The Mandeville Art Gallery at UC San Diego is presenting the exhibition "Faith Ringgold: Full Circle – The Teachings and Her Legacy," curated by Mashonda Tifrere. The show, which opens on February 28, 2026, features 19 works spanning from 1976 to 2023, tracing the artist's evolution as a multidisciplinary storyteller and her influential tenure as a professor at the university.
The Smithsonian American Art Museum has unveiled "Nick Cave: Mammoth," a major new commission by artist Nick Cave. The exhibition, which opened on February 13, 2026, is the museum's largest-ever commission by a single artist and marks Cave's first solo show in Washington, D.C. It transforms a suite of galleries into immersive environments featuring a massive hand-beaded tapestry, towering sculptures incorporating mammoth skulls, and a large light table displaying thousands of found objects.
The Denver Art Museum will open an exhibition titled 'Knife Fork Spoon: Everyday Tools, Extraordinary Design' in May 2026. The show explores the history, artistry, and innovation of flatware, featuring over 200 objects from the 19th century to the present, including newly commissioned works by contemporary designers and architects.
The Blaffer Art Museum at the University of Houston has launched two new exhibitions, 'The Uncanny In-Between' and 'Mud + Corn + Stone + Blue,' both running through March 14. The first features ceramic works by five Korean artists exploring bicultural identity, while the second presents works by artists from the U.S. Corn Belt and Central America, weaving together themes of agriculture, history, and political intervention.
Bolton Museum has launched its annual Open Art Exhibition, running from February 14 to May 17. The free showcase features a wide range of media from artists, craftspeople, and students based in the borough, with three prizes to be awarded, including a Visitors' Choice Award and a Young Artist Award.
Gabi Vidal-Irizarry, a guest writer for Artnet News's Wet Paint gossip column, recounts attending an "Artist Party" at the Museum of Modern Art featuring Arthur Jafa. The column then pivots to a profile of Jim Toth, the audio engineer behind the distinctive white pyramid speakers ubiquitous at New York art world events, tracing his career from the city's legendary 1980s nightlife scene to becoming the preferred sound provider for museums and elite patrons.
The Ukrainian Pavilion at the 2026 Venice Biennale will present a project titled "Security Guarantees," focusing on the failure of international promises to protect Ukraine, specifically referencing the 1994 Budapest Memorandum. Artist Zhanna Kadyrova will exhibit her concrete sculpture, Origami Deer, which was evacuated from eastern Ukraine as the Russian frontline advanced. The work will be suspended from a crane on a truck along the lagoon, and the pavilion will include archival material and a video installation tracing the sculpture's journey.
Northeastern University has launched a new exhibition titled "The Data at Hand: Data Physicalizations of Earth and Space" at its Gallery 360 on the Boston campus. The show, a collaboration between the university's Boston and Oakland campuses and the Mills College Art Museum, features works by artist Nathalie Miebach and the collaborative 'just practice' that translate data into physical sculptures using materials like fiber, wood, and glass.
上海美协九届三次理事会召开
The Shanghai Artists Association convened its Ninth Council Third Meeting at the Shanghai Literary and Art Hall. Key figures including Fang Kun, Vice Chairman of the Shanghai Federation of Literary and Art Circles, and Zeng Chenggang, Chairman of the Shanghai Artists Association, delivered speeches reviewing the association's 2025 achievements and outlining plans for 2026. The meeting focused on five major work areas: ideological guidance, creating high-quality artworks, embracing technological change, innovating service mechanisms, and expanding international influence. Over 60 council members participated in discussions covering exhibition optimization, talent cultivation, art-tech integration, and improving association services.
Chicago street artist Jordan Nickel, known as Pose, is embroiled in a legal dispute with the arts and crafts retail giant Michaels. The artist, through his attorney Jeff Gluck, alleges that Michaels used his artwork in advertisements for Ironlak spray paint without his permission. Michaels has responded by filing a preemptive lawsuit in Texas, seeking a court declaration that it did not infringe on any rights and asking for attorneys' fees, while also arguing that it believed it had permission through its supplier, AVT Paints.
A South Korean court acquitted former chief prosecutor Kim Sang-min of violating anti-graft laws by allegedly purchasing a painting attributed to artist Lee Ufan and gifting it to Kim Keon-hee, the wife of former President Yoon Suk-yeol, in exchange for political favors. The court found the prosecution's evidence insufficient to prove the painting was purchased or delivered as a bribe, citing a lack of documentation and the questionable credibility of a key witness.
Italian video art pioneer Fabrizio Plessi has opened a new exhibition, "Fabrizio Plessi: Drowning in a Glass of Water," at the recently rebranded Galleria Barovier and Toso in Venice. The show features a monumental installation of rings placed in dialogue with the gallery's historic chandeliers, alongside a series of glass sculptures that mimic traditional water vessels but are largely solid, creating a trompe l'oeil effect. The works incorporate moving images and sounds of water.
A small copper-alloy object, excavated nearly a century ago from a predynastic cemetery at Badari in Upper Egypt, has been re-identified as the world's oldest known Egyptian bow drill. Dating to the late 4th millennium BCE, the tool pushes back the earliest evidence for this technology in Egypt by about 2,000 years, revealing that Egyptian craftspeople mastered efficient rotary drilling much earlier than previously thought.
Artist Eimear Walshe, who represented Ireland at the 2024 Venice Biennale, will stand trial alongside activists Áine Treanor and Aindriú de Buitléir, collectively known as the Shannon Three. They are charged with trespassing and illegally accessing a runway at Shannon Airport in County Clare during a 2024 protest where they raised a Palestinian flag and held a sign reading "US military out of Ireland." The protest, which shut down the airport for over half an hour, was staged on Land Day to draw attention to the conflict in Gaza and the use of the airport by US military and civilian aircraft allegedly transporting munitions to Israel.
A landmark exhibition of Welsh artist Gwen John, titled "Gwen John: Strange Beauties," has opened at Amgueddfa Cymru (National Museum Wales) to celebrate the painter's 150th birthday. It is the most comprehensive retrospective of her work in 40 years, spanning two floors and featuring previously unseen sketches, watercolours, and intimate paintings of recurring subjects like cats, St Thérèse of Lisieux, and the artist's own room. The exhibition is curated by Lucy Wood and runs until June 28th.
The article highlights 20 art exhibitions across India running concurrently with the India Art Fair, focusing on six key shows. Atul Dodiya presents 'The Gatecrasher' at Vadehra Art Gallery in Delhi, featuring 12 large-scale oil paintings that weave pop culture, art history, and personal memory. Sudarshan Shetty's 'A Breath Held Long' at GallerySKE explores the intersection of voice, body, and urban life through film and steel sculptures. Bikaner House hosts 'Typecasting: Photographing the People of India 1855-1920,' a critical exhibition of colonial ethnographic photographs. The Kolkata Centre for Creativity presents 'Convergences: A Shared Ground' examining artistic and architectural practices from eastern and northeastern India. Nilaya Anthology in Mumbai showcases a retrospective of architect Pinakin Patel, 'The Turning Point,' featuring 11 signature pieces.
A new exhibition at Philadelphia's Institute of Contemporary Art, titled “The Shakers: A World in the Making,” brings historic Shaker objects into dialogue with contemporary art, including newly commissioned works. The show, a collaboration with the Vitra Design Museum, Milwaukee Art Museum, and Shaker Museum, coincides with the release of the film *The Testament of Ann Lee* and focuses on Shaker values such as craft, patience, and care rather than their more controversial principles like celibacy and gender segregation. Featured artists include Amie Cunat, who created a contemplative cardboard meetinghouse, and Christien Meindertsma, who uses Shaker basket-making techniques for willow burial vessels.
The Victoria and Albert Museum in London has issued an open call for contemporary artists and designers to create new carved wooden panels for a 19th-century coffered ceiling from a temple in Kochi, South India, which will be the centerpiece of its redesigned South Asia Gallery at South Kensington. The ceiling, measuring 6 by 1.7 meters and originally comprising 45 panels, has been in storage for over 70 years; more than half of its panels are missing. The commission invites applicants to replace the lost panels with sensitivity to the original materials, design, and craftsmanship, integrating them into the restored structure. Expressions of interest are due by 28 February 2026.
This week's Boulder County art scene features a wide array of exhibitions and gallery events across multiple venues. Highlights include the Boulder Museum of Contemporary Art's group show "Yes &…" running through May 3, Jordan Wolfson's "Interiors" at BMoCA at Frasier, and "Black Futures in Art" at Bus Stop Gallery. Other notable shows include "Balance" by Studio Art Quilt Associates at Collective Community Arts Center, "Jamaican Portraits" by Albert Chong at East Window, and "Camp: Queer Arts and Crafts" at Kin Studio and Gallery. The Dairy Arts Center presents "Continuum" and "Polyglot," while the Museum of Boulder features "Blazing Trail for 150 Years at CU Boulder" and "Boulder Eats!"
Martin Puryear's 1978 sculpture *Self* opens a survey of his work at the Museum of Fine Arts, Boston, titled “Martin Puryear: Nexus,” which runs through Sunday before traveling to the Cleveland Museum of Art in April. Curated by Emily Liebert, Reto Thüring, and Ian Alteveer, the exhibition argues that Puryear's abstract, craft-intensive sculptures—like *A Column for Sally Hemings* (2021)—are not merely formalist exercises but carry political and historical meanings that are deliberately withheld, challenging viewers to read beyond elegant surfaces.
Craft-based activism is surging in the U.S. as a form of protest against Immigration and Customs Enforcement (ICE) policies and operations under President Trump's second term. Projects include the "Melt the ICE" hat, a red beanie pattern that has sold over 65,000 copies and raised over $600,000 for immigrant-support nonprofits, and origami rabbits for a detained five-year-old boy, drawing direct parallels to historical craft-as-resistance movements like the Norwegian topplue worn against Nazi occupation.
Artist Princess Pea, the alter ego of Natasha Preenja, has won the first-ever Swali Craft Prize. The award, presented by the Chanakya School of Craft in partnership with India Art Fair, includes a cash prize of 1.1 million rupees and an exhibition slot at the fair for a large embroidered wooden sculpture created during a residency at the school.
Artist Sayre Gomez has opened a new solo exhibition titled "Precious Moments" at David Kordansky Gallery in Los Angeles. The show features paintings of gritty urban landscapes alongside sculptures of his own children, modeled after Precious Moments collectible figurines, dressed in the kids' actual clothes and placed in the gallery's rafters.
Newly released documents from the Jeffrey Epstein case reveal the financier's intense personal interest in the Frick Collection, the museum located across from his Manhattan mansion. Epstein drafted letters opposing the museum's proposed expansion, criticizing plans as "brutish" and a "travesty," and claimed to have insider knowledge about the institution and its founder, Henry Clay Frick. He was joined in his opposition by other powerful neighbors, including billionaire Howard Lutnick.
The 2026 India Art Fair, the 17th edition of South Asia's leading contemporary art event, is taking place from February 5 to 8 at the NSIC Exhibition Grounds in New Delhi. It features 135 exhibitors presenting modern and contemporary art, performance, film, craft, design, and outdoor installations, alongside a program of talks, workshops, and citywide collaborations.
Volume Gallery, a Chicago gallery specializing in art and design, is tripling its size and moving to a new location in the West Town neighborhood. The gallery, founded by Claire Warner and Sam Vinz, will open a 3,500-square-foot space on February 13, marking its third location since its 2010 launch. The inaugural exhibition, "The Heresy of Legacy," will feature works by artists and designers including Selva Aparicio, Richard Artschwager, and Joyce Scott.
Photographer Graciela Iturbide is the subject of a major exhibition, "Graciela Iturbide: Vintage," at Throckmorton Fine Art in New York. The show features rare vintage prints, including her iconic work *La Señora de las Iguanas* (1979), and was made possible by the rediscovery of 19 long-lost prints that Iturbide had sent to a dealer decades ago.
Several San Francisco museums are experiencing a period of transition and challenge in February 2026. Key exhibitions are closing soon, including "Manet and Morisot" at the Legion of Honor and Suzanne Jackson's first career retrospective at SFMOMA, both ending March 1. New shows are opening, such as "Video Craft" at the Museum of Craft & Design and "Echoes in the Small Mountain: Park Dae-sung and the West Coast" at the Asian Art Museum. Meanwhile, the city's cultural landscape faces strain, with the Mission Cultural Center for Latino Arts suspending operations, representing a significant loss of community programming.
江西省美协2025 AI美术（设计）作品展暨研讨会举办
The Jiangxi Artists Association launched the '2025 AI Art (Design) Works Exhibition' at the Jiangxi Federation of Literary and Arts Circles Art Exhibition Center on December 24. The exhibition featured 60 'human-machine symbiosis' AI artworks created by 30 young artists from the province following a training program. The works, spanning traditional and digital mediums, utilized generative AI technology and were presented through various formats including projections, light boxes, and installations.
The article explores the debate over museum wall texts, examining whether they enhance or hinder the visitor experience. It highlights contrasting approaches: Calder Gardens in Philadelphia has eliminated wall text entirely, branding itself as "open to interpretation," while institutions like the Frick Pittsburgh and the Royal Ontario Museum (ROM) continue to use carefully crafted labels, often with strict word limits and multiple languages. The Frick Pittsburgh invites guest "labelists" from the local community to write labels, and the ROM focuses on making text shorter and more scannable to hold visitors' limited attention.