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James McNeill Whistler was more than just a combative ‘coxcomb’

Carol Jacobi, curator of a new exhibition at Tate Britain in London, aims to reframe the legacy of James McNeill Whistler (1834-1903), an artist often reduced in public memory to his 1877 libel lawsuit against critic John Ruskin. The show, the UK's first full Whistler survey since 1994, highlights his prolific output, evolving style, and belief that art should seek "a more fundamental beauty" beyond mere impression. It brings together many of his celebrated nocturnes and, for the first time, his sketchbooks, though the infamous Nocturne in Black and Gold: The Falling Rocket (1875) could not be loaned.

An outsider artist takes the world's biggest stage with the US Pavilion at the Venice Biennale

U.S. artist Alma Allen, a self-taught sculptor from Utah who works in Mexico, has been selected to represent the United States at the Venice Biennale with his exhibition "Call Me the Breeze" at the U.S. Pavilion. The selection process was fraught and opaque, with institutions declining to bid for the commission due to concerns about administration politics after the open call removed diversity, equity and inclusion language in favor of promoting "American values." A prior proposal for artist Robert Lazzarini fell apart after its institutional sponsor backed out, and Allen's project was quickly assembled with the American Arts Conservancy as sponsor and Jeffrey Uslip as curator. Allen, who has lived outside the critical art world for three decades, created a bronze evil eye for the pavilion's exterior and a headless sheep sculpture as a self-portrait of an outsider.

The message behind the US pavilion at the Venice Biennale

The article previews the 61st Venice Biennale, opening May 9 and running through November 22, highlighting early controversies. The five-person Golden Lion jury, led by Brazilian curator Solange Farkas, resigned after declaring they would not consider pavilions from countries under International Criminal Court investigation, targeting the Israel pavilion and its artist Belu-Simion Fainaru. Separately, the US pavilion has drawn scrutiny from the New York Times over its selection process, with commissioner Jenni Parido (a former pet food store owner) tapping curator Jeffrey Uslip and sculptor Alma Allen, bypassing traditional funders like the Ford and Mellon foundations.

Cameron Art Museum partners with Cucalorus on new cinema series

Cameron Art Museum (CAM) in Wilmington, North Carolina, has announced a new film series called CAM at the Movies, produced in partnership with the Cucalorus Film Foundation. The series will take place at Jengo’s Playhouse and feature screenings paired with live conversations with artists, curators, and cultural leaders. The lineup includes three films: "Legacy" (June 26), a short film about the United States Colored Troops; Andy Warhol's "Flesh for Frankenstein" (August 28); and "Always Looking: Titus Brooks Heagins" (December 11), a documentary about the photographer's work. Each screening will be accompanied by discussions with filmmakers, curators, and museum staff, connecting the films to CAM's current exhibitions.

How Tony Albert’s childhood instinct became a radical art practice

Tony Albert, a Girramay/Yidinji/Kuku-Yalanji artist, has spent his life collecting Aboriginalia—kitsch household items from the mid-20th century that feature naive or racist depictions of Indigenous culture. These objects, including ashtrays, velvet paintings, and figurines, form the basis of his upcoming exhibition *Tony Albert: Not A Souvenir* at the Museum of Contemporary Art, curated by Bruce Johnson McClean. Albert's practice transforms these mass-produced artifacts into a powerful critique of colonization, displacement, and erasure.

Beyoncé, Bad Bunny and Heidi Klum take artistic liberties with Met Gala dress code

The 2026 Met Gala, celebrating the opening of the Costume Institute's "Costume Art" exhibition, saw celebrities including Beyoncé, Naomi Osaka, Emma Chamberlain, and Heidi Klum embrace the dress code "Fashion is art" with bold, sculptural, and art-inspired ensembles. Beyoncé wore a custom Olivier Rousteing skeleton dress with a feathered train and diamond crown, while Osaka stunned in a Robert Wun white sculptural dress with a red anatomy-themed reveal. Co-chairs Anna Wintour, Nicole Kidman, and Venus Williams also made notable appearances, with Williams referencing a Robert Pruitt portrait of herself. Many guests drew direct inspiration from art history, such as Lauren Sánchez Bezos channeling John Singer Sargent's "Madame X" and Lena Dunham collaborating with Valentino's Alessandro Michele to depict Artemisia Gentileschi's "Judith Slaying Holofernes."

Landmark Exhibition at the Smithsonian American Art Museum Unites U.S. Bicentennial Photography Surveys for the First Time

The Smithsonian American Art Museum will present "Much Here Is Beautiful: Photography Surveys of the U.S. Bicentennial," a landmark exhibition opening September 18, 2026, that brings together for the first time photography surveys created through a federally funded grant program by the National Endowment for the Arts (NEA) around the 1976 U.S. Bicentennial. Featuring 225 photographs by more than 70 photographers, the show draws on the museum's holdings and collections nationwide, including previously unseen works, and places them in the context of federal survey photography dating back to the 19th century.

NADA’s Heather Hubbs on Building the Fair Into an Art-World Mainstay

Heather Hubbs, executive director of the New Art Dealers Alliance (NADA), reflects on the organization's evolution from a grassroots initiative into an international coalition with over 250 gallery members and fairs in New York and Miami. The 12th edition of NADA New York returns to the Starrett-Lehigh Building from May 13–17, featuring more than 100 galleries and the return of the Curated Spotlight, organized by curator Anthony Elms in partnership with TD Bank. Hubbs discusses the fair's growth, its commitment to supporting galleries and artists year-round, and highlights 51 first-time exhibitors and experimental works by artists like Chang Sujung and Douglas Rieger.

Parakeets, Lemons, Flowers in a vase at CADAN OTEMACHI

An exhibition titled "Parakeets, Lemons, Flowers in a vase" is on view at CADAN OTEMACHI in Tokyo from April 21 to September 5, 2026. Organized by Misako & Rosen and Galerie Saint Guillaume, the show features works by artists Richard Aldrich, Daan van Golden, and Henri Matisse.

Metropolitan Museum receives $23m to endow internship programme

On 30 April, the Metropolitan Museum of Art announced a $23m pledge from the Rubio Butterfield Foundation, led by newly elected trustee Jennifer Rubio and her husband Stewart Butterfield, to permanently endow the museum's internship program. The internships, offered for nearly 30 years with 100 participants annually, have only been paid since 2021. The article also explores broader trends in museum philanthropy, featuring insights from former directors Gary Vikan, Gary Tinterow, and Maxwell Anderson on how donors are often guided to fund endowments for curatorial positions, operations, or awards rather than art acquisitions.

Art Show in London Canceled Over Allegations of Antisemitism from Pro-Israel Group

An exhibition by artist Matthew Collings at Delta House Gallery in London was canceled after UK Lawyers for Israel raised allegations of antisemitism. The show, titled "Drawings Against Genocide," had previously been displayed in Margate, where a review in the Telegraph described the works as "dripping with Jew-hate." One drawing depicted Sotheby's owner Patrick Drahi eating babies alive, while others showed Jews with horns or standing on skulls. Tom Berglund, chairman of Pineapple Corporation, which owns Delta House, said the exhibition was arranged without consultation and expressed hope for resolution in the Middle East. Collings defended the work on Instagram, arguing it satirizes the use of art to whitewash what he called "Zionist atrocity."

Amalia Pica at Herald St

Herald St in London is presenting "Daisy Chain," an exhibition of new work by Argentine-born, London-based artist Amalia Pica, running from March 19 to May 16, 2026. The show includes a press release, checklist, and 14 exhibition images documented by photographer Jack Elliot Edwards.

Sahar Khoury, RJ Messineo at The Green Gallery

The Green Gallery in Milwaukee is presenting a two-person exhibition featuring works by artists Sahar Khoury and RJ Messineo, running from April 10 to May 16, 2026. The show includes 31 images documenting the exhibition, with no videos or text descriptions provided in the press release.

ISA Art Gallery’s Biophilia Exhibition

Deborah Iskander, founder of ISA Art Gallery in Jakarta, launched the gallery's latest exhibition titled 'Biophilia' at its location in Wisma BNI 46. The gallery, established in 2014, has focused on exhibiting women artists and diaspora Indonesian artists since 2021. The exhibition continues this curatorial direction, featuring works that explore the connection between nature and human experience.

Kumu to unveil Kristi Kongi's largest solo exhibition 'Chromatic Drift'

Estonian painter Kristi Kongi's largest solo exhibition, 'Chromatic Drift,' will open at the Kumu Art Museum on May 22. The exhibition fills the museum's great hall, courtyard, and windows with new works featuring earthy tones like purple, brown, and burgundy, described by curator Ann Mirjam Vaikla as reflecting the aesthetics of the Anthropocene. The show is accompanied by a book with essays by Sara Garzón, Sirje Helme, and Vaikla, and includes works created during Kongi's residency at Cerámica Suro in Guadalajara, Mexico.

Confronting audiences with the real history

Carla Hemlock, a Kanien’keha:ka artist, has seen a surge in interest from curators and institutions, allowing her to work at her own pace. Her collaborative installation with her son, filmmaker Raohserahawi Hemlock, titled *In the Arms of the Natural World*, has been donated to the Montreal Museum of Fine Arts (MMFA) and is now on view in the exhibition *Rising Suns: Art from the Confederacies of the Great Lakes and Rivers*. The piece, featuring three quilts and two films, explores the legacy of residential schools with what the artists describe as absolute delicacy and care.

In the Curator’s Words: New Balboa Park exhibit showcases the work of LGBTQ artists

Artist RD Riccoboni curated a new exhibition titled "ArtSpectrum 2026" at Gallery 21 in Balboa Park, showcasing the work of 12 LGBTQ artists from San Diego. The show runs from May 5 through June 1, 2026, and was produced in collaboration with the Village Arts and Education Foundation and Patric Stillman of The Studio Door. Featured artists include Miguel Camacho-Padilla, Trevor Copenhaver, Tommy Diethert, Don Grant, Brian Hicks, Carole Kuck, Martin Luera, Danne Sadler, Stefan Talian, and Tim Weedlun, with works spanning painting, sculpture, ceramics, and stained glass.

Art Notes, April 29

This article from the 'Art Notes' column covers several local art events in Ocean County, New Jersey. John Meehan's oil painting 'Enjoying the Sunshine from the Shadows' is featured as cover art for the LBI Artist Studio Tour map. Suzanne Pasqualicchio's exhibit 'That’s Life: Little by Little' is on display at the Lacey branch of the Ocean County Library through May, with a reception on May 2. The Long Beach Island Foundation of the Arts and Sciences (LBIF) is hosting a pottery course for beginners aged 55 and older, funded by a Creative Aging Initiative grant, along with an upcycled patchwork sweatshirt workshop and the 28th annual Works on Paper national juried exhibition juried by Joanna Sheers Seidenstein of The Metropolitan Museum of Art. A photography exhibit by Don Edwards titled 'Nature in Ocean County' is also showing at the Waretown library branch.

Star of the Wilderness Exhibition celebrating the Publication of "Paint of This Planet” Volume III

ShugoArts in Tokyo presents 'Star of the Wilderness,' an exhibition by Japanese artist Masato Kobayashi celebrating the publication of the final volume of his autobiographical novel trilogy *Paint of this Planet*. The show features new works, including two large-scale paintings—'Artist and the Model' (over 2.6 meters) and 'Star of the Wilderness'—that exemplify Kobayashi's distinctive method of stretching canvas onto its frame while painting directly with his hands. The exhibition traces his journey from Kunitachi, Tokyo, to Ghent, Belgium, where he was discovered by curator Jan Hoet, and later to Tomonoura, Hiroshima, highlighting how his paintings emerge from specific places and moments.

Lionel Wendt: The Politics of the Male Nude

ArtReview publishes an essay by Qingyuan Deng analyzing the first US solo exhibition of Lionel Wendt's photographs at American Art Catalogues in Manhattan's West Village. The show presents Wendt's haunting gelatin silver prints of male nudes, still lifes, and solarized images, positioning him as a canonical figure of South Asian modernism. Deng argues that while the exhibition correctly identifies homoerotic desire in Wendt's work, it over-relies on queer theory's framework of opacity and fails to fully address the political radicality of Wendt's practice under British colonial rule in Ceylon, where homosexuality was criminalized under the 1883 Penal Code.

Chiara Camoni on Representing Italy at the 61st Venice Biennale

Chiara Camoni, the artist representing Italy at the 61st Venice Biennale, discusses her upcoming pavilion installation titled "Con te con tutto" in an interview with ArtReview. The single installation will fill the entire Italian Pavilion in the Arsenale, combining existing and new works that incorporate ceramic, stone, plant elements, industrial waste, plastics, and found objects. Camoni emphasizes the choral dimension of her practice, involving family, neighbors, friends, schools, and museum groups in the creative process, thereby expanding the concept of authorship. She notes that her project aligns with the Biennale's curatorial theme "In Minor Keys" by Koyo Kouoh, focusing on monumentality defined not by scale but by reiteration and presence.

Venice Biennale’s jury resigns

The entire jury of the 61st Venice Biennale, presided by Brazilian curator Solange Farkas and comprising four other curators, resigned just nine days before the exhibition's scheduled opening on 9 May 2026. The jury had announced it would not award prizes to countries whose leaders are charged with crimes against humanity by the International Criminal Court, a move widely understood to target Israel and Russia. In response, the Biennale's organisers cancelled the prize-giving ceremony and will instead award Golden Lions via a popular vote among ticketholders. The row escalated further when the Israeli representative, sculptor Belu-Simion Fainaru, accused the jury of discrimination and threatened legal action, prompting intervention from Italy's culture ministry.

2026 Busan Biennale 'Dissident Chorus' turns its attention to sound amid an overexposure to the visual

The 2026 Busan Biennale, titled "Dissident Chorus," will open on August 29 across three venues on two of Busan's islands, featuring 44 artists and teams from 23 countries. Conceived as a "polyphonic score" in three movements, the biennale will take place at the Busan Museum of Contemporary Art on Eulsukdo Island, a former ship-equipment warehouse on Yeongdo Island, and the former Busan Nam High School. Co-directed by Evelyn Simons and Amal Khalaf, the exhibition deliberately emphasizes sound, performance, choreography, and club culture over traditional visual art objects, with artists including Joshua Serafin, Natasha Tontey, Eric Baudelaire, and Korean participants Park Hyun-sung, Suki Seo-kyeong Kang, and Lim Min-ouk.

Amoako Boafo Drew on Venice’s Rich Creative Heritage for His First Solo Show in Italy

Amoako Boafo, the Ghanaian artist known for his finger-painted portraits of stylish Black sitters, opened his first solo show in Italy at the Museo di Palazzo Grimani in Venice during the 61st Venice Biennale. Titled "It doesn’t have to always make sense" and produced by Gagosian, the exhibition runs through November 22 and features Boafo's paintings alongside works by friends and collaborators, including poems by Raphael Worlasi Langani and a sculpture made with Stephen Allotey. The show also includes a video documenting Boafo's life and a "heroine wall" of portraits honoring women he admires, such as curator Koyo Kouoh.

MoMA PS1 chief curator has a vision for Art Basel’s outsized sector, Unlimited

Ruba Katrib, Chief Curator and Director of Curatorial Affairs at MoMA PS1, has been appointed curator of Art Basel's Unlimited sector for 2026. Unlimited is a dedicated platform for large-scale installations, sculptures, wall paintings, and video works. Katrib, a Syrian American curator known for bold exhibitions and amplifying emerging voices, will select around 69 projects from over 100 gallery proposals to create a coherent curatorial narrative within a 16,000 m² space. She succeeds Giovanni Carmine, director of the Kunst Halle Sankt Gallen.

A Long-Overdue Reckoning With Nazi-Looted Art on exhibit at the Musée d’Orsay, Paris

The Musée d'Orsay in Paris has opened a new permanent gallery titled "À qui appartiennent ces œuvres ?" ("To whom do these works belong?") dedicated to MNR (Musées Nationaux Récupération) artworks—pieces recovered after World War II that have not yet been returned to their rightful owners. The single-room exhibition displays thirteen works from the 225 "artistic orphans" held by the museum, including paintings by Pierre-Auguste Renoir, Edgar Degas, and Alfred Stevens. Curators have suspended several works between glass panels to expose the backs of the canvases, revealing inventory stamps and gallery labels that trace their journey from Jewish homes into the Nazi art machine.

US artist takes stage in Venice exhibition

U.S. artist Alma Allen, a self-taught sculptor based in Mexico, has mounted an exhibition titled "Call Me the Breeze" at the U.S. Pavilion for the Venice Biennale after a fraught selection process. The process, which removed language on diversity, equity, and inclusion in favor of promoting "American values," caused several institutions to withdraw from vying for the commission. Allen created a bronze evil eye for the pavilion's exterior to ward off bad vibes, and his show includes a dozen new works alongside pieces from the last 20 years. The prior proposal for artist Robert Lazzarini fell apart after its institutional sponsor backed out, leading to a new project with the American Arts Conservancy as sponsor and Jeffrey Uslip as curator.

Postcard from North Carolina

The Nasher Museum of Art at Duke University is celebrating its twentieth anniversary with the exhibition "Everything Now All at Once," on view from August 21 to November 1, 2026. The show gathers landmark works from the museum's contemporary collection, emphasizing artists and perspectives historically excluded from dominant narratives. Curated by director Trevor Schoonmaker and curator Dr. Xuxa Rodriguez, the exhibition is presented as an evolving visual mixtape rather than a fixed archive, reflecting the cultural exchange of North Carolina's Research Triangle.

The Kiran Nadar Museum of Art and Christie's Unveil 'The Meeting Ground: Scenes from the KNMA Collection' - Christie's

The Kiran Nadar Museum of Art (KNMA) in New Delhi and Christie's London have announced a major institutional exhibition titled 'The Meeting Ground: Scenes from the KNMA Collection,' running from 16 July to 21 August 2026 at Christie's King Street. The show brings together modern and contemporary works alongside folk and indigenous art from South Asia, curated by Akansha Rastogi with a team of curators. It features artists such as M.F. Husain, S.H. Raza, Zarina Hashmi, and Jangarh Singh Shyam, and is part of KNMA's ongoing international programme.

Biennale Arte 2026: which national pavilions strike us and why

The 61st International Art Exhibition of La Biennale di Venezia, titled "In Minor Keys" and curated by Koyo Kouoh (who passed away in May 2025), opened amid intense controversy over its artist list and geopolitical tensions. Protests erupted against the participation of Israel and Russia, with a petition signed by 22 countries to exclude Russia, threats from the European Commission to suspend funding, and the resignation of the international jury. Around 18 national pavilions staged strikes and partial closures to denounce the normalization of Israel's presence and precarious labor in the art world. The Austria Pavilion's performance by Florentina Holzinger, featuring a girl hanging upside down inside a tilting bell, became a viral symbol refocusing attention on art itself.