
The Science Museum in London has partnered with Serendipity Arts, a not-for-profit foundation supporting artistic practice across South Asia, to present free events this June. The collaboration launches on June 5 with Innovation Lates, an adults-only evening of music, making, and ideas inspired by Indian innovation, as part of the Great Exhibition Road Festival. The festival marks 175 years since the Great Exhibition of 1851 and includes workshops, talks, performances, and a puppet parade directed by Dadi Pudumjee.
Three artists—Maria José Meneses, Clara Rêgo, and Mary St. George—are opening their studio at Casa do Celeiro in Colares, Sintra, for a one-day "Open Studio" event on Saturday, May 30, from 12pm to 6pm. The event offers the public a rare behind-the-scenes look at a working art studio, featuring contemporary paintings, mixed media, sculptural ceramics, and artists' books in a 17th-century building that was once a barn and stable.
Amyafrique Art Gallery, founded by Nigerian entrepreneur Okpara Judith Amarachi, is set to open in Lagos next month as a platform for African creativity. Amarachi, who transitioned from careers in fashion, modeling, and aviation after a life-changing visit to a Lagos gallery, launched the brand in 2021 and has since achieved milestones including the sale of a ₦10 million sculpture.
Amyafrique Art Gallery is set to open in Lagos, Nigeria, marking a new addition to the city's contemporary art scene. The gallery aims to showcase African and diaspora artists, providing a platform for emerging and established talents.
La Biennale e il peso delle bandiere. Che senso hanno i padiglioni nazionali?
The article examines the inherent contradiction within the Venice Biennale: its historical structure of national pavilions, a legacy of 19th-century world fairs and state-sponsored art, clashes with the transnational, post-identity vision of the international exhibition curated by Koyo Kouoh. The return of the Russia Pavilion amid geopolitical conflict and the international show titled "In Minor Keys," which rejects national belonging as an interpretive criterion, highlight this tension. The piece also addresses the controversy over the lack of Italian artists in the main exhibition, questioning whether a Biennale hosted in Italy should guarantee national representation.