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Fancy a date at the Tate? London galleries are staying open later to fuel surging Gen Z interest

Tate Modern will resume regular late-night openings until 9pm every Friday and Saturday starting September 26, responding to a surge in younger visitors. The decision follows a record-breaking 25th birthday weekend in May, where 70% of the 76,000 attendees were under 35. The gallery has also run monthly Tate Late events since 2016, and the new extended hours aim to make the museum more accessible for working people and cash-strapped Gen Zers, offering free cultural date nights. Other London institutions like the National Gallery, V&A, and British Museum have similarly reinstated late hours post-pandemic.

London’s Tate Modern will stay open later on Fridays and Saturdays

Tate Modern in London will extend its opening hours on Fridays and Saturdays to 9pm starting September 26, following record attendance by young visitors at its Tate Lates events in 2025. The museum reported that 76,000 people visited over its 25th birthday weekend in May, with 70 percent under 35, prompting the decision to offer later access to free collections and paid exhibitions.

How AI Will Change Art, According to Arthur Jafa, Marilyn Minter, and Other Artists

Emily McDermott's article, published July 15, 2025, gathers perspectives from artists including Refik Anadol, Arthur Jafa, Marilyn Minter, and others on how AI will change art. It references the controversial Christie's 'Augmented Intelligence' auction in February-March 2025, which generated nearly $730,000 despite an open letter signed by nearly 4,000 individuals urging cancellation over claims that AI models exploit copyrighted material. The artists quoted offer varied views, from Anadol seeing AI as a collaborator that augments creativity to Jafa dismissing most AI-generated work as generic.

Frida Kahlo’s Month in Paris: A Friendship with Mary Reynolds

The Art Institute of Chicago is presenting "Frida Kahlo’s Month in Paris: A Friendship with Mary Reynolds," an exhibition running from March 29 to July 13, 2025. It focuses on Kahlo's first and only trip to Europe in 1939, where she fell ill and convalesced at the home of American avant-garde bookbinder Mary Reynolds. The show features approximately 100 objects, including paintings, book bindings, and letters, drawn from the Art Institute's Mary Reynolds Collection and loans from the US, Mexico, and Europe.

On View: 'Paris Noir' Exhibition at Centre Pompidou 'Retraces the Presence and Influence of Black Artists in France from 1950s to 2000'

The Centre Pompidou in Paris presents "Paris Noir: Artistic circulations and anti-colonial resistance, 1950-2000," an exhibition running from March 13 to June 30, 2025. Curated by Alicia Knock, the show features over 350 works by 150 Black artists from Africa, the Americas, and the Caribbean, tracing their presence and influence in France from the post-war era through the 1990s. The exhibition is organized into 15 thematic chapters, including Pan African Paris, Afro Atlantic Surrealism, and Paris Dakar Lagos, and includes public programming such as talks, film screenings, and performances.

Albuquerque Museum Presents German Modernism Amid Empire, Democracy, and Dictatorship

The Albuquerque Museum will present "Modern Art and Politics in Germany 1910-1945: Masterworks from the Neue Nationalgalerie, Berlin" from August 23, 2025, to January 4, 2026. The exhibition features over 70 paintings and sculptures tracing German modern art from the early 20th-century avant-garde through the Weimar Republic to the Nazi dictatorship, including works by Max Beckmann, Otto Dix, George Grosz, Hannah Höch, Wassily Kandinsky, Paul Klee, and Salvador Dalí, many rarely shown in the U.S.

Art Gallery of Ontario acquires more than 200 Peter Hujar photographs

The Art Gallery of Ontario (AGO) has acquired 210 photographs by Ukrainian American photographer Peter Hujar (1934-87) from the Hujar Archive. The acquisition coincides with the gallery’s photography department preparing for its 25th anniversary exhibition, Collective Visions: Celebrating 25 Years of Photography, opening November 7, which will feature around 80 works chosen by the local community. The exhibition uses a unique chain-selection process where local artists, collectors, donors, community leaders, and scholars pick works in sequence, each inspired by the previous choice.

In Basel, alternative art fairs spring up in new places

In Basel, alternative art fairs are proliferating as dealers seek new ways to engage collectors outside the main Art Basel fair. Maison Clearing, a pop-up group exhibition by the New York and Los Angeles-based Clearing gallery, occupies a four-story villa in central Basel, featuring works by 46 artists including Kayode Ojo, Jasmine Gregory, and Jean-Marie Appriou. The rental cost of $2,000 per day is roughly one-third the price of a medium-sized stand at Art Basel. Meanwhile, the Basel Social Club (BSC) returns for its fourth edition in a former bank building near the Kunstmuseum, hosting over 100 spaces filled with art, performances, and hospitality offerings, including artist-led services like a hairdresser and a blood bank.

11 Must-See Museum Exhibitions This Summer

This article highlights 11 must-see museum exhibitions for summer 2025, curated by Monica Jae Yeon Moon. Key shows include Melissa Joseph's site-specific installation 'Tender' at the Brooklyn Museum, a comprehensive solo exhibition of 18th-century Dutch still life painter Rachel Ruysch at the Toledo Museum of Art and Museum of Fine Arts Boston, and a queer photography exhibition at the Getty Center. Other notable events include the Venice Architecture Biennale, Berlin Biennale, and Ljubljana Biennial, with a focus on women artists like Emily Kam Kngwarray and Takako Yamaguchi receiving overdue recognition.

The Broad invites art lovers to Jeffrey Gibson exhibition

The Broad museum in Los Angeles has announced free Thursday evening tickets for "Jeffrey Gibson: the space in which to place me," an exhibition on view through September 28. The show features over 30 works including paintings, sculptures, flags, murals, and a video installation, adapted from Gibson's 2024 U.S. Pavilion presentation at the 60th Venice Biennale, where he became the first Indigenous artist to represent the United States with a solo exhibition. This is Gibson's first single-artist museum exhibition in Southern California.

Frieze New York Diary: sparring artists are boxing clever, Whitney gets set for almighty dick pic, and Bates mansion is reincarnated

The article covers several art-world events during Frieze New York week. Highlights include a boxing match at the Prince George Ballroom for the Cultivist's tenth anniversary, featuring artists like Shaun Leonardo, Cheryl Pope, and Jesus Benavente. At the Whitney Museum, the upcoming exhibition 'Sixties Surreal' will showcase Harold Stevenson's monumental male nude 'The New Adam' (1962), owned by the Guggenheim. Other notable items include Felix Beaudry's textile piece 'Put' (2024) at the Golden Thread 2 pop-up, Cornelia Parker's 'PsychoBarn (Flotsam)' (2024) at Frith Street Gallery, and Chantal Joffe's portrait of critic Hettie Judah at Victoria Miro.

7 Artists Who Capture the Essence of Black Dandyism

The article highlights seven contemporary artists whose work embodies Black dandyism, timed to the 2025 Met Gala theme 'Superfine: Tailoring Black Style' and the corresponding exhibition at the Metropolitan Museum of Art's Costume Institute. It traces the history of Black dandyism from its 18th-century European roots through its evolution during slavery and the 20th century, emphasizing its role as a defiant, empowering form of self-expression that challenges gender norms and racial stereotypes. Featured artists include Barkley L. Hendricks, Derek Fordjour, and Tyler Mitchell, among others.

The 10 Exhibitions to See in May 2025

The article highlights ten exhibitions to see in May 2025, including the Venice Architecture Biennale curated by Carlo Ratti, which explores intelligence in natural, artificial, and collective forms, alongside a parallel show by AMO/OMA at Fondazione Prada. It also covers Gallery Weekend Berlin, featuring Sky Hopinka's new film and photographs at Tanya Leighton, an exhibition by exiled Russian journalists Meduza at Kunstraum Kreuzberg, and a study group on Palestinian agrarian initiatives at Spore Initiative.

Poly Auction Hong Kong Spring Auctions 2026: High Jewels and Watches, Modern and Contemporary Art Auctions to Be Held on 6 April

Poly Auction Hong Kong has announced its Spring 2026 auction series, scheduled to take place from April 6 to April 8 at the Shun Tak Centre. The sales feature a diverse array of categories including Modern and Contemporary Art, Chinese Ceramics, Chinese Paintings, and High Jewelry and Watches. Highlighting the contemporary selection is Liu Wei’s 1995 masterpiece "You Like Pork?", a rare work previously exhibited at the Venice Biennale, alongside a significant 1960s "White period" abstract canvas by Zao Wou-Ki.

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The Indianapolis Museum of Art at Newfields has officially closed The Lume, its controversial immersive digital art gallery, following the conclusion of its final exhibition on Indigenous Australian art. Since its 2021 launch, the high-tech space hosted popular digital spectacles featuring the works of Van Gogh, Monet, and Dalí, but it will now be repurposed for a new contemporary art initiative that the museum claims will expand how audiences experience art.

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French figurative painter Claire Tabouret has been awarded the commission to create new stained glass windows for Notre-Dame Cathedral, replacing 19th-century works by Eugène Viollet-le-Duc and Jean-Baptiste Lassus that survived the 2019 fire. Her designs, featuring multiethnic, multigenerational worshipers during Pentecost, were unveiled in the exhibition "Claire Tabouret: In a Single Breath" at the Grand Palais. The project, chosen by President Emmanuel Macron and Archbishop Laurent Ulrich from 110 candidates, has drawn criticism as an act of vanity and a possible violation of heritage guidelines, though Tabouret and Macron remain undeterred.

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Chung Sang-hwa, a leading figure of the Korean Dansaekhwa (monochrome painting) movement, died on January 28 at the age of 93. His death was reported by the Korea Times following a prolonged illness.

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A jury trial is underway in Kingston, New York, to determine who will control the estate of Billy Name, the artist and photographer who lived with Andy Warhol in the 1960s and documented the Factory scene. Name died in 2016, and two competing wills have emerged: one from 2011 naming his niece Suzette Linich as executor, and another from 2015 naming his agent Dagon James. Linich argues Name lacked mental capacity when signing the later will, while James insists Name was lucid and fit.

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The New Yorker has commissioned six contemporary photographers—Marilyn Minter, Awol Erizku, Ryan McGinley, Collier Schorr, Camila Falquez, and Alex Prager—to reimagine historical illustrated covers for the magazine’s centennial. Each photographer created a celebrity portrait inspired by a past cover, such as Erizku’s photo of Spike Lee as Eustace Tilley and Minter’s recreation of a 1925 cover featuring actress Sadie Sink. The project marks only the third time in the magazine’s history that photography has been used for its cover.

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The 36th São Paulo Bienal, curated by Bonaventure Soh Bejeng Ndikung and his team, explores the theme of humanity through six chapters, from the primordial to the transcendent. The exhibition features works by artists such as Precious Okoyomon, Frank Bowling, Aline Baiana, Gervane de Paula, Frankétienne, and Sharon Hayes, with a focus on textiles, sound, and jewel-toned aesthetics. The curators draw inspiration from avian migration and estuaries, structuring the show like tributaries connecting "the river to the sea," a phrase echoing Palestinian sovereignty without explicit mention. Highlights include Okoyomon's installation of dirt and plants, a career-spanning Frank Bowling survey, and Gervane de Paula's playful wood carvings that reveal subtle, provocative details upon close inspection.

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Jeff Poe, co-founder of the now-closed Blum & Poe gallery, gave an interview to Artnet News reflecting on his departure from the gallery in 2023 and the challenges of running a gallery. He spoke about the financial risks, travel, and exposure that led him to seek a simpler path, without mentioning his former partner Tim Blum. Separately, Hypebeast published a story titled 'The Slow Death of the Contemporary Art Gallery,' arguing that rising rents and changing expectations are forcing galleries to adapt, with collectors increasingly focusing on 'red-chip' artists driven by viral buzz rather than institutional backing.

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A visitor at the Palazzo Maffei museum in Verona, Italy, was captured on CCTV breaking a crystal-encrusted chair artwork by Italian artist Nicola Bolla. The man sat on the piece, titled the "Van Gogh" chair, causing it to collapse under his weight. The couple fled before staff realized the damage. Police have been notified but the suspects remain unidentified. The artwork has since been restored and is back on display.

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Barbara Kruger's monumental text-based mural "Untitled (Questions)" (1990/2018) at the Geffen Contemporary in Los Angeles has become a backdrop for National Guard deployments during protests against ICE raids. Originally commissioned by MOCA in 1989, the 191-foot-long work asks "WHO IS BEYOND THE LAW?" and has been photographed twice with armed soldiers beneath it—first in 1992 during the Rodney King protests, and again this week as President Donald Trump deployed the National Guard to quell demonstrations against immigration enforcement. Photographer Jay L. Clendenin captured the latest image, showing a calm scene that belies nearby unrest.

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The inaugural edition of Art Basel Qatar concluded in Doha, marking a significant new chapter for the Gulf art market. The fair adopted a smaller, curated format and was notably overseen by Egyptian artist Wael Shawky, who served as its artistic director, bringing a curatorial perspective to the commercial event.

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A trio of Bob Ross paintings sold for over $1 million at Bonhams' “Americana” auction on January 27, 2026, with proceeds benefiting American Public Television (APT). The top lot, *Change of Seasons* (1990), fetched $787,900—more than 13 times its high estimate—followed by *Babbling Brook* (1993) at $279,900 and *Valley View* (1990) at $203,700. The sale follows APT's record-breaking November auction and is part of a series of 24 Ross paintings to be offered throughout the year.

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Christie’s has secured the estate of Belgian collectors Roger and Josette Vanthournout, with over 200 works to be sold in its March sales in London, including a René Magritte painting estimated at $4.7 million. Meanwhile, South Africa blames Qatar for the cancellation of its Venice Biennale pavilion featuring a work about Gaza violence by Gabrielle Goliath, claiming Qatar sought to use the pavilion for "proxy power." Art Cologne has announced 88 exhibitors for its revived Palma, Mallorca edition launching April 9.

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Galerie de l'Institut, a family-run Parisian gallery specializing in prints since 1954, is currently staging "Picasso. Dessin. 1903–1972," a major exhibition showcasing Pablo Picasso's prints and works on paper spanning nearly seven decades. The gallery, led by siblings Marc Lebouc and Anne-Gaëlle Lebouc (the second generation), with the third generation (Louis Lebouc) now involved, has expanded its focus from prints to include unique works and strengthened its online presence through platforms like Artnet. The exhibition marks both Picasso's 144th anniversary and the opening of the gallery's third space.

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Johnny Depp has directed a new film titled "Modigliani – Three Days on the Wing of Madness," based on a play by Dennis McIntyre, which dramatizes 72 hours in the life of Italian painter Amedeo Modigliani. The film stars Riccardo Scamarcio as Modigliani and follows the artist's struggles with relationships, money, police, and a meeting with a collector, set against his bohemian life in early 20th-century Paris. It marks Depp's first directorial effort since 1997's "The Brave."

no artists arent the winners of the new gilded age 19279

The article critiques the current art market frenzy in New York, where fairs and auctions dominate the scene, and argues that the relationship between art and money is being misrepresented in mainstream media. It cites recent op-eds by David Brooks, Tyler Cowen, and Matthew Yglesias, who suggest that wealth inequality benefits artists by boosting the financial returns of fine art. The author counters that these commentators conflate the art market with artists' livelihoods, ignoring the precarious reality most artists face.

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This article marks the 100th anniversary of the Leica I camera, first unveiled in 1925 after Oskar Barnack's proposal to create a lightweight, portable camera using 35mm cinema film. It highlights seven era-defining photographs made with Leica cameras, including Alfred Eisenstaedt's iconic V-J Day in Times Square (1945) and Ilse Bing's Self-Portrait in Mirrors (1931), and notes that Leica is staging exhibitions across its 29 galleries worldwide to celebrate the centenary.