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New art fair Arrival brings collectors to the bucolic Berkshires

Arrival, a new art fair, launched its inaugural edition on June 12 at the Tourists hotel in North Adams, Massachusetts, featuring 36 exhibitors from across the US. The biennial fair, running through June 15, includes panels, talks, and off-site programming at nearby museums. Galleries set up in hotel rooms, creating an intimate, domestic atmosphere. Founders Yng-Ru Chen, Sarah Galender Meyer, and Crystalle Lacouture—who together bring 60 years of art-world experience—aim to offer a respite from conventional convention-center fairs. Early sales included works by Hayal Pozanti, Chelsea Ryoko Wong, and Pae White, and the Williams College Museum of Art acquired three works from the fair.

Introducing CULTURED’s Inaugural Young Dealers List

CULTURED magazine has launched its inaugural Young Dealers List, highlighting 23 galleries under five years old that are reshaping the art world. Selected from over 100 recommendations gathered from more than 40 collectors, advisors, and curators, the list features ambitious new spaces in cities from Accra to Berlin. One featured gallerist, Adora Mba of ADA \ Contemporary Art Gallery in Accra, comes from a family of collectors and opened her gallery after working as a cultural news producer; she has dedicated her 2025 program to women artists and curators.

The Broad invites art lovers to Jeffrey Gibson exhibition

The Broad museum in Los Angeles has announced free Thursday evening tickets for "Jeffrey Gibson: the space in which to place me," an exhibition on view through September 28. The show features over 30 works including paintings, sculptures, flags, murals, and a video installation, adapted from Gibson's 2024 U.S. Pavilion presentation at the 60th Venice Biennale, where he became the first Indigenous artist to represent the United States with a solo exhibition. This is Gibson's first single-artist museum exhibition in Southern California.

Frieze New York Diary: sparring artists are boxing clever, Whitney gets set for almighty dick pic, and Bates mansion is reincarnated

The article covers several art-world events during Frieze New York week. Highlights include a boxing match at the Prince George Ballroom for the Cultivist's tenth anniversary, featuring artists like Shaun Leonardo, Cheryl Pope, and Jesus Benavente. At the Whitney Museum, the upcoming exhibition 'Sixties Surreal' will showcase Harold Stevenson's monumental male nude 'The New Adam' (1962), owned by the Guggenheim. Other notable items include Felix Beaudry's textile piece 'Put' (2024) at the Golden Thread 2 pop-up, Cornelia Parker's 'PsychoBarn (Flotsam)' (2024) at Frith Street Gallery, and Chantal Joffe's portrait of critic Hettie Judah at Victoria Miro.

The Art Market Defies Doom and Gloom With Independent, Esther and Future Fair in Full Swing

New York City is hosting an unprecedented concentration of art fairs this week, with over nine fairs running simultaneously, including Independent, Esther, and Future Fair. Independent, held at Spring Place in Tribeca, opened on May 8 and is positioning itself as a boutique, hyper-curated alternative to mega-fairs like Frieze, featuring mostly solo presentations. Early sales were reported by several galleries: Europa sold works by Suyi Xu ($9,000–$20,000), Long Story Short sold six works by Keita Morimoto (up to $26,000), Charles Moffett nearly sold out his booth of Julia Jo ($10,000–$45,000), The Approach sold four works by John Maclean ($13,500 or less), and Copperfield presented works by Ada Patterson ($8,000–$23,000).

Bauhaus thread weaves through expansive textile show at MoMA

The traveling exhibition "Woven Histories: Textiles and Modern Abstraction" has made its final stop at the Museum of Modern Art (MoMA) in New York. Organized by Lynne Cooke, senior curator at the National Gallery of Art in Washington, DC, in collaboration with MoMA, the Los Angeles County Museum of Art, and the National Gallery of Canada, the show features around 150 works that explore weaving through the lens of abstraction. At MoMA, the exhibition responds to the museum's historical ties to the Bauhaus, including works by Anni Albers and Gunta Stölzl, and highlights lesser-known figures like Ed Rossbach. The show also includes contemporary artists such as Jeffrey Gibson, with several having concurrent solo exhibitions in New York.

New York’s Hotel Chelsea honors the late artist Teruko Yokoi with new restaurant

New York's Hotel Chelsea is opening a Japanese restaurant named Teruko, inspired by and honoring the late artist Teruko Yokoi, who lived at the hotel from 1958 to 1961 with her then-husband, artist Sam Francis. The restaurant, helmed by chef Tadashi Ono, will feature eight recently acquired works by Yokoi and is set to open in mid-May. Coinciding with the restaurant's opening, a solo exhibition of Yokoi's work, titled "Noh Theater," is on view at Hollis Taggart gallery through June 14, showcasing over 20 works from the late 1950s to early 2000s that draw on Noh theatre traditions.

Two legacy galleries open in a Berlin gas station

International gallery Pace has partnered with Galerie Judin to open a new arts hub in a converted 1950s gas station in Berlin's Schöneberg neighborhood. The venue, called Die Tankstelle, features exhibition spaces for both galleries, a café, and a Die ZEIT-branded bookshop. The inaugural exhibition, 'Reverse Alchemy,' runs from May 2 to June 14, 2025, and brings together works on paper by Jean Dubuffet, Jean-Michel Basquiat, and Robert Nava. The gas station, originally built in 1954 and abandoned in 1986, was purchased by Juerg Judin in 2007 and renovated by Thomas Brakel and bfs design, with landscape architect Guido Hager adding a garden. It previously housed Das Kleine Grosz Museum from 2022 to 2024.

Female artists and new buyers breathe life into the art market

The global art market contracted by 12% in 2024, falling to an estimated $57.5 billion in sales from its 2022 peak, according to the Art Basel and UBS Art Market Report 2025 compiled by Dr. Clare McAndrew. Despite the overall decline, the number of transactions grew by 3%, driven by a broadening collector base and increased engagement with more affordable works. The report highlights a surge in interest in female artists, with galleries raising their representation to 41%, and notes that art fairs remain the most common entry point for new buyers. The Aotearoa Art Fair, opening May 1-4 at Auckland's Viaduct Events Centre, exemplifies these trends with strong Indigenous and Pacific representation, emerging artist platforms like Horizons 2025, and affordable works under $5,000 from established galleries such as Gow Langsford Gallery.

Trevor Paglen’s New Book Says AI Is Rewriting What Images Do

Artist Trevor Paglen has published a new book, *How to See Like a Machine: Images After AI*, which argues that generative AI and computer vision are fundamentally changing how images function in culture. Drawing on his decade-long practice, Paglen contends that images are no longer merely representations for human interpretation but have become operational tools—'activations' that trigger automated responses and shape reality. He cites examples such as surveillance cameras at grocery stores, the Samsara navigation system in trucks, and the ImageNet database to illustrate how machine vision systems normalize surveillance in service of capital, a phenomenon he terms 'machine realism.'

An Inside Look at Realizing Koyo Kouoh’s Venice Biennale Exhibition and More: Morning Links for April 29, 2026

The article reports on the 2026 Venice Biennale proceeding without its curator Koyo Kouoh, who died last May from liver cancer. Her husband Philippe Mall and son Djibril Schmed agreed with Biennale president Pietrangelo Buttafuoco to continue the exhibition, which opens to the public on May 9. Elsewhere, a Chicago judge sentenced Robert Dunlap to 23 years for a cryptocurrency scam claiming to be backed by artworks by Picasso, Dalí, and van Gogh. A Renoir painting once owned by the Duchess of Alba is returning to Spain, and a robot docent named R1 debuted at Palazzo Madama in Turin.

Is A Random Unknown Artist More Valuable Than Picasso? AI Thinks So.

An experiment using a custom AI model to evaluate artistic value independent of market context found that the model assigned a seven-figure price to an unknown street artist's work while valuing a Picasso at under $1,000. The project, run by an art journalist with a data scientist and an AI expert, trained a Fine Art Large Vision Model on millions of images and price data. Without metadata like artist name or gallery affiliation, the model's predictions were technically interesting but commercially useless; only when those market signals were added did predictions align with real auction outcomes.

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Egidio Marzona, the influential German-Italian collector, publisher, and patron, has died at the age of 81 in Berlin. Renowned for his intellectual approach to collecting, Marzona focused on the 20th-century avant-garde, including movements such as Bauhaus, Dada, Fluxus, and Arte Povera. Unlike traditional collectors, he prioritized the preservation of archives, letters, and ephemera alongside physical artworks, viewing the "paper trail of ideas" as essential to understanding artistic history.

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The Reefline, a non-profit eco-art initiative, has launched its first phase of a seven-mile underwater sculpture park and artificial reef along Miami Beach. The project debuted with 'Concrete Coral' by Argentinian artist Leandro Erlich, a submerged sculpture depicting a traffic jam designed to provide a habitat for marine life. Future phases include works by Carlos Betancourt, Alberto Latorre, and Petroc Sesti, all overseen by the architecture firm OMA and founder Ximena Caminos.

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Sotheby's Hong Kong achieved a white-glove sale of 125 works from Japan's Okada Museum of Art, totaling $88 million and setting auction records for Japanese artists Kitagawa Utamaro and Hokusai. The sale was driven by museum founder Kazuo Okada's need to settle a $50 million legal dispute with casino magnate Steve Wynn. Meanwhile, Canada's minority Liberal government passed a budget that includes a commitment to introduce artist resale rights, granting artists royalties when their work is resold through auction houses or galleries, a policy long advocated by arts nonprofits and cultural leaders.

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A painting long attributed to Moïse Kisling, titled *Kiki de Montparnasse* and held by Japan's Yamada Bee Company Group, has been identified as a forgery by notorious art forger Wolfgang Beltracchi. The discovery, reported by NHK, follows a wave of Beltracchi-linked fakes uncovered in Japanese museums and collections, including a purported Marie Laurencin portrait in Tokyo and a forgery of Heinrich Campendonk's *Girl with Swan* at the Museum of Art, Kochi. Beltracchi admitted to forging the Kisling around 1990, claiming he studied the artist deeply.

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Kiran Nadar, a prominent Indian collector, revealed she purchased M.F. Husain's 1954 painting *Untitled (Gram Yatra)* for $13.8 million at Christie's New York, making it the most expensive work of Indian modern art ever sold at auction. The painting, estimated at $2.5–3.5 million, was originally owned by Norwegian surgeon Leon Elias Volodarsky and later donated to Oslo University Hospital, which consigned it after a 13-year deaccessioning process.

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The Trump administration has escalated its attacks on billionaire philanthropist George Soros, with the Justice Department calling for an investigation into his Open Society Foundations. The foundations, which provide substantial grants to artists and human rights organizations globally, are accused of potential racketeering, wire fraud, and material support for terrorism, based on allegations from the conservative Capital Research Center. Soros, a major Democratic donor, has previously been targeted by Trump and Vice President JD Vance, who claim the foundations fund leftist protests. The Open Society Foundations have awarded $100,000 fellowships to numerous prominent artists, including Firelei Báez, Yto Barrada, and Nicholas Galanin, and provided $1.2 billion in funding in 2024 alone.

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A new retrospective at Kunsthaus Zurich, soon traveling to Schirn Kunsthalle in Frankfurt, spotlights Suzanne Duchamp (1889–1963), a French artist often overshadowed by her brothers Marcel Duchamp, Raymond Duchamp-Villon, and Jacques Villon. The exhibition, titled “Suzanne Duchamp: Retrospective,” showcases her highly individual painterly practice rooted in Cubism and Dada, featuring works like *Radiation of Two Solitary Separates Apart* (1916–20) and *Marcel’s Unhappy Readymade* (1920), which reappropriates her brother’s readymade concept. The show includes a new catalog commission by painter Amy Sillman, who created digital drawings inspired by Duchamp’s formal dynamics.

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The New Yorker has commissioned six contemporary photographers—Marilyn Minter, Awol Erizku, Ryan McGinley, Collier Schorr, Camila Falquez, and Alex Prager—to reimagine historical illustrated covers for the magazine’s centennial. Each photographer created a celebrity portrait inspired by a past cover, such as Erizku’s photo of Spike Lee as Eustace Tilley and Minter’s recreation of a 1925 cover featuring actress Sadie Sink. The project marks only the third time in the magazine’s history that photography has been used for its cover.

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Jeff Poe, co-founder of the now-closed Blum & Poe gallery, gave an interview to Artnet News reflecting on his departure from the gallery in 2023 and the challenges of running a gallery. He spoke about the financial risks, travel, and exposure that led him to seek a simpler path, without mentioning his former partner Tim Blum. Separately, Hypebeast published a story titled 'The Slow Death of the Contemporary Art Gallery,' arguing that rising rents and changing expectations are forcing galleries to adapt, with collectors increasingly focusing on 'red-chip' artists driven by viral buzz rather than institutional backing.

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Billionaire collector Ronald Perelman's $410 million insurance trial has finally begun after seven years of litigation, over 1,500 court filings, and a 2018 fire at his East Hampton estate. The dispute centers on five paintings by Cy Twombly, Ed Ruscha, and Andy Warhol that survived the fire but were exposed to smoke and sprinklers. Perelman claims the works lost their market appeal—their "oomph"—while insurers at Lloyd's of London dispute any detectable damage and allege Perelman quietly tried to sell some of the pieces. The trial has also revealed that Perelman sold over 70 works from his collection after a margin call from Deutsche Bank, with some contested paintings used as collateral.

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Racquel Chevremont, a curator and collector who recently appeared on the Real Housewives of New York, was brought in by the producers of the Sex and the City reboot And Just Like That… to build the art collection for the character Lisa Todd Wexley. Chevremont selected works by Black artists including Carrie Mae Weems, Deborah Roberts, Barkley Hendricks, Gordon Parks, Mickalene Thomas, Derrick Adams, and Alma Thomas to adorn the Wexley family home, carefully choosing each piece to reflect the character's identity as a successful Black documentarian and mother. In an interview with ARTnews, Chevremont explains how she researched the character's background to curate a collection that feels authentic, and describes the process of licensing images for reproduction on set rather than borrowing original works.

Dealer Scott Nichols on His Lasting Love for Iconic California Photographers

Veteran art dealer Scott Nichols reflects on his long-standing career and the evolution of his eponymous gallery, which specialized in 20th-century California photography for nearly three decades in San Francisco before relocating to Sonoma in 2019. The gallery is renowned for its deep expertise in Group f.64, maintaining one of the largest private collections of Brett Weston’s work alongside masterpieces by Ansel Adams, Dorothea Lange, and Imogen Cunningham.

Why the Photo Market Is Moving Closer to Painting, With Unique Works Leading the Way

Artnet Auctions has launched its Spring Photographs sale, running through April 16, 2026, featuring works by blue-chip artists such as Peter Beard, Adam Fuss, and Diane Arbus. The auction highlights a significant shift in the photography market toward unique, one-of-a-kind works—including photograms, hand-painted images, and collages—that blur the lines between photography and painting. This trend is evidenced by increasing auction prices, with several works recently crossing the $1 million and $2 million thresholds.

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Galerie de l'Institut, a family-run Parisian gallery specializing in prints since 1954, is currently staging "Picasso. Dessin. 1903–1972," a major exhibition showcasing Pablo Picasso's prints and works on paper spanning nearly seven decades. The gallery, led by siblings Marc Lebouc and Anne-Gaëlle Lebouc (the second generation), with the third generation (Louis Lebouc) now involved, has expanded its focus from prints to include unique works and strengthened its online presence through platforms like Artnet. The exhibition marks both Picasso's 144th anniversary and the opening of the gallery's third space.

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Cowley Abbott’s Fall Live Auction of Important Canadian Art will take place on November 26 at Toronto’s Globe and Mail Centre, featuring a curated selection of historical and contemporary Canadian works. Highlights include Jean Paul Riopelle’s *Sans titre* (1950, est. CA$1.2–1.5M), Emily Carr’s *Pole of Harhu* (1912, est. CA$800,000–$1.2M), Lawren Harris’s *Rocky Mountains; Abstract Composition* (est. CA$400,000–$600,000), Jack Bush’s *Awning* (1974, est. $200,000–$300,000), and Jean Paul Lemieux’s *Jeune fille en jaune* (1964). Founded in 2013 as Canada’s first online art auction house, Cowley Abbott has evolved into a hybrid gallery and digital marketplace, with onsite viewing at its Dundas Street West gallery through the auction date.

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The Hudson's Bay Company, a historic Canadian department store chain that declared bankruptcy in March, began selling off its art collection. On November 19, 27 paintings from the retailer's trove were auctioned by Canadian auction house Heffel, all selling well above estimate. The top lot was an impressionistic painting of a Marrakech street by Winston Churchill, which sold for $1.5 million, more than tripling its low estimate. Other notable sales included Frederic Marlett Bell-Smith's 'Lights of a City Street' at $691,250 and works by William von Moll Berczy and Charles Pachter.

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A painting by Édouard Vuillard, *Madame Vuillard à Table* (1896–1897), sold for $2.7 million at Ford Art Auction in 2025, a dramatic increase from its $254,000 sale at Sotheby’s just 18 months earlier. The work, depicting the artist’s mother, was estimated at $350,000–$550,000 and attracted 21 bidders. Ford’s sales director Elizabeth Katz attributed the strong result to the subject’s desirability and the painting’s origin in Vuillard’s Nabis period. The previous Sotheby’s sale was from the estate of William J. Levy, benefiting a University of Pennsylvania scholarship.

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An augmented reality (AR) experience is reviving Christo and Jeanne-Claude’s iconic 2005 installation *The Gates* in New York’s Central Park. Starting in February 2025, visitors can use the Bloomberg Connects app to view virtual saffron-colored fabric panels suspended over 23 miles of park pathways, recreating the original work that featured 7,503 panels on metal arches. The project is a collaboration between the Christo and Jeanne-Claude Foundation, the New York City Parks Department, the Central Park Conservancy, and Bloomberg Philanthropies, with support from former Mayor Michael Bloomberg. The Shed is concurrently hosting an exhibition documenting the project’s history, including original arches and a scale-model diorama.