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I’ve Got the Post-Duchamp Blues

The article is a review of the Marcel Duchamp retrospective at the Museum of Modern Art (MoMA) in New York, the first such show since 1973. Featuring around 300 works from Duchamp's six-decade career, the exhibition includes his iconic readymades like "Fountain" (1917) and early paintings such as "Nude Descending a Staircase, No. 2" (1912). Co-curated by MoMA's Ann Temkin and Michelle Kuo along with Matthew Affron of the Philadelphia Museum of Art, the show runs through August 22, 2026, before traveling to Philadelphia.

David Hockney’s First English Landscape Painting Heads to Sotheby’s London’s Auction Block

David Hockney’s 1965 painting "English Garden" is set to be auctioned at Sotheby’s London during its modern and contemporary evening sale on March 4. Estimated to fetch between £2.5 million and £3.5 million, the work is historically significant as the artist’s first foray into English landscape painting. Interestingly, Hockney painted the vibrant scene from memory and a photograph in American Vogue while he was living in Boulder, Colorado.

‘Quality always rules’: VIP day sales at Frieze London 2025

Frieze London 2025 opened with VIP day sales reflecting a cautious but resilient market. Gallerists reported solid sales, including Michael Landy's 'Multi-Saint' (2013) sold to the Walker Art Gallery for €125,000, and blue-chip works at Frieze Masters such as René Magritte's 'Le domaine enchanté' (1953) for $1.6m and Gabriele Münter's 'The Blue Garden' (1909) for SFr2.4m ($3m). Dealers noted a shift from speculative frenzy to more considered buying, with collectors taking longer to decide but still investing in quality works. The fair saw strong attendance, including wealthy individuals who had left London due to UK tax changes returning to buy.

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Zona Maco, one of Latin America's premier art fairs, will return to Mexico City from February 4–8, 2026, at Centro Banamex. The fair will feature 241 exhibitors across nine sections, including a new section called Forma, which blends contemporary art and design, and a revised Diseño Emergente section for emerging designers. Notable participants include Pace Gallery, Galleria Continua, Kurimanzutto, and OMR, with curated sections led by Aimé Iglesias Lukin and Manuela Moscoso. Founder Zélika García highlighted the fair's growth and its commitment to showcasing blue-chip galleries alongside emerging and mid-career talent.

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Jackie Amézquita, a Los Angeles-based artist originally from Guatemala, has developed a unique brick-making process using soil and masa de maíz (corn dough) mixed with organic materials like blue pea flower, cocoa, cochineal, and charcoal to create vibrant, colorful bricks. Her work, including the 2023 installation *El suelo que nos alimenta* commissioned by the Hammer Museum for the Made in L.A. biennial, uses soil from each of LA's neighborhoods to explore themes of migration, memory, and colonial legacies. Amézquita's practice is deeply personal, drawing on her family's migration history—her mother moved from Guatemala in 1987, and her grandmother fled Mexico during the Cristero War—and her own eight-day walk from Tijuana to LA, during which she collected soil samples as an archive of memory.

David Armstrong “Portraits” at Artists Space, New York

Artists Space in New York is presenting the first US survey of photographer David Armstrong (1954–2014), titled "Portraits." The exhibition brings together over 90 photographs that showcase Armstrong's experimental approach to portraiture, transforming landscapes, still lifes, and fashion imagery into explorations of intimacy, desire, and loss.

Lévy Gorvy Dayan Bets on Urgency With New LGD Hammer Sales Platform

Lévy Gorvy Dayan has launched LGD Hammer, a new sales platform that blends gallery exhibition with auction-style urgency. The first work offered is Willem de Kooning's *Milkmaid* (1984), estimated at $10–$15 million, which will be on view by appointment from May 2 until the sale on May 16. Gallery cofounder Dominique Lévy will serve as auctioneer, drawing on her Christie's experience, while bidding occurs by phone with online observation. Cofounder Brett Gorvy emphasized the platform is not a market overhaul but a response to slowed private sales and cautious collectors who still respond to competitive pressure.

London Dealer Stephen Friedman Owes $10.6 M. to Dozens of Creditors, Including Artists Deborah Roberts and Kehinde Wiley

London-based gallery Stephen Friedman has accumulated debts of approximately $10.6 million, according to official documents filed with Companies House. Creditors include Coutts & Co. bank (£3.2 million), Pentland Group Ltd. (£1.4 million), the UK tax authority, the Pollen Estate, art logistics company Crozier, and several prominent artists—Alexander Diop (£341,905), Deborah Roberts (£289,232), and Kehinde Wiley (£163,849). The gallery closed its New York space in November 2024 after just two years, then abruptly shut its London location and entered insolvency proceedings in February 2025, shortly after pulling out of Art Basel Qatar. A restructuring proposal by FRP Advisory was approved on 22 April.

Natasha Tontey to Unveil Major New Immersive Installation Exploring Indigenous Resistance During Venice Biennale

Artist Natasha Tontey will unveil a major immersive installation titled "The Phantom Combatants and the Metabolism of Disobedient Organs" during the Venice Biennale at the Ateneo Veneto di Scienze, Lettere ed Arti. Jointly commissioned by Berlin’s LAS Art Foundation and Helsinki’s Amos Rex, the work combines video, sound, light, and sculpture to reimagine the story of Len Karamoy, a combatant in the CIA-supported Permesta movement that fought the Indonesian government from 1957 to 1961 in North Sulawesi. Tontey, a Minahasan Indigenous artist, uses LiDAR, quantum ghost imaging, and other technologies to explore Indigenous identity, ecology, and the blurring of history and myth.

Gladstone Gallery to Relocate in Seoul, Doubling Exhibition Space

Gladstone Gallery is relocating its Seoul location to the Hannam-dong neighborhood later this year, doubling its exhibition space. Designed by architect Minsuk Cho of Mass Studies, the new outpost will occupy two floors of the 739-28 Hannam Building, across from Pace Gallery and near the Leeum Museum of Art. The space is set to open in late summer ahead of Frieze Seoul in September, with a solo exhibition by Ed Atkins—his first in the city—inaugurating the gallery. Gladstone first opened in Seoul's Gangnam district in 2022, joining a wave of Western galleries entering the Korean market.

Art Dubai Unveils Leaner ‘Special Edition’ Built Around Regional Core

Art Dubai has announced a streamlined "special edition" for its 2026 iteration, featuring a reduced roster of approximately 75 exhibitors. Scheduled for May 15–17 at Madinat Jumeirah, the fair is pivoting toward a regional core, with 60 percent of participants hailing from the Gulf and Southwest Asia. To address economic pressures and regional instability, the fair is implementing a novel risk-sharing financial model where booth costs are partially tied to sales performance.

The Best Booths at Art Basel Hong Kong, From AI Magical Girls to Asia’s Unsung Masters

Art Basel Hong Kong 2026 showcased a vibrant array of talent, with standout presentations across its curated sectors like Discoveries and Insights. Highlights included Vin Gallery's ceramic skeleton shadow puppets by Ako Goto, Lucie Chang Fine Arts' case for the late painter Zhu Xinjian, and gdm's pairing of Kongkee's lightbox sculptures with abstract works by Thai modernist Tang Chang. The fair also featured a monumental, self-sabotaged neon sign by Kongkee reading "Price / Value."

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Art Basel has unveiled the exhibitor list for its 2026 flagship Swiss edition, featuring 290 galleries from 43 countries. The fair, scheduled for June 18–21, will include 21 first-time participants and an expanded 'Premiere' sector for recent works. Notable shifts include four galleries debuting directly in the main sector and the introduction of public commissions by Nairy Baghramian and Ibrahim Mahama as part of the inaugural Art Basel Awards.

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Art Basel Miami Beach 2025 has lost at least eight exhibitors from its main sector since the fair released its initial list over the summer. Among the dropouts are blue-chip galleries including Miguel Abreu, Chantal Crousel, Alison Jacques, Peter Kilchmann, Edward Tyler Nahem, Luisa Strina, and Lia Rumma, as well as Shanghai's BANK gallery. Two galleries, Altman Siegel and Tilton, closed entirely between the list's release and the present. Kasmin changed its name to Olney Gleason and will still participate. Reasons for withdrawal vary: Miguel Abreu chose a solo presentation at Frieze Masters over Miami, citing a "less than stellar" experience the previous year and the burden of three fall fairs. The fair's contract imposes escalating financial penalties for late withdrawals, with galleries owing 50% of their fee after August 1 and 100% after October 1.

berlin gallery societe represents edi rama prime minister albania 1234756310

Berlin gallery Société has announced that it now represents Edi Rama, the Prime Minister of Albania, as an artist. Rama, who has been in office since 2013, studied at the Academy of Arts in Tirana, worked as an artist in Paris in the 1990s, and served as Albania's minister of culture before entering politics. His work includes boldly colored ceramic sculptures and abstract works on paper, often created on repurposed official documents during meetings. He previously exhibited at Marian Goodman's Paris space in 2024.

sam mckinniss jeffrey deitch review 1234756098

Sam McKinniss's new exhibition "Law and Order" at Jeffrey Deitch in New York presents paintings of viral and iconic figures, including Jeremy Meeks, Luigi Mangione, Chuck Bass from Gossip Girl, and riderless horses running through urban streets. The show explores how social media blurs the lines between advertising, entertainment, and politics, capturing the experience of scrolling through online content. The article, part of ARTnews's Link Rot column by Shanti Escalante-De Mattei, examines McKinniss's attempt to illustrate the feeling of living in contemporary America through curated images of law enforcers and law breakers.

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Tilton Gallery in New York has announced that its upcoming exhibition, featuring late abstract painter Ruth Vollmer, will be its last. The show runs from September 30 to November 15, after which the gallery will vacate its Upper East Side space. The decision was made by Connie Rogers Tilton, Jack Tilton's widow, who has run the gallery since his death in 2017. She stated it is time to pursue her own projects in a more private setting. The gallery was founded in 1983 by Jack Tilton, who previously worked for Betty Parsons, and was known for launching careers of artists like Marlene Dumas, Nicole Eisenman, and Glenn Ligon, as well as promoting Chinese artists in the 1990s.

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Acquavella Galleries, a blue-chip gallery known for secondary market sales, has taken exclusive US representation of Swiss sculptor Harumi Klossowska de Rola. The artist, daughter of painter Balthus and ceramicist Setsuko Klossowska de Rola, creates bronze and alabaster animal sculptures that blend fine art and design. Her works, priced from under $100,000 to over half a million dollars, are cast in small editions and meticulously reworked by hand. Acquavella discovered her work at the Palm Beach home of collector Peter Brant. Her first show with the gallery opened in Palm Beach, accompanied by a Rizzoli book, with new works planned for Art Basel Paris and a major solo exhibition at Acquavella's New York space in 2026.

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Christie’s has appointed Max Carter as chairman of 20th and 21st Century art for the Americas. Carter, a Canadian-American writer and art specialist who joined the auction house in 2007, previously led the Impressionist and modern art department in the Americas from 2017 to 2022. He has overseen major collection consignments from Anne Bass, Paul Allen, S.I. Newhouse, Mica Ertegun, Robert F. Weis and Patricia G. Ross Weis, and Elaine Wynn, and has achieved record prices for artists like Ed Ruscha and Henri Rousseau. Carter will report to Christie’s global president and succeeds in the role as the auction house prepares for its marquee November sales in New York.

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New York dealer Bridget Donahue and Los Angeles dealer Hannah Hoffman are merging their eponymous galleries to form a new operation called Hoffman Donahue, with spaces in both cities. The combined gallery represents 43 artists, including Puppies Puppies and Lynn Hershman Leeson, and its roster is more than 70 percent women artists. The merger will be fully integrated by 2026, with its official debut at Art Basel Paris. The dealers previously worked together at Gavin Brown's Enterprise and have collaborated on art fair booths.

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Anne Imhof, the German artist known for her sprawling performances and winner of the 2017 Venice Biennale Golden Lion, has created her first brand collaboration with Nike. She designed two rival jerseys for Nike's revived Total 90 line, inspired by the warring 'houses' from her Park Avenue Armory project *Doom: House of Hope*: a black-and-blue short-sleeve jersey for the Tigers and a red long-sleeve jersey with a wolf's head for the Wolves. The designs, realized with Zak Group, feature the Doom crest and 'Imhof 25' on the back, and were launched with a live performance by Berlin musicians Lia Lia and ATK44 during Berlin Art Week. The jerseys will be available from September 16 at Voo Berlin and Dover Street Market in London.

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Christie’s has secured the collection of Robert F. Weis and Patricia G. Ross Weis for its November sales in New York, with 80 lots valued at over $180 million. The collection spans Cubism to Abstract Expressionism and includes major works by Picasso, Matisse, Mondrian, and Rothko, with top estimates reaching $50 million. The Weis family, founders of Weis Markets, assembled the collection over more than seventy years, and 18 lots will be sold in a single-owner sale ahead of Christie’s 20th-century evening sale.

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Walter Swennen, a Belgian artist who began his career as a poet before turning to painting, has died at age 79. His death was announced by his gallery, Xavier Hufkens, without specifying a cause. Swennen was known for his playful, language-infused paintings that combined cryptic phrases, comic-book-like figures, and unconventional materials such as found wood and metal. He rose to prominence in Belgium alongside other painters interested in materiality, but his work stood out for its freewheeling humor and destabilization of meaning. A major retrospective at WIELS Contemporary Art Centre in Brussels in 2013 helped revive his career, leading to later shows at Gladstone Gallery in New York and a growing international following.

sam gilliam sculpture textile fiber dublin ireland imma 1234748631

The article reviews an exhibition of Sam Gilliam's work at the Irish Museum of Modern Art (IMMA) in Dublin, focusing on 23 works from the 1990s that highlight his use of sewing and stitching. Gilliam, a relentless experimenter who died in 2022, is known for moving from hard-edged stripe paintings to draped, unstretched canvases that blurred painting and sculpture. This show reveals a lesser-known aspect of his practice: patchwork-like assemblages of painted and printed canvas pieces held together by visible machine stitching, often incorporating photographic imagery of botanical forms. The works originated from a 1993 residency in Ballinglen, County Mayo, where Gilliam shipped pre-painted canvases from Washington, D.C., and had a seamstress sew them together.

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Global auction sales at Christie’s, Sotheby’s, and Phillips fell 6.2% in the first half of 2025 compared to the same period last year, while the number of lots sold rose 1.3%. ArtTactic’s analysis reveals significant category shifts: post-war and contemporary art dropped 19.3% to $1.22 billion, impressionist and modern art fell 7.7% to $989.5 million, and luxury sales were nearly flat. In contrast, Old Masters surged 35.6% to $171.2 million, and design, decorative arts, and furniture rose 20.4% to $172 million. The decline in high-value trophy lots, including the withdrawal of Andy Warhol’s *Big Electric Chair* and Alberto Giacometti’s *Grande tête mince*, contributed to the slump in contemporary sales.

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The Basel Social Club (BSC), a rogue nonprofit exhibition platform, has taken over a defunct private bank in Grossbasel for its fourth edition, offering a free-entry counter-program to the main Art Basel fair. Over 100 rooms are transformed into living artworks, featuring installations like a functional Black hair salon ("It’s a Whole Lotta Money"), a video essay critiquing online review systems ("1 ★ Review Tour"), and a jewelry boutique in the former vault ("Bijoux Solaires"). The event is described as chaotic, punk, and intimate, with performances such as Faisal Abdu’Allah giving real haircuts in a vintage barber chair.

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During New York Art Week, two smaller art fairs—Esther II and Conductor—offer alternatives to the major events like Frieze and TEFAF. Esther II, now in its second edition, takes place at the Estonian House in Murray Hill, featuring 25 galleries from 17 cities with site-specific installations and performances. Conductor debuts at Powerhouse Arts in Gowanus, focusing on artists from the Global South and its diasporas, with a unique model that allows artists to fabricate work on-site using the venue's production facilities.

Collector Jennifer Gilbert Is Selling Modernist Masterpieces to Fund Her New Arts Space

Jennifer Gilbert, the Detroit-based entrepreneur and philanthropist, is auctioning a selection of Modernist masterpieces from her private collection to fund Lumana, a new nonprofit arts organization. The sales, scheduled for May and June at Sotheby’s New York, include high-profile works by Joan Mitchell and Kenneth Noland, with an overall fundraising goal exceeding $10 million.

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Chinese authorities have concluded a major investigation into the Nanjing Museum, revealing decades of alleged mismanagement and corruption that led to nationally significant artworks being funneled into the private market.

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Artnet News rounds up the standout auction moments of 2025, highlighting both triumphs and disappointments. M.F. Husain's *Untitled (Gram Yatra)* (1954) smashed expectations at Christie's, selling for $13.8 million—more than double the artist's previous record and the first South Asian Modern work to exceed $10 million. In contrast, Piet Mondrian's *Composition with Large Red Plane, Bluish Gray, Yellow, Black and Blue* (1922) fell short of its $50 million estimate at Christie's, missing the artist's auction record, while Alberto Giacometti's *Grande tête mince* (1955) failed to sell at Sotheby's despite a $70 million asking price, underscoring market volatility.