The Reina Sofía Museum in Madrid is presenting a major retrospective, 'Viva el arte vivo,' dedicated to Argentine-Spanish artist Alberto Greco. The exhibition traces his evolution from early Informalist paintings to his radical conceptual practice, showcasing works from 1949 until his death in 1965, including photographs, drawings, collages, and literary pieces.
Mangkuluhur ARTOTEL Suites in Jakarta has opened a solo exhibition titled "Weaving The Unseen" by local artist Ratih Alsaira. The show, featuring ten primary works, explores the resilient strength and multifaceted nature of women, using tailoring and domestic crafts as central metaphors. It runs from February 13 to May 30, 2026, at the hotel's ARTSPACE gallery.
Art Basel Hong Kong 2026, running from March 27 to 29, will trigger a major wave of concurrent gallery exhibitions across the city, particularly concentrated in the Central neighborhood and the H Queen's tower. Galleries like Hauser & Wirth, White Cube, and MASSIMODECARLO will present shows for the influx of international collectors and visitors.
The article is a personal reflection on the work and legacy of artist Henrike Naumann, who passed away in 2026. The author, a peer from West Germany, contrasts their own upbringing with Naumann's East German background, detailing how Naumann's practice critically examined the domestic interiors and built environments of post-war Germany to explore the social and political responsibilities embedded within everyday objects and art's role as "stage design" in a fascist-leaning society.
Miltos Manetas, a Greek-born artist, has adopted a life of Franciscan poverty as both a personal practice and an artistic project called "Francesco_2026." His work is featured in the exhibition "Vita minore. San Francesco e la santità dell’arte contemporanea" at Palazzo Collicola in Spoleto, curated by Gianni and Giuseppe Garrera. Manetas has also launched the tenth Internet Pavilion at the Venice Biennale, inviting Saint Francis as the artist, using AI conversations and a monastery in the Venetian lagoon to create an informal community of "Fratelli e Sorelle" who follow a shared rule based on poverty, absence of preparation, and divine providence.
Shopping experience: com’è cambiato il modo di vivere il lusso?
Luxury retail in Milan is undergoing a significant transformation, evolving from simple commercial spaces into 'cultural brandscapes' that blend art, design, and hospitality. Major fashion houses are redesigning their flagship stores to function as urban salons and living galleries, integrating site-specific art installations, historical architecture, and high-end gastronomy to foster community and tangible experiences in an increasingly digital world.
Il colto simposio su moda&design di Prada quest’anno si svolgerà nella chiesa di Santa Maria delle Grazie a Milano
The fifth edition of Prada Frames, an annual multidisciplinary symposium curated by the design studio Formafantasma, is set to take place from April 19 to 21, 2026, at the historic Santa Maria delle Grazie in Milan. Hosted within the Renaissance sacristy attributed to Donato Bramante, the event coincides with the Salone del Mobile and features a series of lectures and discussions. This year's theme, "In Sight," explores the evolving power of images, the blurring lines between human and machine-generated content, and the material environmental impact of digital image production.
Guida ai festival culturali in Italia di aprile 2026: PARMA 360, Torino Jazz, Scienze di Roma, Genova delle arti
The Italian cultural landscape in April 2026 features a diverse array of festivals, headlined by the 10th anniversary of PARMA 360. This contemporary creativity festival, themed 'LUX. Visions on Light,' transforms the city of Parma into a widespread laboratory with exhibitions across 22 locations. Other notable events include the Symeoni Festival in Ferrara, which celebrates the art of movie posters and the legacy of painter Sandro Simeoni, alongside various music and educational programs.
L’apprendimento è qualcosa di estetico e di emotivo. Lo dice Marco Dallari nel suo ultimo libro (e in questa intervista)
Italian pedagogist Marco Dallari discusses his latest book, "La bellezza di Sophia" (2026), which explores the intrinsic human drive for knowledge as an aesthetic and emotional necessity rather than a pragmatic survival tool. Drawing on Freudian concepts and the work of Alessandra Risso, Dallari argues that the desire to learn is a primal impulse that should be nurtured through beauty and curiosity rather than stifled by rigid institutional structures.
Dealers Matteo Consonni and Dawid Radziszewski have merged their respective galleries, Madragoa in Lisbon and Galeria Dawid Radziszewski in Warsaw, to form a single entity: Consonni Radziszewski. The new gallery launched with a third physical space in Milan, timed to coincide with the city's art week and the Venice Biennale. This merger follows a three-year period of collaboration on art fair booths and joint artist representation, specifically for photographer Joanna Piotrowska.
The Brickell Key Gallery (BKG), also known as Ccucu Gall-Art, is set to make history as the first art gallery to open on Miami’s Brickell Key. The inaugural event, scheduled for March 13th, features a solo exhibition by artist Ricardo Garcia, whose contemporary works are heavily influenced by the techniques and aesthetics of the Old Masters.
M.S. Rau, the 113-year-old New Orleans-based gallery specializing in fine art, antiques, and jewelry, has signed a long-term lease to open a permanent second location in Aspen’s historic Aspen Block Building at 307 S. Galena Street. The new two-level, 2,200-square-foot space is set to debut in January 2026, featuring works by Renoir, Picasso, and Magritte, alongside pieces from luxury houses such as Tiffany & Co., Van Cleef & Arpels, Fabergé, and Cartier. The expansion follows a successful seasonal pop-up in Aspen last year and marks the gallery’s first year-round secondary location since its founding in 1912.
The Whiteley, a £1.5 billion restoration of London’s first department store in Bayswater, has reached a major milestone with the opening of seven new retail and cultural brands. Among the new tenants is 3812 Gallery, which has relocated its program of contemporary Chinese art to a 2,800-square-foot space within the development. The broader £3 billion regeneration of Queensway includes luxury fitness, dining, and cinema concepts alongside the new gallery space.
The 45th edition of Arco Madrid, Spain’s premier contemporary art fair, is set to host 206 galleries from 36 countries at the Ifema convention centre. While the fair remains a vital commercial hub, it is currently overshadowed by a nationwide protest from Spanish galleries against the country's 21% VAT on art purchases. This tax rate is among the highest in Europe, significantly outpacing neighbors like Portugal and France, leading to concerns about international competitiveness and the classification of contemporary art as a luxury elite product.
Tehran Auction, Iran's premier auction house, held a $1.5 million art sale at the Azadi Hotel in October, selling 120 works by top Iranian Modern and contemporary artists. This strong domestic performance contrasts sharply with the weak showing of Iranian art at Sotheby's and Christie's in London, where prices have slowed amid sanctions and geopolitical isolation.
An open letter signed by art historians, curators, and researchers protests an upcoming auction at Stanley's Auction House in Zaventem, Belgium, scheduled for April 23, titled “Tributes to the Russian Avant-Garde & Constructivists.” The second sale is organized in cooperation with Drouot, a major French auction platform, and offers approximately one hundred works from the so-called Toporovsky collection, which has been linked to a scandal involving forged Russian modernist paintings at the Museum of Fine Arts Ghent. The alleged suppliers, Igor Toporovsky and Olga Toporovsky, face criminal charges including the sale of 171 forged works for about €20 million, with court proceedings beginning in May in Ghent. The signatories argue that the auction, with works priced around €300 each, is deeply troubling given the pending legal case and the undisclosed consignor identity.
The Center for Institutional Studies, Research, and Training (CERFI), a research cooperative co-founded by Félix Guattari in the wake of May 1968, sought to merge militant political practice with institutional psychotherapy. By adopting a model of 'analytical self-management,' the group utilized rotational roles and collective research to avoid the hierarchies and alienation typical of traditional academic and political organizations. This experimental structure was heavily influenced by the 'grid' system used at the La Borde psychiatric clinic, aiming to turn administrative labor into a tool for subjective liberation.
Luxembourg’s Culture Minister, Éric Thill, is defending the country’s €540,000 budget for the upcoming 61st Venice Biennale following criticism from the right-wing Alternative Democratic Reform Party (ADR). Lawmakers questioned the high cost and the provocative nature of artist Aline Bouvy’s project, "La Merde," a feminist commentary centered on a personification of excrement. Critics argued the expenditure is unjustifiable given current social challenges and compared it unfavorably to the smaller budget of the national cultural observatory.
Bernard Arnault, the billionaire art collector and LVMH chairman, harshly criticized a proposed French tax on the ultra-wealthy, calling it "offensive" and "deadly for our economy." The plan, devised by economist Gabriel Zucman, would impose a 2% tax on the wealth of the richest individuals, projected to raise 20 billion euros ($27 billion). Arnault, worth $156 billion according to Forbes, insulted Zucman as a "far-left activist" with "pseudo-academic competence," prompting a rebuttal from Zucman and support from economist Thomas Piketty.
The National Park Service announced it will reinstall a statue of Confederate General Albert Pike in Washington, D.C., after it was toppled and burned by protesters during the 2020 Black Lives Matter demonstrations. The agency shared an image of the bronze work being cleaned of corrosion and graffiti, citing federal historic preservation law and recent executive orders to restore pre-existing statues in the nation's capital. The statue is expected to return to public view in October, with site preparation beginning soon to repair its damaged masonry plinth.
Former US ambassador to France and Monaco Jamie McCourt has purchased a historic Palm Beach house known as the "Fore and Aft House" or "The Boat House" for $19.2 million. The sellers were Pace Gallery CEO Marc Glimcher and his wife, designer Fairfax Dorn, who bought the property in 2021 for $14.3 million and made further updates. The 1937 lakefront home features a ship-like design with porthole windows and curved lines, sitting on a third of an acre with waterfront access.
Belgian fashion designer Dries Van Noten and his partner, chef Patrick Vangheluwe, have acquired the historic 15th-century Palazzo Pisani Moretta on Venice’s Grand Canal to establish the Fondazione Dries Van Noten. The nonprofit foundation, set to open in April 2026 just before the 61st Venice Biennale, will host exhibitions, residencies, and events dedicated to the art of craftsmanship, blending traditional techniques with modern forms like AI and 3D printing. The 43,000-square-foot palazzo, known for its Carnival masquerade balls and film appearances, contains artworks by Tiepolo and was sold only to a buyer with a strong stewardship plan.
Francis Ford Coppola sold a collection of seven personal watches at Phillips New York in early December 2025, raising millions to offset financial losses from his film Megalopolis (2024). The sale was led by a unique watch he co-designed with F.P. Journe, known as the FFC, which sold for $10.8 million—ten times its estimate and a world record for the brand. Other timepieces, including a Patek Philippe and a Breguet, also far exceeded their high estimates.
Cartier has opened a theatrical pop-up exhibition titled "Into the Wild" in Miami during Art Week, showcasing its archive of animal-themed jewelry and objets. The exhibition guides visitors through five staged "worlds" featuring the iconic Panthère motif alongside other fauna and flora, with vintage pieces from the 1970s, 1980s, and 1990s, and a finale by Berlin-based artist Clare Celeste. The experience concludes with golf carts transporting guests to Cartier's newly renovated Miami flagship boutique.
A rare Fabergé Imperial egg, the Winter Egg, sold for £22.8 million ($30.2 million) at Christie’s London on December 2, 2025, setting a new world auction record for any Fabergé work. The egg was a 1913 Easter gift from Tsar Nicholas II to his mother, Maria Feodorovna, and was designed by Alma Pihl, one of the few women working in Fabergé’s St. Petersburg workshops. It had previously sold at Christie’s in 1994 and 2002, each time setting records.
RM Sotheby's is hosting an online auction titled "The Champions – Schumacher and F1 Legends" from July 24 to 30, featuring 280 lots of Formula 1 memorabilia. Highlights include a Cartier Automatic watch gifted by Enzo Ferrari to Fiat executive Gianni Agnelli in 1988, estimated at €10,000–€20,000, and over 150 lots related to Michael Schumacher, such as racing suits, helmets, and boots from his career. Other notable items include watches presented to Jean Todt and Michael Schumacher, as well as memorabilia from drivers like Lewis Hamilton, Ayrton Senna, and Fernando Alonso. A selection of 35 lots will be displayed at the Concours of Elegance in Tegernsee, Germany.
Cartier's new High Jewelry collection, Nature Sauvage, explores animal vitality through bold abstraction and inventive form, moving away from literal depictions of fur or feathers. The collection includes pieces like the Koaga necklace, which distills a zebra into graphic onyx and diamond stripes. The article traces the history of Cartier's animal jewelry, beginning with the iconic Panthère motif introduced in 1949 by creative director Jeanne Toussaint, and highlights other historic pieces such as the Flamingo brooch (1940) and the Celestun Necklace. It notes that Cartier's big cats became status symbols for glamorous women from Hollywood and society, who would request bespoke designs from the Rue de la Paix boutique.
"Scheiße hat die Kraft, Ordnungssysteme zu destabilisieren"
Aline Bouvy, the artist representing Luxembourg at the Venice Biennale, has created a film essay titled "La Merde" that centers on excrement as its main character. Originally conceived as a performance, the work explores themes of bodily circulation, transformation, and the grotesque, using feces to challenge societal taboos and systems of order. Bouvy discusses the film's development with curator Stilbé Schroeder, noting that the Biennale provided the resources and time to realize the project, which will later travel to the Kunstverein in Salzburg.
Matter and Shape, a design salon held concurrently with Paris Fashion Week, returns for its third edition from March 6–9 at the Jardin des Tuileries. Curated by artistic director Dan Thawley and founder Matthieu Pinet, the fair transforms two pavilions into a temporary city of objects, featuring collectible design, practical luxury, and emerging studios. This year's theme, “scale,” prompts visitors to consider both micro craft gestures and macro production systems, with a focus on ethical and sustainable practices. Exhibitors include Lindsey Adelman Studio, a reading room with Villa Hegra, a collaboration with Byredo, and the return of the Zara Home x Dreamin’ Man café, alongside a new restaurant concept from Balbosté.
Contemporary painter Vanessa Johansson recently debuted her solo exhibition at the Sky Garden Penthouse in Gramercy Park, New York. Curated by Jenny Mushkin Goldman of Agency Esta, the show featured Johansson’s large-scale acrylic on canvas works, which utilize fluid, transparent layers to evoke the spiritual and visual language of mid-20th-century Color Field abstraction. Pieces such as the triptych 'Windows' and the diptych 'Flow State' demonstrate her intuitive approach to motion, buoyancy, and orbital forms.