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Thaddaeus Ropac is betting on Milan—will it pay off?

Austrian dealer Thaddaeus Ropac opened a new gallery in Milan on September 20, capitalizing on Italy's newly reduced 5% VAT on art imports—the lowest in the EU—and an influx of wealthy expats from London following the UK's abolition of non-dom tax status. The gallery occupies the first floor of the historic Palazzo Belgioioso, with Elena Bonanno di Linguaglossa appointed as director. Ropac's move follows his earlier successful expansions into Seoul and Pantin, which proved prescient.

From Dior's golden coat to landscape jewellery at Christie's: where the worlds of art and luxury collide this autumn

The article highlights two luxury-art crossovers this autumn: Jonathan Anderson's debut Dior menswear collection for spring/summer 2026, presented in Paris, and Natasha Wightman's new jewellery collection displayed at Christie's London. Anderson's show reimagined Dior's iconic women's silhouettes for men, featuring a standout €200,000 coat embroidered with ancient Indian mukesh work that took 12 artisans 34 days to create. Wightman's jewellery incorporates bog oak, a semi-fossilised wood from British fens, carved into pendants celebrating the country's remaining temperate rainforests.

Ten essential works of art to see at the Museum of Modern Art, New York

The article presents a curated list of ten essential artworks at the Museum of Modern Art (MoMA) in New York, coinciding with the departure of longtime director Glenn Lowry after 30 years and the appointment of Christophe Cherix as his successor. It highlights iconic pieces such as Picasso's "Les Demoiselles d'Avignon" (1907) and Matisse's "The Red Studio" (1911), while reflecting on MoMA's history, its founding vision by Alfred Barr, and its evolution through expansions including the incorporation of PS1 and the $450 million renovation of its 53rd Street building.

Pinacoteca de São Paulo and Chanel Culture Fund launch new residency for women artists

The Pinacoteca de São Paulo and the Chanel Culture Fund have launched a new residency for women artists, with Brazilian artist Juliana dos Santos as its inaugural recipient. Dos Santos, who holds a doctorate from São Paulo State University, creates work exploring plants, pigments, and the sensory experience of color, notably using the blue pigment of the Clitoria ternatea flower. She recently opened her first solo museum exhibition, "Juliana dos Santos: Temporã," at Galeria Praça within Pina Contemporânea, and will present a VR work at the 36th Bienal de São Paulo in September 2025.

Tour the Museum-Quality Art Exhibition Inside the Megayacht Carinthia VII

The luxury megayacht Carinthia VII, owned by the Austrian billionaire Heidi Goëss-Horten and designed by Tim Heywood, has been transformed into a floating museum this summer. Curated by Florencia Cherñajovsky, the yacht features approximately forty museum-quality works from her family's collection of around 500 artworks, including pieces by Tracey Emin, Wolfgang Tillmans, Rosemarie Trockel, Lutz Bacher, Petrit Halilaj, Louise Nevelson, Carol Rama, Sarah Lucas, and Brazilian women artists like Ana Maria Maiolino. The exhibition spans photography, painting, drawing, and sculpture, arranged to create dialogues between artists and the yacht's interiors, which include reclaimed 17th-century parquet floors and custom rugs from Cherñajovsky's brand Lalana Rugs.

Record Prices, New Buyers and Global Reach: Design’s Moment Has Arrived

Global auction sales for design, decorative arts, and furniture surged 20.4 percent to $172 million in the first half of 2025, according to ArtTactic, while other art market segments declined. Sotheby’s design sales in New York and Paris reached $75 million combined, among the highest totals ever for the category, with Christie’s and Phillips also posting strong results. Record prices were set for works by Tiffany Studios, including the Danner Memorial Window ($12.4 million) and a Frank Lloyd Wright lamp ($7.5 million), fueled by new and younger buyers and institutional acquisitions.

‘You’re so close you can see how their toes grip the floor’: Wayne McGregor on his radical new immersive dance experience

Wayne McGregor, artistic director of the Biennale Danza in Venice, has created a new immersive dance installation titled 'On the Other Earth' in collaboration with artist Jeffrey Shaw and digital museologist Sarah Kenderdine. The work features a 360-degree 'nVis' environment with a massive 12K LED screen, allowing dancers from McGregor's company and the Hong Kong Ballet to perform in extreme close-up. The installation will travel to the Venice Film Festival, Stone's Nest in London as part of McGregor's exhibition 'Infinite Bodies' at Somerset House, and later to the Tai Kwun Centre for Heritage and Arts in Hong Kong.

The new era of fashion’s art exhibitions

LACMA's upcoming David Geffen Galleries, opening in 2026, will feature over 130 costumes and textiles in its inaugural installations—more than any other time since the museum opened in 1965. The museum also plans exhibitions such as 'Fashioning Chinese Women: Empire to Modernity' (with mannequins by Jason Wu) and 'Fashioning Fashion' (1900–2025). Other major fashion exhibitions include 'Virgil Abloh: The Codes' at Paris's Grand Palais, 'Westwood Kawakubo' at the National Gallery of Victoria, and 'Schiaparelli: Fashion Becomes Art' at London's V&A. The article notes that fashion exhibitions are increasingly popular and profitable for museums, citing the Met's Costume Institute and its record-breaking Met Gala fundraising.

Farhad Moshiri In the Raha Gallery Collection

Iranian artist Farhad Moshiri passed away on July 17, 2024, at age 61. A pioneering figure in Middle Eastern contemporary art, Moshiri made history as the first artist from the region to sell a work at auction for over one million USD, achieving this milestone twice—first with "Love" at Bonhams Dubai in 2008 and later with "Secret Garden" at Christie's Dubai in 2013. The article highlights his work "Toothpicker" (2008), now part of the Raha Gallery Collection, which was exhibited at the Saatchi Gallery in London in 2010 and sold at Christie's Middle East in 2014. Moshiri's practice combined pop art, kitsch, and precious materials like crystals and glitter, earning him a solo exhibition at the Andy Warhol Museum in 2017.

Landmark Exhibition at the National Museum of Women in the Arts Reframes an Iconic Historical Era

The National Museum of Women in the Arts (NMWA) in Washington, D.C., will present "Women Artists from Antwerp to Amsterdam, 1600–1750" from September 26, 2025, to January 11, 2026. This landmark exhibition features nearly 150 artworks by 40 Dutch and Flemish women artists, including Judith Leyster, Rachel Ruysch, and Clara Peeters, alongside works by unnamed textile makers. Co-curated by Virginia Treanor and Frederica van Dam, the show includes loans from over 50 institutions such as the Rijksmuseum, the Metropolitan Museum of Art, and the Prado Museum. It will travel to the Museum of Fine Arts in Ghent, Belgium, from March to May 2026.

The UAE’s art market is on the up

The UAE's art market is experiencing a resurgence nearly two decades after the 2008 financial crash, driven by a booming economy and strategic investments. Key developments include an Abu Dhabi sovereign wealth fund, ADQ, acquiring a $1 billion stake in Sotheby's, and Art Basel announcing a new fair in Doha, Qatar, set to launch in February 2026. Meanwhile, Christie's is expanding its Dubai office, and Saudi Arabia hosted its inaugural Art Week Riyadh in April, featuring 32 commercial galleries. Despite these regional moves, Dubai remains the Gulf's commercial art hub, with Sotheby's chairman Edward Gibbs noting a 70% increase in regional bidders over five years and Christie's president Anthea Peers reporting that sales of modern Middle Eastern art trebled between 2020 and 2024.

‘Halo effect’ of powerful art dealers’ collections boosts Sotheby’s sale

Sotheby's held a successful three-part evening auction in New York on May 15, 2025, achieving a total of $154.2 million in hammer sales ($186.1 million with fees), within its pre-sale estimate. The sale included 12 lots from the estate of late dealer Barbara Gladstone, which sold 100% for $15.1 million, and 15 works from the collection of Daniella Luxembourg, which brought $33.6 million. The main event, Sotheby's The Now and Contemporary evening auction, featured 41 lots—including works from the Dorothy and Roy Lichtenstein collection and three deaccessioned by US museums—and achieved a 93% sell-through rate, hammering $105.4 million. A standout was Andy Warhol's 'Flowers' (1964) from the Gladstone estate, which sold for $3.1 million hammer, more than double its high estimate.

$70m Giacometti bombs at patchy Sotheby’s Modern art auction

Sotheby's Modern evening sale in New York on May 13 brought in $152 million ($186.4 million with fees), falling short of its presale estimate of $170 million to $248 million. Four lots were withdrawn before bidding began, including works by Winslow Homer, Wassily Kandinsky, Candido Portinari, and Pierre-Auguste Renoir. The sale's star lot, Alberto Giacometti's bronze bust 'Grande tête mince' (1954/55), estimated at over $70 million, failed to sell when bidding stalled around $64 million. Other notable results included strong sales for Jean Arp, František Kupka, and Robert Delaunay, but several high-profile works by Henri Matisse, Pablo Picasso, Edgar Degas, Pierre Soulages, and David Smith also failed to find buyers.

Why is the art market turning Gulf-wards?

The art market is shifting its focus toward the Gulf region, particularly Saudi Arabia and the United Arab Emirates, following a sharp decline in Chinese luxury goods sales (18–20% drop in 2024) and a 31% slump in Chinese art sales. Auction houses like Sotheby’s and Christie’s have established outposts in Saudi Arabia, with Sotheby’s first auction in Diriyah generating $17.3 million and attracting 35% new buyers. The UAE’s tax-haven status and lack of sanctions on Russians have drawn wealthy residents, while Saudi Arabia’s Vision 2030 campaign, led by Mohammed bin Salman, is pouring money into cultural projects such as AlUla, Art Week Riyadh, the Islamic Arts Biennale, and a new teamLab Borderless museum in Jeddah.

Marquee May auctions in New York come at a volatile moment

New York's marquee spring auctions, beginning May 12, are facing significant headwinds from President Donald Trump's second-term policies, particularly the 'Liberation Day' tariffs and resulting stock-market volatility. Phillips deputy chairman Robert Manley confirms at least one eight-figure work was pulled from sale due to tariffs. The combined Modern and contemporary auctions at Christie's, Sotheby's, and Phillips carry an estimated $1.1bn to $1.5bn in art—the lowest total estimate for spring sales since 2010, roughly $250m lower than May 2024. No nine-figure-estimate lots have been consigned, and the number of catalogued lots is the lowest since 2007 (excluding pandemic and recession years). Single-owner collections dominate, with Christie's securing the $200m Leonard and Louise Riggio collection, including a Piet Mondrian estimated at $50m, and works from Anne and Sid Bass. Sotheby's offers collections from dealers Daniella Luxembourg and others.

The New Yorker and Goldman Sachs Fete Artist Barkley L. Hendricks at The Frick Madison

The New Yorker and Goldman Sachs Private Wealth Management co-hosted an intimate evening at the Frick Madison to celebrate the historic exhibition "Barkley L. Hendricks: Portraits at the Frick," the museum's first solo show by an artist of color. The event featured a conversation about Hendricks's legacy between Thelma Golden, director of The Studio Museum in Harlem; Aimee Ng, curator at The Frick Collection; and Antwaun Sargent, consulting curator at the Frick. Guests viewed fourteen of Hendricks's early portraits, which combine a bold realism with Old Master influences to center Black representation.

Early Basquiat to Lead Sotheby’s Contemporary Auctions -

Sotheby’s will offer a rare untitled 1981 painting by Jean-Michel Basquiat at its Contemporary Evening Auction in New York, estimated at $10–15 million. The work, unseen for 36 years, has been held in a private collection since 1989 and captures the raw energy of Basquiat’s breakout period. Other highlights include Lucio Fontana’s *Concetto spaziale, La Fine di Dio* (1963), Robert Rauschenberg’s *Combine Rigger* (1961), Frank Stella’s *Adelante* (1964), and Ed Ruscha’s *That Was Then This Is Now* (1989). The auction is built around three major private collections: the estate of gallerist Barbara Gladstone, the Roy Lichtenstein Foundation, and the “Im Spazio” group assembled by Daniella Luxembourg.

HommeGirls’s First Store Brings a Streetwear-Chic Slant to Chinatown

HommeGirls has opened its first brick-and-mortar store in New York's Chinatown, a 250-square-foot space designed by Rafael de Cárdenas. The shop features an operational dry cleaner's rack rotating above a Portaluppi-style marble floor, floor-to-ceiling mirrors, and a vintage Italian valet stand, reflecting the label's blend of discipline and disorder. The article also covers Miya Ando's solo show at Saint Laurent Rive Droite Los Angeles, Flamingo Estate's new candle inspired by a New York holiday, and the Met's upcoming "Sargent and Paris" exhibition.

Where to find art gallery inspiration in Luxembourg

A guide to art galleries in Luxembourg highlights year-round venues like Villa Vauban, which focuses on 17th-19th century Old Masters, and Casino Luxembourg – Forum of Contemporary Art, known for its international contemporary program and experimental approach. The article also promotes Luxembourg Art Week, taking place November 21-23, 2025 at Glacis, featuring 77 galleries from 15 countries, and the Salon du Cercle Artistique de Luxembourg from November 1-16, 2025 at Tramsschapp.

LEONORA CARRINGTON THE VITRUVIAN WOMAN IN LUXEMBOURG

The Musée du Luxembourg in Paris has opened the first major exhibition in France dedicated solely to the work of surrealist artist Leonora Carrington. Titled 'The Vitruvian Woman,' the show presents 126 works and frames Carrington as a model of innovation and harmony, a deliberate counterpoint to Leonardo da Vinci's 'Vitruvian Man.' It explores her artistic journey from her Celtic origins and discovery of Italian Renaissance art to her pivotal involvement with Surrealism in France and her final years in Mexico.

Artist Sid Pattni’s Dual Cultural Backgrounds Inspire His Exploration of Identity in Flux | Travel Insider

Melbourne-based artist Sid Pattni is gaining international recognition for his unique fusion of portraiture and traditional Indian embroidery. Following a transformative residency in New Delhi, Pattni has developed a practice that reclaims colonial-era imagery by framing figures within vivid, beaded borders inspired by Mughal miniatures. His work explores the complexities of the Indian diaspora and the fluid nature of identity, moving beyond conventional portraiture to incorporate ancestral craft techniques.

Al Padiglione del Giappone della Biennale di Venezia vi affidano una bambola da accudire

The Japan Pavilion at the Venice Art Biennale 2026 features an immersive, interactive exhibition titled "Grass Babies, Moon Babies" by Japanese-American artist Ei Arakawa-Nash. Visitors are invited to care for one of 200 dolls, each with a QR code that provides a "diaper poem" linked to the doll's symbolic birth date—reflecting the artist's personal experience of becoming a father in 2024 and broader social dynamics in Japan. The pavilion, curated by Lisa Horikawa and Mizuki Takahashi, evolves over the seven months of the Biennale as a platform for shared care and participation.

kanye wet cuck album cover kkk backlash 1234740496

Ye, formerly known as Kanye West, revealed the cover of his new album "Cuck" earlier this month, featuring an unauthorized photograph by acclaimed photojournalist Peter van Agtmael. The image depicts two Ku Klux Klan members in full regalia embracing, with one holding a bouquet, originally titled "The wedding of two members of the KKK in a barn in rural America." West altered the photo to make one Klansman appear Black and removed a dog with a "White Power" cape. Van Agtmael confirmed that neither West nor his team sought permission, and a legal process is now underway.

Met Gala Boycott Message Projected on Bezos’s Manhattan Penthouse

On May 3, 2026, the activist group Everyone Hates Elon projected messages condemning Jeff Bezos and Amazon onto Bezos's luxury penthouse in Manhattan's Madison Square Park, ahead of the Met Gala on May 4. The projections included a video testimony from Amazon warehouse worker Mary Hill, who called for honoring workers instead of billionaires, and slogans such as 'Boycott The Bezos Met Gala.' The group also projected onto the Chrysler and Empire State buildings. This action follows earlier protests, including littering the Met with fake urine bottles and wheatpasting posters across the city, all targeting Bezos's role as an honorary co-chair of the gala.

Delhi Gallery District: Defence Colony Emerges As City’s First Art Hub

The Defence Colony neighborhood has officially transformed into Delhi’s first dedicated gallery district, housing 11 distinct art spaces within a compact, walkable circuit. Anchored by established institutions like Vadehra Art Gallery and Akar Prakar, the area has seen a recent influx of contemporary spaces including GALLERYSKE, PHOTOINK, and the newly opened Gallery Dotwalk. This concentration of venues has birthed a new cultural ritual in the city: late-night art walks where collectors, curators, and younger audiences move seamlessly between openings.

Highlights from 1-54 Marrakech and four artists to watch

The seventh edition of the 1-54 Contemporary African Art Fair took place in Marrakech from February 5-8, 2026, at the La Mamounia hotel. The fair featured 22 galleries, primarily from Africa and its diaspora, showcasing around 70 artists across various media. A key parallel initiative was Gallery Night, which saw local galleries like La Galerie 38 open new exhibitions, such as Ghizlane Agzenaï's solo show 'Dimension 2112: The Station', to coincide with the fair's energy and visitor influx.

Mumbai Gallery Weekend looks beyond the city's historic art district

The 14th edition of Mumbai Gallery Weekend (MGW) is underway, running until January 12, and for the first time appoints co-leads from galleries outside the city's historic art district of Colaba and Fort. Ayesha Parikh of Art and Charlie (Bandra) and Sanjana Shah of Tao Art Gallery (Worli) helm the event, reflecting the geographic expansion of Mumbai's art scene into western suburbs and financial districts. The weekend features ambitious exhibitions, including a solo show of terracotta works by Chippa Sudhakar at Tao and a group show curated by Zeenat Nagree at Art & Charlie. MGW, co-founded in 2012 by Shireen Gandhy and other South Mumbai galleries, has grown from nine to 33 participating galleries, and now includes the Midtown Arts Collective, which represents galleries from Worli, Lower Parel, and Bandra.

New chapter for Artbo: Colombia’s art market finds resilience amidst flux

The 21st edition of Artbo, Colombia's premier art fair, opened in Bogotá with 46 galleries, down from its peak a decade ago. The fair is framed by the inaugural Bogotá Biennial, which adds international draw, and a leadership change: Jaime A. Martínez, an art historian and former gallerist, takes over from María Paz Gaviria. Early sales include works by Tania Candiani, Marcelo Moscheta, and Ximena Garrido-Lecca, with galleries reporting cautious but engaged Colombian collectors.

New flagship art gallery opening in historic city square

Clarendon Fine Art, a leading UK contemporary art gallery, will open a new flagship location in Glasgow's Royal Exchange Square in July. Housed in a restored late-1700s building across two floors, the gallery will feature works by artists including The Connor Brothers, Mr. Brainwash, Danielle O'Connor Akiyama, Philip Gray, and Fabian Perez, along with limited editions, sculptures, and original pieces. An official launch event is scheduled for August 21.

Together in doom: tense paintings of social ills feature at Tefaf New York

VIPs attended the opening of Tefaf New York at the Park Avenue Armory on 8 May, where a surprising number of dark, oppressive works stood out amid the usual luxury offerings. Highlights include Anne Imhof's entire stand at Sprüth Magers, featuring her painting *Untitled* (2024) showing figures holding hands before an atomic bomb (sold for €250,000), Fernando Botero's *El Nuncio* (1987) critiquing clerical power, Paula Rego's *The Bullfighter's Godmother* (1990-91) exploring dominance and loss, and George Grosz's interwar depictions of Berlin's social decay.