Grackle Art Gallery presents "Blank" opening reception

Grackle Art Gallery is set to host "Blank," a group exhibition curated by the artist duo Kickpigeon Kids. Featuring works from students and affiliates of The Alternative Art School, the show explores the conceptual theme of blankness as a site of limitless potential and unsaid narratives. The curators, Cosmo Jones and Max Marshall, employ an experimental approach by integrating the artists' works with found objects and ephemera to create a singular, immersive installation.

Cosanti Originals Debuts New Artist Exhibition

Mesa-based artist Talia Dudley has unveiled her latest solo exhibition, “SHROUD,” at the Cosanti Originals Gallery in Paradise Valley. The collection features large-scale paintings, some measuring up to 80 by 60 inches, which were developed during Dudley’s recent artist residency at Arcosanti. The works utilize gestural strokes and heavy layering to explore the "architecture of the unconscious," drawing direct inspiration from the unique structural environment and hidden spaces of the Arcosanti site.

Israeli Artist’s Show in Mexico City Closes After Antisemitic Harassment

An exhibition by Israeli artist Amir Fattal at König gallery in Mexico City was forced to close a week early after a campaign of antisemitic harassment escalated from online abuse to physical protests and vandalism. Vandals spray-painted swastikas, Stars of David, and the phrase "here there are terrorists" on the gallery's facade, and protesters gathered outside calling the artist a murderer and Mossad agent.

François Ozon’s 'The Stranger': A Film Between Surface Aesthetics and Political Reinterpretation

“Lo straniero” di François Ozon. Un film tra estetica delle superfici e rilettura politica

Director François Ozon has adapted Albert Camus’s existentialist masterpiece 'The Stranger' into a new feature film, premiering at the 82nd Venice Film Festival. Shot in stark black and white by cinematographer Manuel Dacosse, the film departs from the 1967 Luchino Visconti adaptation by leaning into a cold, clinical aesthetic inspired by Michelangelo Antonioni. The narrative follows Meursault, an emotionally detached clerk in colonial Algiers, whose impassive reaction to his mother's death and the subsequent senseless murder of an Arab man leads to his legal and moral condemnation.

Treviso is a Painted City: The Benetton Foundation Details Its Research

Treviso è una città dipinta. La Fondazione Benetton racconta tutto nelle sue ricerche

The Fondazione Benetton Studi Ricerche has unveiled the results of its decade-long multidisciplinary project, "Treviso urbs picta," which documents the extensive history of frescoed facades in Treviso, Italy. Spanning the 13th to the 21st centuries, the initiative has produced a comprehensive database of 614 buildings, a scholarly publication, and a topographical map. The project includes a digital archive featuring professional photography and historical mapping to track the evolution and current state of the city's unique painted architecture.

In China, the Margiela Show is Staged Inside a Series of Containers

In Cina la sfilata di Margiela è allestita dentro una serie di container

Maison Margiela has launched a major traveling exhibition in China titled "Artisanal: Our Creative Laboratory," debuting in Shanghai before moving to Chengdu. Designed by OMA/AMO, the open-air showcase features over forty couture creations from the Artisanal line dating back to 1989, uniquely displayed within weathered shipping containers. The project aims to demystify the fashion house's secretive creative process, highlighting the techniques of deconstruction and manipulation that define the brand's aesthetic.

The Flat Gallery in Milan Relocates: New 280 sqm Space Near Central Station

La galleria The Flat di Milano trasloca: nuovo spazio da 280 mq vicino alla Stazione Centrale

The Flat – Massimo Carasi gallery is relocating to a new 280-square-meter space near Milan’s Central Station after 18 years in the Porta Venezia district. To mark the opening on April 9, 2026, the gallery will present "Here… Now!", a group exhibition featuring artists such as Hiva Alizadeh, Michael Johansson, and Leonardo Ulian. The show serves as a retrospective of the gallery’s history since its founding in 2002, showcasing the experimental and international practices that define its program.

Unlearning Optimization – with Heike Geißler

Optimierung verlernen – mit Heike Geißler

Award-winning author Heike Geißler discusses the necessity of resisting constant self-optimization and embracing despair as a response to modern labor conditions. Drawing from her experiences working in an Amazon warehouse, which inspired her book "Saisonarbeit," Geißler argues that the pressure to perform often leads to a "culture of contempt" and that acknowledging systemic failures is a vital form of resistance.

Echo of Dreams: Symbolism in Brussels

Écho des songes. Le Symbolisme à Bruxelles

The Maison Hannon in Saint-Gilles, Brussels, has opened a major exhibition titled "Écho des songes" dedicated to Belgian Symbolism. Following an extensive restoration that removed scaffolding from its 1904 Art Nouveau facade, the historic residence designed by Jules Brunfaut is now fully accessible to the public. The show utilizes the building's restored interiors, including its famous staircase hall and Paul Baudoüin frescoes, to provide a contextual backdrop for the Symbolist movement.

NAFRICA–MASCHERE: The Mask Strikes Back

Curator Simon Njami discusses his exhibition 'NAFRICA–MASCHERE' at the Museo e Real Bosco di Capodimonte, which juxtaposes the fascist anthropological archives of Lidio Cipriani with contemporary artworks. The show utilizes the metaphor of the mask to explore the tension between how individuals are perceived and how they project themselves, specifically addressing the persistence of colonial logic in the modern world. By including artists from Africa, America, and Italy, Njami seeks to move beyond a binary 'colonizer vs. colonized' narrative toward a broader inquiry into human representation and power.

Consequences of Being and the Process of Becoming.

Deborah Roberts’s solo exhibition, 'Consequences of Being,' at The FLAG Art Foundation showcases a significant evolution in her practice, featuring new large-scale paintings, works on paper, and her debut in ceramic sculpture. Her signature collage-based figures are presented as fragmented, composite bodies that challenge fixed notions of Black identity and subjecthood. By blending archival imagery with vernacular signage, Roberts explores how colonial legacies and historical narratives continue to influence the perception of Black bodies across the globe.

In Dim Light, New Histories Emerge

Museo Afro Casa Silvana in Humacao, Puerto Rico, is hosting 'Dim Light: Afro-Puerto Rican Photography,' the first collective exhibition dedicated exclusively to Afro-Puerto Rican photographers. Featuring ten artists from the island and its diaspora, the show explores themes of spirituality, family, and resistance through a lens of self-representation. The works were previously debuted at the 3rd Black Brazil Art Biennial before returning to Puerto Rico for this landmark presentation.

MAFOLOFOLO: Sonic Cartographies of Return

The South African artist collective MADEYOULOOK has unveiled 'Mafolofolo' at Hangar – Centro de Investigação Artística in Lisbon. Curated by Margarida Mendes, the installation utilizes sound, oral histories, and liberation songs to map the complex relationships between land, memory, and dispossession in northern South Africa. The work, which originally debuted at documenta fifteen, has been reconfigured for this specific research-driven setting to explore themes of extraction and survival.

An Artist Embraces the Metaphorical Cracks of Matzah

Artist Emily Drew Miller has created a series of collograph prints titled "Matzot" by running sheets of matzah through a printing press. The resulting black-and-white impressions capture the intricate textures and cracks of the unleavened bread, transforming the traditional Passover food into a medium for her grid-based painting practice. The series began as a personal ritual around the holiday and has evolved into a decade-long exploration.

“Jamea Richmond-Edwards: Another World and Yet the Same” at Hamilton College’s Wellin Museum of Art

The Ruth and Elmer Wellin Museum of Art at Hamilton College is hosting "Jamea Richmond-Edwards: Another World and Yet the Same," a major solo exhibition featuring the work of the Detroit-born artist. The show highlights Richmond-Edwards’ signature large-scale collages and immersive installations that blend fashion, mythology, and personal history to explore Black Americana and Afro-futurism.

Inside a Black Panther Family Album

Scholar Leigh Raiford examines the personal family archives of Black Panther Party leaders Kathleen and Eldridge Cleaver, specifically focusing on photographs taken during their period of exile in the 1970s. The analysis centers on how domestic objects, such as a zebra-print carver chair and various African artifacts, transitioned from private household items to iconic symbols of Black Power and cultural nationalism in the public sphere.

Mint Museum exhibit reimagines feminine form as art

The Mint Museum Uptown is set to debut "Mint to Be: The Feminine Body as Costume Art" on May 1, an exhibition that explores the feminine form through the lens of fashion and identity. Curated by Professor Perrine DeShield-Jenkins, the showcase serves as a Met Gala–inspired experience featuring interactive narratives, photo activations, and a high-stakes runway competition where 20 Charlotte-based designers will vie for a $1,000 prize for couture that best reimagines the body as a living canvas.

Unesco-protected monastery in Lviv damaged by Russian drone strike

A Russian drone strike on the historic center of Lviv, Ukraine, on March 24 damaged multiple buildings, including the 17th-century Bernardine Monastery, a UNESCO World Heritage site. At least 27 people were injured in the attack, which saw drones hit the area of St. Andrew's Church, part of the monastery complex.

The week around the world in 20 pictures

The Guardian's weekly photo feature presents a global visual summary of the past seven days, compiled by leading photojournalists. The selection includes powerful and sometimes distressing images covering major international events, from the ongoing crisis in the Middle East and a Russian drone attack in Kharkiv to a Saharan dust storm in Crete and the launch of NASA's Artemis II mission.

Gê Viana: Afterlives of the African Diaspora

Artist Gê Viana's monumental sound system installation, 'A colheita de Dan (The Harvest of Dan, 2025)', was a standout work at the most recent Bienal de São Paulo. The piece, a towering radiola painted in black, white, and red, combines photomontages of Black reggae parties, Afro-Indigenous religious shrines, and medicinal plants, while playing a loop of Brazilian reggae and songs from Maranhão's quilombo communities.

Mexico faces sales of pre-Columbian art

Le Mexique face aux ventes d’art précolombien

The Mexican government is facing ongoing legal and diplomatic hurdles in its attempts to halt the sale of pre-Columbian artifacts in Paris. Despite formal protests from the Mexican embassy citing national heritage laws from 1827, auction houses like Millon continue to proceed with sales, generating millions in revenue. French authorities and legal experts maintain that Mexican national laws do not supersede French jurisdiction, which largely adheres to the 1970 UNESCO Convention regarding the illicit import and export of cultural property.

The Nicéphore-Niépce Museum is Standing Still

Le Musée Nicéphore-Niépce fait du surplace

The Musée Nicéphore-Niépce in Chalon-sur-Saône remains in a state of stagnation as long-promised modernization plans continue to stall. Despite over twenty-five years of proposals for a new facility or a "Cité de l'image," the project has become a political "sea serpent," hampered by budget cuts, staff reductions, and shifting municipal priorities. Most recently, the city declined to renew the contract of Fannie Escoulen, a former Ministry of Culture official hired to steer the project, further signaling a lack of progress.

YBCA exhibitions spotlight identity, history and community in San Francisco

The Yerba Buena Center for the Arts (YBCA) in San Francisco recently celebrated the opening of two major exhibitions, "Diedrick Brackens: gather tender night" and "Conjuring Power: Roots & Futures of Queer & Trans Movements." The event drew over 1,000 attendees and featured leadership from the institution alongside the featured artists and curators.

Israeli artist adopts classical motifs to frame contemporary trauma in new exhibit

Israeli artist Zoya Cherkassky-Nnadi has unveiled a new body of work that utilizes the visual language of Old Masters and classical mythology to process the collective trauma of the October 7 attacks. By referencing iconic compositions from art history, Cherkassky-Nnadi creates a bridge between historical depictions of suffering and the immediate, raw experiences of contemporary Israeli life, offering a formal structure to otherwise unspeakable events.

Freshwater skatepark fundraiser launches with packed opening night and skate deck art auction

Freshwater Parish Council has launched a community-driven fundraiser featuring a skate deck art auction to support the development of a new skatepark and pump track on the Isle of Wight. The initiative kicked off with an opening night at the Newport and Carisbrooke Community Centre, showcasing custom-designed decks by local artists alongside historical displays of the island's skating culture. The event also secured a significant financial boost through a donation from High Sheriff Jacqueline Gazzard.

Jennie Jieun Lee Transforms Community-Sourced Kilns into Sculptural Installations

Artist Jennie Jieun Lee has unveiled a series of new sculptural installations that utilize community-sourced kilns as their primary medium. By repurposing these industrial tools into expressive, ceramic-based works, Lee explores the intersection of domestic labor, communal history, and the physical transformation of clay.

Museum of the African Diaspora Marks 10 Years of Its Emerging Artists Program

The Museum of the African Diaspora (MoAD) in San Francisco is celebrating the 10th anniversary of its Emerging Artists Program (EAP) by announcing its 2026-2027 cohort. Selected from hundreds of applicants, Bay Area artists Jasmine Ross, Demetri Broxton, Dorian Reid, and Tahirah Rasheed will each receive a fully supported solo exhibition at the museum. The program, which has supported 30 artists since 2015, provides crucial institutional backing, including curatorial guidance and production resources, to creatives at pivotal career moments.

Springfield couple sharing Route 66 artwork for centennial kickoff

Photographers Randy Bacon and Heidi Herrman-Bacon have launched their first collaborative exhibition, "Two Voices, One Road," at the C-Art Gallery in Springfield. The show features 37 black-and-white photographs and 18 mixed-media works that document the architecture and human history of Route 66. While Randy Bacon focuses on the soulful portraiture of desolate structures and signs, Heidi Herrman-Bacon utilizes vintage handkerchiefs and photography to highlight the often-overlooked contributions of women who maintained the diners and motels along the historic highway.

Pettit’s senior art exhibition at UAM Glassblock Gallery

Denver Pettit is presenting her senior art exhibition, titled "From the Backyard," at the University of Arkansas at Monticello’s Glassblock Gallery from April 10–15, 2026. The showcase features a series of oil paintings, including the work "Filbert," and concludes with a public reception on the final evening.

Opening reception at Arcata’s Fire Arts Gallery

The Fire Arts Center Gallery in Arcata is hosting a new exhibition featuring ceramic works by Madison Hunt, Kit Davenport, David Jordan, and Leah Ritter. Running through March and April, the show highlights a diverse range of techniques, from Hunt’s use of traditional Korean sanggam inlay to Ritter’s botanical sculptures influenced by her background as a pastry chef. An opening reception is scheduled for April 11, offering the community a chance to engage with the artists and their latest sculptural and functional pieces.