Former Sotheby's chairman recounts the birth of the London art market as we know it

James Stourton, former chairman of Sotheby's UK, has written a book titled "Rogues and Scholars" that chronicles the rise of London's art market after World War II. The article highlights key moments such as Sotheby's 1958 sale of the Goldschmidt collection of Impressionist art, which transformed auctions into glamorous evening events, and the introduction of the buyer's premium in 1975, which Stourton calls "the Big Bang of the art world." It also profiles influential dealers and galleries like Marlborough Gallery, Robert Fraser, Christopher Gibbs, and Robin Symes who shaped global tastes from London.

Review: Gorgeous, exuberant Kim Chong Hak at the High

The High Museum of Art in Atlanta is hosting "Kim Chong Hak: Painter of Seoraksan," the first American museum exhibition dedicated to the Korean artist, running through November 2. The show features over 60 works spanning Kim's career, from early abstract pieces influenced by Western artists like Rothko and Tàpies to vibrant, large-scale landscapes inspired by his decades-long retreat to Mount Seorak in eastern South Korea. The exhibition includes paintings, folk art, and a catalog with essays that contextualize Kim's life and work.

In Surprising Twist, ADAA Art Fair Will Now Benefit the Whitney Museum

The Art Dealers Association of America (ADAA) has named the Whitney Museum of American Art as the new philanthropic beneficiary of its annual fair at the Park Avenue Armory. This decision follows the ADAA's abrupt termination of a 30-year partnership with the Henry Street Settlement, a social services nonprofit that relied on the fair's preview gala for approximately $1 million in annual unrestricted funding. The new event, rebranded simply as the ADAA Fair, will direct its gala proceeds toward the Whitney’s educational and artistic programming.

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British artist Henry Walsh, known for his intricate paintings of miniature worlds filled with tiny figures and narratives, has announced a series of exhibitions for 2025 and 2026. His work will be shown at Fresh Art Fair in London (January 31–February 2, 2026), the Affordable Art Fair New York and Austin editions in March and May, and a solo show titled "Changing Seasons" at Fine Art Consultancy from June 10 to July 12. The exhibitions follow a private commission inspired by the Austin City Limits Festival, which Walsh used as a starting point for his painting "Pageant" (2025), featuring music icons like Bonnie Raitt and Leon Bridges.

Gallery Guide

A comprehensive guide lists numerous art galleries and exhibition spaces across Virginia, primarily in the Richmond area, with some in Ashland, Hanover, and Charles City. It provides details on their locations, contact information, and artistic focuses, ranging from contemporary fine art and nonprofit spaces to specialized collections like 20th-century Russian realism.

David Shrigley is quite literally asking for money for old rope (£1 million, to be precise)

David Shrigley has unveiled a new exhibition titled 'Exhibition of Old Rope' at London's Stephen Friedman Gallery, featuring ten tonnes of discarded rope sourced from seaports, climbing schools, tree surgeons, offshore wind farms, and shorelines across the UK. The rope, roughly 20 miles in length, has been intensively cleaned and piled high in the Mayfair gallery, with a deliberately provocative price tag of £1 million. The show runs until 20 December 2025.

Los Angeles dealer Ariel Pittman launching new gallery in MacArthur Park

Ariel Pittman, a Los Angeles art historian and former director at Vielmetter and Various Small Fires, is opening a new gallery called Official Welcome in the MacArthur Park neighborhood on May 30. The gallery, located in the historic Granada Building, will launch with an inaugural exhibition titled "California Split" featuring works by June Edmonds, Jay Lynn Gomez, Henry Taylor, and others, with prices starting at $800. Pittman plans to diversify revenue by offering consulting services, project management, and space rentals, and aims to keep operations lean before eventually hiring staff and establishing equitable profit-sharing structures.

art paul chan ai breathers digital

Paul Chan, the artist known for his early digital video works, is preparing for a new exhibition at Greene Naftali titled "Automa Mon Amour," opening March 12, featuring his latest "breathers"—kinetic windsock-like sculptures powered by fans. Chan, who quit making art in 2009 to found the indie publishing house Badlands Unlimited, has since returned to art-making with analog-focused works, yet simultaneously developed Paul’ (Paul Prime), a sophisticated AI project that creates a digital version of himself using his personal data, writings, and interviews. The article explores the contradiction between Chan's rejection of screens and his engagement with highly technical, code-intensive digital art.

Theater in Paris: Studio Hébertot brings to life the companions of Pablo Picasso, from Fernande Olivier to Françoise Gilot

Théâtre à Paris : le Studio Hébertot fait revivre les compagnes de Pablo Picasso, de Fernande Olivier à Françoise Gilot

A theatrical production titled 'Les Amours de Pablo' is being staged at the Studio Hébertot in Paris until the end of May 2026. The play, created by the Compagnie Bille en Tête, focuses on the intimate and tumultuous relationships of Pablo Picasso, but primarily aims to give voice and substance to seven of his romantic partners, portraying them as complex individuals and artists in their own right.

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The National Portrait Gallery in London has acquired the only surviving photographs of 19th-century mathematician Ada Lovelace, a group of three daguerreotypes that were originally offered at Bonhams in June 2025 with an estimate of £80,000 to £120,000. The lot was withdrawn from auction and the museum secured it via a private treaty sale, a confidential negotiation process that allows institutions to purchase significant artworks directly from private owners. Two of the daguerreotypes were taken by French photographer Antoine Claudet around 1843, the year Lovelace published her foundational paper on Charles Babbage's Analytical Engine, while the third, by an unknown photographer, reproduces an 1852 portrait by Henry Wyndham Phillips showing Lovelace near the end of her life.

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Christie’s is launching its largest-ever Americana Week in January, featuring a George Washington portrait by Gilbert Stuart that inspired the dollar bill. The painting, commissioned by James Madison, is expected to fetch between $500,000 and $1 million. The auction includes 700 lots across nine sales, with highlights such as a signed Emancipation Proclamation and the contract that created Apple. The portrait, a Vaughn-type from 1795, was consigned by Clarkson University and has a provenance tracing back to Madison, confirmed by a 19th-century catalog and a note from Madison’s secretary.

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A 1987 Bob Ross painting, *Cabin at Sunset*, sold for $1.04 million in a benefit auction hosted by late-night comedian John Oliver, setting a new auction record for the artist. The work was painted during the second episode of the 10th season of Ross's television series *The Joy of Painting*. The online sale, which concluded November 24, included 65 eclectic lots—from presidential wax figures to a signed bucket of dolls—and raised funds for the Public Media Bridge Fund, which supports independent broadcasters amid federal cuts to public broadcasting.

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Bonhams Los Angeles is auctioning the archive of legendary album cover designer Gary Burden, who died in 2018, in a sale titled "Cover to Cover" running from June 20 to 30. The collection includes original artwork, sketchbooks, and ephemera from Burden's five-decade career, featuring iconic covers for the Doors' *Morrison Hotel* (1970), the Eagles' *Desperado* (1973) and *One of These Nights* (1975), Joni Mitchell's *Ladies of the Canyon* (1970), and Jackson Browne's 1972 debut, among others. Highlights include a lithograph for the Eagles' *One of These Nights* (estimate $10,000–$15,000) and Burden's preparatory pencil sketch for *Desperado* (estimate $30,000–$40,000).

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Martin Scorsese's 1990 film *Goodfellas* features a brief but memorable scene where mobsters Tommy DeVito (Joe Pesci), Jimmy Conway (Robert De Niro), and Henry Hill (Ray Liotta) visit Tommy's mother, played by Scorsese's own mother Catherine. She shows them a small painting of a man in a boat with two dogs facing opposite directions, prompting an improvised, humorous exchange of amateur art criticism that ties into the film's dark plot. The painting was actually based on a photograph by Adam Woolfitt from the November 1978 issue of *National Geographic*, depicting Irish river advocate John Weaving and his dogs Brocky and Twiggy; the on-screen version was created by Pileggi's mother.

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Christie's is hosting a 200-lot auction of the Maillet Daguerreotype Collection from June 10 to 26, featuring rare 19th-century daguerreotypes. The collection includes early works by pioneers like Samuel Morse and John William Draper, as well as images of American monuments and everyday life, such as Henry Fitz Jr.'s Washington Monument and Platt Babbitt's Niagara Falls view. The auction highlights the dawn of photography in America, with many images being unique due to the daguerreotype's lack of negatives.

Mysterious Lake District barn joins national treasures on heritage list

The Department for Culture, Media and Sport has granted Grade II* listed status to "Henry’s Castle," a mysterious limestone structure in the Lake District previously used as a livestock shelter. Following a four-year restoration project involving archaeologists and conservation engineers, experts identified high-status architectural features including a 14th-century oak roof truss, a corbelled chimneystack, and a garderobe. These elements suggest the building was originally a significant residence, such as a hunting lodge or a lookout dwelling, rather than a simple barn.

“Trey Abdella’s Miserable Dream” New Art21 Film to Premiere Online on December 10, 2025

Art21 will premiere a new documentary film, "Trey Abdella's Miserable Dream," online on December 10, 2025. The film, directed by Andrew Nadkarni, follows the artist as he draws inspiration from Coney Island and American middle-class aesthetics to create mixed-media paintings that blend skilled representation with unconventional materials.

Art Gallery of Burlington to host inaugural exhibition for emerging artists

The Art Gallery of Burlington (AGB) will host the inaugural Henry Goodman Exhibition for Emerging Artists starting May 21, presented by the arts charity FUSION. The traveling show features over 25 emerging artists working in ceramic and glass under the theme 'gathering,' curated by 2025 Sobey Award finalist Chukwudubem Ukaigwe. Artists include Laura Wagner, Thomas Paik, Deborah Hatanaka, and Ryan Nesbitt. The exhibition will later travel to Rails End Gallery in Haliburton and Neilson Park Creative Arts Centre in Mississauga.

The Walters Art Museum Shines a Light On the Toxic History of Medieval Manuscripts

The Walters Art Museum in Baltimore has opened "If Books Could Kill," an exhibition exploring the toxic history of medieval manuscripts. The show reveals how pigments like white lead, red mercury, and arsenic were commonly used by scribes, artists, and bookbinders, exposing them to serious health risks. Co-curated by Dr. Lynley Anne Herbert and Dr. Annette S. Ortiz Miranda, the exhibition features 24 rarely displayed manuscripts from the museum's collection, including a Thai treatise on elephants with arsenic-based yellows and a 15th-century Armenian Gospel with vermillion pigments. It also includes a conservator-led video demonstrating how portable X-ray fluorescence (pXRF) is used to identify toxic materials.

art kye christensen knowles young artist

Kye Christensen-Knowles, a 32-year-old figurative painter based in New York, is featured in Cultured's 2025 Young Artists list. A recent solo exhibition at Lomex in New York showcased his range, from unnerving contemporary society portraits to epic science-fiction scenes. His work is also on view in a group show at the Warehouse, a private museum in Dallas. In an interview, he discusses his readymade work "Painting" (2019–23), a studio rug covered in accumulated paint, and cites influences such as Vito Acconci and Louise Bourgeois.

Exhibition | Daniel Crews-Chubb, 'Pareidolia' at MASSIMODECARLO Pièce Unique, Pièce Unique, Paris, France

MASSIMODECARLO Pièce Unique in Paris presents 'Pareidolia,' an exhibition of new paintings by London-based artist Daniel Crews-Chubb. The show explores the psychological phenomenon of pareidolia—the brain's tendency to see faces in random patterns—through heavily layered works created with hands, ink, oil, sand, and collage. Three paintings are featured: 'Immortal XXXVIII' and 'Immortal XXXIX' (2026), large-scale works drawing on cultural memory of ancient sculpture, and 'Mask XXIV' (2026), which tests the minimal cues needed for facial recognition. Crews-Chubb's process involves building up and tearing back surfaces over weeks, with charcoal lines added last to define emergent figures.

Tell Me About Love…

Yvon Lambert, the legendary French art dealer and collector, reflects on his lifelong relationship with art and literature in an interview for TLmag41: The Art of Collecting. He recounts buying his first painting at age 14, opening his Paris gallery in the 1960s, and later donating a major portion of his collection to the French State, now housed at the Collection Lambert in Avignon. After closing his gallery in 2014, he shifted focus to an artist's bookshop, now run by his daughter Eve Lambert. The conversation, led by Sibylle Grandchamp, explores Lambert's early influences, his father's passion for literature, and the family's shared love for art books.

'To Paint Is To Love Again' at Crèvecoeur, Paris–Cascades, France on 9 Apr–27 May 2026

The group exhibition 'To Paint Is To Love Again' at Crèvecoeur gallery in Paris explores the theme of artistic freedom, play, and a childlike approach to creation. The article examines this through the lens of Henry Miller's writings on painting, the influence of Jean Dubuffet's Art Brut, and the practices of contemporary artists Whitney Clafin, Sadie Benning, and Françoise Lapeyre, who incorporate found objects, toys, and a 'Sunday painter' ethos into their work.

Now Open: This New Surry Hills Gallery Is Giving Sydney's Street Art Scene the Platform It Deserves

Gallery Brave has opened in Sydney's Hibernian House, a landmark building known for its graffiti-covered walls. Founded by advertising agency Today the Brave, the gallery launched with a show by Shepard Fairey and is now hosting "Among the Brave," a group exhibition featuring over 30 artists in partnership with creative collective KRVNM & midsöle. The gallery aims to provide a platform for street art and community-driven creative expression.

Salone Diary – Day One

Diario del Salone – Tag eins

The author begins a daily diary from the Milan Design Week, navigating the sprawling Fuorisalone exhibitions that run parallel to the Salone del Mobile furniture fair. The overwhelming experience prompts a search for genuine innovation amid a sea of installations merging fashion, art, and design, leading to the first lesson of the week: accepting the inevitability of missing out on some events.

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The Walters Art Museum in Baltimore has appointed Katherine Larson as its chief collections and curatorial affairs officer, a newly created senior role. Larson will also serve as senior curator of Ancient Art, overseeing curatorial operations, collections, conservation, research, the exhibition calendar, and fundraising, beginning March 30.

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Norwich Castle in Norfolk, England, has reopened after a five-year, $37 million restoration led by architectural firm Feilden + Mawson. For the first time, visitors can explore all five floors of the 900-year-old fortress, including reconstructed Medieval chambers and over 900 artifacts. The restoration reestablished the original Medieval layout with era-appropriate furnishings in the kitchen, chapel, king's chamber, and Great Hall. A new exhibition, "Gallery of Medieval Life," co-organized with the British Museum, features objects from daily life and nobility spanning the Norman Conquest through the reign of Henry VIII. The project was funded by a £13 million grant from the National Lottery Players and £12 million from Norfolk County Council.

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Newly released documents from the Jeffrey Epstein case reveal the financier's intense personal interest in the Frick Collection, the museum located across from his Manhattan mansion. Epstein drafted letters opposing the museum's proposed expansion, criticizing plans as "brutish" and a "travesty," and claimed to have insider knowledge about the institution and its founder, Henry Clay Frick. He was joined in his opposition by other powerful neighbors, including billionaire Howard Lutnick.

PHOTOS: Celebrities interpret 2026 Met Gala theme ‘Fashion is Art’

On May 4, 2026, celebrities including Emma Chamberlain, Anna Wintour, Nicole Kidman, Kylie Jenner, and Janelle Monae attended the Met Gala at The Metropolitan Museum of Art in New York, celebrating the opening of the "Costume Art" exhibition. The event featured arrivals at the museum and departures from The Mark Hotel, with performances by Joshua Henry, and was captured by photographers Evan Agostini, Andy Kropa, and Jamie McCarthy.

Painting LACMA's David Geffen Galleries with Light, Shadow, and Color

LACMA's new David Geffen Galleries, designed by architect Peter Zumthor, feature custom-tinted concrete walls that break from traditional museum aesthetics. The walls are coated with a transparent, nano-scale mineral glaze developed by Zumthor and Swiss craftsman Marius Fontana, manufactured by German company Keim. The palette—dusky red, vibrant blue, and nuanced black—was inspired by ancient Indigenous American pigments prepared by artist Porfirio Gutiérrez for the museum's exhibition "We Live in Painting: The Nature of Color in Mesoamerican Art." Diana Magaloni, LACMA's Senior Deputy Director for Conservation, Curatorial and Exhibitions, led the conceptualization and application of the glazes, which are designed to enhance the building's interplay of light and shadow without obscuring its raw concrete surfaces.