Southern Guild Stakes Its Claim in Tribeca

Southern Guild, a South African gallery founded by Trevyn and Julian McGowan in 2008, has opened a new outpost in Tribeca, New York, after closing its Los Angeles location. The gallery, which began in Cape Town and expanded to a 32,000-square-foot campus, now occupies a 19th-century heritage building with 17-foot ceilings and cast-iron columns. Its inaugural exhibitions feature South African artists Usha Seejarim and Mmangaliso Nzuza, showcasing large-scale works that take advantage of the dramatic vertical space.

UK Museums Face Criticism For Collections Of Human Remains

A Guardian investigation revealed that 241 UK museums, universities, and councils collectively hold over 263,000 items of human remains, with at least 37,000 originating from overseas, including former British colonies. The Natural History Museum in London houses the largest collection of non-European remains, followed by the University of Cambridge and the British Museum. Records are often incomplete, with the origins of 16,000 items unconfirmed and many institutions unable to provide exact figures due to poor documentation.

art ivan argote paris studio pigeon

The article profiles Colombian-born, Paris-based artist Iván Argote, focusing on his monumental aluminum-cast pigeon sculpture *Dinosaur* (2024), currently installed on the High Line Plinth in New York. It discusses his broader practice, which includes performance, video, and installation, often addressing themes of power, resistance, and public space. Argote is preparing for his second exhibition at Albarrán Bourdais in Madrid, centered on a civic performance where he fills sidewalk cracks with colored concrete. The piece also includes a studio visit during Paris Art Week, revealing his creative process, team, and personal touches like a stocked champagne fridge.

In Piedmont, Langhe, Roero and Monferrato increasingly focus on contemporary art and cultural tourism

In Piemonte le Langhe, il Roero e il Monferrato puntano sempre di più sull’arte contemporanea e il turismo culturale

The Langhe, Roero, and Monferrato regions of Piedmont, Italy, have consolidated their cultural alliance under the name Orma, a unified system launched in 2025 that brings together four existing festivals—Creativamente Roero, Resté, Germinale Monferrato Art Fest, and La collina sale sempre—to offer a widespread contemporary art program across the UNESCO World Heritage territory. In 2026, Orma expands its activities from May to November, involving over 60 municipalities, with new entries like Canelli hosting a site-specific work by Brazilian artist Maria Theresa Alves in partnership with Castello di Rivoli, and projects such as Prospettive / Perspectives with Fondazione Sandretto Re Rebaudengo and Villa Arson. The program includes artist residencies, permanent interventions, and exhibitions, with Resté already underway in the Langhe towns of Diano d'Alba, Montelupo Albese, Rodello, and Cerretto Langhe.

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Norwich Castle in Norfolk, England, has reopened after a five-year, $37 million restoration led by architectural firm Feilden + Mawson. For the first time, visitors can explore all five floors of the 900-year-old fortress, including reconstructed Medieval chambers and over 900 artifacts. The restoration reestablished the original Medieval layout with era-appropriate furnishings in the kitchen, chapel, king's chamber, and Great Hall. A new exhibition, "Gallery of Medieval Life," co-organized with the British Museum, features objects from daily life and nobility spanning the Norman Conquest through the reign of Henry VIII. The project was funded by a £13 million grant from the National Lottery Players and £12 million from Norfolk County Council.

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YouTube megastar MrBeast (James Donaldson) released a video titled "I Survived 100 Hours in an Ancient Temple" on May 10, amassing over 55 million views in four days. Mexico's National Institute of Anthropology and History (INAH) confirmed that the production had full permission from federal and state authorities to film at Mayan archaeological sites including Chichén Itzá, Calakmul, and Balamcanché, and that all shoots occurred in public areas without disrupting other visitors. However, INAH also pointed out several inaccuracies in the final cut: no drones were flown inside El Castillo, no helicopter descents occurred, no one spent the night at a site, and a funerary mask shown in the video was a contemporary reproduction, not an authentic artifact.

In John Constable’s Hometown, a Trio of Shows Marks His 250th Birthday

A series of three exhibitions in Suffolk, England, celebrates the 250th anniversary of John Constable's birth. The program, hosted at Christchurch Mansion in Ipswich, includes "Constable: A Cast of Characters," focusing on his personal life and circle; "The Hay Wain: Walking Constable's Landscape," featuring his iconic paintings including *The Hay Wain* displayed in its depicted county for the first time; and "Constable to Contemporary," examining his ongoing influence on modern artists.

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Leeds Castle has launched an interactive AI avatar of Eleanor of Castile as the centerpiece of its new exhibition, "Pilgrimage of Love: Eleanor of Castile." Developed in collaboration with SKC Studios, the digital queen is housed in a screen shaped like a lancet window and is programmed to recognize visitors and answer questions about her life, from her 13th-century architectural projects to her marriage to Edward I. The exhibition traces her transformation of the castle from a Norman stronghold into a royal residence with Moorish-inspired gardens.

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President Donald Trump's 2021 budget proposal includes plans to eliminate the National Endowment for the Arts (NEA), the National Endowment for the Humanities (NEH), the Institute of Museum and Library Services, and the Corporation for Public Broadcasting, labeling them wasteful and not core federal responsibilities. The budget requests $30 million to close the NEA and $33.4 million to end the NEH in fiscal year 2021. This marks the fourth consecutive year the administration has proposed cutting these agencies, despite previous rejections by Congress. Advocacy group Americans for the Arts, led by CEO Robert Lynch, has vowed to work with lawmakers to reject the proposal and instead increase funding.

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The U.S. House of Representatives approved a $1.4 trillion national budget that includes $162 million for the National Endowment for the Arts (NEA), a $7.25 million increase over the previous year. This marks the largest one-year funding bump for the NEA in a decade, despite the Trump administration's repeated proposals to eliminate the agency entirely. The measure passed 297–120 in the Democrat-controlled House and also includes increases for the Institute for Museum and Library Services, the Corporation for Public Broadcasting, and arts-based programs in the Departments of Veterans Affairs, Defense, and Justice.

Lloyd Le Blanc obituary

Sculptor Lloyd Le Blanc has died at the age of 85. He was known for creating large-scale bronze works of flora and fauna and, with his wife Judith Holmes Drewry, established the Le Blanc Fine Art foundry and studios in Saxby, Leicestershire. Le Blanc was involved in every stage of his sculptures' creation and also cast works for other artists from his foundry.

‘A very basic human desire to want some control’: US exhibition explores the power of magic

The Toledo Museum of Art has opened an exhibition titled 'Cursed!' that explores the widespread use of magic spells and objects in ancient Mesopotamia, Egypt, Greece, and Rome. The show features amulets, inscribed gemstones, and figurines used for purposes ranging from protecting newborns and winning lawsuits to casting coercive love spells.

Hessink’s to hold inaugural Georgian art auction in Tbilisi

Hessink’s Tbilisi Auction House has announced its inaugural international auction, "Contemporary Georgian Art," scheduled for April 27, 2026, at the Museum of Modern Art in Tbilisi. The sale will feature 90 works ranging from the late Soviet era to contemporary pieces, highlighting prominent figures such as Alexander Bandzeladze and Vera Pagava alongside emerging talents. To ensure global reach, the auction will be broadcast via digital platforms including Drouot and Invaluable, preceded by a week-long public preview.

Review: “The Things We Carry” at Un Grito Gallery

The exhibition "The Things We Carry" at Un Grito Gallery serves as the centerpiece for the 2026 Contemporary Art Month (CAM) Perennial in San Antonio. Curated by Casie Lomeli and Leslie Moody Castro, the show features eight artists including Matt Rebholz, whose vibrant, alien-like landscapes subvert traditional Western imagery, and Tina Linville, who presents tactile sculptures composed of salvaged materials and concrete. The exhibition is part of a larger city-wide initiative spread across five artist-run spaces.

Rare Gates of Paradise replica restored and on display at the BYU Museum of Art

The BYU Museum of Art (MOA) has unveiled a meticulously restored gypsum cast replica of Lorenzo Ghiberti’s Renaissance masterpiece, the "Gates of Paradise." The restoration project spanned a decade and involved approximately 13,000 hours of labor, largely performed by BYU students who repaired damage and applied gold leaf to the ten ornate panels. The restored work is now the centerpiece of the exhibition "Gilded Paradise," which features immersive projections of Florence and will remain on view through October 2026.

London National Gallery’s deficit bombshell, Simon Schama on birds and art, Vilhelm Hammershøi—podcast

The National Gallery in London has announced unexpected and significant budget cuts, including potential staff reductions, due to a projected deficit of £8.2 million for the upcoming year. This financial crisis comes as a surprise following the recent completion of a major building project and the announcement of another ambitious expansion planned for the 2030s.

Chicago’s Intuit Art Museum gifted 61 works by self-taught artists

The Intuit Art Museum in Chicago has received two major gifts totaling 61 works, significantly expanding its collection of art by self-taught artists. The first gift is a bequest of 47 works from the late collector and early museum supporter Jan Petry, featuring pieces by artists like Emery Blagdon, James Castle, and Martín Ramírez. The second gift comprises 14 works from the collection of scholar Gordon W. Bailey, focusing on African American artists such as Sam Doyle and Mose Tolliver.

Newcastle Art Gallery set to make its mark with opening weekend celebrations

Newcastle Art Gallery is launching its opening weekend celebrations with a street party, live music, and interactive art experiences. A unique highlight offers three attendees the chance to win a bespoke tattoo inspired by the Gallery's collection, to be inked by a local artist during the festivities.

After-hours event to celebrate more to come at Newcastle Art Gallery

Newcastle Art Gallery will open its fourth new exhibition space on December 19, 2025, featuring over 130 works of Australian art valued at more than $30 million. Highlights include pieces by Joseph Lycett, William Dobell, Grace Cossington Smith, and Margaret Preston. The opening will be celebrated with the return of the Friday Night Sounds after-hours event, featuring live music by Nina Romeru and a wildlife drawing workshop. The gallery has already welcomed nearly 11,000 visitors since partially reopening in September 2025, with the full reopening scheduled for February 2026.

The US Venice Biennale saga, Queer Islamic art in Oslo, Duane Linklater in Ottawa—podcast

The US has finally appointed artist Alma Allen to represent the country at next year's Venice Biennale, following a delayed application process and an aborted initial commission. The Art Newspaper's Ben Sutton discusses the saga with Ben Luke. Additionally, the National Museum of Norway in Oslo opens 'Deviant Ornaments,' an exhibition exploring queerness in Islamic art over a millennium, curated by Noor Bhangu. The podcast also features Duane Linklater's work 'wintercount_215_kisepîsim' (2022), part of 'Winter Count: Embracing the Cold' at the National Gallery of Canada, which addresses the deaths of First Nations children in the Residential School system.

Twisting tale of ‘Henry VIII’s lost dagger’ to be told in London exhibition

An exhibition opening at Strawberry Hill House in London on November 1 will explore the history of a jewel-encrusted Ottoman dagger long believed to have belonged to Henry VIII. Curator Silvia Davoli has uncovered that the dagger was actually made in late 16th-century Istanbul, decades after Henry's death, and was mistakenly attributed to the king by 18th-century engraver George Vertue. The dagger was owned by Horace Walpole, then passed through several hands before being stolen in a 1946 heist at Hever Castle, where it was kept by the Astor family. Though the original dagger remains missing, the exhibition will display two similar Ottoman daggers from Welbeck Abbey and Vienna's Kunsthistorisches Museum.

After 550 years, a fabric found in a Norwich bishop’s tomb is recreated

Fragments of silk from a ceremonial robe buried with Norwich Bishop Walter Lyhert in 1472 have been recreated after 550 years. The tiny pieces were discovered in 1899 during building works at Norwich Cathedral and have been on long-term loan to Norwich Castle. A project led by assistant curator Agata Gomolka used high-resolution photography, chemical fiber analysis, and dye testing by scientists at the British Museum and KIK-IRPA in Brussels to reconstruct the red and purple fabric. The recreated silk is now on display at Norwich Castle, and Norwich Cathedral plans to make ceremonial copes from it for use in services.

Milestone moment as Newcastle Art Gallery reopens its doors for first look inside expanded building

Newcastle Art Gallery in Australia has reopened its doors to the public for the first time after a major expansion project, unveiling new gallery spaces, a central atrium, and a foyer. The milestone event, held on 26 September 2025, featured a First Nations First ethos with major commissions and acquisitions on display, and was celebrated as part of the New Annual festival. The expansion has more than doubled the gallery's size, adding 1,600 square meters of exhibition space, with several areas named after major donors including Valerie and John Ryan, Margaret Olley, and Robert and Lindy Henderson.

The US’s largest Raphael exhibition is opening at the Met next year

The Metropolitan Museum of Art in New York will present the largest-ever Raphael exhibition in the Americas next spring, titled "Raphael: Sublime Poetry" (29 March–28 June 2026). Curated by Carmen Bambach, the show brings together over 200 works—including paintings, drawings, decorative objects, and tapestries—spanning Raphael’s career from Urbino and Florence to Rome. Major loans include the Alba Madonna from the National Gallery of Art, Washington, D.C.; the Portrait of Baldassare Castiglione from the Louvre; and works from the British Museum, Uffizi, Prado, and Vatican Museums. The exhibition is structured chronologically, with special focus on recent scientific analysis and Raphael’s depictions of women.

Documenta unveils first all-woman curatorial team for 2027

Documenta has announced the first all-woman curatorial team for its 16th edition, set to take place in Kassel, Germany, from June 12 to September 19, 2027. Artistic director Naomi Beckwith, deputy director and chief curator of the Solomon R. Guggenheim Museum, selected four curators—Carla Acevedo-Yates, Romi Crawford, Mayra A. Rodríguez Castro, and Xiaoyu Weng—to develop the exhibition, publications, and programming. Each curator brings distinct expertise: Acevedo-Yates focuses on diaspora and cultural production; Crawford on race and American visual culture; Rodríguez Castro on writing and editing; and Weng on globalization, feminism, and decolonization.

Studio DRIFT brings kinetic sculpture to life in their first solo exhibition in Spain

Studio DRIFT, the Dutch artist duo founded by Lonneke Gordijn and Ralph Nauta, presents their first solo exhibition in Spain at the Museo de Arte Contemporáneo de Castilla y León (MUSAC). Titled *Amplitude / Meadow*, the show runs from July 12 to October 19, 2025, and features two major kinetic installations: *Amplitude*, a choreographed network of glass tubes that sways in response to invisible energies, and *Meadow*, an upside-down garden of robotic flowers that react to human presence. The works blend art, technology, and nature to create immersive environments that explore biological patterns and human connection.

'I'm a container for my own spirit': Nickola Pottinger on her show of sculptures at the Aldrich Contemporary Art Museum

Nickola Pottinger presents her first solo museum exhibition, "fos born," at the Aldrich Contemporary Art Museum in Ridgefield, Connecticut, curated by chief curator Amy Smith-Stewart. The show features Pottinger's emotive, organic sculptures called "duppies," inspired by Jamaican folklore and her West Indian upbringing in Brooklyn. Constructed from recycled materials like furniture, bones, bird cages, and pigmented paper pulp made from family documents and rubble, the works explore themes of cultural identity, motherhood, and the duality of post-colonial existence. The exhibition centers on the recent birth of Pottinger's daughter, Zora, with pieces like "Give tanks and praises" (2025) incorporating a cast of the artist's pregnant torso.

The Orlando Museum of Art presents their biggest exhibition of the year

The Orlando Museum of Art (OMA) will present the 2025 Florida Prize in Contemporary Art exhibition, its biggest show of the year, celebrating the state's most innovative artists. The eleventh annual exhibition features ten selected artists: Nathalie Alfonso, Eddie Arroyo, Leo Castañeda, Kelly Joy Ladd, Amanda Linares, Kandy G. Lopez, Jiha Moon, Troy Simmons, Cornelius Tulloch, and Lisu Vega. An opening preview party on May 30 will include the announcement of one artist receiving a $20,000 prize, while a $5,000 "People's Choice" award will be decided by public vote throughout the summer, with the winner revealed at the closing ceremony on August 21.

Fire-damaged room at Castle Howard brought back to life by meticulous restoration

The Tapestry Drawing Room at Castle Howard, a historic stately home in Yorkshire, England, has been meticulously restored after being gutted by a fire in 1940. The room, originally adorned with early 18th-century tapestries woven by John Vanderbank and based on scenes by David Teniers, was reduced to a scorched shell. Nick Howard, whose family has lived in the house for three centuries, oversaw the restoration, which involved reinstalling the original tapestries—found rolled up in the attic—after conservation by Alison Stanton. The centerpiece, a painting by Marco Ricci titled *Judgment of Paris*, and a newly built fireplace based on archival photographs complete the revival.

2025 MFA Thesis Exhibition Transforms the Miriam and Ira D. Wallach Art Gallery

On April 26, 2025, the School of the Arts held its annual MFA Thesis Exhibition at the Miriam and Ira D. Wallach Art Gallery, featuring twenty-nine emerging and established artists. Curated by Amal Issa, the show spans a wide range of mediums including installations, videos, paintings, drawings, and sculptures, with many works exploring themes of memory, ancestry, and identity. Notable pieces include Maya Dixon's immersive installation using gourds and found objects, Daniel Castro's surreal cityscapes, and Ridwana Rahman's interactive carpet piece that invites reflection on direction and prayer.