Yalda Afsah presents her first exhibition in Denmark, titled "Surge," at Kunsthal Thy. The show features two video works: "Curro" (2023), which explores human relationships with animals, and "Jarramplas" (2025), which initiates a new series centered on rituals and communal social dynamics.
Dyani White Hawk's eight-channel video installation "LISTEN" (2020–ongoing) is on view at the Nasher Museum of Art at Duke University. The work features Indigenous women speaking in their native languages on their tribal homelands, with no subtitles or explanatory text, encouraging viewers to physically move closer to each screen to hear and engage with the speakers' voices and surrounding environments.
The Metropolitan Museum of Art's Costume Institute has opened a new exhibition titled "Costume Art," featuring a design by Robert Wun displayed in the "Vital Body" section. The show opened on Saturday, May 2, 2026, in New York, as captured in a photograph by Charles Sykes for Invision.
Lucio Santiago's bronze sculpture "LA ESPERA" (2015) is listed for sale at US$3,400 through Bernardini Art Gallery & Auction House. The work measures 23 × 19 × 19 cm, is unique, and signed. Lucio Santiago, born in 1987 in Oaxaca de Juárez, is the son of artist Alejandro Santiago. His artistic training includes workshops in photography at the Manuel Álvarez Bravo center and with Katy McFadden, as well as graphic art at Gráfica Bambú and a three-year residency at La Ceiba in Xalapa. His first solo exhibition was in 2007, and he has since shown in Europe and the US. His work explores themes of life and death, incorporating wings, skeletons, mutilated bodies, and animals like eagles, fish, and coyotes.
The Asian Art Museum in San Francisco has opened "Chiharu Shiota: Two Home Countries," the first solo museum exhibition in the Bay Area for the Berlin-based Japanese artist. The centerpiece is "Diary," an 88-foot-long network of blood-red yarn that incorporates pages from diaries of Japanese soldiers and German citizens from World War II, creating an immersive web of memory. The exhibition also includes a crimson dress unraveling into cords, set designs for a theatrical psycho-drama, performance videos, and paper works reflecting on the artist's experience as a cancer survivor.
The Metropolitan Museum of Art has revealed photos from inside the Costume Institute's latest exhibition, 'Costume Art,' ahead of the 2026 Met Gala. Curated by Andrew Bolton, the show explores the relationship between clothing and the body, organized around thematic body types such as the Naked Body, Pregnant Body, and Aging Body. It features garments and artworks from The Met's collection, both historical and contemporary, and will be the first exhibition held in the new Condé M. Nast Galleries, a 12,000-square-foot space adjacent to the Great Hall. The exhibition opens to the public on May 10, 2026, and runs through January 10, 2027.
The 2026 Met Gala will take place on the first Monday in May at New York's Metropolitan Museum of Art, supporting the Costume Institute. The spring exhibition is titled "Costume Art" and will be the first to occupy the new Condé M. Nast Galleries. The dress code is "Fashion is Art," inviting guests to explore fashion as an embodied art form. Co-chairs include Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour, with Jeff Bezos and Lauren Sánchez Bezos as honorary chairs. The event will be livestreamed by Vogue, hosted by Ashley Graham, La La Anthony, Cara Delevingne, and Emma Chamberlain.
At the 60th Venice Biennale, the Sultanate of Oman presents "Zīnah (Adornment)," a pavilion conceived by artist and curator Haitham Al Busafi. The immersive installation, on view at the Arsenale Artiglierie from 9 May to 22 November 2026, draws on the Omani tradition of adorning horses with silver (al-zaanah) to explore themes of relation, movement, and shared presence. Visitors enter through darkness into a field of Omani sand, beneath a canopy of silver elements that respond to movement with sound. The work incorporates drawings by students and emerging artists from a workshop in Muscat, emphasizing collective authorship.
The Metropolitan Museum of Art's Costume Institute has announced its upcoming spring exhibition, titled '7 Body Types,' which will explore fashion through the lens of diverse physical forms. The show will feature garments designed for seven distinct body types, challenging traditional fashion norms and highlighting inclusivity in design. Curated by Andrew Bolton, the exhibition draws from the museum's extensive collection and includes works from contemporary designers.
Camille Guichard presents 'Corps littoral' (Coastal Bodies), her first solo exhibition in Paris, at the Rachel Hardouin Gallery from May 21 to June 21, 2026. The show blends contemporary photography, poetic texts, and the artist's own nude body against coastal landscapes, exploring themes of vulnerability, erosion, and the relationship between the body and the living world. Guichard, who also works as a filmmaker and writer, includes series such as 'Ces rivages perdus' documenting the Aquitaine coast and 'Pulsions, corps et figures' focusing on bodily fragments.
British-Iranian artist Aria Shahrokhshahi's long-term photographic project "Wet Ground" captures daily life in Ukraine during Russia's full-scale invasion, focusing on moments of youth, subculture, and fragile continuity rather than traditional war imagery. The series, developed through repeated stays and volunteering since 2019, includes scenes from teenage discos, hospital wards, a birth during a missile attack, and a first kiss near the frontline, all shot in stark black and white.
The article announces the exhibition 'Seeing, Again' at Tang Contemporary Art in Beijing, running from May 16 to June 27, 2026. The show features artists Melody Park, Goyoung, Vibeke Slyngstad, Ruo-Hsin Wu, Yasuhito Kawasaki, and Yoshikatsu Ikeuchi, whose works across painting and sculpture explore themes of perception, memory, and the recovery of Walter Benjamin's concept of 'aura' in an age of image saturation. The exhibition is structured as a continuous sensory reawakening, inviting viewers to slow down and engage with art beyond habitual consumption.
Artistree Gallery in South Pomfret, Vermont, is hosting "Unbound Vol. XIV," an annual exhibition of book art coinciding with the Bookstock literary festival. The show features works by artists including Andre Lee Bassuet, Carole McNamee, Larry Clifford, and Dorsey Hogg, who transform discarded books into sculptures, quilts, and wearable pieces. Notable works include Bassuet's "A Thin Veil," a shawl made from pages of Soviet writer Ilia Ehrenburg's collected works, and "Women in the Field," a cyanotype cloak honoring pioneering women naturalists.
Iris van Herpen's exhibition "Iris Van Herpen: Sculpting the Senses" opens at the Brooklyn Museum from May 16 to December 6, 2026, featuring over 140 haute couture creations alongside contemporary art, design objects, and natural history specimens. The show, previewed by designboom, is organized around natural themes from water to planetary scale, with the Dutch designer leading a walkthrough that emphasized her inspirations from micro and macro worlds and her process of turning material experiments into wearable sculptures.
Amanda Heng Liang Ngim's exhibition 'A Pause' has opened at the Singapore Pavilion of the 61st International Art Exhibition – La Biennale di Venezia. The installation transforms the historic Sale d’Armi into a contemplative space using larch wood platforms, photographs, and a dual-channel video that observes everyday gestures of rest and renewal in Venice and Singapore. The presentation also includes a reprint of her 1990 series 'Parts of My Body' and is accompanied by a comprehensive monograph, 'Amanda Heng: On and On'.
The Metropolitan Museum of Art's Costume Institute has made a historic shift toward disability and body inclusivity in its annual exhibition, titled "Costume Art." For the first time, the exhibit includes a section called "The Disabled Body," featuring mannequins modeled on disabled bodies, such as those of activist Aimee Mullins, model Aariana Rose Philip, and accessibility consultant Sinéad Burke. Burke and her team at Tilting the Lens consulted on the exhibit for 18 months, suggesting disabled designers like Sugandha Gupta and Helen Cookman, and donated pieces to the permanent collection. The Met Gala also became accessible for the first time since 1948, with wheelchair user Aariana Rose Philip attending as the first ever.
At the 2026 Met Gala, Puerto Rican superstar Bad Bunny arrived in a transformative look that made him nearly unrecognizable. He wore a black pussy-bow blouse, wrap blazer, and trousers, with prosthetics and makeup by Mike Marin turning him into an old man, accessorized with a cane. The gala's theme, inspired by the Metropolitan Museum of Art's 'Costume as Art' exhibition, had a dress code of 'Fashion is Art,' and Bad Bunny's choice specifically highlighted the aging body, aligning with the exhibition's focus on the body at all stages.
The Metropolitan Museum of Art's Costume Institute will open its spring 2026 exhibition, "Costume Art," on May 10, 2026, running through January 10, 2027. The show features nearly 400 objects from the Met's collection, pairing couture garments with paintings, sculptures, and decorative works across centuries. Organized by "body types" such as "Classical Body" and "Mortal Body," the exhibition will be housed in the new 12,000-square-foot Condé Nast Galleries. The Met Gala, co-chaired by Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour, will kick off the exhibition with a dress code of "Fashion is Art."
The 2026 Met Gala, held on May 4, 2026, is co-chaired by Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour, with honorary chairs Jeff Bezos and Lauren Sánchez. The theme, "Costume Art," celebrates fashion as an embodied art form, with guests interpreting the dress code "Fashion is Art" through sculptural, architectural silhouettes. The accompanying exhibition, also titled "Costume Art," opens at The Met Fifth Avenue on May 10, 2026, and runs through January 10, 2027, pairing garments with artworks from the museum's collection to highlight the connection between fashion and fine art.
On May 4, 2026, the Metropolitan Museum of Art previewed the Costume Institute's new permanent galleries and its inaugural exhibition, "Costume Art," ahead of the Met Gala. The exhibition features over 400 objects from the Met's collections, organized around themes of the body such as "The Classical Body" and "The Disabled Body," with mannequins featuring mirrored faces to reflect viewers. Speakers at the press event included Anna Wintour, Venus Williams, and Lauren Sánchez Bezos, with the Met Gala raising over $42 million for the museum.
The Metropolitan Museum of Art in New York has introduced nine new mannequin bodies for its costume displays, replacing older models to better showcase fashion exhibitions. The new mannequins feature more diverse and realistic body shapes, including different skin tones and poses, aiming to modernize the museum's presentation of historical and contemporary garments.
Art Formes presents a multi-disciplinary group exhibition curated by Jean Dreyer at The Old Biscuit Mill in Cape Town, running from 16 April to 11 June 2026. The show features 21 artists including Maja Marx, Katherine Glenday, Gerhard Marx, and others, with works that explore themes of soil, text, and interconnection through painting, ceramics, and sculpture. The exhibition emphasizes dialogue between works and the gallery's architecture, with a press release highlighting the gallery's focus on contemporary African sculpture.
The article reviews a major exhibition of 17th-century Spanish painter Francisco de Zurbarán, highlighting his dramatic religious works such as a stark crucifixion, a depiction of St. Peter crucified upside down, and a series of saintly princesses. It notes the exhibition's effective hanging, the artist's use of vivid color and theatrical lighting, and includes recently attributed works like a mysterious giant head. The review emphasizes the blend of high drama, emotion, and Catholic piety in Zurbarán's paintings, as well as his still lifes that rival those of Velázquez.
Japanese contemporary artist Mari Ito has opened her first solo exhibition in India, titled 'Origin of Desire,' at Bikaner House in New Delhi. The show features recent paintings and a large-scale installation created between 2024 and the present, exploring themes of identity, resistance, and the human body. Ito's practice is rooted in Nihonga, a classical Japanese painting technique using mineral pigments and sumi ink on washi paper or silk, which she blends with contemporary subject matter. A highlight is the installation 'Flowers Blooming in Defiance of the Bombs,' previously shown in Spain and reimagined for the Indian context. The exhibition is supported by Galerie Geek Art, which aims to connect Asian contemporary artists with Indian audiences.
Lynda Roscoe Hartigan, 75, will become the director of the Smithsonian American Art Museum (SAAM) in Washington, D.C., on September 8, ending a 17-month vacancy. Hartigan, currently the director of the Peabody Essex Museum in Salem, began her career at SAAM as chief curator, where she developed collections of modern, contemporary, African American, and self-taught art.
The article reviews Joan Semmel: In the Flesh, a retrospective exhibition at The Jewish Museum in New York (December 2025 – May 2026). The author describes an initial discomfort with Semmel's graphic nude paintings of aging female bodies, but after researching the artist's significance in feminist art, comes to appreciate her unapologetic honesty. The show is arranged chronologically, tracing Semmel's evolution from works like Erotic Yellow (1973) to later paintings that grow in confidence and freedom, all while maintaining a focus on female embodiment and pleasure from a female perspective.
Newfields has opened a new fashion exhibition titled "Body / Beyond: Fashion That Transforms," its first fashion-focused show in over three years. The exhibition features 25 pieces spanning from the 1950s to the 1990s, including designs by Christian Dior, Balmain, Thierry Mugler, Vivienne Westwood, Jean Paul Gaultier, Rei Kawakubo, and Martin Margiela. Highlights include a conical bra cup maxi dress worn by Madonna and three newly acquired works for the museum's collection.
Polish painter Zuzanna Szary discusses her artistic journey and the intersection of queer identity, domesticity, and painting in an interview with Wojciech Szymański. Szary recounts discovering her lesbian identity in junior high and turning to painting after a period of clinical depression, eventually studying at the Academy of Fine Arts in Krakow. Her work, which has evolved from portraits of partners to still lifes centered on food and home, explores themes of softness, sensuality, and the politics of the body, drawing inspiration from figures like Gertrude Stein and Alice B. Toklas.
Leeum Museum of Art in Seoul is presenting "Inside Other Spaces: Environments by Women Artists, 1956–1976," an exhibition that reconstructs immersive environmental artworks by 11 pioneering women artists. Originally curated in 2023 at Haus der Kunst Munich and later shown at MAXXI in Rome and M+ in Hong Kong, the show features restored pieces including Judy Chicago's "Feather Room" (filled with 136 kg of white goose feathers), Jung Kangja's "Muchejeon" (restored after 56 years), Lygia Clark's "House Is Body: Penetration, Ovulation, Germination, Expulsion," and Marian Zazila, La Monte Young, and Jung Hee Choi's "Dream House: Environment of Sound and Light" (shown in Asia for the first time).
The jury of the 61st Venice Biennale Art Exhibition has resigned en masse to protest the decision to allow Russian participation for the first time since the 2022 invasion of Ukraine. The jury stated it would refuse to consider artists from countries whose leaders face International Criminal Court warrants, specifically Israel and Russia, citing a commitment to human rights. The Biennale organizers defended the re-admission as consistent with openness and dialogue, while Ukrainian Foreign Minister Andriy Sybiha and EU foreign policy chief Kaja Kallas condemned the move, with the EU threatening to cut funding. The Italian government distanced itself, calling the Biennale autonomous.