Brooklyn-based artist Duke Riley has launched a public search for the remains of a goat named Skellig Mór, a former mascot of the USS Vermont battleship in the early 1900s. His campaign involves missing posters, a newspaper ad in the Boston Globe, and a dedicated hotline, forming the centerpiece of his new solo exhibition, "The Repatriation of King Skellig Mór," at Praise Shadows Art Gallery in Brookline, Massachusetts.
The estate of movie poster artist John Alvin is seeking a single buyer for his entire archive of over 1,000 pieces, including original posters, sketches, and illustrations from the 1970s through the 1990s. The collection, stewarded by his widow Andrea Alvin since his death in 2008, features iconic work for films like E.T., The Lion King, and Blade Runner.
Ten years after London dealer Vanessa Carlos launched the gallery sharing initiative Condo in the East End, the collaborative model has become a key survival strategy for galleries of all sizes, especially smaller ones. The latest edition of Condo London runs from Saturday to February 14. Brunette Coleman, a photography-forward gallery launched in 2023 by Anna Eaves and Ted Targett in Bloomsbury, exemplifies this trend: it has grown quickly through cooperative exhibitions rather than costly fairs, participating in Condo for the second time this year by hosting Milan’s Zero gallery. The gallery represents six international artists, and its artist Nat Faulkner won Frieze London’s Emerging Artist Award in 2024, with a solo show opening at Camden Art Centre.
Ralph Rugoff, curator of the 2019 Venice Biennale, is leaving his post as director of the Hayward Gallery after 20 years. The Southbank Centre announced his departure for spring 2026, after which he will work as an independent curator and writer. During his tenure, the Hayward staged acclaimed shows like “Kiss My Genders!,” surveys for Kader Attia and Tracey Emin, and Rugoff was named an Officer of the Order of the British Empire in 2019. He previously led the Wattis Institute for Contemporary Art in San Francisco.
At 77, painter Archie Rand continues to create vibrant, narrative-driven works from his expansive Brooklyn studio. A new exhibition of his "Heads" series at Jarvis Art, co-curated by Max Werner and Lindsay Jarvis, features paintings that plunge viewers into the middle of unfolding stories, such as "Duck" (2025), where children sail a catboat through rough seas. Rand describes his process as chasing what lies "around the corner" in his compositions, prioritizing the mystery of the background over the central figures.
LA Louver, one of Los Angeles's longest-running galleries, is closing its physical space in Venice, California, after 50 years and shifting to private dealing. The gallery, founded in 1975 by Peter and Elizabeth Goulds, has shown artists including Marcel Duchamp, David Hockney, Ed Ruscha, and Doris Salcedo, mounting over 660 exhibitions. The Venice space will host select exhibitions by appointment, while the gallery will focus activities on a private warehouse in LA's West Adams neighborhood. The Huntington library, museum, and botanical garden will receive LA Louver's archive of photography, correspondence, and documents.
Musician Jarvis Cocker and his wife, creative consultant Kim Sion, will curate an exhibition titled “The Hodge Podge” at the Hepworth Wakefield in the U.K., opening in May 2027. The show will feature artworks selected by the couple that challenge conventional definitions of art, spanning diverse media and time periods, with artists including Peter Doig, Barbara Hepworth, Jeremy Deller, and Emma Kunz. The exhibition will be bookended by an immersive Dreamachine, a 1959 light-art device by Brion Gysin and Ian Sommerville. Cocker and Sion have outlined their curatorial philosophy in a Hodge Podge Manifesto, celebrating beauty in chaos and disorder.
Artist Leah Ke Yi Zheng's exhibition "Change, I Ching (64 Paintings)" at the Renaissance Society in Chicago presents a series of oil and acrylic paintings on silk, each depicting one of the 64 hexagrams from the ancient Chinese divination text, the I Ching. The artist physically altered the gallery's architecture to control light and create a specific viewing rhythm, synthesizing materials and techniques from Chinese ink painting traditions with Western geometric abstraction and oil painting.
Researchers at the Art Gallery of Ontario have identified the artist and sitter of an 18th-century portrait of a young Black woman. The painting, purchased in 2020, is now titled 'Portrait of Eleonora Susette' (1775), revealing the subject as a woman born around 1756 in the Dutch colony of Berbice (now Guyana). The artist is Berlin-born Jeremias Schultz, who painted the portrait in Amsterdam after Eleonora Susette was brought there by her enslaver, the artist's cousin.
Madeleine Grynsztejn, director of the Museum of Contemporary Art Chicago (MCA) since 2008, has announced she will step down at the end of 2025 after 18 years in the role. During her tenure, she oversaw an $82 million renovation, record attendance, major exhibitions including Kerry James Marshall's first museum retrospective and a Takashi Murakami show, and initiatives for gender parity in the collection. She also tripled the museum's endowment and nearly doubled its operating budget through donor engagement.
Dasha Zhukova, the former fashion designer, magazine publisher, and museum founder, has launched a new real estate development company called Ray. Its first project, Ray Harlem, is a 21-story residential building on Fifth Avenue in Harlem, built in collaboration with the National Black Theatre (NBT). The development replaces NBT's original building and integrates a 27,000-square-foot theater as its centerpiece, with 222 apartments above, a quarter of which were offered through an affordable housing lottery. The building features site-specific commissioned artworks by emerging Black artists such as Jurell Cayetano, Freddy Carrasco, Nikko Washington, and Ellon Gibbs, and was designed by Frida Escobedo Studio with Handel Architects.
The Whitney Museum of American Art is preparing to move into a new Renzo Piano-designed building in New York's Meatpacking District, set to open to the public about a year from now. The new downtown location is vastly larger than its current Marcel Breuer building on Madison Avenue, with 50,000 square feet of indoor exhibition space—a 33 percent increase—and a total of 220,000 square feet, nearly triple the size of the old space. The museum's best attendance year was 372,000 visitors in 2009-10, far below MoMA's 3.22 million that same year, but the new building's proximity to the High Line and tourist-heavy neighborhood is expected to dramatically boost visitor numbers.
The article discusses the newly opened David Geffen Galleries at the Los Angeles County Museum of Art (LACMA), describing the viewing experience as seductive. The galleries are a major component of LACMA's ongoing transformation, designed by architect Peter Zumthor.
The Los Angeles art scene is preparing for a major surge of activity anchored by the return of Frieze Los Angeles to the Santa Monica Airport from February 26 to March 1. The week features a dense schedule of satellite fairs including the inaugural West Coast edition of Indianapolis’s Butter Fine Art Fair, the boutique Post-Fair in a historic Art Deco post office, and the poolside Felix Art Fair at the Hollywood Roosevelt. Major gallery presentations include James Turrell at Pace, Sam Gilliam at David Kordansky, and a high-profile opening for Christina Quarles at Hauser & Wirth.
New York City’s gallery scene is set for a major wave of activity between March 10 and March 15, 2026, with dozens of new exhibitions opening across Manhattan. High-profile showcases include Sam Gilliam and Chuck Close at Pace Gallery, Maria Lassnig at Petzel, and Paul Chan at Greene Naftali. The week features a diverse range of media, from David Armstrong’s portraiture at Artists Space to Bat-Ami Rivlin’s industrial installations at Management.
This month’s gallery circuit features a series of high-profile solo exhibitions across the United States, headlined by a museum-quality survey of Jasper Johns at Gagosian. The selection highlights diverse artistic approaches, from Johns’s seminal 1970s crosshatch paintings to Yuko Mohri’s kinetic installations at Tanya Bonakdar and Gabriel de la Mora’s material-focused conceptual works at Perrotin. Other notable shows include Christina Quarles’s new paintings at Hauser & Wirth, which explore themes of loss and resilience.
City Gallery Wellington Te Whare Toi has announced a major retrospective of British artist Cornelia Parker, set to open on 10 October 2026 and run through 7 March 2027. The exhibition, which director Charlotte Davy describes as a lifelong ambition, will feature Parker's large-scale immersive installations known for themes of destruction, reconstruction, and transformation—including works that involve exploded and suspended objects. The show follows the gallery's history of presenting landmark exhibitions by female artists such as Yayoi Kusama, Cindy Sherman, and Hilma af Klint. The exhibition is curated by City Gallery Wellington's Senior Curator Aaron Lister and UK-based Andrea Schlieker, former Director of Exhibitions and Displays at Tate Britain and Director at White Cube London.
Gagosian is collaborating with filmmaker Wes Anderson and curator Jasper Sharp to present an exhibition of Joseph Cornell's work in Paris. Titled *The House on Utopia Parkway*, the show will feature a recreation of Cornell's New York studio designed by Anderson, housing over 300 objects and curiosities from the artist's collection, including iconic works like "Pharmacy" (1943) and "Untitled (Pinturicchio Boy)" (1950). The exhibition runs from December 16 through March 14 at Gagosian's rue de Castiglione space, marking Cornell's first solo presentation in over four decades.
Art Basel Paris officially opened on October 22, 2024, with a new VIP tier called 'Avant-Première' granting early access to favored collectors. The fair saw a shift in mood from socializing to business-focused transactions, with multimillion-dollar works on offer, including a Gerhard Richter painting reportedly sold for over $20 million by Hauser & Wirth. Pre-fair events included dinners hosted by Marian Goodman for artist Paul Sietsema, gallery openings at Salon 94's new Palais-Royal space, and a VIP evening at the Musée d'Orsay for a Bridget Riley exhibition. American galleries and collectors dominated the week's parties, with events by David Zwirner, Gladstone, and others.
Several major Van Gogh exhibitions are scheduled for 2026 across Japan and the Netherlands. In Nagoya, the Aichi Prefectural Museum of Art hosts "Van Gogh's Home: The Van Gogh Museum" (January–March), featuring 24 paintings and five drawings from the Amsterdam museum. Amsterdam's Van Gogh Museum presents "Yellow: More than Van Gogh's Favourite Colour" (February–May), exploring the color yellow through Van Gogh's Sunflowers and works by other artists. A touring exhibition from the Kröller-Müller Museum, "The Grand Van Gogh Exhibition," travels from Kobe to Fukushima and Tokyo with 37 paintings and 20 drawings. The Kröller-Müller Museum itself plans "All Van Goghs" (September 2026–January 2027), reuniting its entire collection for the first time since 1984. Den Bosch's Noordbrabants Museum examines Van Gogh's influence on Jan Sluijters in "Jan and Vincent: About Light" (October 2026–February 2027). Several ongoing exhibitions continue into early 2026, including "Van Gogh and the Roulins" and "Captivated by Vincent" at the Van Gogh Museum, and "Van Gogh and the Potato" in Den Bosch.
This fall 2025, New York City will see the reopening of the Studio Museum in Harlem after a seven-year closure, with a new 82,000-square-foot building designed by Adjaye Associates and Cooper Robertson. The museum will debut with a major exhibition on Tom Lloyd, archival displays, and commissions by Camille Norment and Christopher Myers. The Metropolitan Museum of Art will present the first exhibition focused on Man Ray's rayographs, featuring 60 photograms and 100 other works. The Brooklyn Museum will host New York's largest Monet exhibition in over 25 years, reuniting 19 of his Venetian paintings. The New Museum will also unveil a 60,000-square-foot expansion by OMA / Shohei Shigematsu and Rem Koolhaas, doubling its exhibition space.
Takashi Murakami is having a landmark year, with a solo exhibition at Gagosian London, a Major League Baseball collaboration, and the reissue of his Louis Vuitton line with Marc Jacobs. His largest U.S. exhibition in two decades, "Stepping on the Tail of the Rainbow," opened at the Cleveland Museum of Art, featuring over 100 works. The show's centerpiece is an architectural collaboration inspired by the TV series "Shōgun," recreating the Yumedono (Dream Hall) from Hōryūji Temple, developed with the show's creators Rachel Kondo and Justin Marks.
British artist and filmmaker Steve McQueen has been awarded the 2024 Erasmus Prize by the Dutch Praemium Erasmianum Foundation. The prize includes a cash award of 150,000 euros (approximately $172,000) and a specially designed booklet featuring the script of the 16th-century scholar Desiderius Erasmus.
The art landscape in Asia is undergoing significant shifts with Art Basel renewing its five-year commitment to Hong Kong and the Centre Pompidou announcing a June opening for its new Seoul branch. Meanwhile, the Ayala Foundation unveiled designs by architect Kulapat Yantrasast for Kontempo, a major new contemporary art center in Manila slated for 2028, and the Kochi-Muziris Biennale appointed Jitish Kallat as president following the resignation of cofounder Bose Krishnamachari.
A new museum dedicated to M. F. Husain, one of India's most important modernist artists, will open in Doha, Qatar, on November 28, 2025. Officially named Lawh Wa Qalam: M. F. Husain Museum, it is operated under the Qatar Foundation and will be the first museum devoted solely to Husain. The 32,300-square-foot institution, designed based on a 2008 sketch by the artist, will house a newly formed permanent collection spanning paintings, tapestries, photographs, films, installations, and poetry. Highlights include a series of paintings on Arab civilization commissioned by Sheikha Moza bint Nasser and Husain's final work, *Seeroo fi al ardh* (2009), which will have its own gallery. The museum is located in Doha's Education City, home to several US university outposts.
DePaul University has announced the permanent closure of the DePaul Art Museum (DPAM) in Chicago, effective June 30. The decision comes as the private university faces severe financial strain, including a $27.4 million budget deficit that has already led to significant staff layoffs. While the university plans to convene discussions on how the museum's building and its 4,000-object collection might serve future academic needs, the institution as a public-facing museum will cease operations following its final exhibitions in March.
Frank Gehry, the award-winning architect whose revolutionary museum designs reshaped the art world, died on Friday in Santa Monica, California, at age 96 due to a brief respiratory illness. Best known for the Guggenheim Museum Bilbao (1997), Gehry's signature style—featuring sloping, incongruous forms clad in titanium—transformed the architectural landscape of art institutions worldwide. His other major museum projects include the Fondation Louis Vuitton in Paris, the Walt Disney Concert Hall in Los Angeles, and an upcoming Guggenheim museum in Abu Dhabi.
The Frank Lloyd Wright Building Conservancy has acquired 11 original pieces designed by Frank Lloyd Wright for the Price Tower in Bartlesville, Oklahoma, including the lobby direction board, an armchair, three copper tables, two stools, and four embossed copper panels. The acquisition, funded by donors, was made to prevent further sale and dispersal of the items after they were sold without the conservancy's permission in spring 2024, despite being protected under a preservation easement. The artifacts are currently stored in the Dallas area, and the conservancy intends to return them to Price Tower.
The Hepworth Wakefield museum, supported by the Art Fund, has launched a public appeal to raise £3.8 million ($5 million) to acquire Barbara Hepworth's rare 1943 sculpture *Sculpture with Colour (Oval Form) Pale Blue and Red*. The work was purchased by a private collector at Christie's London in March 2024 for the same amount, but the UK government imposed a temporary export ban in December 2024, citing its outstanding historical and aesthetic significance. The museum has until August 27 to raise the remaining £2.9 million; the Art Fund has already contributed £750,000. If the goal is not met, the collector may export the piece.
The Los Angeles County Museum of Art (LACMA) has finally unveiled its new David Geffen Galleries, a $724 million concrete and glass structure designed by Swiss architect Peter Zumthor. Spanning Wilshire Boulevard, the 110,000-square-foot elevated gallery space will house 1,700 works from the museum’s permanent collection, including masterpieces by Francis Bacon, Henri Matisse, and Katsushika Hokusai. The building is scheduled to open to the public on April 19, marking the completion of a massive campus expansion that has been nearly two decades in the making.