Mumbai’s Tao Art Gallery is fostering artistic dialogue through a series of exhibitions that emphasize creativity, contrast, and conversation. The gallery’s programming highlights diverse visual narratives and encourages engagement between artists and audiences.
The exhibition 'He Who Permeates' is currently on view at Tao Art Gallery in Mumbai, curated by Mihir Thakkar. It features contemporary artists Jayesh Sachdev and NFN Kalyan, exploring how imagery and symbols are reinterpreted across cultural contexts in a hyper-visual age. The show runs daily from 11 am to 6:30 pm until May 28, 2026, and marks NFN Kalyan's first presentation in India.
Seattle-based artist Lauren Boilini has reached a significant career milestone with the simultaneous opening of her first museum exhibition at the San Juan Islands Museum of Art and her first solo gallery show, "The Good Death," at J. Rinehart Gallery. Boilini’s practice is rooted in deep scientific research, including residencies at biological stations and insectariums, which she translates into large-scale, frenetic paintings of animals and ecosystems. Her current work explores the intersection of animal behavior and the human condition through dense, layered compositions that blur the lines between struggle and pattern.
Ilya and Emilia Kabakov's participatory art project *Ship of Tolerance* (2005–present) has been reinstalled at Oakville Galleries on Lake Ontario, near Toronto, opening on 31 May as part of the exhibition *Between Heaven and Earth* (through 20 September). The project, which involves children from diverse backgrounds creating painted sails for a 60-foot wooden boat, has previously traveled to locations including Siwa, Egypt; the Venice Biennale; Sharjah; Brooklyn; Miami; Moscow; and London. Emilia Kabakov continues to lead the project after Ilya Kabakov's death in 2023, and the latest iteration arrives amid global crises including wars, migrant displacement, and US President Donald Trump's threats to annex Canada.
Artist Jan Vorisek's exhibition at Arcadia Missa features sculptures titled IGBTTLTVOE (Elbow), created from mass-produced plastic moulds used for casting decorative Doric columns. The artist modifies these cheap, prefabricated objects with 3D-printed curved sections, bending them into flaccid, wormlike structures that undermine their intended classical dignity and function.
Artists worldwide are using social media platforms like Instagram and TikTok to barter their artwork for goods and services instead of money, in a viral trend responding to the cost of living crisis. Participants trade paintings for items such as handmade clothes, jewelry, tattoos, accommodation, meals, and professional services like video editing or framing, with some simply inviting offers. Artists like Lin Snow, Oli Fowler, and Andrea Mongenie cite economic pressures and anti-capitalist motivations, viewing bartering as a way to build community and bypass financial systems that leave creatives struggling.
Archaeologists from Mexico's National Institute of Anthropology and History (INAH) have discovered 153 Spanish and British muskets and rifles, along with an iron cannon, in the Síis Já cenote beneath the 16th-century former convent San Bernardino de Siena in Valladolid, Mexico. The weapons were likely discarded by the Yucatecan government during the early years of the Caste War of Yucatán (1847-1901) to prevent them from falling into Maya rebels' hands. The site also yielded Maya ceramic pieces and 18th-century Chinese porcelain, and INAH reported debris and pollution affecting the cenote.
An excavation in the Moharam Bek neighborhood of Alexandria, Egypt, has uncovered a significant trove of artifacts from the Greek, Roman, and Byzantine periods, including statues of deities such as Bacchus, Asclepius, and Minerva, as well as coins, lamps, ceramic vessels, a public bathhouse, mosaic flooring from a Roman villa, and advanced water systems. The discovery was announced by Egypt’s Ministry of Tourism and Antiquities and reported by Greek City Times, with officials from the Supreme Council of Antiquities highlighting the site’s comprehensive view of ancient residential and service architecture.
Brooklyn’s newest experimental art space, The Gallery (stylized as “The Gallry”), has opened on the fourth floor of a former automobile service station in Prospect Heights, now converted into creative offices. Curated by artist Florian Meisenberg, the exhibition features site-specific works by over 40 artists installed throughout a former guitar-string manufacturer’s office, including cubicle walls, utility closets, and HVAC systems. The space also functions as a co-working hub, with free daily spots for subscribers. The show runs through May 24 and includes events like screenings, poetry readings, and satirical corporate-themed programming.
Beowolff Capital has consolidated two of the art world’s digital giants, Artsy and Artnet, under a single ownership structure. While both platforms will maintain their distinct brand identities, they will begin integrating their underlying infrastructure and data systems. Jeffrey Yin, the current leader of Artsy, will take the helm as CEO of the combined entity, with Beowolff founder Andrew Wolff serving as chairman.
The article reports that Charli XCX plays a sculptural harp by artist Amanda Camenisch in the film *100 Nights Of Hero*, which premiered at the Venice International Film Festival. The instrument, titled *Elemental Harp: Fire* (or "Fire Harp"), was commissioned by the London Brent Biennial in 2022 and is part of a series of five sound sculptures representing elemental forces. Camenisch, a London-based photographer, filmmaker, and performer, creates hand-forged sonic sculptures designed for participatory rituals and vibrational healing.
New York artist mentor Paddy Johnson released the inaugural New Visions Report on Wednesday, surveying 1,000 mid-career artists to assess their careers with the same data-driven approach used for other businesses. The report, produced with arts journalist Julia Halperin and Gray Market columnist Tim Schneider, reveals that 75 percent of surveyed artists earn $15,000 or less from their practice, 45 percent earned less in 2025 than in 2024, and 56 percent say debt influences their decisions. Despite these struggles, 73 percent remain optimistic about their careers. The report also found that even the most successful artists—those with gallery representation and museum shows—face debt and lack basic systems like estate plans, while 82 percent want more gallery and museum opportunities but are unsure how to achieve them.
CUERPO, TERRITORIO Y SOBERANÍA ALIMENTARIA EN EL MAMM
The Museo de Arte Moderno de Medellín (MAMM) has inaugurated a trio of exhibitions titled 'Nos habitan pájaros y montañas', 'La luz, el fuego y la ceniza', and 'El susurro del barro'. These shows collectively explore the intersection of the human body, territorial sovereignty, and food security, featuring a dialogue between the museum's permanent collection—specifically the work of Débora Arango—and contemporary artists. The exhibitions utilize diverse media, including sound and raw materials like clay and soil, to address environmental and social crises.
Legendary Kenyan painter Patrick Mukabi, known as Panye, has died at age 56 after an illness. Born in Nairobi in 1969, he studied graphic design at the Technical University of Kenya before dedicating himself to fine art. His bold, colorful works were displayed at venues like Jomo Kenyatta International Airport, Java House outlets, and in over 20 countries. He developed the Cover Girls series celebrating curvy women and worked at major art spaces including the Nairobi National Museum, Kuona Artists Collective, GoDown Arts Centre, and the Railway Museum. At Dust Depo Studio, he mentored many young artists, teaching them both technique and the business of art. His protégé Jimmy Kitheka recalls Mukabi's warmth and discipline, and how the studio became a creative hub. Even during his illness, the art community rallied to support him through benefit exhibitions like the Patrick Mukabi Medical Fund Benefit Art Exhibition in April 2026 and a solo show at Banana Hill Art Gallery.
Maine-based environmental painter Janice Kasper will headline the first 'Bartlett Art Talk' of the 2026 season on April 22 at the Bartlett Woods Retirement Community. The event coincides with the exhibition "Chickadees, Alligators, and Stonehenge," which showcases Kasper’s dramatic oil paintings alongside works by Cicely Aikman and Dirk McDonnell. Kasper’s practice focuses on the tension between human technology and the preservation of wildlife and natural landscapes.
The American Folk Art Museum (AFAM) on Manhattan's Upper West Side will temporarily close this summer for a major renovation project. The museum will shutter its current exhibition "Somewhere to Roost" on May 2 and close remaining galleries on May 26. The renovation, the largest in 30 years, will revitalize the museum shop, courtyard, office spaces, entry façade, and operations systems, with phased reopenings starting this fall and full completion expected next spring, timed around the 250th anniversary of U.S. independence.
"Scheiße hat die Kraft, Ordnungssysteme zu destabilisieren"
Aline Bouvy, the artist representing Luxembourg at the Venice Biennale, has created a film essay titled "La Merde" that centers on excrement as its main character. Originally conceived as a performance, the work explores themes of bodily circulation, transformation, and the grotesque, using feces to challenge societal taboos and systems of order. Bouvy discusses the film's development with curator Stilbé Schroeder, noting that the Biennale provided the resources and time to realize the project, which will later travel to the Kunstverein in Salzburg.
Monopol verlost 5 × 2 Tickets für Foto-Ausstellung im Museum Rietberg
The Museum Rietberg in Zurich is presenting the exhibition "Fast ein Paradies" (Almost a Paradise), which critically examines colonial-era photography as an instrument of power. The show juxtaposes historical photographs with contemporary artworks that recontextualize this material, featuring artists like Sasha Huber, Sammy Baloji, Raphaël Barontini, and Andrea Chung, who intervene in the archival images to challenge colonial narratives and restore agency to the subjects.
"Ein Mal im Jahr: Schock-Trauma!"
Artist Nik Nowak is exploring the "Sound Horeg" phenomenon in East Java, Indonesia, where massive DIY loudspeaker systems are mounted on trucks and boats for extreme mobile discos. These parades, characterized by towering walls of speakers and intense bass, represent a global evolution of sound culture influenced by social media rather than traditional folklore. Nowak's research into these unregulated, high-tech spectacles has culminated in a new body of work featuring sculptures and photographs.
The 57th CIMAM Annual Conference brought together 300 museum professionals in Turin for discussions on pressing institutional issues. The event featured keynote speeches from figures like political scientist Francoise Vergès and economist Mariana Mazzucato, who addressed themes of power structures and public arts funding. Performances by artists such as Alessandro Sciarroni and Abdullah Miniawy served as central, unifying experiences for the attendees.
Glasgow-based painter Michael Fullerton is presenting a two-part exhibition that critically examines the politics of portraiture. The first section features 11 oil portraits of male asylum seekers he lived alongside while working as live-in staff at the Hilltop Hotel in Carlisle. These works, painted in a traditional style, depict the men with care against ambiguous landscapes, deliberately restricting personal information to names and origins, highlighting their status within systems of power.
À La Défense, une plongée entre art et science d’un émerveillement abyssal
The exhibition "Sous l’horizon" (Under the Horizon) has opened in the Salle des colonnes, a massive underground space beneath the La Défense business district in Paris. Guided by a poetic narrative from writer Mariette Navarro and the voice of singer Emily Loizeau, visitors navigate a darkened 1,000-square-meter environment equipped with headlamps and audio headsets. The immersive journey features works by artists including Antoine Bertin, Ugo Schiavi, Jérémie Brugidou, and Shivay La Multiple, exploring the mysteries of the deep sea through bioluminescence, oceanic soundscapes, and futuristic sculptures.
The John S. and James L. Knight Foundation has announced the five recipients of its 2026 Arts + Tech Fellowships. Administered by United States Artists, the program awards $50,000 in unrestricted funds to artists LIZN’BOW, Miguel Novelo, Rhonda Holbertson, Taeyoon Choi, and Wesley Taylor. These creators, based in California, Detroit, and Miami, utilize diverse technologies including computer vision, game engines, and custom code to explore the intersection of digital systems and human experience.
Tony Chrenka's studio in the Gowanus neighborhood of New York City is the subject of this article, which explores his artistic practice centered on salvaged materials and industrial processes. Chrenka works with PET plastic (Mylar) and polyester fabrics, creating collages and sculptures that investigate the gap between use-value and exchange-value. His upcoming exhibition at Toby78 in Brooklyn will feature new works made from pleated polyester textiles, inspired by Issey Miyake's Pleats Please clothing line.
Paul Nicklen, a renowned wildlife photographer and co-founder of the conservation organization SeaLegacy, is releasing a comprehensive book titled *Reverence* through publisher Hemeria. The volume collects 160 photographs spanning his three-decade career, including iconic images and previously unpublished works that capture the beauty and fragility of ecosystems from the Colorado River delta to the Arctic Bay.
Photographer Joseph Ford collaborates with street artists like Antonyo Marest, Alex Senna, and MadC on his 'Impossible Street Art' series. The artists create trompe-l'œil interventions on Ford's photographs of massive infrastructure sites, which he then documents on an easel placed in front of the actual location, creating the illusion of monumental, site-specific street art.
Jenna Sutela's exhibition "With each cycle" at the Nicoletta Fiorucci Foundation in London features a site-specific iteration of her sculptural sound installation *Pond Brain*. The work, a water-filled bronze piece forged as the artist's neuroplastic portrait, functions as both instrument and fountain, creating feedback loops of sonic vibrations and dancing droplets inspired by cybernetic ideas of ponds as self-regulating living systems.
Marko Tadić presents his solo exhibition "Funga Robo" at Trotoar in Zagreb, showcasing recent works that explore speculative futures of cities through the lens of artistic ecologies. The exhibition title merges references to fungal mycelia and robotics, establishing a dialogue between biological systems and technological development.
Chandler Jones founded Room 412, a small, appointment-only gallery in a Birmingham, Alabama loft, in March 2022. The space functions as an intimate, immersive exhibition environment, described as a cross between a gallery and a mystical hotel room, designed to showcase Alabama artists and foster community connection. Jones, a musician, was motivated by a desire to create a visually and energetically compelling gathering place after being inspired by the historic Chelsea Hotel in New York.
Guest curator Greg de Cuir Jr. interviews five prominent artist duos—including Joana Hadjithomas and Khalil Joreige, and OJOBOCA—to explore the mechanics of collaborative practice and shared life. The participants discuss the origins of their partnerships, ranging from the necessity of navigating new environments like Berlin’s analog film scene to the shared political and aesthetic urgency following the Lebanese Civil Wars.